taylor price

❣ Chile in a Photography ❣
sheepfilms
dirt enthusiast
Sweet Seals For You, Always

JBB: An Artblog!
noise dept.
Claire Keane
NASA
"I'm Dorothy Gale from Kansas"
Monterey Bay Aquarium
ojovivo
KIROKAZE
almost home
No title available
Misplaced Lens Cap

titsay

izzy's playlists!
Cosmic Funnies
No title available

seen from T1

seen from Portugal
seen from Malaysia

seen from United States
seen from United States
seen from United States

seen from United States

seen from Mexico

seen from India

seen from Portugal

seen from United States
seen from Malaysia

seen from Malaysia
seen from Switzerland
seen from United States

seen from Türkiye
seen from United States

seen from Malaysia

seen from Malaysia

seen from Italy
@tisseflamme
“Fans have been rooting for Claire and Carmy since the beginning”
THE BEGINNING?! BITCH WASN’T EVEN THERE IN THE BEGINNING
Says NO ONE !!!!
Like what in the white nonsense
Can you imagine being Carmen Berzatto? You make a detailed partnership plan, you tell them you want to do this with them, then you proceed to fail everyday at the only good thing you are at, your partner is avoiding the shit out of you, then you take a call from much inferior chef than you telling you that partner has been considering leaving you. So you make the conclusion that if you are not good enough for them you might as well not do it at all but even after you try to end the situationship you cannot help but ask: what are we? And them continue to makean impulsive detailed statement about how much you love them because you simply can't help yourself.
"This is a version of Armand who's a bit more desperate, maybe a bit more bitter, a bit less in control. " x
"Armand has always been good." (Assad Zaman, 2026)
drawing him like he's suffering virgin mary and I'm a renaissance artist trying to get closer to god
ruben's haircut getting sharper over time, going from a fade to a clean edge, i'm going to be fucking sick
et tu, brute and all that
FOREVER 😭😭😭😭😭😭😭😭😭😭😭😭😭😭
I was gunna put this in the tags but it’s a lot. When i first started going through the process of getting a diagnosis, i was labelled with ODD. I immediately took issue with this, it seemed like an unfair diagnosis based entirely on the session the psychiatrist had with my parents (which mostly consisted of “my child is being really difficult on purpose”), and Hoo Boy when i tell you ODD immediately strips you of your ability to call out anyone on anything, that would be an understatement. I couldn’t even disagree or bring up my concerns about the validity of MY OWN DIAGNOSIS without it being labelled as oppositional defiance. Whenever i displayed any negative emotion the “treatments” did so much more harm than good. When you label someone as ‘defiant’ (ugh), when that word is put on their medical record, that person is never allowed to complain about anything again. Knowing that POC are disproportionately affected with this diagnosis makes me feel sick, i can only imagine what’s being swept under the rug as someone just being “defiant to authority”, not even just in the medical field but as justification for police brutality and mass incarceration. When i say medical racism kills people, this is what i mean.
this is so fucking important. reblog.
don't get me wrong i love the got universe but by the gods it is painfully straight (and white) except for like 3 characters
it does need some gayification and i will be happy to oblige with some silly little fanfics, because if we can get dragons, we can have queer characters (also there is no way our baratheon boy is straight tf)
Someone calm Baratheon down! He’s scaring the knights!
'The Kelpie Pond' by Jaimie Whitbread
LEE PACE Bustle (2025)
@tisseflamme cadeau
it's 5am and my head hurts and I should be sleeping but I can't stop thinking about Azune using Mending on Bolaire. "I would show you," Bolaire says, fissures in his voice, in his composure, because it is so important that these people believe him. I can show you my body, my seams, my secrets, the most flawed and vulnerable parts of me. And then Azune, gentle as can be, says: "No, it's okay. That's not what I'm looking for. Bolaire, that's not what I'm looking for."
And he has been looking. While Hal asks his questions and Murray stares in half-wonder and half-glee. He is the one looking. He touched Bolaire's "face" before: "Does this feel like flesh?" searching for something living and person-like. And earlier: "Are you alive?" asking for sentience, intelligence, compassion. But Bolaire can't give him either. "How would I know?" and "It depends on your definition of alive." But still, even then, Azune casts Mending.
(And if you think about it, I feel like this is the same as Cure Wounds. This is the same as laying on hands and attempting to heal someone. Bolaire can't be stitched back together the way a flesh and blood body can, but his shape, his form, it can remember that it once was whole and return to that wholeness.)
Azune, hearing that Bolaire cannot confirm their personhood, does not draw back, does not reject or judge, he heals Bolaire, or the closest possible thing he can do for a person that is also an object. And it feels like such a monumental acknowledgement of Bolaire as more than a thing, with such a simple gesture. Azune could have easily sided with Thjazi's perspective on Bolaire, any of them could have, but instead he offers them a kindness, an intimacy, a reassurance. He says: you are person enough for me to put back together again if you were harmed, and this is how I would do it.
And most heart wrenching of all is the response to this gesture, "Oh, interesting," Talesin says, "I don't know [how it would affect me]. I hadn't even thought about that." How else would they heal you, Bolaire? If not with this? But of course you wouldn't consider that, because who would heal a thing?
Azune Nayar would. Azune Nayar who prays the names of the dead and trusts his loved ones implicitly and cares so deeply he stomachs unimaginable pain instead of ever forgetting. He would imagine a way to tell you that you are safe, and accepted, and that you are a person to him, all in one fell swoop. And I hope to the gods they don't forget he did cast that before they were interrupted, because I want to know what a healing spell that is a remembering spell does to an object this ancient and I want to know how that object/person feels about being healed, or even the gesture of it
there's just something about the characters Luis plays that gets me. That man has been playing paladins, soldiers who's narrative role and mechanics is to hit hard and take just as much damage. They are the will of gods incarnate, whether benevolent or malicious, they are both the sword and the shield. And yet they're always so fucking kind – war doesn't steal their compassion and will to do good, it doesn't make them cynical bastards who only care about their own survival. They're caring, and they have a softness to them that just make me want to cry
Let Slip The Dogs of War
S2 SAS: Rogue Heroes got me thinking of a little something about delusion and anger in warfare. Since Paddy seems appropriate to dive in these emotions, here we are!
General topics: war, anger, disillusionment, death and hierarchy Summary: After Bagnara and his altercation with Bill Stirling, Paddy Mayne reflects on trust and ways of doing, torn between his demeanour and his thoughts on leadership. Words count: less than 1k
Let Slip The Dogs of War
'Italy is not the Great Sand Sea, Paddy. There are civilians here - men, women and children - and I do not trust you and your "members only" to display your particular skills among innocent people.' 'You don’t trust me with innocent people?'
What was trust, but a curious concept in times of war? For it had become an utterly odd thing to rely on, and a confusing field to explore. Was it even necessary, was it simply futile? Ask a man perhaps, pray that he's sober enough not to philosophise, would the answer come right, as easy as a pie? But among all things of dualistic matter, trust remained of the cardinals ones; and Paddy Mayne really loved his rum, hence he started to unravel.
Thus, trust had to be earned. Not in glory or excellence, but through consistency, and through the loyalty of oneself rather than obedience to someone else. Trust was, in fact, neither necessary nor futile, it was either there or it wasn't. One simply had to be enough, without pretending to be something else. Was he truly insufficient then, for them to mould him into something but expect the opposite?
Disappointment came first, in a resurgence of something beneath, not about wanting to do, or to be, as expected, but in a sense of absolute certainty: the job had to be done. And he had done so with all he had, and perhaps more, for he had begun to draw on his men's last ressources – Reg’s eyes could tell, if words weren’t enough to see.
What did Bill Stirling know about trust beyond mundane natters? How could he distinguish the trustworthy from the unreliable, if he was unable to spot the snakes in his own basket? And so, scorn ensued, for disappointment was nothing but the spark of his wrath, and anger had always barked louder. How fortunate – because Paddy was sometimes a man of common sense – that the pushy bastard left their camp once orders had been given, only to take shelter behind the shields of men he did not trust.
'All well Paddy?'
Jim's voice pierced a hole in the muddy turmoil that was his mind, cutting through the growls and turning them into whispers. Paddy smiled, almost sniggered, upper lip unveiling a canine, then shook his head as he reached for his bottle, from which he drank the last drop.
'Y'heard the commanding officer? We're heading to Termoli.'
'I've heard yes. I’ve heard everything actually.' A break, of which contained eternity in a few seconds. 'You provoked him, Paddy.'
'Oh he doesn't need my permission to disrespect me, them toffs never bothered to ask, and anyone who thinks otherwise is a feckin' muppet. Y'see, them, they pet with one hand, beat with the other. They expect me to stood down, and not bite back but lap the blood on their fingers, so they don't use their fancy napkins. Yet my tongue’s already licking my wounds, and all I have left are teeth.'
It was as it had always been, and will continue to be: he'll try to change because he had to, turning the boy into a man, the man into a hound, the hound into a ghost, on and on and on…
'Won’t prove him right then, would we, Paddy?'
…till he finds contentment after all, knowing he was wrong, but hoping it won't last. For what was trust, but the comfort of letting yourself be, in your joyful hour and your darkest one, and the assurance of being remembered as you were truly and never lied to be? What was trust but the desert sand, and what lay underneath, what made him someone once, what made him truly seen?
'I stood with the Dead, so forsaken and still:
When dawn was grey I stood with the Dead.
And my slow heart said, "You must kill, you must kill":
"Soldier, soldier, morning is red.*"'
Success, they brought, for they obeyed without question, for they listened orders while hearing screams. And he persisted, in something he wasn't built for, like a barber turned into a baker, and he persisted, to be alive still, like a corpse turned into a living. And after Sicily, there were no doubts he’d do it again, all the way to France, then in Berlin, and unto oblivion, may it come in nothingness or pardon.
'Nay, we won't. Then, as prig roosters we shall move too, and sing the cockcrow of our own mornings.'
Nobody will question the sanity of a man already claiming he is lost, for mad he seemed, and astray they were all. Though if cruelty was akin to his war, he thought how human he had remained, to still feel dismay behind fury when thinking of judges who act as juries. Who call for innocent's safety then release beasts like cannon fodder. Like gravel to be thrown.
'Unleash the dogs' they’ve ordered, while they sent a pack of wolves.
—
* Siegfried Sassoon, “I Stood With The Dead”, The War Poems of Siegfried Sassoon, 1919.