KIROKAZE
almost home

Origami Around

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dirt enthusiast
Alisa U Zemlji Chuda

Janaina Medeiros
styofa doing anything
Sweet Seals For You, Always

Kaledo Art

roma★
hello vonnie
occasionally subtle
Cosimo Galluzzi
NASA
One Nice Bug Per Day
taylor price
Three Goblin Art
d e v o n
Game of Thrones Daily
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@xwynn
we're moving to an internet where children would be banned from reaching out for help and friendship online but abusive parents can post their children's every second online to humiliate and expose them for money with no pushback
World historical loser
fellatio sounds like a supporting shakespeare character rather than oral sex on a penis to be honest
I'm trying to be just a skeleton but there's some conflict or other I can't figure out with the mod so I'm stuck as a skeleton in panties???
edit: Yes this is ffxiv and yes I did resolve the issue
She’s living her best afterlife
i like this better actually
Last year JK Rowling personally funded a group called Sex Matters to amend UK law so that trans women *overnight* went from legally women to legally men. This has resulted in mass exclusion of the trans community from numerous organizations, along with ongoing violent assaults on both trans and cis women alike.
With the new Harry Potter series she will be making a reported $20 million per-season renewal + other performance dependent royalties. She has been open across multiple interviews regarding her intentions to use said funds to push forth even more trans targeted legislation in the years to come.
This isn’t a “she gets paid no matter what” situation. The more eyeballs on this show the more money she has to actively harm vulnerable communities. By engaging with it you are directly supporting this and otherwise making a conscious choice to consume HP over doing the literal very least possible to not destroy the lives of trans people across the world.
If my stating the objective facts above upsets you then feel free to unfriend and move along. Your nostalgia-goggles feelings for a tired, problematic franchise mean nothing to me compared to the welfare of my trans friends and loved ones."
If you care more about badly written children's books and imaginary wizards more than you do about real people in the real world do it far the fuck away from me.
Don't try to be in my life.
In fact, you are cordially invited to eat shit and die.
genuinely i don’t care how close friends we are, if you watch this show or still support jkr, i never want to speak to you again.
The FBI cut the phone lines during the 1977 disability rights sit-in. Then they turned off the hot water.
They locked the doors from the outside. One hundred and fifty people were trapped on the fourth floor. Half of them used wheelchairs. The government assumed they would leave.
Kitty Cone was thirty-three. She had muscular dystrophy. Her muscles were failing, but her logistics were flawless. She knew how to organize people.
The federal government had promised to sign regulations protecting disabled Americans from discrimination. The policy was known as Section 504. They printed the promise on paper. Then they stalled. Without a signature, it was just typography.
The protesters entered the regional Health, Education, and Welfare building in San Francisco on a Tuesday morning. They took the elevators to the director's office. They brought sleeping bags and catheters. They informed the staff they were not leaving until the law was signed.
By sunset, the police surrounded the exits. Kitty sat near the windows. She organized the floor plan. She assigned committees for security and sanitation. She kept her medication in a small cooler.
According to federal memorandums released decades later, the strategy to end the occupation relied on medical attrition. The building was not equipped for long-term habitation. The FBI calculated that a population requiring ventilators, specialized diets, and daily medical aides would voluntarily evacuate if the environment became sufficiently hostile. They instituted a blockade.
The blockade went into effect immediately. No food deliveries allowed. No medical supplies permitted through the lobby. Guards stood at the main doors checking identification.
Kitty's muscles deteriorated faster under the physical strain. She couldn't walk. When the phone lines went dead, the fourth floor lost contact with the press. The government waited for the quiet.
Kitty dropped to the floor. She realized the barricades were designed for standing adults. The police had blocked the hallways at waist height. They hadn't blocked the linoleum.
The floors were covered in cigarette ash and spilled coffee. She dragged her body through it. She crawled under the barricades to reach the restricted elevator shafts and unguarded offices.
She carried notes in her pockets. She found a single working payphone the FBI missed. She called the local news desks. She called the mayor's office.
She crawled back. When her arms failed, someone pulled her by her ankles. The Black Panthers heard the news reports. They crossed the police lines with hot meals. The FBI could not stop them without a riot.
They shut off the elevators, so she crawled.
The occupation lasted twenty-five days. It remains the longest non-violent occupation of a federal building in American history. On April 28, the Secretary of HEW signed the regulations without a single alteration.
The protesters left the building the next morning. They went back to their apartments. The Rehabilitation Act regulations laid the groundwork for every accessibility law that followed. The HEW building still stands on United Nations Plaza. The elevators run on a schedule. The doors are heavy glass.
Kitty Cone: the woman who crawled under the barricades.
Source: Kitty Cone's oral history, Bancroft Library.
Verified via: National Museum of American History.
(Some details summarized for brevity.)
Carnivorous plants doin this is so funny to me
They don't wanna eat their pollinators :(
a thing that was so interesting about the vampires in Sinners is genuinely what huge losers they are. get bit and immediately start talking like the most annoying youth pastor you know.
which is a really cool choice because it emphasizes how deeply Off they are. there are obviously the big tells in their behavior, like Bo not reacting to a man getting mauled five feet away or Cornbread getting weird at the door, but the way they speak is also really off with the cadence of the movie the audience has gotten accustomed to. the characters are friends, family, they know each other enough to make jokes, trade barbs, argue, swear. they talk in an informal, natural way with each other. one bite later and it's "excuse me my brothers and sisters in the one race, the human race, won't you pretty please let me come inside to rejoice in your company 🥺"
the kkkouple that remmick turns first are a really effective storytelling shorthand. we know basically nothing about them pre-vampening except that they're trigger happy racists, so when you see them turn up all smiles at a Black juke joint parroting everything remmick says you immediately get a pretty solid grasp of what getting bit does to a motherfucker
obviously I'm arriving to this party really late and I've already seen almost every bit of this movie dissected down to the minutia, but I've not seen anyone talk about klanwife's line about how the vampires are "starting a new klan, built on love." crazy good line, made me figuratively need to take a seat. really cuts right to the heart of the dissonance between what mr. o'vampire says he believes and the nightmare bullshit that he's actually doing.
I keep thinking about the big vampire group song because it's like. god this scene is good. it circles back to my point about remmick being a loser, because getting a couple dozen new vampire thralls and using them to do an elaborately choreographed song and dance is peak loser shit.
but it's also horrifying, absolutely horrifying, for the living characters who are looking on because a.) they're watching their dead family and friends and neighbors, most of whom are covered in blood and visibly injured, get danced around like puppets and b.) it's the first time the characters are really getting a taste of the hivemind bullshit the audience has already been clued in on and c.) sure, they're just dancing for now, but they're realizing just how many hungry vampires are waiting outside to kill them at the first opportunity and take Sammie. so that's a nightmare for them.
so you could read that as a deliberate intimidation tactic on remmick's part, trying to overwhelm the survivors into giving up, but then you're like, okay, maybe in his mind this is a display of how good it is to be a vampire. isn't it good? doesn't it look fun? look how much fun we're having! you could come have fun too if you want! just let me in :3 I don't think that's impossible, that he'd be totally oblivious to how he comes across. the newly-turned vampires seem pretty bad at faking their interpersonal skills; all memory of how to act human beyond the most superficial level seems to really go out the window pretty immediately. remmick seems a little cannier than that, since we see him try to play on people's emotions more than once--appealing to the kkkouple's fear of the Choctaw to gain their shelter when he realizes they're klan, trying to lower Mary's guard by sympathizing with her over her dead mother, pressuring Grace by threatening her daughter. obviously some of those efforts are more successful than others, but he at least seems to have an ability to read the room that other vampires lack.
but it's also not a stretch at all to think he might sincerely be that clueless, because that whole song and dance number is remmick's whole thesis statement, which is that when he says he believes in "equality" he means that he'll kill anyone and turn them into one of his tools regardless of who they are. like sure, whatever, I'm willing to believe that he does sincerely find the klan objectionable, but he's also just packed full of shit. his version of equality is one where everyone's equal under him, acting out his own culture and history for his pleasure. thinks he's not racist because he doesn't care that Sammie's Black but still wants to take away everything that makes Sammie an individual and just keep the musical talent to perform a crude facsimile of being Irish.
and this is getting so long but that scene of all the vampires dancing in step in the dark, cold and washed out, is contrasted so well with the earlier scene inside the juke where everyone is warmly lit, revolving around Sammie but not beholden to him, dancing in their own styles side by side with spirits of the past and future blending different styles and cultures. that scene is such a gorgeous visualization of musical traditions persisting through time and place, connecting people across generations, growing and changing fluidly as people take inspiration from the past, while all of remmick's songs show people being very forcibly trapped in the past, unable to grow or move on. when he encounters something beautiful in the present all he can think to do is own it, destroy it, bend it into the shape of history. pathetic!
the second eel at the end in its little cuck shelter 💜
eel deets from @whitefangthefightingwolf
need some female director to lock in and make a movie where a grotesquely ugly and disgusting and monstrous woman slasher killer butchers handsome men in humiliating and sexualized ways. and it CAN'T be because they are rapists or abusers or otherwise misogynistic okay, she has to do it because she's a fucked up pervert
You should never forget literally the best line in all of video games
I'm dying bro it's been so long since I've played this
its a cliche but im a slut for when a character is introduced as super chill and goofy and then you later find out theyre chill and goofy because theyre too powerful to be touched. the level 100 wizard whos already figured out everything and is just vibing now. big fan.
LORDT.
I knew a girl named for her dad, but he just dropped it straight down, no 'La-' or '-ita', or any of that. And now I respect that more. XD
I'm learning so much about princesses on tumblr dot com