being an effective educator is about yes-anding people so you can find unique connections between your material and their interests

izzy's playlists!
Misplaced Lens Cap
Not today Justin
he wasn't even looking at me and he found me
Cosimo Galluzzi
Xuebing Du
art blog(derogatory)
NASA
The Stonewall Inn

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$LAYYYTER
The Bowery Presents
trying on a metaphor
Noah Kahan

Andulka
h

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★

#extradirty
"I'm Dorothy Gale from Kansas"
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@tiacat11
being an effective educator is about yes-anding people so you can find unique connections between your material and their interests
This is the Witches of Scotland Tartan, designed to memorialise those who suffered as a result of The Witchcraft Act between 1563 and 1736.
The Black and Grey represent the dark times of the period as well as the ashes of those burned. But what’s incredible here is the thought put into the thread counts.
1563 and 1736 are both shown through the thread count and the white check of 3 threads represent the Witches of Scotland’s main goals of ensuring a pardon, an apology and memorials.
An apology was secured by both the Scottish Parliament and the Church of Scotland. and a legal pardon was consulted on but as far as I’m aware hasn’t been implemented.
I am once again begging and pleading to people who don't like evil people in their shows to stop watching the everybody is evil show
This comment was left on a post about making the most of the Libby app. "Excessive use of generous lending policies" is the most absurd phrase I've ever seen anyone use to discuss libraries.
evergreen
the replacement of websites with apps sounds so backwards when you actually describe it. like hmm you have to download an entire program onto your device each time you want access to a portal, where it takes up storage indefinitely. somebody should invent an app where you can "browse" any portal just by typing in its address... 🥴
ouch😯
for dispatch ask
THOT SQUAD - BSTFU
karaoke!!!🎤
Let's take a moment to appreciate just how amazing the title cards were for Batman the Animated Series.
Oh! I actually know what made these look so iconic!
The backgrounds for the entire series were done on black paper, a first for any animated show. It's Batman, which means everything is at night and incredibly dark. So, the majority of the backgrounds were going to be black anyways and using black paper would cut down on the time it took to create all of the backgrounds. Adding color over the black paper instead of the traditional method gave it a much more stylized look that helped make it iconic.
It also forced some other creative choices, such as using an airbrush to do all of the background art. During the early testing, they found that using an airbrush was easier to apply paint with than a paintbrush and that it looked better. Airbrushing let them be more experimental with painting techniques, such as the spattery fades you can see in the "Bane" and "Deep Freeze" title cards above or the soft, deeply shadowed face on "the Last Laugh." The overall effect of airbrushing on a black background is a much darker, moodier vibe than could be achieved with a traditional approach.
They cared very deeply about the art of the show and how they were going to create it. It wasn't just about the story or the character. In the words of co-creator Eric Radomski: "As opposed to making shows just to sell toys, we've made quality films."
im fucking crying
i just really feel seen on this website
"i feel besquintled", said no one ever. because that's not a word.
okay nevermind it IS a word now and this is exactly what it means.
EVERYONE SHUT UP AND LOOK AT THIS NEW AND BETTER WORD
my 100% failproof way to handle reactionaries asking why i don’t shave at all is going “because i don’t want to” it works because what they really want is an argument about the merits of feminism, and they’ll draw it out and try to convince you it’s a cult or whatever, but you can avoid it all by sticking to “i just don’t wanna. don’t feel like it” and if they argue with you about it you can use your ultimate ability, which is “i’m sorry i thought it was a free country?” which, believe me, they cannot come back from. they’ll either drop it or start harping on something you didn’t say, and it’s important you don’t take the bait at that point. when they can’t argue with what you say, they assume your beliefs and attack those. and you crucially must be visibly baffled at their change of direction because it will make them seem and possibly feel crazy (which they are). “i don’t want to shave” is a perfect response because truly it all comes down to autonomy and the ability to do what you want. they’ll try to say “feminism makes you think you have to do that” and it’s important to not take that bait. to reiterate that you don’t know what they mean and you just don’t like shaving and that it’s really weird to look into it that deep. this works i promise
if you dont decouple your drive to create from your desire for attention you will go insane. simple as. you will never feel satisfied b/c you will always want more and you will feel perpetually bitter that you did not get what you are “owed”
It’s an unpopular opinion but it is absolutely and completely true. I’ve never seen someone who creates for engagement happy with the engagement they get. I posit they can’t ever be happy that way because it will NEVER be enough
I agree with OP and Manka so very much.
You have to rest in your own desire to create.
But, because I see statements like this turn into a sort of general notion of “it’s bad to want validation or attention or engagement”, and to me, that’s not what this means.
It’s perfectly valid to want people to like and engage with what you create. In a general sense, when you create anything, you do it to share with other human beings. Art, craft, food, anything you create is a way to connect with others through our shared humanity.
And wanting someone to like you fanart or read your fanfic is part of that.
the words used by OP is decouple, and this is important. Nothing wrong wanting engagement. But it cannot be tightly coupled with the drive to create.
hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold… of becoming
oh shit i didn't expect this to actually get notes lmao
these are all direct quotes from jeffrey jerome cohen's "monster culture (seven theses)" (full pdf linked) i highly encourage you to read it yourself!
that said, while i think cohen's writing is evocative, it can be a little dense, so while i'm here, here's my capsule summary (you can also hear me talk about this in the first episode of my podcast) (listen to @ghostswerepeopletoo)
i. the monster's body is a cultural body - The monster is a work of fiction to be analyzed through tools of literary and sociological theory.
ii. the monster always escapes - As long as the cultural fear from which the monster stems persists, the monster will reappear in retellings, reimaginings, and sequels.
iii. the monster is the harbinger of category crisis - Monsters defy binaries and challenge easy comprehension or categorization.
iv. the monster dwells at the gates of difference - The monster represents the Other.
v. the monster polices the borders of the possible - Tales of the monster exist to discourage unacceptable or taboo behaviors.
vi. fear of the monster is really a kind of desire - Subjects can vicariously participate in the disruption of the social order through the monster.
vii. the monster stands at the threshold… of becoming - Within the monster we find information about the self.
Season 1, Episode 4 "Going Rogue" THE FLASH (2014–2023)
Wow, are you sure that adds anything useful?
I’m not here to be useful, I’m here for my own entertainment. Part of that is thinking about furry porn.
having such an obvious favorite character trope is life ruining bro
i can’t say shit about liking a character that acts slightly in a very specific way without being hit with a tidal wave of “of course you would” to live is to suffer
This is a double batch of meringues--8 eggs total.
And this is Jane.
Size comparison of Jane v Meringues was requested. To clarify:
The size of Jane is an unpredictable variable.
Smaller than Malice, though.
Mayhem Jane is bigger than meringues!!!