
tannertan36
Not today Justin
2025 on Tumblr: Trends That Defined the Year
DEAR READER
RMH

@theartofmadeline
tumblr dot com
he wasn't even looking at me and he found me
Peter Solarz
NASA
No title available

Love Begins
macklin celebrini has autism

Product Placement
styofa doing anything
AnasAbdin

Andulka
Lint Roller? I Barely Know Her
Xuebing Du
Claire Keane
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@zippydragon
You're a doctor. You've been taught the phrase "first, do no harm."
A patient comes in with a flesh eating bacteria that is rapidly spreading up their leg. The only way to save their life is to remove their leg.
So what do you do? To help the patient is to accept that you must also harm them.
You're a good doctor. Of course you remove the leg and save the patient's life, because trying to exercise a choice that will result in no harm is impossible where there are only two bad outcomes, but one is unquestionably worse.
This post is for for leftists in the US who still think either not voting or going with a protest vote in the next two major election cycles is an acceptable choice, when you know full well the Republican will cause more harm.
hot take in a roundabout way i think that's also why so many of us opt out of becoming parents ourselves
Style experimentation with Arno i did a bit ago
I really need to give him more love considering how much I’ve developed him ._.
(via File Photo)
WTF are those obelisks on the right?…
Tasty obelisk fries..
“It’s digestible” has got to be the laziest goal I’ve ever seen achieved by a food product.
“It’s digestible”
“It’s digestible” is pertinent!! Okay, for those of you who haven’t researched Crisco for writing fic about gay sex in the mid-late 60s:
The first-edition of The Joy of Gay Sex, published in 1977, declared, “Vegetable shortening may be the best lubricant, since it is not only greasy but also digestible”[4] Such a statement perhaps gives new meaning to the companies boastful declarations that “Its digestible” and “Crisco has been making life in the kitchen more delicious for years.” Similarly, in the 1978 sex manual The Advocate Guide to Gay Health, Crisco even earned an entry in the book’s index. Discussions of the shortening’s use as an anal lubricant indicate its popularity, with statements such as: “The lubricant, typically the cultic Crisco, must be copious.”[5] In fact, Crisco was so synonomus with gay sex that discos and bars around the world took on the name, such as Crisco Disco in New York City, which was one of the premiere clubs during the 1970s and early 1980s. Other clubs or bathhouses, such as Club Z in Seattle, even featured murals with Crisco. Thus, Crisco was conversely also one of many things that led to the formation of gay identities during the 20th century.
from this essay: http://www.columbia.edu/~sf2220/TT2007/web-content/Pages/drew2.html
The more you know! :D
I have learned a new thing today.
Love this post for so many reasons but most especially because this is from all the way back in 2012 and and yet not a single blog in this thread is deactivated
I enjoy that not only does this have a link to an actual source, but the link still fucking works.
but @rhea314 you didnt include a picture of the crisco disco! AND MY GOD THE DJ BOOTH WAS A GIANT CRISCO CAN!
Go dance and get fisted. Fucking iconic.
Love the gay history, but i just wanna correct that the “it’s digestible” in the gay stuff was a reference to crisco’s tagline it had been using since 1911, the actual meaning of its digestible is because it’s main competition came from “enhanced” lards which were rendered pig fat mixed with non food thickeners that literally did not digest and caused people to basically just shit out pig cream, since crisco was veggie based the body digested it along with the food
And in case you were still wondering, @mudwerks.. Tuna Croquettes
This post is the opposite of net zero information. Not only did I learn several new facts about gay history but also we rounded our way back to the original question of the tag line and the mini obelisks.
It’s a net profit of information. 12/10 post
what will it be, boss? the comfort of misery or the pain of change?
A mouth-watering fuck-ton of hand angle references.
By Shadowcross on DA.
BLESS YOU, YOU WONDERFUL PERSON
we don't credit rebecca sugar enough for making the episode with the first gay wedding in a kids show extremely plot relevant so it could not be skipped or cut.
#rebecca sugar has gone on record saying that they knew from the beginning they wanted ruby and sapphire and they put every inch of planning#in to make sure that the studio could not take them out. sugar has said they’d compromised on hundreds of things they’d wanted for steven#so that they had the bargaining power specifically to keep ruby and sapphire’s relationship#and a number of ‘filler’ episodes were created just to establish counter-arguments that might come up when they pitched the wedding episode#the one that comes to mind is the episode about steven and connie getting lost in rose’s room steven’s central conflict about liking their#fave book series’ romantic ending was later weaponised when producer’s were like ‘oh but steven’s a boy he won’t be too interested in them#getting married’ sugar was able to be like ‘no. in this episode it’s established he loves romance and specifically weddings. and in these#episodes it’s shown how much steven cares about ruby and sapphire and their relationship and happiness. you cannot convince me this is not#good and necessary plot development#and they wrapped it up in the season finale and the big climactic point of the diamonds finally coming to attack earth to make the#episode integral to the series no skipping it without confusion. and had ruby wear a wedding dress because international censors took#advantage of her design to give her a masculine va#and sugar made certain that everybody knew This was a queer love story that an entire town supported and admired and that any child watchin#it at home would know they are not alone and that that support is waiting for them out there somewhere#sugar sacrificed the wider story they wanted to tell for that and it was a horrible decision to be given but they made the right choice
Matt and Alex hitting the stressed spider stance.
More of you need to learn about these ☝️
As someone who was alive when Bob Ross (and William Alexander before him — that’s where the approach is from) was on PBS, I can 100% testify that you can paint along with him.
You may need to learn how to set up your paints and such… but this is what people did, live, while the show aired. That’s what the show was for. I had family members create lovely works of art they enjoyed, which I still have on my walls, because William Alexander and Bob Ross both said:
SCREW METICULOUS CLASSICAL ART PRACTICES — JUST GRAB A PALETTE KNIFE AND BIG OLD BRUSH AND PAINT!
They freed a whole generation of people who were taught to paint detail and realism and exact representation of reality — people who largely gave up this kind of thing because it got tedious.
I watched the joy of family members as they rediscovered art as a messy fun spontaneous half hour activity.
Give it a try.
World Heritage Post
eeby deeby... i haven't heard that name in years...
So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing. They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it. It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing. And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. NOT beginner friendly, is what I’m saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one. They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered. I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.
I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three. And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart. This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.
(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)
Hang on a minute. I recognize the name “penwiper”. Let me check– Ok, yeah, I’ve heard of this person.
OP also invented armsocks.
Y'all might have noticed that your friendly community moderator has been slacking a bit lately. No updates. No organizing. What the heck was
OP I have been thinking about YOUR IMPACT since 2011. Do you know what you did for Homestuck lmao
Another example of a foundational internet text that millions of people don’t know was so influential.
Yes, this is Luo Yi Rong, who absolutely is the same sculptor from that astonishingly inept self-own by an idiot.
call me terminally academia-brained but i do think a lot of the fun of character analysis is figuring out how to build a compelling argument for a particular reading using lines of evidence from canon as well as meta/intertextual support
and you could say that what i’m saying here is basically “a lot of the fun of doing character analysis is doing character analysis” but let’s be real a lot of fandom character analysis is pretty heavily vibes-based. and i think that’s where i really chafe up against the traditional thought-terminating fandom attitude of like, everyone’s opinions hold equal weight and any interrogation of that is inherently hostile. because i think it’s fascinating to dig into where others are coming from in terms of their views on characters or dynamics or whatever, especially when they differ significantly from more commonly expressed views, and part of that digging is asking people okay what parts of canon are you drawing from to support your opinion? what parts of canon are you disregarding or downplaying? how does this argument hold up in the light of how race, gender, class, ability, etc. operate both in the piece’s in-fiction and real world contexts?
A German regional court has ruled that Google is directly liable for the content of its AI search overviews. According to the court, previou
Let’s fucking go
This is HUGE.
1. The court holds Google responsible for statements made by its AI, considering them Google's statements (search engines have limited liability for results in their engine as they're the words of other sites/companies/people), meaning when their AI lies/hallucinates they're liable for the defamation/harm resulting from those statements.
2. Google's defense that customers are generally aware of the lack of reliability and are responsible for fact checking was dismissed. As the court pointed out, that would "significantly diminish" AI Search's stated purpose and it can't be distinguished from Google's business practices/statements as a search tool.
3. Studies have found about 91% of Google's everyday AI responses are accurate, leaving millions of searches per HOUR with potential liability for falsehoods. 56% of correct responses weren't supported by the sources the AI listed. Both of which mean Google is now liable for a LOT more AI "errors."
4. Google was held liable for 80% of court costs in this case and this precedent is expected to reverberate around the world. This is a massive shift from the 3rd-party search provider role Google has previously played and it comes right as they've tied ALL searches to their AI search.
TL;DR Google reeeeeally stepped in it this time.