I made a pride flag out of free bug stock photos.
Feel free to use it! 🌈🌈🌈🌈
YOU ARE THE REASON

Janaina Medeiros

@theartofmadeline
Today's Document
KIROKAZE
tumblr dot com

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styofa doing anything
2025 on Tumblr: Trends That Defined the Year
"I'm Dorothy Gale from Kansas"
Lint Roller? I Barely Know Her
NASA
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Cosmic Funnies
Monterey Bay Aquarium
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Sade Olutola
Claire Keane

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@wherehipposdrome
I made a pride flag out of free bug stock photos.
Feel free to use it! 🌈🌈🌈🌈
Casey Weldon (US-American, 1979) - Curtains (2026)
Somebody in a Twitch stream chat was trying to insult a streamer by saying, "You're almost 40, and you've only gotten a tarot card reading once?" And I don't know, I'm still amused by this. I'm in my late 20s and I've also only had a tarot card reading once. One of those ones on the street you pay for. The guy doing my tarot card reading was like, "You're going to join the military," or something like that, and 15 year old me thought to myself, "Okay, well that's not true. So I guess I just got scammed," and then I just never got a tarot card reading since then.
Military recruiter who pretends to be a tarot card reader so he can tell every person who gets their future read by him and they'll be joining the military in the future.
(military recruiter tarot card reader in august of 2001) *draws The Tower* *draws a second The Tower* now that's not supposed to happen
Five hundred cigarettes
Most ironic photos
Here’s a photo my dad took at work
I love Environmental Storytelling
Equiping an armor tutorial
i'll prob make more bc i love talking ab armors
I have so many questions
In the name of everything decent in this world, you have got to turn the sound on.
BREAKING NEWS: screenshots from your phone not an appropriate format for submitting work in college classes.
my partner was a TA for an intro-to-subject course in grad school. finals week rolls around and the students are required to submit this big module assignment they've had like a month to do for a decent chunk of their grade. if you've submitted everything, you'll see a summary screen with a star beside each module name showing it's been completed.
an hour before the assignment deadline, he receives an email from a student claiming they completed the assignment, but the system is not allowing them to submit. there's an image attached to the email. partner goes to open what he assumes is a screenshot of that summary page.
instead, he sees that the student has taken a photo of their laptop from about 2 feet away, with that page open. strange, but it wouldn't be the first time a college freshman has lacked the tech literacy to take a screenshot. he almost doesn't look twice at it, but he realizes something about it just feels a little bit...off. so he zooms in.
the student had CUT STARS OUT OF CONSTRUCTION PAPER and TAPED THEM TO THEIR LAPTOP SCREEN BESIDE EACH MODULE NAME. you could see where they actually had completed the first couple of modules, but the stars for all the subsequent ones were like, double the size of the first two and exactly as uneven/irregular as you'd expect if you were freehanding them with scissors.
probably would've been quicker and easier to just photoshop them in but no, this student took a refreshingly creative, arts-and-crafts approach to getting an academic misconduct case
The only time a student sent me a photo of their laptop screen was ALSO for purposes of academic dishonesty.
About a year ago, teaching an online World Lit course in summer session. First writing assignment is a short paper requiring one (1) outside source; half the class turns in papers with “AI-hallucinated” quotations & citations because they’re just savvy enough to fiddle with the text and get past Canvas’s built-in & very-unreliable “AI detector” but not savvy enough to actually double-check what the computer is telling them. I send out emails to the tune of “if you want credit on the assignment you have to prove this source you quoted actually exists.”
One student apparently clicks the link in their bibliography for the first time, and is presumably surprised to find the same thing I found: working URL, but the page it goes to is not the article they cited (which 100% does not exist; I checked). Student goes into Inspect Page Source, changes the title of the page to display as the title of the hallucinated article, then sends me an email saying they can’t give me a URL because something something VPN but here’s a photo of their laptop displaying the article in question with the URL bar conveniently cropped out of frame.
They didn’t change the body text of the website, so it was pretty clear what they’d done. And what I’d actually asked them to send me was a PDF, since they were claiming this was an article from an academic journal, and it was a real journal we had institutional access to, so the involvement of a regular website at all was actually a screw-up on the “AI”’s part anyway. I eventually went back at the end of the course & gave them partial credit on that assignment (just enough to bump their final grade from a C to a B-minus) for being the only student all summer to put actual mental effort into lying to me — everyone else just took the “nuh-uh” approach.
So, @werewolf-transgenderism, was your laptop-photo student flummoxed by tech or trying to pull a fast one?
they were doing an assignment (incorrectly) and instead of close reading the dialogue from a film (what they were supposed to do), they decided to just do plot summary of the film and vaguely reference visual elements with no citations or images included in the text. I required them to revise and resubmit with close readings of textual evidence to get credit, and instead of doing literally anything with the written part of the essay, they just took a bunch of photos of the movie playing on their laptop and stuck them in several additional pages at the end of the essay (still no in-text reference to them or any close reading. so it did not do well)
On the topic of humans being everyone’s favorite Intergalactic versions of Gonzo the Great: Come on you guys, I’ve seen all the hilarious additions to my “humans are the friendly ones” post. We’re basically Steve Irwin meets Gonzo from the Muppets at this point. I love it.
But what if certain species of aliens have Rules for dealing with humans?
Don’t eat their food. If human food passes your lips/beak/membrane/other way of ingesting nutrients, you will never be satisfied with your ration bars again.
Don’t tell them your name. Humans can find you again once they know your name and this can be either life-saving or the absolute worst thing that could happen to you, depending on whether or not they favor you. Better to be on the safe side.
Winning a human’s favor will ensure that a great deal of luck is on your side, but if you anger them, they are wholly capable of wiping out everything you ever cared about. Do not anger them.
If you must anger them, carry a cage of X’arvizian bloodflies with you, for they resemble Earth mo-skee-toes and the human will avoid them.
This does not always work. Have a last will and testament ready.
Do not let them take you anywhere on your planet that you cannot fly a ship from. Beings who are spirited away to the human kingdom of Aria Fiv-Ti Won rarely return, and those that do are never quite the same.
Basically, humans are like the Fair Folk to some aliens and half of them are scared to death and the others are like alien teenagers who are like “I dare you to ask a human to take you to Earth”.
We knew about the planet called Earth for centuries before we made contact with its indigenous species, of course. We spent decades studying them from afar.
The first researchers had to fight for years to even get a grant, of course. They kept getting laughed out of the halls. A T-Class Death World that had not only produced sapient life, but a Stage Two civilization? It was a joke, obviously. It had to be a joke.
And then it wasn’t. And we all stopped laughing. Instead, we got very, very nervous.
We watched as the human civilizations not only survived, but grew, and thrived, and invented things that we had never even conceived of. Terrible things, weapons of war, implements of destruction as brutal and powerful as one would imagine a death world’s children to be. In the space of less than two thousand years, they had already produced implements of mass death that would have horrified the most callous dictators in the long, dark history of the galaxy.
Already, the children of Earth were the most terrifying creatures in the galaxy. They became the stuff of horror stories, nightly warnings told to children; huge, hulking, brutish things, that hacked and slashed and stabbed and shot and burned and survived, that built monstrous metal things that rumbled across the landscape and blasted buildings to ruin.
All that preserved us was their lack of space flight. In their obsession with murdering one another, the humans had locked themselves into a rigid framework of physics that thankfully omitted the equations necessary to achieve interstellar travel.
They became our bogeymen. Locked away in their prison planet, surrounded by a cordon of non-interference, prevented from ravaging the galaxy only by their own insatiable need to kill one another. Gruesome and terrible, yes - but at least we were safe.
Or so we thought.
The cities were called Hiroshima and Nagasaki. In the moment of their destruction, the humans unlocked a destructive force greater than any of us could ever have believed possible. It was at that moment that those of us who studied their technology knew their escape to be inevitable, and that no force in the universe could have hoped to stand against them.
The first human spacecraft were… exactly what we should have expected them to be. There were no elegant solar wings, no sleek, silvered hulls plying the ocean of stars. They did not soar on the stellar currents. They did not even register their existence. Humanity flew in the only way it could: on all-consuming pillars of fire, pounding space itself into submission with explosion after explosion. Their ships were crude, ugly, bulky things, huge slabs of metal welded together, built to withstand the inconceivable forces necessary to propel themselves into space through violence alone.
It was almost comical. The huge, dumb brutes simply strapped an explosive to their backs and let it throw them off of the planet.
We would have laughed, if it hadn’t terrified us.
Humanity, at long last, was awake.
It was a slow process. It took them nearly a hundred years to reach their nearest planetary neighbor; a hundred more to conquer the rest of their solar system. The process of refining their explosive propulsion systems - now powered by the same force that had melted their cities into glass less than a thousand years before - was slow and haphazard. But it worked. Year by year, they inched outward, conquering and subduing world after world that we had deemed unfit for habitation. They burrowed into moons, built orbital colonies around gas giants, even crafted habitats that drifted in the hearts of blazing nebulas. They never stopped. Never slowed.
The no-contact cordon was generous, and was extended by the day. As human colonies pushed farther and farther outward, we retreated, gave them the space that they wanted in a desperate attempt at… stalling for time, perhaps. Or some sort of appeasement. Or sheer, abject terror. Debates were held daily, arguing about whether or not first contact should be initiated, and how, and by whom, and with what failsafes. No agreement was ever reached.
We were comically unprepared for the humans to initiate contact themselves.
It was almost an accident. The humans had achieved another breakthrough in propulsion physics, and took an unexpected leap of several hundred light years, coming into orbit around an inhabited world.
What ensued was the diplomatic equivalent of everyone staring awkwardly at one another for a few moments, and then turning around and walking slowly out of the room.
The human ship leapt away after some thirty minutes without initiating any sort of formal communications, but we knew that we had been discovered, and the message of our existence was being carried back to Terra.
The situation in the senate could only be described as “absolute, incoherent panic”. They had discovered us before our preparations were complete. What would they want? What demands would they make? What hope did we have against them if they chose to wage war against us and claim the galaxy for themselves? The most meager of human ships was beyond our capacity to engage militarily; even unarmed transport vessels were so thickly armored as to be functionally indestructible to our weapons.
We waited, every day, certain that we were on the brink of war. We hunkered in our homes, and stared.
Across the darkness of space, humanity stared back.
There were other instances of contact. Human ships - armed, now - entering colonized space for a few scant moments, and then leaving upon finding our meager defensive batteries pointed in their direction. They never initiated communications. We were too frightened to.
A few weeks later, the humans discovered Alphari-296.
It was a border world. A new colony, on an ocean planet that was proving to be less hospitable than initially thought. Its military garrison was pitifully small to begin with. We had been trying desperately to shore it up, afraid that the humans might sense weakness and attack, but things were made complicated by the disease - the medical staff of the colonies were unable to devise a cure, or even a treatment, and what pitifully small population remained on the planet were slowly vomiting themselves to death.
When the human fleet arrived in orbit, the rest of the galaxy wrote Alphari-296 off as lost.
I was there, on the surface, when the great gray ships came screaming down from the sky. Crude, inelegant things, all jagged metal and sharp edges, barely holding together. I sat there, on the balcony of the clinic full of patients that I did not have the resources or the expertise to help, and looked up with the blank, empty, numb stare of one who is certain that they are about to die.
I remember the symbols emblazoned on the sides of each ship, glaring in the sun as the ships landed inelegantly on the spaceport landing pads that had never been designed for anything so large. It was the same symbol that was painted on the helmets of every human that strode out of the ships, carrying huge black cases, their faces obscured by dark visors. It was the first flag that humans ever carried into our worlds.
It was a crude image of a human figure, rendered in simple, straight lines, with a dot for the head. It was painted in white, over a red cross.
The first human to approach me was a female, though I did not learn this until much later - it was impossible to ascertain gender through the bulky suit and the mask. But she strode up the stairs onto the balcony, carrying that black case that was nearly the size of my entire body, and paused as I stared blankly up at her. I was vaguely aware that I was witnessing history, and quite certain that I would not live to tell of it.
Then, to my amazement, she said, in halting, uncertain words, “You are the head doctor?”
I nodded.
The visor cleared. The human bared its teeth at me. I learned later that this was a “grin”, an expression of friendship and happiness among their species.
“We are The Doctors Without Borders,” she said, speaking slowly and carefully. “We are here to help.”
You can’t get this extremely good kind of content scrolling anywhere else.
This sparks joy.
A planned community in Arizona has used time-honored Mediterranean strategies to keep temperatures down and attitudes high. Western civiliza
"A planned community in Arizona has used time-honored Mediterranean strategies to keep temperatures down and attitudes high.
Western civilization has grown remarkably climate conscious over the last 20 years, but not when it comes to building, civic planning, and especially zoning. Perhaps the interiors of buildings are becoming more climate adapted, and in some cases the facades as well, but in a way that’s a little like inventing a freezer designed to keep ice cream frozen while sitting next to a fire.
Wooden or concrete boxes arranged side-by-side across leveled ground with sprawling, largely treeless gardens and concrete sidewalks alongside wide, blacktop roads is simply a culture of construction that has to be abandoned if living in a world of 2°C or higher annual temperatures [or, hopefully, less than that, but nonetheless likely over 1.5°C] is to be tolerable.
Fortunately for Arizonans, change may have finally arrived in the form of a carless, planned community that looks and feels like a Greek island village.
In the Phoenix suburb of Tempe, Culdesac has arisen as a 17-acre mixed-use neighborhood from the ground up to stay cool and local, taking the concept of the 15-minute city, where anything a resident might need is only 15 minutes away, and putting a Mediterranean spin on it.
Buildings are tall, thick, and totally white. The residential areas look like they were built atop of the ashes of the Phoenix zoning code burnt in effigy. Crammed together, they create narrow streets and alleys that are almost constantly shaded, through which wind is channeled and accelerated in passing.
Windows open towards each other, allowing wind that enters one building to exit into another, while the total lack of asphalt means that the ground temperatures are a staggering 50-60°F lower than pavements beyond the limits of Culdesac.
No privately-owned cars are allowed to enter the neighborhood, in which electric bikes, robotic mini taxis, and light rail shuttle people around town, to downtown Phoenix, or out to the airport.
The street life is lively—there are no cars to bisect movement between the 21 different businesses and eateries, among which is a James Beard Award-winning Mexican restaurant, DIY ceramic business, and some stores run out of apartments—a big no-no under Phoenix zoning laws.
“Once you pull the cars out,” Architect Daniel Parolek who designed Culdesac, told BBC, “there’s so much more opportunity to make a vibrant, thriving community.”
His inspiration was sun-soaked locales like Italy, Greece, and Croatia, where town centers were designed before the automobile and before air conditioning.
Technically speaking, the entire Culdesac neighborhood is one apartment complex, but the paseos, or little alleyways, open up into plazas of open space exactly liked one would expect in a little village in the Cyclades.
Because no one has to jump in a car to get from place to place, people run into each other, sparking conversations, relations, and breaking through the counterintuitive phenomenon of big city loneliness, which in Phoenix hits particularly hard.
“Culdesac Tempe has shown that people do want to live car-free in the US, even in a metro area like Phoenix that’s often seen as the poster child for car dependency,” says Erin Boyd, Culdesac’s government relations and external affairs lead. “This success has shifted the conversation around what’s possible in American development.”
-via Good News Network, August 25, 2025
looked up and miss girl was sitting on the roof STARING at me. tried to get her with her head right behind the moon but she took off too early!
Duck Amuck | Director: Chuck Jones | Studio: Warner Bros. | USA, 1953
NOT ME YOU SLOP ARTIST
This is a close up? A CLOSE UP YA JERK! A CLOSEUP!
Alright, let’s get this picture started! (The End) NO NOOOOO!
One of the defining moments of animation history.
“Ain’t I a stinker?”
In Babylon 5, didn’t one of the non-humans think Daffy was the god of frustration?
Holy shit, this is nearly 70 years old. This would have been right on the heels of color television being commercially available to the public.
@amayatepes look at this
LMAO
Huh. That’s just a whole ass Daffy Duck cartoon.
Everything about this cartoon is top-notch. The timing, the animation (watch Daffy’s different walks) the art; this is a treasure
Collection
Gotta have a griller in your collection
Acrylic on canvas, 80 × 60 cm “Beneath the Water Mirror”
I use Pinterest mainly as a personal archive of my artwork. Over the years, I’ve organized my paintings into collections by year, and sometimes, while browsing through old folders or recommendations, I come across photographs that make me see familiar things from a completely new perspective.That’s exactly how this painting began.I found a photograph of a swan diving underwater. The original image looked nothing like this painting—there were no underwater plants, no glowing light, no imagined world beneath the surface. But I was fascinated by the unusual point of view. I realized that I had never really seen a swan from that angle before.Unfortunately, I don’t know who took the photograph. It had been shared and saved on Pinterest without any credit to the photographer, so I can’t thank them personally.But that single image became the starting point for this painting. The underwater garden, the reflections, the colors, the atmosphere, and the story all came later as the work evolved. The swan was simply the spark that inspired the journey.So today I’d like to thank all photographers. You show us moments that most of us would never have the chance to witness ourselves. Sometimes one extraordinary image is enough to inspire an entirely new story on canvasAnd yes, I truly hope that swan was real and not AI-generated. The real world is already full of wonders if we take the time to look closely. 🤍
#AnastasiaTrusova #AcrylicPainting #ContemporaryArt #SwanArt #PinterestInspiration
writing is so funny because i could write nonstop for 9hrs and then hit a block where im like "how do i transition between this moment and the next?" and then i just dont touch it for 6 months
Serious advice tho if this happens, it's likely because you already wrote past the end of the scene and wandered too far from the more logical transition point, and you should go back to the last time the writing felt "unforced" and cut everything after.
You can also just skip the transition. Really good writing can span years in a single sentence, like you can just authoritatively state fact and your reader will go with it.
This is GOLD! You just saved me like thousands of therapy costs lmao
When I was writing my fic last few months the strategy I used was "just skip all the scenes I don't want to write" and it worked great in my opinion