My guy has found a really weird niche in being typecast as a single dad. Well, if you're good at sth, stick to it!
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My guy has found a really weird niche in being typecast as a single dad. Well, if you're good at sth, stick to it!
Nothing defines the 1980s quite like a headline writer absolutely refusing to let a pun go to waste. Here we have Catherine Bach lamenting the struggle of being synonymous with cut-off denim while simultaneously rocking a red corset that looks like it was designed for a high-fashion barn dance. It’s a fascinating paradox: complaining about the "Hazzard" to one's serious acting career while sporting hair with enough volume to hide a CB radio. You have to respect the hustle, though, when your character's name literally becomes the dictionary definition for a specific cut of shorts, you've achieved a level of cultural immortality that Shakespeare could only dream of.
Sourced from the January 5th, 1985 issue of TV Guide.
Live action Miles Morales shouldn’t go to a big-name actor. This is exactly the kind of role that benefits from someone new or relatively unknown.
There’s so much talent that never gets real opportunities because studios keep cycling through the same small group of familiar faces. Casting someone who hasn’t already been everywhere would make the character feel more authentic and give a breakout chance to an actor who actually needs it.
Miles deserves to feel fresh, not like another case of typecasting the same few people over and over.
Obsessed with actors who get typecast in certain roles, then have that one movie where they got to do something different and they killed it. But it's also so funny if you catch it in reverse... What do you mean Aragorn is also a villain in so many movies?
Let’s talk typecasting!
I began to do a full watch of Kathryn Hahn’s Filmography a few months back, as I went on I decided to start taking some notes on the typecastings I often saw, it’s been interesting actually, basically I’ve looked at sexuality, religion and parent-status. The list isn’t done yet so I won’t go too far into it
BUT
I’ve also been watching a decent chunk of Aubrey Plaza’s filmography when I realised how little of it I had seen.
So Kathryn is 51, Aubrey is 40 - yes there is a chunk of age difference between them but they are close to the same ‘playing age’ for a lot of things. They have done a similar amount of projects - IMDB has Aubrey in 98 and Kathryn in 85 but there are a bunch of credits which are for shorts that aren’t easy to find anymore for Aubrey.
Now I haven’t finished either of their Filmographies yet but I have watched a decent chunk of both and I’ve looked through them enough to be pretty sure I won’t find many more Mum roles for Aubrey in what I haven’t seen.
I don’t count voice work for this because it doesn’t really affect how an actress appears. I can absolutely see that Kathryn has the ‘Mum’ look though.
I have seen Aubrey play a Mum 6 times - two of which she is playing biologically female but is the ‘father.’
Kathryn has played a Mum 34 times..! Pretty sure Aubrey has also never played a visibly pregnant character and has only been pregnant on screen for one role.
It’s amazing to see how much this attests to their individual image both in terms of style and in terms of build - and no I don’t mean weight, I mean that Kathryn is just curvier generally. But it also probably has a lot to say about their early work and the things that created their image as an actor.
Also, just before people say it, Yes for Crossing Jordan Kathryn’s pregnancy was written in to the role but this is the only time that has happened. She was also actually pregnant during the filming of How Do You Know but she would most likely have been cast in the role of the pregnant character before she fell pregnant with Mae, or at least the role was written as a pregnant character without the pregnant actress attachment.
I bring a kind of Artful Dodger vibe to the club they just don’t appreciate.
(Also excuse the very closet cosplay, I’m back up the road again with no supplies)
Role Play
You couldn't look into my eyes
And tell me that lie...only speak of love
When the lights are down
Your voice thick with lust
And nothing else. I didn't even try
Saying it back to go along with the act
No point kidding a kidder
Not content as an undercover lover
This one, that one, and the other...then me
Another baby to toss out with the bath water
Did you flatter yourself I believed you?
I blush for you now and not in the way
I once did; secondhand embarrassment
More intense than my former flattered flush
Deeper than your fleeting interest extended
I knew even then it was pretend
But I told myself I didn't mind at the time
Swallowing practiced prepackaged lines
That was then and now I have no desire
To entertain any more would-be playboys
Who at that only half-assedly try
I could've told you I loved you
But unlike you, I didn't want to lie
Inspired by the prompt: this, that, and the other
Batman: The Animated Series S1 Ep32 - "Beware the Gray Ghost
Credit: History of Batman (@HistoryofBatman)