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If you were to give other writers experiencing writers block one tip what would that be?
You donât need to try to write something unique.
We often trap ourselves before weâve even written the first page. We think our story must have an incredible plot that no one has ever come up with before. In this race for âuniqueness,â we simply stop writing because weâre afraid â what if itâs already been done?
The reader doesnât care about uniqueness. They are looking for something that resonates with whatâs inside them â what hurts, what excites them. The reader is having a conversation with your book. They need to feel something theyâve been searching for, perhaps for a long time, or something theyâve never even dared to admit to themselves.
I have a favorite book â The Thorn Birds. I can reread it many times, and it still hurts just as much as the first time.
Write about what hurts you.
Stop trying to write beautiful, pretentious prose. A book is your chance to tell your own story through your characters.
Write about how you threw up during an important meeting, how you wiped away tears while sitting in a toilet stall, how the person you loved broke your heart, how you flew alone to a foreign country with no money for food. Donât be afraid of a simple plot.
Two people met. Two people parted. Someone lost someone. Someone found themselves. The most important things in life donât happen on epic battlefields, but in the kitchen at two in the morning, when a person finally decides to tell the truth.
A complicated plot is often a mask for emptiness, while a simple plot with genuine emotions works like a sharp needle â it goes straight to the heart.
Write sincerely.
Donât try to sound smarter than you are. Donât decorate every sentence. Donât be afraid that your phrases are too short or too simple. The greatest luxury for a writer is the courage to be themselves.
There is beauty in simplicity.
Stop being afraid that your idea isnât unique. Thousands of writers have already written about it. Give yourself permission anyway.
Writing fiction independently is one of the most rewarding creative paths a writer can take â but it also means carrying every responsibilit
A great plot may attract readers, but unforgettable characters make them stay.
For indie fiction writers, character development is where the magic happensâflaws, motivations, emotional depth, and transformation all shape how readers connect with your story. Characters should feel human, not perfect. Their struggles, choices, and growth create the emotional pull that keeps pages turning. As one writing principle notes, strong characters need âcomplexity and depthâ and clear intent to feel believable.
If you're building your next novel, start with your characters firstâand let the story grow from there.
Richard L. Douglas is the author of the Globiuz, Stratius series, artist, composer and creator of many interesting works. Books, music, pain
Creating valuable content isnât just about posting more â itâs about understanding why we create in the first place. This article digs into the mindset behind meaningful work: how ideas form, how they evolve, and how we can shape them into something that actually resonates with people instead of disappearing into the noise.
Itâs a thoughtful look at creativity, attention, and the strange little dance between inspiration and discipline. If youâre a writer, artist, or anyone trying to build something with intention, this one hits in a good way.
đ https://rldouglas.com/drawing-valuable-content
Make the relationship feel real first Show small moments of affection and comfort so the loss feels personal.
Let the character notice the little absences The empty seat. The unread message. The quiet that used to be filled by someone else.
Focus on ordinary memories Heartbreak often lingers in mundane moments: inside jokes, favorite songs, shared routines.
Show how their world subtly changes Places feel different. Music feels sadder. Things they once loved feel empty.
Let them try to act normal People often pretend theyâre fine long before they actually are.
Use silence and restraint Someone heartbreak is a character staring at their phone for ten minutes.
Let them remember the good parts The pain is stronger when the love was real.
Give them conflicting emotions They might miss someone while also knowing the relationship had to end.
Show how it affects their choices Heartbreak changes how people trust, hope, and move forward.
Leave something unsaid Sometimes the most painful part is the conversation that never happened.
HOW TO WRITE SMART CHARACTERS (or: how to write witty characters as a non-witty author)
Make them think before they speak
Give them time to plan off-screen
Let them notice small details others ignore
Have them ask the right questions, not just give answers
Let them predict consequences before others do
Give them expertise in one specific area
Have them connect two unrelated ideas
Let other characters seek their advice
Show them changing their strategy when something fails
Have them explain complex ideas simply
Let them win arguments by reframing the problem
Give them moments where they say very little but it matters
EXTRA TIP:
You have a secret weapon. And it's called editing! Real people must respond instantly. But writers get unlimited time to craft the perfect line. So your character doesn't need to be fast. They just need to say the smartest thing eventually.
I hope this helps!