My wife pointed out to me the other day that apparently most people were literally only taught how to say Sorry and not how to Apologize or even that they are different things so here.
If all you ever do is step 1, not only did you not apologize, but people will rightfully stop believing you and start getting pissed or hurt.
Yeah I'll kick the hornets nest: you should not be making egg jokes about strangers, especially to their face. These kinds of jokes are potentially damaging to closeted trans people, because you don't know someone's situation. Maybe they already know they're trans, but are in an unsafe situation. Maybe they just aren't ready to address it. Maybe they'll start doubting if they actually want to transition or they only think they want to because a bunch of people told them they do. And it's especially bad if, say, you're making a transfem egg joke to a trans man who isn't open about his transness, which could lead to serious dysphoria (and vice versa for trans women). Not to mention how terrible it is to do this to nonbinary people. Do not joke about a nonbinary person being a binary trans egg, it's extremely disrespectful and transphobic to do so. And it's hard not to notice how implying someone is an egg only extends towards binary genders. Imagine someone is doubting their gender, and everyone is telling them they're obviously a trans man egg. They might end up forcing themself into that binary because they think that's what everyone wants.
All of this isn't to say you can't kindly and respectfully say "the things you've been saying sound very similar to the trans experience, I think it's possible you may be trans, but ofc it's up to you to decide whether or not to look into it". I very much encourage that, especially if the person is your friend and seems to be struggling. The thing that's really bad is making jokes at the possible closeted trans person's expense, or thinking of "cracking an egg" as something to brag about and not something to help someone through because you care about them
It lets people access scientific articles for free. This is dangerous. It helps the free flow of knowledge and reduces the competitive edge of all the people who worked really hard to have been born into a wealth.
Like, itâs literally a website where you can type in the DOI of an article and read it, without ever having to pay the publisher who exploited the author.
So, again, do not, under any circumstance, use Sci-Hub. I mean, can you imagine a world where knowledge is free and easily accessible to everyone? Even, y'know, poor people?
Libgen also has many books online, including textbooks, searchable by name, author, and ISBN. Can you imagine textbook companies not getting their hard-earned income from poor college students? Here is the link just so you make sure that you never accidentally stumble across this horrible, unethical website.
Oh, and while weâre talking about books, if youâve managed to stay clear from Libgen, definitely donât go to zlibrary, where you can also find a lot of textbooks, but unfortunately theyâre completely free.
Another inside tip from academia: Those papers in really expensive journals that are effectively inaccessible to anyone not in a university network? Depending on the discipline itâs very likely that same paper is on a âpreprintâ server somewhere, with no access restrictions.
Like if you want to read basically any physics, math, or CS paper, arXiv.org will have you covered, because everyone uploads their papers there before submitting to a journal (and generally updates it after peer review). I know all of my papers are on there. This is such common practice that journals have it baked into their licensing agreements that authors retain the right to upload their work to these places.
So the next time you get hit with that paywall, you may not even need sci-hub, just click the arxiv link on google scholar instead.
if for some reason none of this works, the old âsend a email nicely asking for the paper to the authorâ is always a good trick. remember most scientists hate the commercialisation of scientific knowledge
Many authors of papers are on ResearchGate! You can ask for papers there, if they donât just post a copy to download. If theyâre associated with a college, you can usually find their email addresses in the department directory, also.
I just saw a comment on fb that ran off the misconception that dowries were a sexist subjugation of women for the purposes of buying and selling them like objects, and since this morning I would rather die than engage with a stranger on fb I'm going to talk on here instead about dowries as they were around Jane Austen's era/regency England.
Basically: dowries were an inheritance. It was a way to give a daughter what they would need to live comfortably at the time when they were most likely to need it - leaving their father's care and support and beginning a home elsewhere. In Austen terms we're generally talking about a sum of money, but dowries can also include items for a household like linens and China (goods like this were called a trousseau from at least the 1830s onward). Dowries very materially improved the life of a woman as they were meant to.
Some of the ways they did this were actually before marriage. We tend to call every inheritance a woman was to receive a dowry but that's incorrect, most of Austen's heroines don't have a dowry, though we know how much they'll inherit upon the death of their father and/or mother. Fortune =/= dowry. The Bennets of Pride and Prejudice, the Dashwoods of Sense and Sensibility, Anne Elliot in Persuasion, and even Emma Woodhouse in Emma all will inherit a little to a great deal of wealth but not as a dowry. This means that even Emma, who will one day have the staggering amount of thirty thousand pounds, would not be bringing wealth immediately into a marriage (though in her circumstances she has a father who would hardly let her live impoverished if she had chosen to marry a penniless man).
For women as poor as the Bennets in Pride and Prejudice (though they should've had more money each, if their parents weren't useless, as has been discussed) the distinction between dowry and eventual inheritance didn't mean much: a max of fifty pounds per annum in interest was literally less than what some servants were paid so couldn't alleviate the need for their husbands to have an independent income. But what money a woman could bring into a marriage definitely increased the likelihood of her preferences being realised. Northanger Abbey's Catherine Moreland, who "would have three thousand pounds" means she has enough of a fortune to "smooth the descent of [General Tilney's] pride" and make him consent to the marriage of his son to her. She certainly would've been glad her parents saved this money for her, instead of feeling that she was an object being bought or sold. It empowered her choices, rather than reduced them.
That the inheritance of a woman is presented as a dowry also reduces the chances a woman and the man she loves will need to wait to marry until either of them inherit something or he makes a living. If Anne Elliot of Persuasion had had a dowry, instead of a future inheritance (a "share of ten thousand pounds which must be hers hereafter"), would she have broken off that original engagement? In ch23 she tells Captain Wentworth she would've been engaged to him when he had only "a few thousand pounds" and the likelihood of more thanks to an advantageous posting. If she would receive her own few thousand pounds upon marriage would that've been enough to remain engaged from the first, and perhaps even marry once he had added a few more thousands to that instead of needing to wait for Wentworth to build their shared fortune himself?
We can also see that a dowry was an inheritance parents provided for their daughter's benefit, rather than a sale price, by how carefully marriage articles were drawn up. This could legally define pin-money (how much money a woman would receive for her private usage and upkeep from her husband), and often specified that the husband couldn't diminish the bulk sum of his wife's fortune, only use the interest it generated, so that there would always be something to support the wife and her children no matter how spendthrift he was. Think of it like an old-fashioned pre-nup or family trust.
This is a huge reason why eloping was so bad, it meant there hadn't been articles drawn up beforehand and so the legal default of 'everything the wife has is now the husband's in full' applied instead of the chance to preserve her rights to her own fortune. If Wickham had succeeded in eloping with Georgiana Darcy in Pride and Prejudice her thirty thousand pounds would've become his in full when she turned twenty-one, though her guardians could've withheld it before then, and he could've spent it all and left her penniless without legal consequence.
There are plenty of historical examples of husbands without the regulations of marriage articles squandering the fortune and selling off assets, leaving the wife eventually destitute. Marriage articles are a response to that as father's wanted to protect their daughters and her future children. It actually limited the power of a husband in favour of preserving the comforts and rights of his wife, so was opposite of misogyny (though the society and laws which required these extra protections was undeniably sexist and male-centred)
Nor was receiving an inheritance upon marriage a specifically female-only practice. Eldest sons would generally receive the bulk of their inheritance when their father died, but it was common in this time and for centuries beforehand for them to be confirmed as heir or given a set income from their father (or one of their father's lesser estates, if we're talking nobility and the ultra rich) as part of the marriage articles (which would generally benefit the wife for the remainder of her life, either as a jointure or dower). Younger sons, if not already provided for, could also be given something upon their marriage and may have a commission in the army or a church living bought for them, to give them some independence. In Sense and Sensibility, after accepting the engagement of Edward and Elinor, Mrs Ferrars gives her son ten thousand pounds "towards augmenting their income" and this allows the marriage to occur. No one accuses Mrs Ferrars of selling Edward off in matrimony, even though what she's doing is so similar to a dowry that the narration points out it's exactly what "had been given with [her daughter] Fanny".
Fortune hunters and those marrying purely for money and a comfortable lifestyle definitely existed, as they do now, but dowries were not a socially and legally mandated way to give women to men to benefit them financially. 'Mercenary' marriages were frowned upon, and women were taught to look out for fortune hunters (like Wickham). Nor was it considered only men who might marry primarily to benefit from their spouse's wealth (Charlotte Lucas being a sympathetic female example). That both men and women could have inheritances gifted upon marriage, and were represented as seeking to marry for money, helps show that the practice of dowries wasn't a sexist practice which reduces women to little more than livestock.
In fact, there's an argument to be made that the very existence of large dowries being a cultural norm indicates that daughters were valued and loved. Instead of leaving everything they could to the sons (which would be expected if daughters were worthless objects to be given away at any price) these daughters were considered worth saving for, worth drawing up legal contracts to protect the living standard of, and worth leaving an inheritance often equal or greater than what younger sons would receive (as they could earn their own income). A dowry didn't reduce the humanity of a woman, it empowered her choices and protected her future. It was the women without dowries or an inheritance that were in danger of needing to marry whomever would take them.
having free control over our endrocrine systems and the ability to change our genitals is currently inextricably tied to trans rights, and for good reason, but frankly i don't think it even needs to be. it should just be a matter of bodily autonomy, and that should be universal. if a cis dude wants tits and a pussy i think that would be fine. if cis women want a dick or nothing at all that should be allowed i think. people shouldn't need to be transgender to be allowed to change their bodies. free the nipple, enlarge the nipple, remove the nipple. whatever the fuck you want. i dont know if there's a term for this belief but i hold it very strongly. everybody biohack yourselves NOW
One thing I really like about Beverly Engel's book It Wasn't Your Fault, which is about PTSD-induced toxic shame, is that quite a bit of it deals with people who haven't broken The Cycle of Abuse (TM) and have gone on to hurt others. That's a really underserved and vulnerable patient population, and statistically, it's also MASSIVE. I don't think I've read a single other self-help type book on PTSD and self-loathing that confronts the possibility that you're exactly as bad as you think you are.
I felt better that it so much as mentioned that children can react to abuse with ungovernable rage. Everybody likes the image of PTSD patients as internalizing everything and becoming doormats, which does happen, and often, but it's not the only narrative. Personally I've always hated my abusers and have always wanted everyone who so much as breathed wrong in my direction from ages 0 to 18 to burn eternally in hell. I *never* thought any of it was my fault and ever since I was a toddler I was willing to make it everybody else's problem, and it's really relieving to read a clinical perspective that acknowledges that abuse victims can act that way too.
It's wild to me that its such a neglected subset of abuse victims. Its really common. When I still lived with my parents and was still subjected to my father every fucking day I would lash out terribly at my mother, to the point when i went to visit them for years afterwards she was afraid I would lash out again. We've worked it out, I'm a much better person when I'm not regularly subjected to mental and emotional abuse, but like, its just so common.
I think it must be, at least partially, because, people hate the imperfect victim. Its easy for so many people to sympathize with someone who never lashed out. Less so for people to sympathize with people who are angry and lash out. Even though its a perfectly sensible reaction to being hurt over and over. I'm sure most people would like to think they would simply never.
I don't think this is the whole reason, but, I think it plays into it.
Similarly, thereâs a narrative of, you cannot experience grief over having fucked up. That if you are hurting because you caused harm, because you were the cause of harm, that youâre not allowed to grieve, because you âearned your sorrow. You deserve to bottle it up and to hurt for the bad things you have done,â
Which is punitive logic. Itâs copthink. Which is bad.
In fact, you can actually give yourself trauma over fucking up too badly and doing, witnessing, or failing to prevent something evil that goes against your morals; for instance, if you steal your mother's life savings due to drug addiction, kill a civilian during a military operation (please do not join the military), or became abusive because you didn't have the tools and skills yet to handle BPD. In the field of psychology this is called "moral injury" or "perpetrator trauma."
me as a teenager: man it sucks to have no privacy or autonomy but i guess its for a good reason. when i turn 18 i will realise how young i was and understand why they did all that.
me as an adult: teenagers are an oppressed class, their abuse is normalised and systemic and they need to start killing people
everyone who is not currently in the process of moving please pause and take a moment to be grateful that you're not currently in the process of moving
If your system doesn't account for the fact that Parents Are Going To Be Abusive/Neglectful/Insufficient then it objectively sucks I'm sorry I don't make the rules
Monitored bank accounts for those under 18. Requiring parental consent for medical procedures. Parental controls on personal devices. "We won't teach this at school because parents are supposed to address it at home." Anything that puts all of the child's power onto the parents' hand, anything that assumes parents are going to inherently do enough of a good job no one else needs to interfer, every single one of these IS going to be used by controlling, neglectful or unprepared parents and already are, and if the system did not account for that very real, tangible, dangerous tendency, then it's not worth fucking anything. You shouldn't make things "for the youth"/with children in mind if you are going to overlook this painfully common aspect of their lives u_u
When those GPS trackers for cars were released, specifically advertised for parents to put in their child's car, I saw the ad on TV and said out loud, "God... I wonder how many abusive parents and spouses are gonna use that to keep their victims from escaping."
My dad was sat next to me and his eyes got big as saucers. He was so quiet when he replied solemnly, "I didn't even think about that... jesus christ, that's dark..." and I had to tell him I had friends who were probably gonna end up in that situation with their conservative parents. He was so removed from the notion of using that device for cruelty that he didn't even CONSIDER it! That's how easily people can be bought in by inventions/legislation advertised under the guise of "keeping the kids safe". My own father, who is a beautiful and gentle man with a good head on his shoulders, was ready to advocate for a tracking device, because it was sold as a device to "protect children".
Children need more protections from abusers, yes, but the biggest protection they could possibly have is AUTONOMY. GIVE CHILDREN AUTONOMY.
Itâs recently been found that even hive insects rest. Bees will play with colorful toys. Ants sleep for about 1 minute but they do it so frequently it amounts to a few hours per day. Even trees take breaks.
The only things that work without rest are machines; literally everything that lives requires rest.
EVERYTHING THAT LIVES REQUIRES REST. STOP JUDGING YOURSELF FOR NOT BEING A ROBOT.
robots require very frequent breaks! welding machines generally have it programmed in that they canât run so long they melt themselves. ive overseen two different manufacturing robots now and each of them were fragile, finicky idiots that require constant maintenance and repair. they pause in between moves, in between jobs. youâre always keeping an eye on programming errors, on coolant levels, on heat. youâre always pulling bits of scrap out of joints, sweeping up debris, washing off nozzles and untangling hoses. and even then it snaps a chain and takes a whole morningâs vacation.
This interview with Ncuti Gatwa crossed my dash again, and I was reminded of how much I like it. Because it makes the rare Third Argument for representation in fiction, the argument I think is the best, and I'm always happy to see it. I quote:
At times, Gatwaâs casting in those projects has been dismissed as an exercise in âbox-tickingâ. Gatwa scoffs. âFirst of all, you donât know anything about me. Secondly, tick fcking boxes! People need to be fcking seen. What are you going to do, tell the same stories? Have the same people fronting things for all of eternity? Representation and inclusivity and branching out⊠it enriches us all. How embarrassing. You people with your tiny mindsets â open a book, look out the window and then f*ck off.â (source)
What do I mean by the Third Argument? Well, I'm not sure I've ever made a post about this directly, but as far as I can see it, there are three main arguments for greater diversity in popular media. The first two are the most common, and they go like this:
It is good for media to be diverse because it is good for people to see people like them on screen. That is, the beneficiaries are marginalized people.
It is good for media to be diverse because it is good for people to see and learn about people who are not like them through art. That is, the beneficiaries are non-marginalized people, who then (hopefully) pass on the benefit by treating marginalized people better.
These two arguments are the source of a lot of debate here on ye olde tumblr. Despite both being arguments for representation, they pull in different directions. What counts as 'good' representation for the purposes of Argument 1 often would not be good for the purposes of Argument 2, and vice versa. Authentic versus sympathetic. Ugly or over-sanitized. You see this debate play out constantly. It's really hard for a piece of - say - queer media to do both at once.
But these debates tend to leave out Argument 3, the one that Gatwa is making above. And that argument cuts through a lot of this debate.
3. It is good for media to be diverse because art needs variety. The beneficiary of representation is art itself, absent any social effects that may or may not be present.
For this argument, diverse stories are intrinsically good. It is good to make art that's not just the same thing you've seen a hundred times before. Putting the kinds of people who don't often make it into mainstream media into your art is an extremely efficient way to make that happen. It's not the only method, but it's a really good method.
For representation to be 'good representation' according to Argument 3, all it needs to be is interesting. A story you haven't heard before, at least not in that medium. That which counts as 'bad representation' by the lights of this argument are stock characters, like the Eternally Patient Mother, the Gay Best Friend, the Wise Black Advisor. Perhaps there was a time in which these characters were new, but that time has long passed. There's no art in pulling a bog-standard character trope off the shelf. Show us a new kind of guy. The world is infinitely diverse. You're not going to run out. Telling the same stories with the same voices for all eternity, as Gatwa says, is boring. Even if there was nothing else wrong with it, this would be. Art isn't supposed to be boring.
And that's why Argument 3 is my favourite. I do want the world to be a better place, of course, and I think art is a part of that. But the main job of art is to be good as art. And diversity in all aspects of the production of art makes art better.
ohhh my god I just fact-checked, Nolan actually DID cut the "Nobody" scene from his Odyssey movie. Mfer that is like cutting the Father reveal from Star Wars. Let me speak in a language you understand this is like not dressing Batman up in his suit. "It was not possible to work it in" the TikTok musical with a budget of $4 and a scratched Hamilton CD managed to work it in in SONG form, step up your FUCKING GAME
Okay I almost posted this ginormous tome in the comments but I realized it probably just needs it's own fuckin post. So these are the comments that set me off on this (and I'm gonna tag @catching-fire-in-the-wind also, since I'm really agreeing with them here using, as per usual, a whole lot of words)
Of course it is @squishymamasboy, I'm sure it's actually pretty good. Nolan makes good movies that tell good stories, and I like Nolan movies.
But Nolan is also notorious for pretty flat characters with fuzzy and indistinct internal motivations. Nolan's movie characters only exist so that the plot can happen, rather than the plot revolving around the characters' stories - if Nolan could tell stories without using any characters, he would.
It's the difference between, say, Nolan's "The Prestige" and Michael Mann's "Heat" - two stories about (spoilers!) a set of men with a rivalry that eats both of them alive. The difference is that by the end of "Heat" we understand WHY these two men couldn't just let it go and get on with their lives, whereas at the end of The Prestige all we know is that these two guys were really mad at each other and bitter about the whole thing. We never really learn WHY they cared about being The World's Greatest Magician instead of the other guy so much that they were happy to throw their lives away for it. (And no, "my dead wife" isn't a good enough reason on its face. Because it doesn't explain WHY grief motivated the character to destroy someone rather than, oh I dunno, fall into themself and dissolve into an puddle of despair like everyone else. Why one choice and not the other? If the director doesn't explain, then the only answer is "so the plot can happen." That's the kind of storytelling i'm talking about.) They're both excellent movies, I happily own both, but they're fundamentally different kinds of movie. And THAT is the point being made.
The point isn't that it isn't a good movie, the point is that it isn't a good retelling of The Odyssey.
Nolan's is a style that's fundamentally at odds with The Odyssey, which is at its core a story about a person, his physical journey, and what keeps him personally motivated to get home despite literally everything in existence trying to demotivate him - the story being told is not supposed to be "A man goes through a whole lot of crazy shit on his trip home" the story is supposed to be "here's why Odysseus never gives up, even though he has absolutely every right to."
The choice to remove the "Nobody" part of the story is evidence of the fact that Nolan doesn't really seem to get that. Because it doesn't further the action of the plot for Nolan, it is therefore extraneous in his opinion. But it isn't extraneous to the story being told and the man the story revolves around, who canonical sneaks back into the city AS "NOBODY" and relies on that premise to win back his life and his family. Nolan's failure to understand the importance of the pun to the larger story at hand is a huge red flag that indicates he isn't really trying to tell an epic. He's making an ancient-timey adventure movie with explosions and stuff. He may as well have just remade 300 and got it out of his system.