
shark vs the universe

oozey mess

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost

PR's Tumblrdome

pixel skylines
Mike Driver

Jar Jar Binks Fan Club
trying on a metaphor
RMH
d e v o n
Show & Tell

Product Placement
𓃗

roma★
let's talk about Bridgerton tea, my ask is open
Xuebing Du
PUT YOUR BEARD IN MY MOUTH
will byers stan first human second

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@virginiadear
"PTSD – post-traumatic stress disorder – has been cited, including by Platner, as a justification for his post-military conduct. On the one hand, while it may explain it, it doesn't justify that behavior in a candidate for senate. On the other, another Marine who served in Iraq, David J. Morris, who wrote a powerful book, The Evil Hours, about PTSD, wrote me some years ago, 'The science on the subject is pretty clear: according to the New England Journal of Medicine, rape is about four times more likely to result in diagnosable PTSD than combat. Think about that for a moment— being raped is four times more psychologically disturbing than going off to a war and being shot at and blown up. And because there are currently no enduring cultural narratives that allow women to look upon their survival as somehow heroic or honorable, the potential for enduring damage is even greater.' A significant percentage of American women are survivors of male violence, including intimate partner violence and rape, yet I rarely hear PTSD invoked to justify or excuse their – our – behavior, and I've never heard it invoked to justify violence by women."
Rebecca Solnit in Pod Save Patriarchy (Or Whatever That Sorry Platner Spectacle Was)
harvest season
by Thomas Marquize
"oh, I live in a desert and-"
"wow that must be so terrible" "deserts are so ugly" "I would never want to live in a wasteland like that" "it's just empty nothingness"
wishing 10,000 exploding hammers upon you
behold New Mexico
[ID 1: tall, snowcapped rocky mountains rising above a plain filled with desert scrub
ID 2: brightly colored banded cliff walls of several mesas climbing their way into mountains
ID 3: a desert prairie
ID 4: colorful hoodoos against a twilight sky
ID 5: white sand dunes as far as the eye can see
ID 6: a collection of hoodoos against a stormy sky at sunset
ID 7: a juniper tree standing with a cliff wall in the background
ID 8: several juniper trees on a rocky landscape]
this post and all its wonderful additions (look in the notes) is circulating again. these photos and many of the ones added in the notes come from the US Southwest.
right now the trump administration is attacking the public lands in the Southwestern US. most recently (July 2026), in Utah the Bears Ears and Grand Staircase-Escalante national monuments have been cut by over 90% to allow for mining. these lands are sacred to multiple Native nations in the area and contain irreplaceable archeological sites. additionally, the commission of Native representatives who aided in management of these lands has been dissolved leaving Native people without a voice in caring for the remaining land. (read more here)
here in New Mexico, the 10 mile buffer zone surrounding Chaco Canyon preventing oil and gas drilling is under attack. Chaco Canyon contains incredibly old and incredibly fragile archeological sites sacred to Pueblo people. these sites are threatened by mining and drilling. (read more here)
The attack on the Chaco buffer zone is currently in a public comment period open until July 29. PLEASE leave a public comment to save these irreplaceable places.
from like 9 to 12 i would try to fall asleep by ‘making’ a new seinfeld episode in my head. i would open with a jerry seinfeld standup bit that was almost nonsense (its not like i can write standup like he can at 10 years old) and then it would be jerry and george arguing about a girlfriend i made up with some kind of pointless issue (”she wears bigger pants than me, jerry! everyones gonna know, who wears the pants!”) and then kramer would walk in. by that time id be almost out
I should also say i was ‘typing’ out the dialogue with my hands as if they were on a keyboard, but my hands were across my chest like a vampire
Mark Rothko, Untitled, 1968
© Kate Rothko Prizel & Christopher Rothko / Artists Rights Society
Max Palmer
FUKUDA Heihachirō(福田平八郎, Japanese 1892-1974)
花菖蒲 Iris 1934 via more
it's been one of those of weeks... park that car drop that phone sleep on the floor dream about me!
https://www.washingtonpost.com/opinions/2026/07/24/jesse-jackson-was-my-father-he-blessed-my-embrace-judaism/
archive
I love the art included with this piece.
Two years before he died, my father came to my synagogue. For many of my fellow congregants, it was the day they learned that my father was the Rev. Jesse Jackson — a stalwart of the civil rights movement, an African American Baptist minister and one of the architects of multiracial coalition politics. To me, he was simply Dad: a gentle father who reached back for my hand on every car ride and taught me to meet difference with curiosity.
As the Saturday morning service proceeded, my father sat in the front row — holding my hand, dancing to prayers in a language he did not speak, eating the Sunkist candies the congregation had tossed to celebrate a bar mitzvah. Beside him, I banged on my siddur like it was a tambourine, weaving into those ancient prayers the rhythm of the Black church I was born into.
On June 12, carrying my parents’ blessings, I completed my conversion — a journey I held close until now. I was raised to believe that faith must lead to action. In Judaism, I found an enduring expression of this belief. Ancient ritual and the rigors of textual study were accompanied by the calling to “repair the world.” The Hebrew liturgy felt familiar on my tongue before I understood its meaning. On my first Rosh Hashanah, the shofar’s cry touched a depth of my soul I had not yet reached, and tears poured down my face.
As my father looked on, I reflected on the identity I would claim as a Black and Jewish woman, a twin inheritance filled with sorrow and wonder. Sorrow because, for Black Jews, racism and antisemitism can surface in even the most intimate and familiar spaces. But wonder, too, in the meeting of two diasporas: kosher soul food, Black oral tradition finding its cousin in Jewish debate, twin memories of an exodus from slavery.
So much of my life was determined before I was old enough to choose it: who I was expected to become, what I would inherit, how the watching world would understand me. My parents understood the burden of those expectations and were careful to give me the freedom to become a seeker — of knowledge, meaning and God.
Though I was raised among people of many faiths, Judaism became personal to me almost by accident. In college, my studies kept leading me back to questions of faith and justice, and during the pandemic, a serious illness and the long isolation that followed gave those questions new urgency. I happened across an online conversation about Jewish life and became captivated. That encounter led me to read about the faith and eventually attend my first Shabbat service. I kept going back. In that community, I recognized myself, and over time, we became bound to one another.
The connection between African Americans and Jewish Americans was forged in the struggle for civil rights. This shared history is now under attack. In some communities, speaking out against antisemitism is seen as siphoning attention from the fight against anti-Black racism. In others, confronting anti-Blackness is seen as a threat to Jewish identity and belonging.
About 1 percent of American Jews identify as Black. Their experience — my experience — shows that the alienation between these two communities can be overcome. The ethical language of my childhood was shaped by a Black prophetic tradition that responded to dehumanization with an unyielding insistence on the sanctity of life. Judaism supports this struggle for dignity, affirming that whoever destroys a single soul destroys an entire world, and that whoever saves one saves an entire world. Both traditions tell a liberation story that begins with a particular people but does not end there.
At the end of my father’s Shabbat visit, my rabbi, Sharon Brous, called his name to offer him a blessing. Before she could speak, the congregation was already on its feet. My father — one of the most recognizable Baptist ministers in America — wept as the congregation offered him a spontaneous ovation.
It was a moment of mutual recognition. Speaking a year and a half later at my father’s funeral, Brous said, “What a holy thing it is to be seen for who you really are.” That morning, my father and my Jewish community saw one another clearly.
A few weeks after my conversion, I stood before my community and announced my Hebrew name, Miriam Yiskah — the latter a feminine echo of Jesse, carrying my father’s memory into the covenant. I feel as though I have been entrusted with a sacred charge: to do for others what my father and my rabbi had done for me. Amid widespread concerns about antisemitism and anti-Blackness, it is necessary to recall that our differences do not preclude unity.
From the height of the port crane. Baranov Rudolf Nikolaevich, 1973
really losing my patience for any 'feminist' statement to the tune of 'we need feminism because women fill a fundamentally different and necessary role than men and will be better at doing x y or z'. like actually i think we need feminism because it is an unbearable death of the spirit by inches to exist in a world where you are not seen as a fully realized human being because of a single cultural determination, and because a world that enshrines such things creates systems that are fundamentally sick to the core
I want you to write for pleasure—to play. Just listen to the sounds and rhythms of the sentences you write and play with them, like a kid with a kazoo. This isn’t “free writing,” but it’s similar in that you’re relaxing control: you’re encouraging the words themselves—the sounds of them, the beats and echoes—to lead you on. For the moment, forget all the good advice that says good style is invisible, good art conceals art. Show off! Use the whole orchestra our wonderful language offers us! Write it for children, if that’s the way you can give yourself permission to do it. Write it for your ancestors. Use any narrating voice you like. If you’re familiar with a dialect or accent, use it instead of vanilla English. Be very noisy, or be hushed. Try to reproduce the action in the jerky or flowing movement of the words. Make what happens happen in the sounds of the words, the rhythms of the sentences. Have fun, cut loose, play around, repeat, invent, feel free.
Ursula K. Le Guin, Steering The Craft
a lot of people dont care about insect biomass collapse bc when they hear we are losing 2.5% of the insect biomass per year they just imagine the cockroach and housefly population decreasing by that much. they dont realize those are among the only ones that will remain unbothered
you can make a little oasis right where you are, and it matters
every year of restoring native plants I see a great increase in the insect populations, and loads of new insects i never saw before (all of them harmless--the insects that are harmful or parasitic on humans are the main ones being unaffected by the decrease in insect populations)
(a large part of) the problem is Plant Sameness. we must restore plant diversity