The Bakemono Zukushi âMonsterâ Scroll (18thâ19th century), unknown artist.
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The Bakemono Zukushi âMonsterâ Scroll (18thâ19th century), unknown artist.
The philippines is cooked. just a heads up to my moots here that I might not be active for a while cause we have to evacuate from this fucking super typhoon bro
PAGASA says Uwan/Fung Wong will reach super typhoon status well before the full force of it hits us in the next 24-36 hours or so, and fam, this storm is literally bigger than our entire island (Luzon). In fact, the weather service says it could cover all of the Philippines and then some.
Our place is in one of the most geographically secure and protected parts of Baguio, in a building that will probably outlast the sun, with eight or ten inch thick concrete walls, hefty reinforcing pillars, metal doors, and reinforced windows, surrounded by friends, and with some of the best drainage in the entire city, so our little family--including me, @thesurestthing , our daughter El, and @geniussheepworld and a couple of her sisters who are staying with us--should be fine; our biggest immediate worry is losing power and maybe data connectivity for a few days. But I worry for those less protected, and although it would be crowded, I wish Jhane's mom and the rest of her sisters would come wait this out with us.
Anyway, wish us luck! And I'll try to keep posting occasionally, but don't worry too much if all you see is my queue for the next few days.
https://www.reuters.com/business/environment/philippines-warns-deadly-storm-surges-massive-typhoon-fung-wong-nears-super-2025-11-08/
Stay safe everyone! đđ»
As the typhoon approaches, please secure your homes, keep your essentials ready, and check on your loved ones. Remember, things can be replaced, but lives canât. Letâs all look out for each other and ride this storm out safely. âš
Uwan: The Voice Without a Body
Uwan is one of the purest examples of a catalog yĆkai: a being preserved not through stories or regional folklore but through a single, striking depiction in Edoâperiod picture scrolls. It appears in Toriyama Sekienâs Gazu Hyakki YagyĆ as a grotesque, wideâmouthed creature bursting from the darkness, its face stretched into a scream. Yet the scream itself â the word âUwan!â â is the only part of the yĆkai that seems to matter. The image is almost secondary to the sound. This inversion makes Uwan feel less like a monster and more like a phenomenon, a moment of fear given form.
In the scrolls, Uwanâs body is ambiguous. It has a vaguely humanoid shape, but its features are exaggerated into something theatrical: bulging eyes, a cavernous mouth, and a posture that suggests sudden intrusion. It is not shown attacking or pursuing anyone. Instead, it is caught in the act of startling, as if its entire existence is compressed into the instant of a shout. This makes Uwan one of the rare yĆkai defined not by what it does, but by what it is: a sound that becomes a presence.
The name âUwanâ is written in kana, leaving its meaning open. Some scholars interpret it as an onomatopoeic cry â a sudden, guttural exclamation meant to startle travelers in abandoned houses or dark hallways. Others see it as a fragment of a forgotten regional term, a linguistic fossil preserved only because Sekien found it evocative enough to illustrate. The lack of kanji is significant: it suggests that even in the Edo period, Uwan was already a creature of rumor rather than established folklore, a whisper rather than a tale.
Later writers attempted to give Uwan a narrative, claiming that it haunts empty buildings and shouts at intruders, but these additions are modern inventions. The historical Uwan has no ecology, no moral function, no backstory. It is a yĆkai of pure interruption â a sudden noise in a silent place. This makes it deeply atmospheric, a reminder of how much Edo-period yĆkai art was concerned with capturing fleeting sensations: a chill, a sound, a moment of unease. Uwan is the embodiment of that aesthetic, a creature that exists only in the instant it is perceived.
Modern interpretations often lean into the psychological dimension. Uwan becomes the voice that breaks solitude, the echo in an abandoned house, the sudden awareness that one is not alone. Artists sometimes depict it as a ghostly figure emerging from walls or floors, but the most faithful renditions preserve its essential simplicity: a face, a shout, a moment. In this way, Uwan remains one of the most elegant yĆkai in the catalog tradition â a reminder that fear does not always require a story, only a sound.
Sa pagsapit ng kadiliman. Halimbawa mang hahampas ang ulan at tsaka papalo sa kalupaan, wag naman sanang gawing sukdulanâkung pupwede sana ay maging marahan.
âWag Mo Akong Bitawan (WMAB)
Momento em que uma forte ressaca atingiu o hotel devido ao tufĂŁo Uwan em Dipaculao, Aurora, Filipinas 09/11/2025
VĂdeo: Jordan Hall
âUwanâ rapidly intensifying; more areas under Signal No. 4 â PAGASA
Typhoon Uwan (Fung-wong) continues to rapidly intensify as it moves closer to Catanduanes, according to PAGASAâs 5 a.m. update on Sunday, Nov. 9.
The typhoon was last located 195 kilometers east of Catanduanes, packing maximum sustained winds of 175 kilometers per hour and gusts of up to 215 kph. Moving west-northwest at 35 kph, Uwan is forecast to reach super typhoon strength by Sunday afternoon as it passes north of Camarines Norte and Quezon province.