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@vignettist
same energy (x)
#carol as an o'connell descendent#uses cats to scare bad guys#screams a lot#much sass (via @oft-goes-awry)
I have nothing to prove to you
Get Ready For Some Great Female Presenting Tits
Men like to believe theyd be great in apocalypse scenarios but they dont even know how to sew
Some male friends of mine were once talking about how useful they’d be in an apocalypse, and I pointed out that as a weaver and sewer and maker of stuff, I’d be pretty damn useful and they tried to tell me they could just loot clothes from WalMart and they’d be fine. As if WalMart has endless supplies without weekly deliveries.
So just last night a friend of mine was talking about who he’d round up in the event of a zombie apocalypse and how I’m his go-to farmer on account of I know how to keep an entire homestead up and running and we’re talking about what kind of resources I’d need to keep a colony of about 50-ish people alive and i bring up what all goes into processing wool for clothing and such and he just kind of stops me like ‘wait, wait, we don’t need to do all of that because we can scavenge for clothes we don’t need to be able to make them’ and i’m just like, ‘dude, that works in the short-term maybe but if this community is going to be sustainable you’ve gotta have people whose job it is to make clothes and blankets and shit’
also cloth rots pretty quickly when left exposed to the elements and after the first few years or so anything we manage to scavenge isn’t going to be wearable anymore and anywho we’ve got to teach the kids everything or they’re not gonna know what to do some decades down the line when everything’s too rusted or rotted out to be of any practical use anymore, etc etc, and he’s reckoning that things like woodworking and smithing and ranching are more important than say, cleaning or cooking or dairying and meanwhile i’m just smh may all the gods have mercy on this poor fool
He also balked when i brought up how to run a laundry and what all was needed to make everyday shit like soap and toothpaste - like dude, you think this is going to be all about hunting and scavenging and being neato manly-man drifters like in the walking dead let me teach you a thing about keeping a village alive and healthy for more than a week man most of it is shit you keep thinking is non-essential on account of it being “women’s work” or “simple chores” that’re actually pretty labor-intensive and take time, training, knowledge, and practice to do successfully, let alone well, and are 100% absolutely necessary work in order for you to have any reasonably good quality of life after the world ends
I’m reminded of this post I read a while back about some guy who thought his underwear lasted years because his wife would periodically replace his boxers and socks with identical boxers and socks when they started to look old and he just … never noticed.
“It’s just an oasis. A beautiful,… exciting,… romantic,…. oasis.”
#2 things are excellent about this scene: #1. Evie’s amazing long coat of light cotton in that coppery check (adventuress chic) #and 2. the way rick is transparently and devotedly in love with his wife #he’s trying to be chill about it to avoid agreeing to immediately going travelling again #but he’s LOST #FATHOMS DEEP #that third gif when she comes back around and he’s just PINING for his OWN WIFE #oh children
#3. The fact that despite being HOPELESSLY in love with his wife, immediately after this moment he demands to know what the catch is, because unlike so many other dads/husbands in humorous movies, he’s No Fool.
He knows he’ll be walking into crap, he just wants to know what kind Proper Preparation Prevents Poor Performance
4. The doomed attempt at a stern face in the third gif, when he turns to look at her and instantly loses it anyway 😂
I can’t believe the 2005 pride & prejudice completely understood that the ONLY correct characterization for Darcy was having him look mortifyingly uncomfortable in literally every situation he’s placed in. his body language is just. horrifying. this man wants to crawl into a hole. not to mention he’s like 6 and a half feet tall which is just. he’s so uncomfortably Large that you can’t ignore him even though he Desperately Wants You To Ignore Him. thank GOD they didn’t try any of that Dashing Gentleman bullshit. awkward nerd is the only correct Darcy.
the new batch of love for john mulaney here on tumblr has got me thinking how critical costume design is once again. john mulaney is a good comedian, but so much of his power comes from how his humor plays off how he’s dressed. we don’t expect a man dressed like a 1960s news announcer, all clean scrubbed and tight-wound professional, to describe in minute detail the visit where a doctor shoved a hand up his ass. imagine any iconic john mulaney set but given in jeans and a t-shirt, and is it as funny? i don’t think so. his humor spreads like wildfire on this website because the image of a man in a buttoned-up shirt and a tie and slicked back hair with fairly narrow lapels on his three-piece suit is fucking hysterical when paired with “years later I’d be in college about to go down on some rockin’ twink and i’d be like what would leonard bernstein do”
well I do recall a comedian telling about how he accidentally joined the russian mafia on a school trip in college, and this was made more believable by the fact that he was shirtless with a beer belly while telling this story
since someone asked
Frick thank you so much
THE MACHINE
@domesticpeanuts
Episode 13 was top notch, totally recommend! ♥
Rainbows in Cinema: [06/???]
The Shape of Water (2017) Directed by Guillermo del Toro
I love him
I HAVE SOME questions
So many stick
What a good boy!
surprise ending
sometimes you need to step back and look at how far youve come :)
Rick Riordan won a Stonewall award today
for his second Magnus Chase book, due to the inclusion of the character Alex Fierro who is gender fluid. This was the speech he gave, and it really distills why I love this author and his works so much, and why I will always recommend his works to anyone and everyone.
“Thank you for inviting me here today. As I told the Stonewall Award Committee, this is an honor both humbling and unexpected.
So, what is an old cis straight white male doing up here? Where did I get the nerve to write Alex Fierro, a transgender, gender fluid child of Loki in The Hammer of Thor, and why should I get cookies for that?
These are all fair and valid questions, which I have been asking myself a lot.
I think, to support young LGBTQ readers, the most important thing publishing can do is to publish and promote more stories by LGBTQ authors, authentic experiences by authentic voices. We have to keep pushing for this. The Stonewall committee’s work is a critical part of that effort. I can only accept the Stonewall Award in the sense that I accept a call to action – firstly, to do more myself to read and promote books by LGBTQ authors.
But also, it’s a call to do better in my own writing. As one of my genderqueer readers told me recently, “Hey, thanks for Alex. You didn’t do a terrible job!” I thought: Yes! Not doing a terrible job was my goal!
As important as it is to offer authentic voices and empower authors and role models from within LGBTQ community, it’s is also important that LGBTQ kids see themselves reflected and valued in the larger world of mass media, including my books. I know this because my non-heteronormative readers tell me so. They actively lobby to see characters like themselves in my books. They like the universe I’ve created. They want to be part of it. They deserve that opportunity. It’s important that I, as a mainstream author, say, “I see you. You matter. Your life experience may not be like mine, but it is no less valid and no less real. I will do whatever I can to understand and accurately include you in my stories, in my world. I will not erase you.”
People all over the political spectrum often ask me, “Why can’t you just stay silent on these issues? Just don’t include LGBTQ material and everybody will be happy.” This assumes that silence is the natural neutral position. But silence is not neutral. It’s an active choice. Silence is great when you are listening. Silence is not so great when you are using it to ignore or exclude.
But that’s all macro, ‘big picture’ stuff. Yes, I think the principles are important. Yes, in the abstract, I feel an obligation to write the world as I see it: beautiful because of its variations. Where I can’t draw on personal experience, I listen, I read a lot – in particular I want to credit Beyond Magenta and Gender Outlaws for helping me understand more about the perspective of my character Alex Fierro – and I trust that much of the human experience is universal. You can’t go too far wrong if you use empathy as your lens. But the reason I wrote Alex Fierro, or Nico di Angelo, or any of my characters, is much more personal.
I was a teacher for many years, in public and private school, California and Texas. During those years, I taught all kinds of kids. I want them all to know that I see them. They matter. I write characters to honor my students, and to make up for what I wished I could have done for them in the classroom.
I think about my former student Adrian (a pseudonym), back in the 90s in San Francisco. Adrian used the pronouns he and him, so I will call him that, but I suspect Adrian might have had more freedom and more options as to how he self-identified in school were he growing up today. His peers, his teachers, his family all understood that Adrian was female, despite his birth designation. Since kindergarten, he had self-selected to be among the girls – socially, athletically, academically. He was one of our girls. And although he got support and acceptance at the school, I don’t know that I helped him as much as I could, or that I tried to understand his needs and his journey. At that time in my life, I didn’t have the experience, the vocabulary, or frankly the emotional capacity to have that conversation. When we broke into social skills groups, for instance, boys apart from girls, he came into my group with the boys, I think because he felt it was required, but I feel like I missed the opportunity to sit with him and ask him what he wanted. And to assure him it was okay, whichever choice he made. I learned more from Adrian than I taught him. Twenty years later, Alex Fierro is for Adrian.
I think about Jane (pseudonym), another one of my students who was a straight cis-female with two fantastic moms. Again, for LGBTQ families, San Francisco was a pretty good place to live in the 90s, but as we know, prejudice has no geographical border. You cannot build a wall high enough to keep it out. I know Jane got flack about her family. I did what I could to support her, but I don’t think I did enough. I remember the day Jane’s drama class was happening in my classroom. The teacher was new – our first African American male teacher, which we were all really excited about – and this was only his third week. I was sitting at my desk, grading papers, while the teacher did a free association exercise. One of his examples was ‘fruit – gay.’ I think he did it because he thought it would be funny to middle schoolers. After the class, I asked to see the teacher one on one. I asked him to be aware of what he was saying and how that might be hurtful. I know. Me, a white guy, lecturing this Black teacher about hurtful words. He got defensive and quit, because he said he could not promise to not use that language again. At the time, I felt like I needed to do something, to stand up especially for Jane and her family. But did I make things better handling it as I did? I think I missed an opportunity to open a dialogue about how different people experience hurtful labels. Emmie and Josephine and their daughter Georgina, the family I introduce in The Dark Prophecy, are for Jane.
I think about Amy, and Mark, and Nicholas … All former students who have come out as gay since I taught them in middle school. All have gone on to have successful careers and happy families. When I taught them, I knew they were different. Their struggles were greater, their perspectives more divergent than some of my other students. I tried to provide a safe space for them, to model respect, but in retrospect I don’t think I supported them as well as I could have, or reached out as much as they might have needed. I was too busy preparing lessons on Shakespeare or adjectives, and not focusing enough on my students’ emotional health. Adjectives were a lot easier for me to reconcile than feelings. Would they have felt comfortable coming out earlier than college or high school if they had found more support in middle school? Would they have wanted to? I don’t know. But I don’t think they felt it was a safe option, which leaves me thinking that I did not do enough for them at that critical middle school time. I do not want any kid to feel alone, invisible, misunderstood. Nico di Angelo is for Amy, and Mark and Nicholas.
I am trying to do more. Percy Jackson started as a way to empower kids, in particular my son, who had learning differences. As my platform grew, I felt obliged to use it to empower all kids who are struggling through middle school for whatever reason. I don’t always do enough. I don’t always get it right. Good intentions are wonderful things, but at the end of a manuscript, the text has to stand on its own. What I meant ceases to matter. Kids just see what I wrote. But I have to keep trying. My kids are counting on me.
So thank you, above all, to my former students who taught me. Alex Fierro is for you.
To you, I pledge myself to do better – to apologize when I screw up, to learn from my mistakes, to be there for LGBTQ youth and make sure they know that in my books, they are included. They matter. I am going to stop talking now, but I promise you I won’t stop listening.”
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Concept: the Silmarillion, in the style of Lemony Snicket
“Stealing, of course, is a crime, and a very impolite thing to do. But like most impolite things, it is excusable under certain circumstances. Stealing is not excusable if, for instance, you are in a workshop and you decide that the Silmarils would look better in your crown, and you simply grab the Silmarils and take them there. But if you were very, very hungry, and you had no way of obtaining money, it would be excusable to grab the Silmarils, take them to your fortress, and eat them.”
“Finrod was an Arafinwean, a word which here means ‘lithe blonde twink who, for some reason, everybody in the entire world except for Celegorm seems to underestimate.’
Curufin was smitten, a word which here means ‘not Celegorm.’”
“Now, “in the dark” is a term meaning that one is not aware of something that is going on, and has very little to do with physical light, or the lack of such a thing. If it is a bright sunny day and you are sitting in a park and you have no idea that buried beneath your picnic spot is a treasure chest then you are in the dark not in the dark, and if it is the dead of night and you are traipsing through the woods and you are entirely aware that you are being followed by a troupe of ballerinas then you are not in the dark in the dark, and if you are sitting at your kitchen table working and you are so intent on your work that you do not even realize night has fallen then you are in the dark about being in the dark in the dark, until you look up and find yourself no longer in the dark about being in the dark in the dark. And immediately after Melkor extinguished the Trees, all of Valinor found itself very comprehensively in the dark.“
“Fingolfin was an optimist, a word which here means ‘attempting to make amends with his half-brother who has just threatened him with a sword.’
Fingolfin was an optimist, a word which here means ‘willing to trust his half-brother to bring him across an ocean in the boats they have just stolen together.’
Fingolfin was an optimist, a word which here means ‘about to cross an ice bridge, having previously turned back because such a thing was clearly impossible.’
Fingolfin was an optimist, a word which here means ‘about to charge an evil god and stab him with a sword.’
Fingolfin was an optimist, a word which here means ‘dead.’”
“If you are allergic to a thing, it is best not to put that thing in your mouth, particularly if the thing is cats, or, in Finrod’s case, werewolves.”