Attackers explain how an anti-spam defense became an AI weapon.
love that energy

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@suprorgnism
Attackers explain how an anti-spam defense became an AI weapon.
love that energy
ask and you shall receive.
But wait there's more.....
https://mybricklog.com/blog/bricks-minifigs-corporate-stole-old-mans-200000-lego-collection
the CEO of patreon posted this video about Reckless Benâs account:
bruh
Reckless Ben's investigation into the allegedly stolen $200,000 Lego Star Wars collection just took a weird turn
Reckless Ben, the content creator who recently exploded in popularity after a series of videos investigating a missing Lego Star Wars collection worth $200,000, has fled to Mexico following his arrest by the American Fork Police Department in Utah. The oddly contrived mystery surrounding the justification for Benâs arrest has resulted in a âMormon Mafiaâ conspiracy trending online, as those following the story believe that the owners of Lego aftermarket reseller Bricks & Minifigs, who are accused of stealing the collection, are being assisted by American Fork police due to their connections with the Mormon church.
Reblogging this manually. Op doesn't want credit for fear of being terminated.
KICK THE CAN!
Letâs play the biggest game of kick the can on the internet.
To kick the can, reblog it. I wanna see how long this can go on for.
the oldest reblogs for this post that i can find are from january 2nd of 2013. this can has been getting kicked around tumblr for almost 13œ years now
oh i'm going to misusle and straight up fuckle this knowledge so badly
Iâll always be proud.
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late â80s/early â90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, heâs never worked in animation againâheâs effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin âFeet Manâ Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didnât actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvinâs skull that lodge in Samuel L. Jacksonâs hairpiece). The resultant cuts were actually more permissive than heâd expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (Iâm not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and âworkingâ for another few hours on a second, âtoned-downâ version, and it worked every time.
The reason I bring these up is that the thing that drives censors isnât some extant physical rubrick of what is and isnât acceptable, itâs the idea that they can have absolute power over someone elseâs creative work. Itâs about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
Out of Touch
Out of Touch Thursday
OUT OF TOUCH THURSDAY
but im out of my head when youâre not aroundâŠ
happy birthday.
this is the only out of touch thursday you can reblog this
KONATA OUT OF TOUCH THURSDAY IZUMI IS MY TWIN????!
woaahh happy out of touch birthursday julia
sorry but this video is like a parasitic species to me
Actually making your selfinsert overpowered and friends with all your faves and a hybrid of the coolest species and in a relationship with your crush and the long lost sibling of the villain is called having fun and its cool as fuck
MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE MANIFESTING A GOOD JUNE
Happy Pride!
Every pride, you must reblog this. No exceptions
I love that four different people on my feed scheduled this joyous person to reblog by 8am on June 1. I look forward to seeing this a dozen more times today.