Write a novel, watch the 2016 Olympics, and think about deleting My Manuscript
By Wilson Smillie, 18th August 2016
Iâve been writing my first novel now for nigh on five years and my journey has been peppered with highs, lows and mental bumps in the road, some of them real crises of confidence. There have been fleeting glimpses of light, like a lantern in a dark forest swaying in the breeze, but seen for long enough to convince me I may not be going mad.Â
Feedback is what keeps unpublished writers like me going, without it many give up to do something more life-affirming.
Iâm one of the others, a maverick convinced my tale of crime and retribution is worth publishing. Once a pin-prick of light fades Iâm alone again, left only with my characters; those other-world people who counsel me and urge me to keep going. We all have much to lose if I give up.
The light in the darkness that is feedback from publishing professionals is too rare and amounts to nothing more than a photo flash. I am always hopeful it will show the path to the safe harbour of a publishing deal and not an unforgiving rock, upon which my fragile, Jenga-ish ambitions will shatter if I hit it.
So, dear reader, welcome to the dark corners in the mind of an endurance writer.
Will I ever see my novel flying off the shelves or should I abandon all hope and pack it in now, accepting that the likes of me, clutching a Scots Comprehensive education, was never meant to be a writer? Â Maybe my â70âs English teacher was right. Â I still remember the old croneâs words when she admonished me, a schemie, one day in class, as having potential with his feet, but no original ideas in his head. Â Should I then, accepting the croneâs insight, simply close my eyes and fall from my precarious position on a fragile spur half-way up publishingâs Tower of Babel using my completed novel of 150,000 words as a parachute?
Bit of a waste, if Iâm honest.
Giving up writing is easy, I do it for days, sometimes weeks at a time, but thereâs a question thatâs posed, offering me a choice of years of wailing anguish or a bi-polar illness if I climb on the wagon for ever.
That question is: do I delete the manuscript and all its copies if Iâm not getting published?
If I choose to press Big D, the resulting empty folder on my hard drive will serve as my virtual tombstone, surrounded by the detritus of Microsoftâs words, along with the eulogy FAILURE! embedded in its pixelated surface for anyone who cares to read it and wonder. Taking that choice leads me straight to the bag of bi-polar spanners with its lurking uncertainties.
If I keep the manuscript but donât develop it, or never start a new one, then Iâm flagellating myself; consigned to become an ever decaying wreck, encased in a plastic human. An automaton, betrayed only by the tic, the nervous laugh and predilection to become Mr Edward Hyde when the best-seller lists are published. It would be akin to kicking the dog out of the house, then listening to it howl from the garden for the rest of my life.
However, I know the answer to this conundrum.
I didnât spend all this time at my keyboard to give up now, and, Iâve admitted to myself that Iâd never, ever, willingly, delete my manuscript, even if itâs been re-written eight times and bears no resemblance to the original 2012 draft (although the plot has survived). Wallace Henry Hartley, musician on the RMS Titanic, famously rescued his beloved violin as the unsinkable ship sank in the freezing waters of the North Atlantic and made sure it was sealed in a water-tight shell, to float and survive intact, while he unwillingly accepted his end.
Thatâs the way it works for people like Hartley and me.
Five years ago I launched into this project with enthusiasm and, since then, itâs been a roller-coaster ride with no brakes and no buffers in sight. I didnât know, when I bought the ticket and strapped myself in that I wouldnât be able to get off, even when I threw up over the side a couple of times. While I sit here, knuckles white from gripping the safety rail, mildly depressed at my lack of success, I donât want to get off, but do want the ride to meander a bit so I can catch my breath and let others properly assess what Iâve achieved.
In the next few weeks the annual York Festival of Writing will begin, and again, Iâll attend. This time, Iâm more prepared than ever. Separate, independent book-doctors have commented positively on excerpts of my writing style and story and in the run-up, Iâve developed a good pitch and a workable synopsis and Iâve been reading out loud to hone my presentation skills, thankful for the thick walls I have in my home.
For the past two months Iâve pitched to agents whoâll not be at York. None of them have offered to represent me but all have pleasantly taken the time to turn me down. Thatâs better than no light at all.
So, is this moment now simply the calm before the storm, the darkest hour before dawn, fingernails cutting deep into my palms as I wait for the starterâs gun to fire and am I only one pitch away from negotiating the holy grail of a publishing deal?
At the moment, Iâm reminded by wall-to-wall coverage of the Rio 2016 Olympics just how successful our GB athletesâ are, and how hard they have worked, how dedicated they are with the hours and hours of work they put in and how lucky we GB lesser mortals are, stuck here on Brexit island, to have these heroes fighting our corner against an uncaring world.
Am I working just as hard? Doesnât feel like it because there is no physical pain so there must be no physical gain. But what goes on in my mind tells another story âŠ
As an ex-professional footballer, who put in a fair few shifts in my twenty-odd years playing the beautiful game, I get the hard work ethic thing. Â I really do. The old crone of an English teacher was right about the potential in my feet, but only a few of those years were âprofessionalâ in the proper meaning of the term; nevertheless, I understand what the GB athletes and their coaches and support teams have put themselves through to achieve such rampant success.
At the moment Iâm also reminded by the recent coverage of the death by Taser of ex-Aston Villa footballer, Dalian Atkinson, a bygone hero of days past. More of this will out in the coming weeks and months, but by all accounts, he was depressed, delusional and suffering mental illness as a result of isolation with little or no support since retiring from football some years ago.
At the moment Iâm also reminded by seeing Oh Hello! a play at the Edinburgh Festival which dramatised the final years of the actor Charles Hawtrey, a bygone hero of the silver screen, as he sank into depression and mental illness, resulting from his self-proclaimed prowess as an A-list actor and his alcohol-fuelled desire to isolate himself from those who wanted to help him. He died in 1988 and no family or friends attended his funeral.
What I know, some twenty-five years since my football career vanished and I changed course, and since taking up writing, is that the margin between golden success and abject failure is infinitesimal, but the accounting for it takes a lifetime, not a couple of weeks in Rio. Some of todayâs Olympic heroes will follow the well-trodden path that Dalian and Charles took, but we wonât and canât predict whoâll theyâll be.
Sitting here in front of my computer, musing over the connection between the events Iâve described above, I realise that they represent a thin spectrum of human endeavour and, at the moment, on this particularly narrow rainbow, Iâd place myself somewhere between Dalian Atkinson and Charles Hawtrey.
Iâm a faded, off-yellow-ish football player has-been and IT guru whoâs trying to reinvent himself as a published crime writer. There are major differences, of course, between them and me.
I recognised, from an early age, that life wasnât a single continuum of happiness that stretched, unbroken, from cradle to grave, so I acquired the skills early to reinvent myself when needed. Atkinson and Hawtrey, separately and together failed to recognise their trajectories and failed to acknowledge their personal accountability to lead their own lives according to their own plans. They both paid a heavy price for that mis-read.
Much as physical exercise benefits our young athletes, creative exercise benefits the mental health of our older, former athletes. Itâs not an easy transition to make though, as the old crone made sure, for decades after, that I felt I had no place in creative endeavour and it took a lot of self-reflection before I could finally cast off her shadow. But to counter her words of that long ago day, I developed a voracious appetite for reading.
I know I wonât go down Atkinson and Hawtreyâs road, because Iâve already travelled it, met depression, and turned away to another destination. Even if I never get that longed for publishing deal, writing crime fiction has been a salvation for my mental and physical well-being. Itâs given me purpose in the long dark nights of Scottish winters and a reason to organise those sometimes wild ideas that roam the plains of my head, its forced a writing discipline on me that I call draft-sleep-edit and repeats itself daily.
It doesnât mean I donât rant; Iâm Scottish, itâs what we do, so get used to it.
It doesnât mean I donât feel down at times, sometimes depressingly down, because I recognise it and stand myself up again.
It doesnât mean I donât, from time-to-time, wish a pox on the whole publishing industry, but I donât really mean it, itâs a form of self-release, because, unlike my national brothers-in-arms, and Charles Hawtrey, I donât really like drinking alcohol.
So I keep writing ⊠until next time.