feeding her stuffie must live on....
seal point
Aqua Utopia|海の底で記憶を紡ぐ
occasionally subtle
taylor price
Xuebing Du
ojovivo
Sweet Seals For You, Always
cherry valley forever
★
almost home
Misplaced Lens Cap
Sade Olutola
PUT YOUR BEARD IN MY MOUTH

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tannertan36
untitled

titsay
Claire Keane
Game of Thrones Daily
The Bowery Presents
seen from Philippines

seen from United States

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seen from United States
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seen from United States
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@waitingfortheoncomingstormpilot
feeding her stuffie must live on....
seal point
saw a post about this earlier but it made me think: tumblr really is the only social media site where I go on and have a good time and then carry on with my day. I know it's completely curated because there are some awful people here but that (the curation) in itself is a privilege of the site. Every other social media site is designed to make you angry for more engagement
I miss when everyone on my dash listened to Welcome to Night Vale so there’s be a good chance that on any ole day someone would reblog a quote that would grab me by the throat and forcibly ascend me to a higher plane where I understood myself and the universe better and with more kindness but also a little spook
“The past is gone, and cannot harm you anymore. And while the future is fast coming for you, it always flinches first and settles in as the gentle present” are you kidding me this quote has propelled me through at least three emotional crises
“The desert seems vast, even endless. And yet scientists tell us that somewhere, even now, there is snow.” That quote literally got me through grieving my brother like WTNV goes HARD
A List of Some of My Favorite Quotes From This Insane Podcast:
"You are beautiful when you do beautiful things."
"The present tense of regret is indecision."
"We understand so much, but the sky behind those lights-- mostly void, partially stars-- that sky reminds us we don't understand even more."
"Be proud of your place in the Cosmos. It is small and yet it is."
"Believe in yourself. You are an ancient, absent god, discussed only rarely by literary scholars. So if you don't believe, no one will."
"Death is only the end if you assume the story is about you."
“Whisper a dangerous secret to someone you care about. Now they have the power to destroy you, but they won’t. That’s what love is.”
"Are we living a life that is safe from harm? Of course not. We never are. But that’s not the right question. The question is are we living a life that is worth the harm?"
"When we talk about teenagers, we adults often talk with an air of scorn, of expectation for disappointment. And this can make people who are presently teenagers feel very defensive. But what everyone should understand is that none of us are talking to the teenagers that exist now, but talking back to the teenager we ourselves once were – all stupid mistakes and lack of fear, and bodies that hadn’t yet begun to slump into a lasting nothing. Any teenager who exists now is incidental to the potent mix of nostalgia and shame with which we speak to our younger selves."
"We are not history yet. We are happening now. How miraculous is that?"
"Wednesday has been cancelled due to a scheduling error."
"We have nothing to fear except ourselves. We are unholy, awful people."
"A million dollars isn’t cool. You know what’s cool? A basilisk."
"There's nothing under your bed. There's nothing in your closet. Nothing waits in every darkness. Nothing is the most terrifying thing of all."
"The night sky is ten miles wide, eight miles deep, and floats three miles up. Its favourite food is grape jelly. It wants to be a drummer."
"Look to the sky. You will not find answers there, but you will certainly see what everyone is screaming about."
"Ignorance might not actually be bliss, but it is certainly less work."
"And now, a special report. Crocodiles: Can they eat your children? *YES.*"
"Lie down and look up at the ceiling and breathe with those curiously fragile lungs of yours and remind yourself: Don’t worry. Don’t worry. All is as it was meant to be. It was meant to be lonely and terrifying and unfair and fleeting. Don’t worry."
"As long as I’m reminding myself things, I’m a good person, worthy of love – both from myself and others."
"Guns don't kill people! It's impossible to be killed by a gun. We are all invincible to bullets and it's a miracle!"
"Everything is exciting! Particularly existence. Existence is the most thrilling fact of all."
"There is a monster under your bed. A monster at your window. A monster any place you imagine one. You project your monsters on the world."
"You miss 100% of the bank robberies you don't commit."
"I like my coffee like I like my nights. Dark, endless, and impossible to sleep through. "
"A friendly desert community where the sun is hot, the moon is beautiful, and mysterious lights pass overhead while we all pretend to sleep. Welcome to Night Vale."
"And now, the weather."
I discovered this podcast at the beginning of high school, and let me tell you, it rewired my synapses.
Not only was it my first experience with positive LGBT representation, it was the show I clung to when everything else went to shit. Whatever was going on in my life, I knew I had this show in my corner, making me laugh, making me cry, making me feel okay about my place in the universe.
I owe the creators of this podcast more than I could express.
"the lights over the Arby's" is such an intrinsically queer piece of writing that it hits me *hard* every time.
"We will never be the same again. But here's a little secret for you: no one is ever the same thing again after anything. You are never the same twice, and much of your unhappiness comes from trying to pretend that you are. Accept that you are different each day, and do so joyfully, recognizing it for the gift it is. Work within the desires and goals of the person you are currently, until you aren't that person anymore, and everything changes once again." (from Episode 75)
"The universe is vast. You are also vast. So is an ant. There are different sizes of infinity."
cover and page 1 of a little heist comic for @plastic-pipes
i promise this is actually going to be silly and flirty from here on out, pipes <3
something that i wished was focused on more in scifi is the side-effects of living and travelling in space so frequently
gravity generators can generate fields that are almost earth-normal, but they’ll never quite be perfect - especially if they have to compensate for the different species of alien on board, who may well be used to completely different gravitational strengths on their homeworld. it’s not uncommon for a crew, after a long voyage, to step back onto their homeworld and experience temporary feelings of excessive heaviness or lightness. “gravity hangovers” are common, especially among ensigns and those from worlds where gravity is more extreme.
the air onboard starships and stations is highly concentrated and purified, recycled through a series of filters to make it suitable for the inhabitants of the vessel. many dormant allergies develop post-voyage, and crews of all ages and levels of experience dread the “station sickness” that sometimes results from exposure to less sterilized air after a long period stationed in space.
lighting and sound is also different; many veterans report difficulty sleeping without the sound of the ships’ engines to lull them to sleep; or the piercing, painful brightness of the midday sun after so long stationed out in the impenetrable void, with only the light of the stars as an external source of illumination.
it’s no wonder that those who journey into space rarely want to leave, are so desperate to get back out there when they do.
Reblogging to add: read/watch The expanse series or read anything by Becky Chambers!
the most disorienting thing thats ever happened to me was when a linguistics major stopped in the middle of our conversation, looked me in the eye, and said, "you have a very interesting vernacular. were you on tumblr in 2014?" and i had to just stand there and process that one for a good ten seconds
#i was in a car with a linguist i had never met before the car trip and like half an hour in he looked at me#after i finished describing a geology thing that was happening out the window and asked if i'd ever spent much time on tumblr#the fuckor of it all#and then we spent six more hours driving#it sure does leave linguistic markers! i'm not sure i'm good with it (tags via @thoughtsformtheuniverse)
it is one thing to be a linguist and another to be a linguist who knows enough of 2010s Tumblr to spot one of its enjoyers
Oh! @meret118 see above comment! The use of the word "enjoyers" instead of "users" or "bloggers" -> You left a comment a while back asking, "Does this just mean vocabulary words? Other than blorbo and sweet cinnamon roll etc, I can't think of what a Tumblr accent would be." I almost never see anyone use the word "enjoyer" anywhere outside of tumblr, but I see it on tumblr fairly frequently.
Another one is the verb "perceive" i.e. "don't perceive me" "I am perceiving" "I am being percieved." That's something that feels very specific to tumblr parlance.
There's the thing where people on tumblr have an emotional reaction to something and instead of, or in addition to telling you how they feel about it using emotion words, they will narrate a fictional action in the present progressive tense. "I am gnawing at the bars of my enclosure "I am kissing you on the mouth" "you are going into the soup" "you are getting all of the awards"
I once saw someone use that response format in ... I think it was a restaurant review, or a doordash review, or something like that. It was very unexpected seeing it outside of a tumblr post.
There are a lot of other tumblr linguistic quirks I can't currently remember off the top of my head, but I'll instantly recognize them if I see/hear them outside of tumblr. It's always a bit startling to see them out of context.
i hate it when i cant even write a poem about something because its too obvious. like in the airbnb i was at i guess it used to be a kids room cause you could see the imprint of one little glow in the dark star that had been missed and painted over in landlord white. like that's a poem already what's the point
you get it. you get the themes. i dont have time to do it justice. just look at it its on the ceiling
Here’s a story about changelings:
Mary was a beautiful baby, sweet and affectionate, but by the time she’s three she’s turned difficult and strange, with fey moods and a stubborn mouth that screams and bites but never says mama. But her mother’s well-used to hard work with little thanks, and when the village gossips wag their tongues she just shrugs, and pulls her difficult child away from their precious, perfect blossoms, before the bites draw blood. Mary’s mother doesn’t drown her in a bucket of saltwater, and she doesn’t take up the silver knife the wife of the village priest leaves out for her one Sunday brunch.
She gives her daughter yarn, instead, and instead of a rowan stake through her inhuman heart she gives her a child’s first loom, oak and ash. She lets her vicious, uncooperative fairy daughter entertain herself with games of her own devising, in as much peace and comfort as either of them can manage.
Mary grows up strangely, as a strange child would, learning everything in all the wrong order, and biting a great deal more than she should. But she also learns to weave, and takes to it with a grand passion. Soon enough she knows more than her mother–which isn’t all that much–and is striking out into unknown territory, turning out odd new knots and weaves, patterns as complex as spiderwebs and spellrings.
“Aren’t you clever,” her mother says, of her work, and leaves her to her wool and flax and whatnot. Mary’s not biting anymore, and she smiles more than she frowns, and that’s about as much, her mother figures, as anyone should hope for from their child.
Mary still cries sometimes, when the other girls reject her for her strange graces, her odd slow way of talking, her restless reaching fluttering hands that have learned to spin but never to settle. The other girls call her freak, witchblood, hobgoblin.
“I don’t remember girls being quite so stupid when I was that age,” her mother says, brushing Mary’s hair smooth and steady like they’ve both learned to enjoy, smooth as a skein of silk. “Time was, you knew not to insult anyone you might need to flatter later. ‘Specially when you don’t know if they’re going to grow wings or horns or whatnot. Serve ‘em all right if you ever figure out curses.”
“I want to go back,” Mary says. “I want to go home, to where I came from, where there’s people like me. If I’m a fairy’s child I should be in fairyland, and no one would call me a freak.”
“Aye, well, I’d miss you though,” her mother says. “And I expect there’s stupid folk everywhere, even in fairyland. Cruel folk, too. You just have to make the best of things where you are, being my child instead.”
Mary learns to read well enough, in between the weaving, especially when her mother tracks down the traveling booktraders and comes home with slim, precious manuals on dyes and stains and mordants, on pigments and patterns, diagrams too arcane for her own eyes but which make her daughter’s eyes shine.
“We need an herb garden,” her daughter says, hands busy, flipping from page to page, pulling on her hair, twisting in her skirt, itching for a project. “Yarrow, and madder, and woad and weld…”
“Well, start digging,” her mother says. “Won’t do you a harm to get out of the house now’n then.”
Mary doesn’t like dirt but she’s learned determination well enough from her mother. She digs and digs, and plants what she’s given, and the first year doesn’t turn out so well but the second’s better, and by the third a cauldron’s always simmering something over the fire, and Mary’s taking in orders from girls five years older or more, turning out vivid bolts and spools and skeins of red and gold and blue, restless fingers dancing like they’ve summoned down the rainbow. Her mother figures she probably has.
“Just as well you never got the hang of curses,” she says, admiring her bright new skirts. “I like this sort of trick a lot better.”
Mary smiles, rocking back and forth on her heels, fingers already fluttering to find the next project.
She finally grows up tall and fair, if a bit stooped and squinty, and time and age seem to calm her unhappy mouth about as well as it does for human children. Word gets around she never lies or breaks a bargain, and if the first seems odd for a fairy’s child then the second one seems fit enough. The undyed stacks of taken orders grow taller, the dyed lots of filled orders grow brighter, the loom in the corner for Mary’s own creations grows stranger and more complex. Mary’s hands callus just like her mother’s, become as strong and tough and smooth as the oak and ash of her needles and frames, though they never fall still.
“Do you ever wonder what your real daughter would be like?” the priest’s wife asks, once.
Mary’s mother snorts. “She wouldn’t be worth a damn at weaving,” she says. “Lord knows I never was. No, I’ll keep what I’ve been given and thank the givers kindly. It was a fair enough trade for me. Good day, ma’am.”
Mary brings her mother sweet chamomile tea, that night, and a warm shawl in all the colors of a garden, and a hairbrush. In the morning, the priest’s son comes round, with payment for his mother’s pretty new dress and a shy smile just for Mary. He thinks her hair is nice, and her hands are even nicer, vibrant in their strength and skill and endless motion.
They all live happily ever after.
*
Here’s another story:
Keep reading
This is a comment someone appended to a photo of two men apparently having sex in a very fancy room, but it’s also kind of an amazing two-line poem? “His Wife has filled his house with chintz” is a really elegant and beautiful counterbalancing of h, f, and s sounds, and “chintz” is a perfect word choice here—sonically pleasing and good at evoking nouveau riche tackiness. And then “to keep it real I fuck him on the floor” collapses that whole mood with short percussive sounds—but it’s still a perfect iambic pentameter line, robust and a lovely obscene contrast with the chintz in the first line. Well done, tumblr user jjbang8
I hate that my aesthetic sense agrees with this but everything you just said was correct
I went back to dig up this post because I was thinking about poetry.
This is one of those non-poem things that are among my favorite poems.
As the OP stated, the use of alliterative consonants is aesthetically just great, especially the placement of the strongest use at the end: “fuck him on the floor.” The use of “chintz” is indeed great word choice.
Because I’m insane, decided to scan the poem:
Not only is the second sentence, indeed, perfect iambic pentameter, the entire poem is perfectly metered, though the first sentence has four iambs rather than five.
There are further things I love about this poem, though: I like the casual connotations of “keep it real” juxtaposed with “chintz.” It causes me to interpret the “chintz” more strongly as meaning something fake, a facade. There is also of course the coarseness of “fuck,” which is a contrast with “chintz” but a different kind of contrast, gutsy and carnal where “chintz” is flimsy and inanimate.
And then there is the storytelling: there is SO MUCH storytelling in just these two lines. To break it down: The speaker is having sex with a married man, in the house he shares with his wife, which is “filled with chintz”—something that here connotes fakeness, in contrast with “keep it real.”
The illicit encounter in the poem takes place within a house filled with facade, the flimsy construction of the wife’s marriage and domestic sphere, but the encounter itself is a taste of something “real.” That’s a story, and it’s just two lines.
This is EIGHTEEN SYLLABLES, y’all. The amount of meaning condensed into these eighteen syllables is stunning, and it is so elegantly done.
From a technical standpoint (and ive taken 300- and 400-level poetry classes so I can say this) this is damn near flawless as a poem.
Kept thinking about this ever since I saw it and had to do something
there's art now
Ah dang to go further; the floor is framed as a refuge. As if there is literally no other space in this house that hasn't been populated by his wife with flimsy inanimate fakery. There is no space for this man in this house save for the floor. There is no space for him on the sofa, oon the counter tops, and most notably, no space for him in the marital bed.
I’d also like to point out the use of the word “has.” The wife has filled the house with chintz. She isn’t filling the house with chintz. She doesn’t fill the house with chintz. She has filled the house with chintz. Use of the past-tense makes the wife a subtly removed element in the story, someone whose presence we see in the environment, but who is blissfully distant during the actors throes of passion. There is an element of physical as well as emotional separation from the wife that is catalyzed by being fucked on the floor. Use of the past tense is an end to the wife presence in the actors life, a carnal catharsis amid cold fragility and emotional distance.
This is my new favourite post in the world
everyone cheer for the one (1) time tumblr had reading comprehension
And, predictably, it's because it was about gay sex
Bothersome beast, comforting friend
Okay but this is so MaoMao coded
Air Himbo
Water Himbo
Earth Himbo
Fire Himbo
@crvggio I’ve been laughing at this for 47 years
And the Avatar
Reblogging again because that last addition is IMPORTANT
But when the world needed him most, he pulled the wrong lever...
Why do they even have that lever?
Well done everyone, 10/10 post
i think the near-extinction of people making fun, deep and/or unique interactive text-based browser games, projects and stories is catastrophic to the internet. i'm talking pre-itch.io era, nothing against it.
there are a lot of fun ones listed here and here but for the most part, they were made years ago and are now a dying breed. i get why. there's no money in it. factoring in the cost of web hosting and servers, it probably costs money. it's just sad that it's a dying art form.
anyway, here's some of my favorite browser-based interactive projects and games, if you're into that kind of thing. 90% of them are on the lists that i linked above.
A Better World - create an alternate history timeline
Alter Ego - abandonware birth-to-death life simulator game
Seedship - text-based game about colonizing a new planet
Sandboxels or ThisIsSand - free-falling sand physics games
Little Alchemy 2 - combine various elements to make new ones
Infinite Craft - kind of the same as Little Alchemy
ZenGM - simulate sports
Tamajoji - browser-based tamagotchi
IFDB - interactive fiction database (text adventure games)
Written Realms - more text adventure games with a user interface
The Cafe & Diner - mystery game
The New Campaign Trail - US presidential campaign game
Money Simulator - simulate financial decisions
Genesis - text-based adventure/fantasy game
Level 13 - text-based science fiction adventure game
Miniconomy - player driven economy game
Checkbox Olympics - games involving clicking checkboxes
BrantSteele.net - game show and Hunger Games simulators
Murder Games - fight to the death simulator by Orteil
Cookie Clicker - different but felt weird not including it. by Orteil.
if you're ever thinking about making a niche project that only a select number of individuals will be nerdy enough to enjoy, keep in mind i've been playing some of these games off and on for 20~ years (Alter Ego, for example). quite literally a lifetime of replayability.
since this post blew up, i've been wanting to do an addition with all of the recommendations from the comments and tags. but there's a lot of them. some people might be crazy enough to sit down and seriously put them all in one post with descriptions. those people are honestly sick in the head.
anyway, here's all of the recommendations from the reblogs. not all of them are text-based, but it's a great mixture of styles. also don't forget the links in the second paragraph of the OP which will take you to FMHY where there are a bunch more games listed.
Games
A Dark Room - text-based science fiction role-playing game.
corru.observer - science fiction adventure web game.
Improbable Island - old-school text adventure game.
Candy Box 2 - incremental clicker game that evolves into RPG.
Arcanum - open source wizard clicker game.
sandspiel, Powder Game, Powder Game 2, The Powder Toy - more sand physics games.
Orb.Farm - fishtank simulator.
Façade - experimental game with a real-time interactive narrative where you try to fix a failing marriage.
The Catacombs of Solaris - trippy art game.
Yume Nikki Online - online version of the surreal classic plus fangames.
The Barncle Goose Experiment - combine element/alchemy game based on antique theories of abiogenesis.
Fallen London - free-to-play text-based open world RPG.
Nested - very unique text-based universe expanding game. described as possibly @orteil42's favorite thing he's ever made.
The Process of Elimination - interactive web novel (by @hypertextdog)
Discworld MUD - multiplayer, text-based, online game (a MUD, or text MMORPG) based on the Discworld books.
Horse Master - surreal text game about training a horse.
EYEZMAZE - flash (RIP) or HTML5-based puzzle games.
You Are Jeff Bezos - text game. spend Jeff Bezos' fortune.
The Password Game - challenging puzzle game where you have to meet password requirements (by neal)
Universal Paperclips - incremental paperclip making game.
Half-Earth - planetary disaster planning game where you try to save the world using socialism.
ChooseYourStory - community-driven website centered on CYOA style story games.
PhD Simulator - random event based text game. make your choice each month and see if you can graduate on time.
Dungeon Crawl Stone Soup - open source roguelike.
Cataclysm: Dark Days Ahead - turn-based survival roguelike set in the modern day.
Nethack - open source roguelike originally released in 1987.
FarmRPG - simple, mobile-friendly, text-based farming RPG.
Kingdom of Loathing - browser-based community MMORPG.
PokeRogue - browser-based Pokemon roguelike
Tools
Text Game Builder - works in your browser, with just a little bit of Python (by @grumpygandalf)
Twine - great (free!) tool for making text-based games quickly.
Ink - scripting language for interactive fiction (also free)
Flashpoint Archive - a community effort to preserve games and animations from the web.
PICO-8 - fantasy console for making, sharing and playing tiny games and other computer programs.
Non-Games
Library of Babel - interactive illustration which attempts to simulate what it might be like to browse The Library of Babel.
Superbad - technically not a game, sprawling website full of secrets.
17776 - serialized speculative fiction multimedia narrative about football in the far-future. beautiful, creative, legendary. created by Jon Bois, a legend and one of my favorite writers of all time.
Choice of Games - text-based, choose-your-own-adventure games (interactive fiction). some free-to-play, others can be bought like an ebook.
The Deep Sea - scroll to the bottom of the ocean. encounter the humble squid and his friends (by neal)
Space Elevator - like The Deep Sea, but up instead of down. you can equip your avatar with a scarf (by neal)
Internet Artifacts - an interactive history of the early internet (by neal)
If The Moon Were Only One Pixel - scroll through an accurately scaled model of the universe.
r/incremental_games - reddit community for incremental games.
r/WebGames - reddit community for web games in general.
thank you to everyone who contributed and the creators. please be sure to show them some love where possible.
I’ve been thinking a lot lately about some of the people I interact with. I have a coworker who I am pretty sure is a MAGA type, and she is also a lovely woman who is dreadfully overworked and so good at connecting to patients when they call. I can see the conflict on her face when she talks to me, a gigantic tranny dork who speaks Spanish and affirms the LGBT community, but can also talk to her about her cows and knows about guns and stuff. I can see the fear in the eyes of my former Young Men’s leader when he misgenders me and realizes that I’m not an ideology but a person he has known for a long time. I can see the way my extended family stop and stutter over political discussions when they realize they are talking about me. And I don’t know why but lately it’s just made me think about my neighbor as a kid.
When we moved to Arizona, we moved next door to a lovely retired couple - John and Lucy. John was a veteran of WWII, he had an M.D. and a Ph.D. in radiology, and he LOVED us to pieces. His wife, Lucy, was a sharp and gifted woman - well spoken, very observant, and VERY clever. I just know that she used that cleverness as a mom to great effect, because with my and my siblings she always managed to find a way to send us home with candy and treats for a week despite my dad’s protests. We loved them, growing up, and even though they have long-since passed away I love them still, and I love what I learned from them.
John was, as stated, a WWII veteran. He was enlisted as a rifleman, and later as a front line medic, starting at Point Du Hoc and moving inwards to France and towards the Rhine. He let me do a report on him in 6th grade where he shared war stories with me he had kept to himself his whole life - he said it was out of respect for his friends who didn’t get to come home and tell their stories.
He said he told me because he knew I could respect the memories of his friends.
He showed me his collection of medals, and which he’d kept hidden away in a sock in his attic because he’d feel an immense grief any time he saw them. He had wanted to be a doctor his whole life, prior to being drafted he was studying medicine and had taken the Hippocratic oath to Do No Harm. He saw his medals as a reminder that he had Done Harm.
After telling me his stories he was able to convince himself that while he had Done Harm, it was only because his only other alternative was, to him, cowardice. He chose to be brave even if it meant acting against his Oath because he felt that if he didn’t do it someone else would have to go in his place and he would be responsible for the harm that befell them. I don’t think that’s true, but for him it was and that was something no being on earth could have ever dissuaded him from believing.
He shared wild stories - melee combat on the beach, clearing artillery bunkers, receiving a Purple Heart for being injured in hand-to-hand combat with a Wehrmacht rifleman he said he felt pity for because they were the same age and he had to imagine the man he was fighting had been drafted just like him.
He shared how he was awarded a Silver Star for charging a machine gun nest, but shared that he was most proud of not killing anyone in the process. He threw a grenade with the pin still in it and when the machine gunners jumped to avoid being blown up they were killed by someone else so he didn’t have to do it. He took the machine gun and shot the other machine gun in that French field to pieces so he didn’t have to kill the people operating it. He said they were giving out Silver Stars like candy but I knew he was being modest.
He told me about being redesignated as a medic, about how he crawled for about 500 yards on his belly to rescue an injured tank driver, then threw him over his back and crawled the same 500 yards back (1000 yards total) to treat his injuries. He said he met the man in an Army hospital in England after his spine was broken by a high explosive panzer shell was fired through a hollowed out French farmhouse and landed about 20 feet away from him.
He told me about all the people he helped and saved as a medic, he told me about his work in radiology and research after the war. He showed me a hallway that was quite literally wallpapered with academic honors he’d earned as a researcher. He told me about how his first Fourth of July back was a horror show for him because fireworks and German artillery make very similar sounds. He told me about how he woke up in a cold sweat well over half a century later hearing the screams of German artillery men being burned alive with flamethrowers, or hearing his own voice apologizing to the young German soldier he stabbed in the heart at Point Du Hoc.
He told me that when he was asked to present at a medical conference in Germany 25 years after the war ended that he was so scared he couldn’t step off the plane, and that his wife had to hold his hand and lead/pull him with her. He said he was not scared because he was worried about being triggered, but because he knew that someone somewhere outside of that plane had the course of their life irreparably altered by his military service. That to someone out there he was the cause of immense suffering and harm. That some unwitting waiter could be the son of the Nazi Officer he stabbed in the heart with a 12-inch hunting knife. That some woman asking questions in the audience would be the daughter or widow of a man he sent to judgement with a .30-06. He was scared that they would hate him.
He knew what the Nazi’s had done, he knew better than anyone I’d ever met. He’d watched the documentaries, he’s seen the PoWs returning from camps, he’d seen the civilians massacred and tortured by their regime, but he also knew that among the monsters were people like him - idealistic 20-somethings who only wanted to make the world better and were ripped away from that life by the Nazi war machine. And he spent his whole life mourning the loss of innocence and peace that was forced on so many people by such a corrupt power.
To be honest I don’t know if I could do that, but he could. He told me he could still feel the dead and lost with him, both when he slept and when he woke. He told me he thought he’d go to his grave never having told a word of this to anyone. That the stories of him and his friends and allies would disappear silently with him and those like him. That he had wanted that until he realized that he didn’t have to sell out to share the stories - that he could give the stories away for free to someone who would love the people in them, and not just the content of them. He didn’t want his stories to be used as Patriotic Pornography by some TV network or magazine. He wanted the people he knew to be respected, he wanted their memories to be honored and loved, and he entrusted me, a 12-year-old “boy” to do that.
He told me for years afterwards that after telling me these stories that he slept better than he ever had. That by sharing the stories with someone who could hear Him over the din of victory and glory and honor and revisionistic history. Someone who could see the man in the story and not just see the plot of a battle being won. He wanted to be human, and he wanted the people he saw die to be human too - everyone, not just the people on his side. He wanted someone to see and to know the anguish of having to look someone in the eye as heartblood muddies the ground beneath them and hope that they understand that this was not an act of love or hatred but an act of desperation. To hope that you had just taken out One Of The Bad Ones instead of a medical student or a poet who had been drafted. He wanted me to see how hard he had worked since then to build a world without scarcity, to build a world of peace. He wanted me to know SO badly that the cost of violence, any violence, even necessary violence, is always ALWAYS paid by both parties involved.
I think about the rise of the new right wing - the new Nazi movement’s traction in politics, and I feel sad and scared - the world that Johnathan J Yobaggy, my neighbor, my friend, and my hero, worked SO hard to build is being done away with by people who do not understand the cost of the path they are entering. I can see brief moments of recognition in the eyes of some of the people I mentioned - The former young men’s president who immediately regrets misgendering me and hen he makes eye contact with me and sees Me staring back at him and not a faceless “ideology.” I can hear it in the voice of my uncle who quietly comes up to me to apologize for some homophobic comment he made absentmindedly. I can see it in the eyes of racists and sexists being interviewed on TV when they realize that they didn’t vote for a concept, they voted for a real thing. And honestly, I have mixed emotions about it. Because while I understand frustration with the status quo, the importance of basic human needs like affordable good and rent, and I know the fear that comes with feeling powerless, I also can’t help but grieve the endless wheel of history bringing us back to this God Damned Fucking Place again. I hope we can avoid this fate, not just for our sake but for the sake of everyone who has ever tried to make the world safer. For everyone who has ever tried to make up for human nature, for everyone who has ever placed themselves on the offering plate to protect others from the cruelty they know lies just under the surface of mankind’s tenuous grip on progress. I want SO badly for there to be a solution to this, for the people who idolize the Nazi party and the impact of fascism to see that the price of this path is paid in more than just blood but in soul. That they’re allowing themselves to be devoured too. I want for the centrists and the fence sitters and the idealists who want to “change it from the inside” to see how dangerous our politics have become. I want them to see that they’re losing the things that make them great in exchange for a security blanket that’s now become far far far too small to ever work for them again.
Safety found in the past is already gone, and safety found in the future is only as real as a daydream. That any ideology that promises that by “joining us now we’ll make things rough so we can make things safe in a decade” is a promise made by those who will not have to fight the battles they send you to.
I don’t know if America was ever really great, but as long as John was alive it felt great to me. There is no ideology that can replace a neighbor. No tax plan that can replace a friend. No grocery bill that can replace community and connection. No amount of budget cuts that can replace kindness. No amount of suffering from people I hate that will ever make more love. I don’t know how to make America great, but I know how to make my America great and it is not by selling out integrity and compassion and community and fucking humanity to make eggs and gas cheaper. It is by seeing and hearing the people around me. I’m not Mormon anymore, but I still know the value of mourning with those that mourn and comforting those that stand in need of comfort. I’m not Christian anymore but I still have Eyes That Can See and Ears That Can Hear. I want to make this all stop but I can’t stop the collective power of tens of millions of people so instead I listen to my MAGA coworker tell me about how sick her kid was last week. I make jokes with my Young Men’s leader. I hug my uncle. I let them see me fully, as a human and not an ideology. As a woman and not the concept of gender. As a whole person and not someone who can be easily summarized or boiled down into something short and quippy. And I let them know I can see them fully too, and I can see all their humanity as easily as they can see mine. I just have to hope that this works - that enough people can See and Hear the people in their lives who matter to them to bring them out of their personal world of forms and into the real world.
I am probably, honestly, just spiraling a little bit. I took my ADHD meds today and in addition to helping me focus they make me a little anxious so I doubt things are as bad right now as they seem. But just in case there’s any truth to the way things seem to be going, remember, and I mean this seriously: Be kinder to each other, be gayer, and read more Terry Pratchett.
And for the love of god day hello to your neighbor.
Johnathan J Yobaggy’s oldest son is, I believe, also a radiologist. I may have written this about your grandpa. If that is the case, I just hope you know how loved he is. If not, I still wish good things for you and your family because radiology is fresh to death.
The Princess can only be awoken from her slumber by her true love, but countless Princes have failed to do so. When a poor townsman is successful, the royals try to dispose of the man and convince the Princess that one of the Princes is her true love.
You’ve seen dead people before. Your family follows old paths – before and after. There have been hallowed eves where the door remains unlocked and the consequences come creeping down the hall to your room. You learned early that moving isn’t an indicator of life – it’s an indicator of purpose and those two things are not synonymous. There are crucial things that mark the living, and even when the unliving pretend, they can never quite fool you.
That’s why you know the woman in the glass coffin isn’t dead.
It still takes a long time to convince yourself to kiss her. It’s been…years? Yes, it must have been years since you last saw those ruby red lips and that cloud of raven-black hair. Her eyelashes fan across her cheeks and there’s a red rose carefully clasped between her still hands. Those hands once reached for you, accompanied by her sweet voice, inviting you to grab hold lest you stay trapped in the tunnel forever. The longer you stare, the easier it is to see her pulse in the basin of her throat and the shallow rise of her chest.
Of all the lands you’ve traveled, there hasn’t been a single one where kissing a sleeping woman on the lips was considered appropriate.
“You can do this, Lexi,” you whisper. The trees over the glen murmur quiet agreement. It’s nearing the end of golden hour – the next procession will be here soon. The fairytale lighting is the only thing keeping the worst of your anxiety away. It’s like a dream this early in the morning. Only a dream. You twist your travel cap in your hands, squeezing your eyes tight. “You can apologize after.”
When you open them, the first notes of birdsong pierce the air.
You drop your cap and grab the edge of the glass. You’ve always been slow to decide and quick to act. If you just keep moving, you won’t have to think about how she might be mad or offended or disgusted—
You miscalculate the lid. You’re a jack of all trades and you assumed something as expensive as a gilt glass coffin would have hinges. It doesn’t. The lid slides off the edge of the platform. Your nails don’t find purchase on glass, of course. There’re flowers scattered all around her resting place, there’s a chance it won’t—
Crash!
The birdsong chokes off. A man yells from the woods behind you. Someone clicks and the pounding of hooves draws closer and closer—
You swoop down and press your lips to hers. They’re cold and unyielding for one moment, two moments—
Then her mouth softens and you pull back as she gasps for air.
Breaking an enchantment feels a bit like falling through a frozen pond. Snow White breathes like a diver surfacing for air and then exhales a frost so bitter that it freezes the breath in your lungs. The spell she was under wasn’t done by accident like you’d hoped. There’s malice in the bite of cold that lingers against your skin. You drink it down in painful sips, pulling the shroud from her aura until her eyes begin to flutter open.
You want to run. You’ve whispered enough twinkling knowledge to her that she’ll know what you did to free her. There are only two antidotes in the world and you whispered their recipes to her over and over until she could recite them from memory. It had seemed like a good idea at the time, about to leave her in a prickling castle with that thing for a stepmother—
You don’t run. You’ve done that all over the world to see every sight you ever dreamed of. Only when one wonder remained in your heart did you finally return to see it.
Come on, darling. Show me what I’ve been dreaming of. Then punch me in the face.
Snow White breathes. Her eyelashes quiver. Her lips close and then part. Is she saying your name? You lean close. Le—Le—
The world plunges into darkness. At the same time, the smell of onions fills your nose. Fuck. You’ve been trapped in enough produce bags to know what’s happened. Your hands fly up to the mouth of the bag that’s been thrown over your head, and you wedge your fingers between it and your neck just in time before the villain behind you cinches it too tightly. That’s the only reason you don’t suffocate as rough hands yank you away from Snow White and throw you onto a hard, wooden surface.
“Take her back to the castle,” a man growls.
Another asks, “The castle? Wouldn’t it be better if she gets lost in the woods--?”
“What happened the last time you let someone get lost in the woods, Huntsman?”
“…yes, sir.”
The Huntsman. His name is the only thing that stills the syllables twisting between your teeth. You chew them as the cart lurches into motion. How is he still alive?
You imagined Snow White would have taken care of him already.
----.
The children of your family often get swept away in stories. All the ancient knowledge is heavy against the thin crucible of a baby’s mind – it’s not uncommon to hear of a cousin or sibling dissolving between dusk and dawn.
So that’s what you’re doing the eve you turn twelve after learning about the razor edge between night and abyss. You’re dissolving. The night drips like syrup from your ears and abyss flows out from between your lips in thin rivulets. Your eyes are trained on the stars as you stagger through the woods, pulled and spun around by the knowledge your brain can’t quite accept.
(Like a lunatic, you will one day say fondly. Foaming at the mouth.
Like a fairy, she will correct. A long pause. A rather messy one.)
The little girl crouched between tree roots is the only thing that doesn’t run when you lurch into the clearing. She’s wearing a silver nightgown that catches every bit of the moon’s light but still doesn’t compare to the radiance of her face. It’s shocking enough that you stop and let your head fall onto your shoulder so your eyes can fix on her rather than the sky.
“I think I should eat you,” you say in a language you don’t remember learning. “Both nights and abysses eat stars.”
“Stars chew through both,” the little girl says. For cowering alone in the woods, she doesn’t sound very afraid. Her voice is strident. Confident. “And even if it were true, little girls don’t eat other little girls.”
Your eyes fix on hers. (They’re a beautiful deep b--) “Is that what I am?”
“Yes,” she says. She scoots over so there is room in the cocoon of her roots for another body. “Little girls are afraid of the dark.”
It’s easier to sew yourself together with the echo of her voice ringing in your ears. You’re young, a child, a girl. You might even be afraid of the dark, though she doesn’t sound very sure of that point. You gingerly pick your way through puddles of mud and brambles to wedge yourself between the roots. Her body is cold against yours. How long has she been out here?
“Did you run away from home?” she asks.
You shrug.
“I did,” she says. Without asking, she tucks her cold fingers under your arm, hugging the appendage to herself like one would a teddy bear. “My father married a woman who hates me.”
“Why did he do that?” you ask.
“Because he’s weak,” she says immediately. Her fingers wiggle as if she’s counting on them. “Too weak to be alone. Too weak to rule alone. Weak to a pretty face. Weak in the face of death. Too weak to believe I’ll be fine when he’s gone.”
The part of you that might actually be a person is swimming to the surface. You examine how deep and warm your skin tone is against the paleness of hers. You know what it’s like to feel fabric and water, and heat on this skin. Now you also know what it’s like to feel the touch of someone close to hypothermia.
“Tell me how you’ll be fine,” you say.
And Snow White, who just needs someone to believe in her, tells you - someone who needs something to believe in- all about being a Princess in a castle after the first queen’s death.
“Someday she’ll kill me,” Snow White says. “Dad or me. One of us will be first.”
“How will she do it?” you ask.
Snow White thinks for a long time. “Poison. Like she did with my mom.”
You’re relieved. This is how you can help the girl who kept you from dissolving. “Oh, that’s easy. There are only two antidotes in the world, you know. Those derived from the World Tree or concocted to mimic it, or—”
-----.
True Love’s Kiss.
In your cell, you cover your face with your hands. The worst part is that it doesn’t have to be both parties in love – it can only just be one. Which is clearly you. Because you’re an idiot and there’s no way Snow White would love you after you left her to face her stepmother alone. And then kissed her without permission.
“Do you mind waiting to off yourself until the execution?” the Huntsman asks. He’s seated directly across from your cell, anxiously twirling a dagger between his hands. “I’ll get in trouble otherwise.”
You ease your hands away from your neck. The half-moon imprints of your nails against your throat throb. “Why are they even keeping me alive?”
“In case you need to wake the Princess up again,” he says. He shrugs. “You know…since one of the princes didn’t do the trick.”
“The princes?” A newspaper article you read several weeks ago comes to mind. Your lip curls. “Oh, you mean the opportunists trying to claim the throne for themselves.”
“The throne needs a ruler,” the Huntsman says simply.
The dungeon is drier than you imagined. You sit up into a cross-legged position and rub at the dust on the cobblestones. “They have one. Snow White.”
“The nobles aren’t eager to have another solo ruler after the former Queen,” the Huntsman says. “Most think it’ll…smooth things out if one of the princes rules alongside her.”
You snort. “You mean control her.”
The Huntsman inclines his head.
They’re all so stupid.
“Why didn’t you take her heart?” you ask. You remember that particular letter as if you read it yesterday; Snow White nonchalantly telling you all about how she escaped certain death by following the paths in the woods you taught her. Your nails draw divots in the cobblestone. “Back then.”
The Huntsman fumbles his dagger. It clatters to the ground and rings like a bell, over and over again. He stares at you for a long moment before he speaks through bloodless lips. “H-how did you—”
You stare at him.
He breathes in deeply. “I wouldn’t have. I couldn’t have. A young girl—”
You snort again.
“—the daughter of the King I served—”
You laugh. He wouldn’t have taken her to the woods at all if that were true.
“—I…I was—That was—”
“You’re a hunter,” you say. You point to the dagger on the floor, and it lifts slowly, like a feather caught in an updraft. He’s still and wide-eyed as you beckon it towards you. “You don’t carry a knife without the conviction to kill. You don’t lure a young girl into the woods at night without the conviction to harm. You just don’t. You do.”
The dagger falls into your palm with a slap.
The silence stretches.
The Huntsman breaks first.
“She told me I was the villain,” the Huntsman says. He swallows audibly. The beard covering the lower half of his face does little to hide the tremble of his lips. “Alright? A 15-year-old girl told me that if I cut out her heart, I would be the villain for the rest of my life. She said that my daughter would hug me and know, that my wife would kiss me and know, that the brothers and sisters I fought alongside would meet my gaze and know. And I—I—”
You twirl the dagger, leaning back against the cold stone wall. “You believed her.”
The Huntsman shudders. “She said it and it was true.”
“Before, when you were first ordered, it wasn’t.”
“Yes. Yes. It was just a job. But she looked at me with those cold eyes, those cold b—”
The dagger thuds into the wooden back of his chair, just an inch from his arm. His teeth click together. He stares at you like a startled horse, chest heaving and hands clenched around his knees so tightly you can hear the leather of his pants creak.
“Why hasn’t she killed you yet?” you ask.
To his credit, he doesn’t feign confusion. You’d wondered why he didn’t react to how you levitated the dagger. There’s a knowing in his eyes.
“Because I sent the letters,” he breathes. “I risked everything to send them.”
You pause. That made it sound like…like the letters were important. Your heart skips a beat. “Just for that? She let you live?”
When he nods, you swear you can hear birdsong.
----.
The first time Snow White asks about love, she doesn’t ask the usual question.
“What would you do,” she starts carefully, “if you loved me?”
You’re surprised enough to look up from your latest reading assignment. Your elders want you to know about the depths of caves after your latest expedition into them. You can feel your ears morphing the longer you read, lengthening and widening to better capture the echoes of sound from objects far away. It takes a moment to remember your human ears and, when you do, you ask, “Pardon?”
Snow White watches you from where she’s lounging on her bed. Her eyes are level on you, but you can’t see much else. The rising sun is coming in from the window behind her, backlighting her so you can only see her like a shadow. “What would you do if you loved me?”
“Um…panic?”
A flash and the sun crests the canopies of the forest. She asks in the same tone, “Why?”
“Because I don’t know who I am,” you say, honest as always. At this age, you’re supposed to be keeping a diary that you study alongside your texts. Your elders tell you that is how your kind develops a personality. Your diary is Snow White. “You’re—well. I hope the person who falls in love with you is capable of supporting someone like you. I’m too…I’m floppy. I’m not real. Not yet.”
Her breath is soft. “So you don’t love me.”
“…Do you want me to?” you ask.
“Do you want to?”
“Yes,” you say. And then, “But the person who loves you should be—”
“You should go on your trip,” she interrupts. She stands and her silhouette is lined in gold. “Now.”
You splutter. She’d been against the pilgrimage your elders were trying to send you on. She said she needed you, she said she couldn’t fight alone against her stepmother—
Snow White knows what you’re thinking. “You can come back when you’ve seen everything you want to see.”
“But I don’t want anything—”
“When you’ve seen it all, you’ll come home,” she commands. Her voice rings like it did the night she declared little girls didn’t eat other little girls. “Understood?”
And what could you do in the face of her conviction?
You leave the next morning.
---------------.
Snow White comes to get you on the seventh day. The Huntsman won’t meet your eyes anymore, choosing to spend his time huddled in the corner with his hands over his ears. Like a child afraid of the dark.
You savor the irony of it.
When she enters, the torches flare to life, flooding the room with light. The first thing you notice is the crown on her head. The second is the lack of ring on her finger. The third is her eyes—
The first thing the Huntsman notices is the blood staining the hem of her dress. “I congratulate the Queen,” he croaks. His hands shake as he bows. “The King…?”
“There is no King,” Snow White says. The torchlight is pulled into her crown and is reflected in her eyes.
“Oh,” the Huntsman says and pales.
“You’re dismissed,” Snow White says, not unkindly.
“Thank you, Your Majesty.” He edges towards the stairs, eyes darting from the fire to the Queen and you.
“Do see the nobles out,” she says as he reaches the base of the stairs. A smirk tugs at her ruby red lips. “Perhaps they’ll enjoy a jaunt in the woods…?”
The Huntsman still. “Yes…” He climbs the first steps, receding into darkness as he leaves the circle of the firelight. As he climbs, his gait turns predatory. “Yes, your majesty.”
Only when the door swings shut behind him does Snow White turn to you.
There is no silence here. Only the hum of your awareness of her and the steady beating of your heart.
“You returned,” she says.
You stand. The dust has settled along your arms and legs, and it falls like snow when you do. You forgot to move as you waited. “I did.”
She stops short of your cell doors. The shadows wrap around her eyes. “Did you see everything you wanted?”
You lick your lips. “No.”
Her lips thin. “I told you not to come back—”
“I saw the pyramids,” you say. You step forward so you are only a few feet apart. You stare at her through your bars. “I saw the valleys of the deep and the mountains beyond the veil. I met the people who live inside the World Tree and I slayed those who tried to escape from beyond the end. It was beautiful, but it wasn’t everything. No matter what I saw, there was one sight I yearned to see again.”
“Yearned,” she repeats. This time, she’s the one who steps closer. She doesn’t protest when you reach out to brush your fingers alongside hers. “You yearned?”
“I did,” you say. She’s warm. You coax her hand to twine around yours. “I came back to see it. But I don’t think once will be enough. A whole lifetime may not be enough.”
Her eyes are black like the night sky. Like the abyss you once lost yourself to, like the shadows that gather around you. “What sight might that be?”
“You.”
It is hard to say how the bars disappear. Maybe she whispered that they never existed in the first place. Maybe you cursed them out of existence. Either way, they disappear, and there is nothing between you and Snow White.
And you live Happily Ever After.
---
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