Evening Dress
Girolamo Giuseffi
c.1912
Indianapolis Museum of Art
I didn't know dresses from 1912 could look like this. Intriguing. Reblog for future reference.
sheepfilms
Keni
No title available
🩵 avery cochrane 🩵
Fai_Ryy
let's talk about Bridgerton tea, my ask is open
Misplaced Lens Cap
official daine visual archive

Origami Around
PUT YOUR BEARD IN MY MOUTH
Show & Tell

PR's Tumblrdome
noise dept.

No title available
Monterey Bay Aquarium
will byers stan first human second
Xuebing Du
art blog(derogatory)
No title available

oozey mess
seen from Germany
seen from Venezuela

seen from United States
seen from United States
seen from Iraq

seen from Malaysia
seen from Russia
seen from United States
seen from Germany

seen from United States

seen from Iraq

seen from Iraq
seen from Iraq

seen from Iraq

seen from United States
seen from United States

seen from United States
seen from United States
seen from Jamaica
seen from United States
@thediffidence
Evening Dress
Girolamo Giuseffi
c.1912
Indianapolis Museum of Art
I didn't know dresses from 1912 could look like this. Intriguing. Reblog for future reference.
I was just reading a book where both POV characters spent much of the time making understandable bad, self-destructive, sometimes unkind decisions, and it got me thinking about how there is a real impulse that a lot of writers have to make their protagonists be good. The writing reassures us that the protagonist really is kind and generous and smart and witty, and if they are selfish it's only in the sort of acceptable "I can't stand to see others hurt" sort of way.
Your characters don't need to go to the extremes that the book I was reading went to (I did find myself yearning for literally anyone to make a good choice), but before you find yourself writing something with the purpose of convincing the reader that the character really is good or smart or selfless, it may be worth pausing and asking whether your character needs to be all of those things, or whether it might serve your story to have them be something else.
I feel like either I'm reading different books than y'all or Tumblr is so deep in its collective love affair with self deprecation that it wants badness, self-destructiveness, and unkindness to be spelled out. Everything I read is just "protagonist encounters events/challenges and people, and stuff happens" without much talk about the protagonist's goodness or badness.
Maybe I'm just missing the point of your response, but it was clear that when I said "the writing reassures us" I didn't actually mean "the narration says 'this character is good, I promise,'" right?
When a character's actions consistently result in the "good" outcome or when they meet some ideal moral standard, when the character is self-sacrificing or consistently selfless or always kind or generous, when even their bad decisions are justified by the story, when they are consistently the smartest person in the room, that is all the writing reassuring us that the character is good, they promise.
I frequently read stories where the character always makes good decisions, where they are the ones who get to say I told you so, where the people who challenge or tell them off are always the ones proven wrong.
This is not about a love affair with self deprecation. It's not about wanting badness or self-destructiveness or unkindness to be spelled out.
But stories are less interesting if the narrative refuses to let the main character face real consequences for their actions, where bad things only happen to them in spite of their choices rather than occasionally because of their choices, where they are always the best and coolest and most special character.
In the book I was reading, by 40% of the way into the book when I wrote this post, the main character had already gotten into two or three unprompted bar fights, was having ill-advised sex, was being kind of an asshole to everyone around him, and had committed a couple of random crimes. These were decisions mostly being made because he was under a wild amount of stress--but they were bad, self-destructive, and sometimes unkind decisions.
And there wasn't much talk about the character's goodness or badness (other than some of the characters being impacted by his decisions wishing he would make different decisions), because it's a novel, not a children's TV show. But the narrative also didn't feel the need to reassure us that his decisions really were good actually, and the character was allowed to make those sorts of bad decisions instead of only making the sort of self-cannibalizing, only-lash-inward-never-outward, perfect suffering bad decisions that many books and fics are so fond of.
Anyway, maybe you do read different books than me. But there is always more than just "protagonist encounters events/challenges and people, and stuff happens.
maybe it reflects on me as a reader, but sometimes I read to the end of stories with shitty major characters and get disappointed they didn't get to experience any or 'sufficient' consequences. Of course, that's art reflecting life - selfish behaviour doesn't automatically lead to consequences of matching magnitude within a reasonable period of time. But it's hard to root that tendency to want 'justice' within a narrative, even knowing it's an immature impulse on my part. Depends on genre too, of course. Not very jarring in a noir thriller, more jarring in a story I thought was a romance starting out. (Turns out it was just a 'poets are selfish assholes' novel, more fool me).
not every mutual fits neatly into an archetypal medievalism but there are some mutuals that im like yeah addressing you as “my liege” would come strangely naturally
what mutual is prev
my liege lord
my loyal knight
my wise wizard
my evil advisor
my brother in arms
my lady muse
my wild mermaid friend
my fellow alchemist
my dashing rapscallion
my monstrous foe
what does prev give off?
prophet in the desert
tyrant king
shady merchant
wandering bard
forgotten god
healer in the woods
rebel group leader
average peasant
x
Nobody:
Me: In 1995 Hayao Miyazaki directed a music video/short film for the song On Your Mark by Chage & Aska. It's a sort of non-linear premise about 2 cops who find what appears to be an angel being worshiped by a weird cult and their attempt to set her free.
@shrubfriend thank you for posting this, I'd never had known it existed otherwise. That little kiss on the hand is just a heart-breaking detail.
do something to prev
shave them bald
put them in the timeloop
they must find your pages
trapped in mirror dimension
let them loose into the wild
introduce them somewhere else as an invasive species
put a plastic bag in their enclosure
fill them with milk and throw against the wall
turn them into marketable plushie
remove them from reality
study them in a petri dish
lizards
what an amazing fellow! filled with true faith and good vibes. @bowelfly I hope your muse moves you to continue the series of monastic critters
Reblogs in a chain now get their own notes
The reblog chain is one of the things that makes Tumblr unlike anywhere else. All the notes on reblogs are attributed to the original post, no matter which branch people actually liked or reblogged. We want to keep encouraging conversations, and give contributors the recognition they deserve.
Soon, you'll be able to like, reblog, or reply to any part of a reblog chain, and that note will go to that reblog's author. Each reblog will have its own counts, instead of one aggregated number from every version of the post. And yes, you’ll be able to like multiple posts in one chain.
If a reblog doesn't add anything, the love flows up to the last person in the chain who did. Your post doesn't lose notes just because people spread it quietly.
Past notes will stay on the original post — we're only changing what happens from here on out. Retroactively re-attributing all of them would be... a lot.
This is just the beginning. More changes are coming as we keep building this out – stay tuned!
It’s very clear that you all have strong feelings about Tumblr and about this change. We hear you. The passion people have for how Tumblr works is one of the things that makes this place special.
As this rolls out over the next few days and you explore it, we’ll keep reading your replies and reblogs, so please keep sharing your questions, concerns, and ideas.
Your creativity has always been the heart of Tumblr, whether you’re the original poster or adding something brilliant in the reblogs, and nothing about this change is meant to limit that.
If you’d like to talk directly beyond the comments, leave a reply and we’ll follow up with as many of you as we can. We want to work with you to make Tumblr better.
hey folks do we like this. reblog without commentary for reach
do we want this?
yes
no
please reblog this i spent way too long on what was supposed to be a quick edit
Linktober 2025 Day 31: Free for all- Redesigned Link and Zelda ✨
Print available here!
This game, about listing as many animals as you can, is shockingly well-considered and polished for such an apparent shitpost of a game idea
hot new brain workout
What's stood out to me most about recovering from depression or depressive episodes is the idea that even though doing things seems pointless in the moment, they eventually pay off in the long term. Living in an age of instant gratification and dopamine hits doesn't really help either, I can see now why that fries peoples brains so easily, even without mental illness on top of it. But this is mostly in the context of anhedonia, whether caused by depression or some mental illness or something else. Reading books seemed pointless, but I kept forcing myself to do it and then one day I made a connection between something I read and something else I had just seen/experienced/heard and something sparked in my head. Drawing seemed pointless, until I finished something and then something sparked. Going out seemed pointless until one day I realised that the people around me genuinely consider me their friend because I make the effort to go out and show up. Then something sparked. Repeat for everything in life. It's a gradual build up, and the most difficult part is learning to tolerate the absence of meaning until those pieces start to fall into place again and you start to slowly feel like a human being again. It's like stitching a quilt piece by piece or building a house brick by brick. It's an entire process that you repeat until you die because that's what being alive is.
This is an honest question (or set of questions) because I think I fundamentally do not understand people's viewpoint on this (my goal is not to debate anyone, I just want to understand what the viewpoint is):
Is the viewpoint that, for those people who do not read or write stories about female characters, think all female characters are uninteresting, this is not the result of that own person's conscious or unconscious bias against women? If so, does this extend out infinitely (i.e., a person who actively refuses to read about female characters, dismisses the idea of any female character ever being interesting, actively works to avoid writing positively [or at all] about female characters) or is there a point at which it is the result of that own person's bias against women.
Additionally, does this count for all identities? For example, if a person refuses to read or write about gay characters, says no gay characters are ever interesting, etc., is this similarly not connected to a bias from that person against gay people?
If I am misrepresenting this argument, please let me know what a better articulation of it is--I'm trying to honestly articulate a point I have had argued at me over the Internet, which is always a little fraught.
The context of me asking is that I often see people making the argument that not reading or engaging with female characters is not due to sexism/misogyny on that person's part, and I never quite feel like I have a grasp on exactly the argument being made, so I'm hoping to understand it better for the future.
I keep running into a wall. The wall is that I enjoy a subgenre of fiction aimed at men. I used to read the subgenre aimed at women but it started feeling formulaic and I stopped reading unless it's recommended by someone who I trust to give good recommendations. (Sorry my one friend, your taste in books is too self indulgent) Unfortunately, the chunk aimed at men doesn't really care if there's good female characters when they pop up on recommendation lists.
What are the subgenres, if you don't mind saying?
i like sword and sorcery fantasy. My friend usually does cozy fantasy.
Oh I am not a good person to give recs on either of those, because I don't read much of either of them.
Anyone have any suggestion for female-focused sword and sorcery fantasy and/or good cozy fantasy?
(Looking at a female-focused sword and sorcery fantasy list on goodreads, one of the few books that I both 1) recognized and 2) thought actually fit into the category of sword and sorcery fantasy was the Twelve Houses series by Sharon Shinn, which I read like 15 years ago and remember enjoying, but I don't remember much specifically about it. The only other author I can potentially think of is Vanessa Nelson, and potentially her series The Hundred, though I am not super confident in the subgenre classification.)
I guess I should put my money where my reply is, huh. Sword and sorcery fantasy - does Tamora Pierce count? There's swords, and sometimes sorcery, but her books are young adult fiction. Ursula le Guin - the second book in her wizard of earthsea series has a female protagonist. It's not swords and sorcery, in the sense that the fantasy isn't about adventures in the Conan sense.
Now I'm curious too.
Yall can pry more fiendishly presenting Wyll Ravengard out of my cold dead hands
best answer to the tiefling pants problem i've ever seen!
huh, that second one makes my heart hurt a little. the face and the expression fits well for wyll about to make the pact. he's a character with so much determination.