Sweet Seals For You, Always
Claire Keane
Keni
Monterey Bay Aquarium
almost home
macklin celebrini has autism
oozey mess
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Cosimo Galluzzi
Kiana Khansmith
Lint Roller? I Barely Know Her
No title available
Doug Jones
KIROKAZE
One Nice Bug Per Day
taylor price
Fai_Ryy
official daine visual archive
No title available
let's talk about Bridgerton tea, my ask is open
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@thaumasilva
about 🌿☀️🌿
hi i'm roo, he/him, i don't separate out any of my interests so enjoy the mess. both serious and deeply not serious here.
if you'd like, you can check out the blog where i sometimes talk about my original stories here !
talking heads was right
i do ask myself. how did i get here
normal way to think about making art
"The Soul's Journey" (2025) by Chiharu Shiota | Ph: Charles Roussel
the thing they dont tell you about learning to "trust the process" is that you forget and relearn it every single time you make a new piece of art. unfortunately there is no cure either
a chart of what i mean for the visual learners in the audience
i do Not know how to say this without being mean but it's kind of haunting meeting people my own age (late 20s) who have not grown up
Harrison Wood Hsiang
books with non linear narrative, experiments with the form, etc: go!
please do not all say house of leaves i know some of you bitches read books
Alan Moore's Voice of the Fire: each chapter takes place in the same chunk of London over something like 1000 years
if we can count comics, Moore's Promethea too, one of the volumes is a trip around the Tree of Life, i think the whole narrative can be mapped on the Tarot Majors too
Mark Danielewski's Only Revolutions is a book length prose poem that you read from the ends in to the center. i haven't gotten through it but respect the ambitious structure
i feel like Hal Duncan's Vellum & Ink had something interesting structurally between them but i don't think i finished them, specifically bc i waited too long to start Ink after Vellum & got completely lost
Honorable mention/not sure if it counts but the language was interesting enough that I'm tempted to include it: The Tide Will Erase All by Justin Hellstrom is an Improbability Drive-style apocalypse told by a ten(?) year old but might also be a radio/satellite announcement of their story after the fact? needs a revisit
OH SHIT Koji Suzuki's Ring Cycle. Ring is a horror novel that happens on an entirely different level of operation than what we find out about it on Spiral & Loop
Jeff Vandermee's Dead Astronauts, i actually don't know how to describe what he did with it but it's nuts
The Dictionary of the Khazars is a novel that's a lexicon
this is turning up a whole bunch of things I hadn't heard of which is EXACTLY what i wanted god bless you all:
So Stories of Your Life and Others has been on my wishlist for ages as has Pale Fire; Voice of the Fire is on my bookshelf waiting for me and I think I read Promethea or parts thereof when it first came out; I read Catch-22 recently and will rave about it at the drop of a hat, read Cloud Atlas… a couple of years ago I think? After having it on my shelf for a million billion years & dug the matryoska structure muchly, but yeah! Otherwise I hadn't heard of most of these?!?! excellent work everyone well done
Got a few I haven't seen in the notes:
Blake Butler's There Is No Year is decidedly nonlinear, bordering on nonsensical, with upsetting vibes and such perfect pacing that I couldn't put it down
Matt Bell plays in this territory a lot; pretty much anything by him is going to be fighting you back a little but my introduction was the short story "The Cartographer's Girl"
John Elizabeth Stintzi takes a pretty oblique approach to structure in Vanishing Monuments and, I understand, in My Volcano. (Disclaimer: they are also a friend of mine, but I make the recommendation in earnest)
The Library at Mount Char by Scott Hawkins is like if Warren Ellis tried to write House of Leaves, and I mean that as a compliment
I'm sure you're aware of Our Share of Night by Mariana Enriquez, but it is, in fact, all that and a bag of chips, especially in its structure
Monica Ojeda does some fun things with structure, especially in Nefando but definitely also in Jawbone, though I'll note that Nefando especially deals in some very dark territory
Steven Millhauser's short stories are pretty distinctly nonlinear and often outright weird in a very fun way -- I love his collection The Barnum Museum, notably the source of the short story that inspired the movie The Illusionist
I feel like Ayse Papatya Bucak's The Trojan War Museum fits here, but I also just feel like that collection is underrated, so cum grano salis
I think the movie is better-known, but Laszlo Krasznahorkai's Satantango is formally and topically very weird in a way that I found delightful
I also enthusiastically cosign the recommendations of Coup de Grace and Pale Fire. For what it's worth, Pale Fire is also one of the funniest books I've ever read.
I am not aware of Our Share of Night! Also, "bordering on nonsensical, with upsetting vibes" is like catnip. Thank you.
253 by Geoff Ryman (originally published on the web with hyperlinks, later published as a paper book) now at : https://www.253novel.com/
The Bridge by Iain Banks
and
Marabou Stork Nightmares by Irvine Welsh
(both have the dude in a coma)
See Under: Love by David Grossman. It's in four parts, two of them are straightforward lit fic, one is salmon point-of-view, if I recall correctly, one is a story told in dictionary definitions.
And short stories:
Stet by Sarah Gailey (the story emerges from the footnotes)
Wikihistory by Desmond Warzel (a story in forum posts)
I'm frankly shocked nobody's mentioned David Mitchell's "Cloud Atlas," which is an interconnected set of six stories in different times and with different narrators that are all split in half and work towards the center, like this:
1-2-3-4-5-6-5-4-3-2-1
The stories leave off, sometimes mid-sentence, and resume later in the book, while working forward in time from the first story that's an Age of Sail story until the 6th one, the only one not interrupted, is in the far post-apocalyptic future. Then each story is resolved in reverse chronological order.
What amazes me about this book (it's one of my favorites) is that Mitchell somehow makes each of these stories entirely distinct and unique. I don't know how he managed to write in six such distinct voices to the point that you'd think six writers had collaborated on this work.
Ann Leckie's Ancillary Justice definitely plays with "when" the narrative is taking place from POV to POV, not to mention playing with the POV itself. The later books become a fair bit more conventional (but no less entertaining for the change) in that regard. I think her later The Raven Tower does some of that as well but it's been a bit so don't hold me to that one. (I remember being amazed by what it pulls off, mind you, so it's another big recommendation.) But definitely, Ancillary Justice.
Interior Chinatown by Charles Yu is written as if it's a screenplay for a fictional police serial, but the main character is a background character who doesn't get named until he manages to break out of the scene descriptions and into the actual dialogue of the script. a huge chunk of the story takes place in those scene descriptions, and there's a bit of magical realism to how much the cop show is treated as 'real' vs a fictional within the story
(Yu's previous novel How to Live Safely in a Science Fictional Universe doesn't experiment with form as much, but similarly plays with the fiction-within-fiction being treated as 'real' while also being recognized as fictional, and is about a time machine repairman who accidentally kills his future self at the beginning of the novel)
Roni Horn Seizure of Hope
Hauser & Wirth
21 May 2026 to 1 August 2026
what made u guys pick ur url's !
repeating this to myself as a list of daily affirmations
t shirt that just says WHATEVER YOU’RE READING INTO MY FACIAL EXPRESSIONS AND BODY LANGUAGE YOU’RE MISINTERPRETING
Been practising my BG skills lately! process pics under the cut
we got august this week
i think we should start openly mocking male creatives who can't figure out how to write women. like actually i think it's embarrassing that it took elliot page transitioning for christopher nolan to give him a good role. why did it take like ten years to get the first female lead in a marvel movie? why is it a Known Fact that stephen king can't write women? why is 50% of the population omitted from large ensemble works? i asked my friend to name a movie directed by a man with a majority female cast and he said ghostbusters 2016. ghostbusters. ghostbusters. g
