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@vefmag-blog
LIVE THROUGH THIS…
Somehow, in a strange twist of fate, i was acquainted with Legs McNeil ( Founder of PUNK Magazine, CBGB socialite, and oh yeh, Joey Ramone’s best friend ). After much discussion about the state of the world, and the death of Rock ‘n’ Roll, he sent me this article, which is yet to published elsewhere. After reading I felt reassured, grateful - excited, even - for it is simply an article about being young. And although I’m not a Television groupie hanging out on the Bowery in 1970s NYC, I do feel quite thrilled to be young.
“You doing alright Legs?” Joey Ramone asked me one night, shortly after I’d gotten dumped by Billie Bartlet. We were hanging at out one Monday night at Arturo Vega’s loft, the Ramones’ creative director, right around the corner from CBGB’s.
Joey Ramone was the lead singer of the Ramones, the band PUNK magazine believed were the next Beatles and tons of people on the scene thought would be the next breakout sensation from New York City. They were gaining momentum, getting tighter and faster every time they played CBGB’s, which was about every two weeks or so. Joey had one of the best voices in rock & roll and though he was an unusual looking guy—6’6, tall and as skinny as me, he was also my best friend– one of the few guys I talked about real shit with.
“No, not really,” I mumbled, nursing a Bud tallboy, filled with oceans of self-pity.
“Wanna watch Ted?” Joey asked, as we ambled away from the benzene stink from Arturo’s silk-screen operation in the front of the loft– to Joey’s “bedroom”– a mattress, a small black and white portable TV, and a hanging sheet for privacy, right next to the bathroom in the back.
“Ted” was our codeword for the Mary Tyler Moore Show, because Ted Baxter, the clueless; knucklehead newscaster, was our favorite character.
Joey was nursing his own tall boy. Arturo had given into our whining and given us each a dollar for beers. Arturo was an older, gay Mexican artist, who possessed that rare glow of immense possibility– and made us feel like what we were doing was important. Arturo was a fucking Saint.
“Yeah, okay, nothing better to do than watch Ted,” I mumbled, sitting in the chair next to the mattress that Joey stretched out on. I put my feet up on the bottom of it, getting comfy for two half hours of The Mary Tyler Moore Show. I’d woken up quiet a few times like this, and I guessed this was going to be another one.
“Whatsamatter?” Joey asked.
“Some chick dumped me,” I told him.
“That sucks…”
“Tell me about it…”
“She got to you, huh?” Joey quizzed me, twirling his hair around his finger. He was constantly playing with his hair.
“Yeah…”
“That’s the worst,” he looked stuck, as if he was having a memory he couldn’t turn away from.
“Yeah…”
“It’s bad when you let ‘em get inside,” Joey mused. It wasn’t a very good Mary episode; it was the one where Mary and Rhoda join the Divorced People’s Club in order to be eligible for the club’s cheap plane tickets to Europe, even though neither of them were divorced– and there wasn’t much of Ted Baxter in it, so Joey and I kept talking…
“You ever been in love?” I asked.
“Yeah, after I got out of the bin…”
“The bin” was our shorthand for the nuthouse. Joey was referring to his short stay in St. Vincent’s Psychiatric Hospital a few years earlier.
“Whycha hafta go in?” I asked.
“Oh, ya know,” Joey smiled that cryptic smile of his.
“Not really?”
“Well,” he thought, then smiled even broader and said, “Cause it was– time.”
“Time for what?” I giggled.
“Green Jell-O,” Joey snorted, “…and TV till 10…”
We were both laughing hard.
“Yeah, green Jell-O and TV till 10,” Joey hummed, “That’s the way the bin has always been…”
Joey always liked playing with words, like they were ricocheting around his brain, trapped inside until he could distill them into to his own language. I think it had something to do with his OCD– his obsessive/compulsive disorder– but it didn’t matter. Joey was always a lot of fun.
“Doesn’t sound so bad?” I suggested.
“Yeah,” he snorted, “It was– very therapeutic, ha, ha, ha!”
We laughed some more and sucked on our beers, both lost in thought.
Joey was receiving SSI, Social Security Insurance, some kind of public assistance because he’d been deemed “nuts” after his stay in St. Vincent’s. So he had some money coming in. “Crazy Money,” is what he called it. Joey was so generous he even took me down to Wall Street one morning and tried to get me signed up for “Crazy Money” too, but the Social Security functionary insisted on seeing a note from my psychiatrist. I was too afraid to go see I shrink, thinking they’d probably lock me up for a month long stay in the nuthouse too. So I never went back to Social Security office.
Mostly Joey and I were partners in adventuring to the end of the night—every night. The blistering night was all that mattered. Fuck the day time– that only served to do some work and watch the clock until the sun was ready to depart for another day. It seemed as though every night was another chance to live out our fantasies—whatever they were at that moment— and to taste the whim of sex, drugs and rock & roll again. Joey and I would inevitably get drunk, try to pick of some chicks and see where the darkness led us…
But every now and then, we’d take a Monday night off and stay in at Arturo’s and watch TV.
“I hate fucking Monday nights,” I said, counting and recounting the number of Marlboro’s I had left in the pack, “Mondays always feel like Sundays used to feel…
“Hey Legs, I wonder if ten years from now,” Joey deliberated, “will Tuesday nights feel like Monday nights feel now?”
“Good question,” I snickered. It made sense. As weird as Joey behaved sometimes, he always made perfect sense. He was a complicated, but profound thinker.
“Like how Friday nights used to feel in the bin, ya know?” he added, his OCD not letting go of the thought.
“So who was the girl you fell for?” I pressed.
“Just some chick,” Joey shrugged, getting moody, still playing with his hair, “But I let her in, ya know?”
“Yeah…”
“If only you could fuck ‘em, and not fall for ‘em, ” he laughed, “That would be great…”
“Yeah…”
“It really sucks when you’re sitting around wondering what she’s doing, ya know? Like that Boyce and Hart song, that song says it all, ya know?”
“I know man…”
Joey was an incurable romantic who believed in the concept of a perfect love, but didn’t mind indulging in the tasty treats that hung out at CBGB’s until he found it. We were just starting to get really hot chicks on a regular basis, still, we had to take what we could get, and sometimes that was nothing– like tonight.
“I wonder if they ever sit around wondering what were doing, ya know?” Joey mused. “Like, if they’re out there watching Ted, thinking, “Hey, what’s Joey and Legs doing tonight?’ I wonder if they’re hearts hurt as much as ours, ya know?”
“I’d like to think so,” I griped, “But I doubt it…”
“FUCKING CUNTS!” Joey burst into hysterics, “Why? Just cause we fucked somebody else?” He was doubled over, holding his stomach he was laughing so hard at the absurdity of his argument. I couldn’t help it; I was in hysterics along with him.
I really hadn’t been expecting to fall for Billie; it took me by surprise, and I knew I was on a downward spiral since she left me. I just couldn’t seem to get a grip; there was nothing to hold on to as I slipped into the void. Life seemed like some greasy slide into oblivion as I began to realize Billie couldn’t be replaced…
I knew I was headed for the big crash, but I also realized I had bigger problems than alcohol– while it was unusual for me to fall for a girl, I realized through Billie, that it was possible. So I had new problem– how was I going to survive myself until everything was okay? How was I going to survive falling in love until I was famous or successful enough to get what I wanted?
And what the hell did I want anyway?
Well– just more decadent sex, more beer and more Marlboros– and another great story! My needs were all consuming– beer, cigarettes, sex, etc– that I never considered the anything but the immediate future. Besides, I didn’t plan on living that long…
By Legs McNeil | Copyright 2013
I BELONG TO THE BLANK GENERATION
Nostalgia 1973
"When they first started coming around Max's, Patti Smith and Robert Mapplethorpe couldn't get in… I guess Mickey Ruskin thought they didn't have the right look. And to their great credit, because it's something I probably wouldn't have the guts to do, Patti and Robert would sit on the curb out in front of Max's and would talk to everyone as they came and went. That seemed fabulous to me. It was a very PUNK attitude way before there was a punk attitude."
- Leee Childers ( Please Kill Me | Legs McNeill & Gillian McCain )
punk ii 2015 | Tyler was a Rock 'n' Roll Nigga
By Titi Finlay
DIG IT Back in the 1960s it was far easier to meet pop stars than hear them on the radio, in my experience at least. I took this photograph on the afternoon I ran into Sonny and Cher at the Tower of London. They posed for me, had a chat about music, took me back to the Roller for autographs and eventually let me return to my parents and a crowd of slack jawed onlookers. A mere two weeks later and another chance encounter in the lift of a Carlisle hotel. Just months ago apropos of nothing, my mother said “do you remember that time we met Jimi Hendrix in a lift?” As if there was the remotest possibility of forgetting the sixty seconds you shared a two square metre space with the most legendary guitarist and rock showman of all time. And I’ll not even start on about The Rolling Stones. Looking back on it, I suppose I was a kind of junior Forrest Gump in the swinging sixties: always there at critical moments, but not necessarily fully aware of what was going on. Britain may well have swung like a pendulum do, but it was still phenomenally hard work to actually hear pop music back then. It was a bit like coal mining. In fact, in my case it actually involved spades and heavy digging. First, until 1967 you couldn’t just turn on the radio and listen to it. Well, you could, but not easily or well. The only way of hearing pop music was to tune to Radio Luxembourg or one of the pirate stations, which meant that it would be crackly, hissy and often just disappear at musically critical moments. The seemingly mystical ‘atmospherics’ meant that you were continually moving your radio around the room to capture the shifting tides and eddies of radio waves. Sometimes this involved standing on a chair holding the radio out of the window, which - to be honest - took the shine off one’s listening enjoyment. It goes without saying that the further you were from Luxembourg, the more crackly and hissy it was. In Scotland you could barely hear it at all, which is why the Scots invented Lonnie Donegan. The other way of listening was to go to a record store, sit in a listening booth and ask the assistant to spin a few discs. Of course the expectation is that you bought one eventually, and my pocket money only ran to about three singles per year. So every Friday and Saturday evening around ten of us would circulate around each others’ houses with our slender record collections in our hands, and basically DJ to each other. This enabled us to hear all the B sides that the radio never played. So, we’d all start off in Charlie’s bedroom, hear his new records, play a couple of our own, then when his parents got sick of the din, we’d decant to Andy’s, do the same there, and basically carry on around the neighbourhood till bed time. It was very much a social network - without the internet, without sponsored advertising and without all those fucking irritating selfies. Then, around the age of fourteen, I discovered pop music as buried treasure. The older brother of a pal at school heard that a record pressing plant in North London dumped all of its seconds at a refuse site a twenty minute bus ride away from where we lived. This wasn’t just any record plant - this was the plant that did the crucial independent labels of Island, Trojan and Chrysalis. So Sundays were generally spent digging through layers of rotten food and nappies until we hit a rich seam of vinyl. Some had no covers, or mis-printed covers. A few had the hole in the wrong place (and frankly anywhere not dead in the centre of the disc sounded very very spectacularly wrong). One or two had Side A from one album and Side B from a completely different album. Some had erroneous labels, and to this day the album in my loft that claims to be by Fairport Convention I have never been able to identify. But whether or not you knew who you were actually listening to, most of the vinyl that we mined was eminently playable. Now, there was an entrepreneurial side to all this. In many cases you’d unearth boxes containing a batch of the same record. Given that there are only so many copies of Blodwyn Pig’s debut album that even the keenest record collector needs, then those surplus to need could be traded at school on the Monday. And so it was that the Park Street Dump provided for me what illegal file sharing sites offer today. It also provided a modest cash income and some exercise at the same time: a nigh on perfect arrangement, if you didn’t mind smelling of fish and excrement for a couple of days. The absence of sleeves in many cases led me to fashion my own out of card, and apply my own designs to them. My unique version of King Crimson’s In the Wake of Poseidon, was one I was particularly proud of. One thing led to another and a few years later I was appointed Professor of Design. So all those days smelling of shitty rotten mackerel paid off in the end. Park Street Dump was later bulldozed to make way for the M25. Somewhere under the hard shoulder, just south of St Albans are a couple of boxes of the original pressing of Monkey Spanner by Dave and Ansell Collins and a quantity of In the Court of the Crimson King with slightly squint gatefold sleeves. Now that, my friend, is real buried treasure.
By Mike Press | Copyright 2015
GOD'S OWN JUNK YARD
New to London's SOHO is neon paradise Lights of SOHO, a graveyard of bright lights and ghosts of gayclubs past. If Vegas had a lovechild, forget about Reno - this would be it. Neon King Chris Bracey lights up Brewer Street alongside Marc Jacobs and Tracey Emin at the God's Own Junk Yard exhibition, right around the corner from London's West End. Quintessentially 'Soho', this show is trippy, retro and screams out sex - the perfect addition to the dissolute backstreets of London's most extravagant village.
On until Sunday 18 January at Lights of SOHO, LONDON
Photograph: Titi Finlay 2015
CHRIS STEIN NEGATIVE | ME, BLONDIE AND THE ADVENT OF PUNK
Chris Stein reveals never-before seen images of Blondie's 1970s. A melting pot of neon, punk and trashy-chic, this exhibition transports you straight back to New York's Bowery and Hotel Chelsea. Through Stein's photography you relive Iggy's stage dives, the toilet orgies in CBGB and the social life of Punk's golden girl. On the speakers is a compilation of punk hits from the Dead Boys, Patti Smith and of course Debbie Harry herself, which enhances the exhibition experience. Step into Somerset House and step right back into 1979. A must-see.
On until 25 January 2015, Somerset House, LONDON
LET THEM BE BORN WITHOUT WAR
2014 saw the shooting of Michael Brown, an African American teen who will go down in history as the person to expose police brutality and racism in certain areas of the USA. With an all too recent history of oppression against not just ethnic minorities, but women, religion and sexual orientation, its about time we begin to act. Its time to stick it to the man.
Musician Daniel Paris teamed up with artist Titi Finlay in a 'live protest against The Man' on November 28th 2014 in an event that brought together Scotland's politically active kids, free-thinkers and radicals. While Titi painted a portrait of model Ade Blackitalian LIVE throughout the night, Danny performed songs of revolution and protesters paraded around the dark club in body paint.
"It felt as though we had been transported back to CBGB's in the 70s. Girls ran around topless with PEACE painted on their chests, while protesters held up signs saying "THIS IS WHAT A FEMINIST LOOKS LIKE" and jammed to music reminiscent of Dylan. It was radical and inspiring"
- Feminist, Pauline
They protested against everything that is wrong with modern culture. It was an event that aroused political activity, it gave people the chance to fight for their beliefs. The whole night was a fiery explosion of kids that are sick hearing about Kim Kardashian's ass on their twitter feeds, people who want change and peace. People who want a life Without War.
Photographs: Kathryn Rattray 2014