Pathologizing distress benefits psychiatry, hospitals, and pharmaceutical companies, but dampens responses that could dismantle oppression.
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Pathologizing distress benefits psychiatry, hospitals, and pharmaceutical companies, but dampens responses that could dismantle oppression.
Tracklist:
Untitled (Part 1) • Untitled (Part 2) • Untitled (Part 3) • Untitled (Part 4)
Have you listened to Let's Build a Pussy by Harry Pussy (1998)?
Yes, the entire album!
Partially, some but not all songs
No, but familiar with it
Haven't heard of it before
Youtube
Ten Skies - Patricia Taxxon (2024)
Saw yet another bullshit take that everything is about love and love is what makes us human and I will again remind you of the following
1. Reducing humanity to a single emotion will always exclude some people who choose to avoid that emotion, have a complicated relationship with it, or cannot identify/feel it.
2. Not all humans have experienced love in a way that was healthy or safe and assuming that love is a default "good" emotion is potentially hurtful and/or triggering.
And
3. Humans are capable of experiencing dozens of emotions love is just one of these emotions and should not be upheld as more important or worthy than any other emotion.
Keith Rowe / John Tilbury – Duos for Doris [2003]
EAI; Reductionism
Eluding Capture: The Science, Culture, and Pleasure of “Queer” Animals by Stacy Alaimo
The chapter begins with three separate quotes—the one that speaks to me the most is by Bruce Bagemihl and his theory of Biological Exuberance where he defines it as, “above all, an affirmation of life’s vitality and infinite possibilities: a world that is at once primordial and futuristic, in which gender is kaleidoscopic, sexualities are multiple, and the categories of male and female are fluid and transmutable. A world, in short, exactly like the one we inhabit” (51).
Alaimo’s opening sentence is a powerful one, “’Nature’ and the ‘natural’ have long been waged against homosexuals, as well as women, people of color, and indigenous peoples”(51). Queer theory is guilty of trying to fully separate nature/natural from queer desire, attempting to make queer sexuality a uniquely social, human phenomenon. When the reality is that nature is awash with examples of gender and sexual diversity. The question and larger discourse ask; is nature queer? Can nonhuman nature be queer? and if so, what might that mean for other discourses?(What are the implications?) Alaimo states that we need better, ‘more robust and complex’ ways of engaging with materiality, that account for the diversity and ‘exuberance’ of a “multitude of naturecultures” (52).