For the times to come:
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German.
Nonbinary.
1977.
I live in a blanket fort and in a difficult polyamorous relationship.
Both are improving, with amazing potential.
Interesting times.
Pro(fo)u(n)dly confused, increasingly so whilst the years pass by. Doing exactly as I please, for once.
art will save you, being unreasonably passionate about something niche will save you, letting past sources of joy show you the way back to yourself will save you, earnestness over composure will save you, the natural world will save you, caring for something bigger than yourself will save you, daring to be seen will save you, kindness not as a whim but a principle will save you, appreciation as a practice will save you, daring to try something new will save you, grounding will save you, love will save you, one good nights sleep will save you
So much more of the natural world feels close and accessible now. When I started birding, I remember thinking that I’d never see most of the species in my field guide. Sure, backyard birds like robins and western bluebirds would be easy, but not black skimmers or peregrine falcons or loggerhead shrikes. I had internalized the idea of nature as distant and remote — the province of nature documentaries and far-flung vacations. But in the past six months, I’ve seen soaring golden eagles, heard duetting great horned owls, watched dancing sandhill cranes and marveled at diving Pacific loons, all within an hour of my house. “I’ll never see that” has turned into “Where can I find that?”
-Ed Yong, When I Became a Birder, Almost Everything Else Fell Into Place
I hate government programs in the US bc conservatives are always trying to dismantle them so the lefty byline is always like "these programs are vital and lifesaving and keep so many people from starving and being homeless, they're Very Good and you have a moral obligation to protect and defend them!" and the program is question is something called the National Anti Hunger Initiative or NAHI and it only applies to people who have $527 or less a month in Net Perforated Index-Subnet Income (NPISI) before taxes and housing costs and the program gives you a $99 a month voucher that reloads every 1/80th waxing moon that is only good for buying specific brands of gruel BUT you only get to take 200 breaths a day when you're on the program and for every breath over 200 you take they subtract one dollar from the vouchers you receive and you have to count and report your own breaths bc they don't have the funding to do that and if you misrepresent the amount of breaths you take that's Breath Fraud and there's a hotline you can call to report someone's Breath Fraud and you can be denied gruel vouchers for the rest of your life if youre accused of Breath Fraud. And you're just like. Not allowed to complain abt this bc apparently the only alternative to this is no one ever gets gruel vouchers
Im gonna shill for Marie Kondo again but this is why I find her books (yes, books, the TV show is fun but ultimately misses a lot of the core ideas) so good.
A lot of home org advice fully misses this aspect. Kondo not only acknowledges it, but leans into it. And ultimately this helps motivste me to keep my space tidy - it's really hard to me to keep on the nebulous goal of self-care, but much easier to get up and put things away if I envision my salt and pepper grinders as like, retail workers who are now standing in an empty shop (my dining table) and just wanna go home (the spice rack where they live).
Normie tidying process: that heater should be put away for summer! I mean, I'm not gonna need it
Me: well it's just chilling and also I can't be arsed.
Kondo: that heater has done a good job keeping you warm over winter and now it should get to go have a rest in the cupboard
Me: !! Sabbatical for my heater!! Thank you for your service sir and have a very nice break!
just saw a tiktok or something where the person was saying they did this and they were on a hike and they were like "i managed to get myself to go on this hike because i promised my boots we would go" and its like. OH YEAH. THAT.
Spoke to a gen z person the other night and apparently the young folks don't know about the very legal sites from which you can access public domain media (including Dracula, The Strange Case of Dr. Jekyll and Mr. Hyde, and other Victorian gothic horror stories)?
Like this young person didn't even know about goddamn Gutenberg which is a SHAME. I linked to it and they went "aw yiss time to do a theft" and I was like "I mean yo ho ho and all that, sure, but. you know gutenberg is entirely legal, right?"
Anyway I'm gonna put this in a few Choice Tags (sorry dracula fans I DID mention it though so it's fair game) and then put some Cool Links in a reblog so this post will still show UP in said tags lmao.
Spreading the news to my followers - if you weren’t aware of this before, here’s the link to Project Gutenberg - https://www.gutenberg.org/
Project Gutenberg is a gigantic collection of books that are in the public domain. You can read the books through the site or you can download them in various formats so you can get the format you prefer for your eReader of choice.
It is free.
It is legal.
I was reviewing the list of the top 100 books downloaded yesterday and I saw a fair few that I had to read for college classes - so if you’re a college student and your professor assigns you to read Plato or any number of older works, check here before you buy a copy.
I reread the Anne series several years back - they were free through this. I need to reread Pride and Prejudice at least once a year, and my e-book version is from this. Someone recommended Jekyll and Hyde to me a few weeks back and I got a free copy from this. When I went to Haworth on my last holiday before the plague times, I brought books by the Bronte sisters with me to read or reread that I downloaded from here. It’s a great resource.
Yes yes yes! I was honestly so flabbergasted that this young person hadn't heard of the gutenberg project! It's been around for AGES, maybe longer than the kindle has? And it's such a huge project and wonderful resource! It used to be a household name (or maybe that's just my family, thanks to my dad being a cheapskate nerd [affectionate]). I was so glad to be able to share this resource and others with them though, and I wanted to make sure no one else was missing out!
If you look at the first reblog from me I also recommended a few other resources, most of which were from www.archive.org, home of the Wayback Machine! They run openlibrary.org, where you can check out ebooks of some public domain titles! They even have the Bone series by Jeff Smith!
And archive.org itself has all kinds of public domain media including music and movies! For Dracula fans, here's a radio show adaptation of the book, starring Orson Welles! And here's a 1920 movie adaptation of "The Strange Case of Dr. Jekyll and Mr. Hyde," starring John Barrymore, the grandfather of Drew Barrymore!
I'm so excited to see people falling in love with classic media through Dracula Daily! Let's keep that fire blazing!
Also, if you can't handle reading things, check out libirvox.org! it's a free audio book project taking public domain works and people doing free audiobooks! there's a lot of great stuff on there, but it takes things in the public domain and makes audio books out of them!
it's a super nice project, and you can find some really nice readers there!
Also don't think a book is old because it's in the public domain
lots of writers and publishers are prepared to waive future profits for entirely petty reasons
because of this the entire works of Philip K Dick [petty writer who found himself with lots of hangers on during his life] and HP Lovecraft [his publisher - who was his wife and hated him] became public domain on their death
Sherlock Holmes entered public domain this year, it's always worth checking because you can save a fortune
and the more popular the classic - the more likely someone has uploaded it
Anything published (in the US) from 1927 or earlier (this number goes up every year for quite a while), and
Anything published between 1928 and 1963 that wasn't renewed, and
Anything published before 1989 without a proper copyright notice.
(Don't go looking for things in that third category unless you've studied a LOT about copyright law. Mostly that covers things like "weird little newsletters" and "self-published booklets" and sometimes fanzines. But most publications have a copyright notice in them.)
There's also some oddball exemptions here and there; copyright law is a tentacled mess. But those are the basic guidelines. (Except for audio. Audio has its own set of rules. It's weird.) (I mentioned tentacles, did I not? Double the amount of them you were thinking of.)
There are a lot of works from the 50s and early 60s that were not renewed, especially short stories published in magazines.
Project Gutenberg began in 1971; the first text was the US Declaration of Independence, shared through the university computer system. That was the start of "hey computers + public domain text = FREE BOOKS FOR EVERYONE."
Adding on that Project Gutenberg is not just Eng language texts either! I know specifically about the French texts because I did independent study French lit in high school and all my sources were Project Gutenberg acquired (Candide my beloathed) but there's many open source texts available in a number of languages.
So... I technically drew this 3 years ago but forgot to post it. I think I was going to clean up the end and make a nice recap, but I ran out of steam and then just left it as a wip for years. I got reminded of it because I was talking to a friend about how to draw wheelchairs today.
This covers most of what I view as the most common errors when it comes to drawing characters who use manual wheelchairs. I hope it helps you a lot.
Image description is in alt text, but there is a back up image description under the cut in case that does not work for some reason
[image description: a 4 picture long wheelchair tutorial. the background is white and the text, when it appears, is black and in calibri. each step will be labeled with "Step #" and a description of the drawing next to it, and "text" and then the text that is written to explain it to follow.
Step one text: So, you want to draw a character who uses a manual wheelchair? Awesome! I can't approve more. Drawing characters who use wheelchairs is a bit different than drawing standing characters, because of obvious posing differences. But to start, you need to know what parts of a wheelchair you will draw. So, without further ado, here are 3 wheelchairs!
Step one image: a simplified drawing of a chubby woman sitting in a quickie GPV manual wheelchair and resting her hand on the handrim of one of the wheels. this is labeled "the artist"
step two: next there is a lineart drawing of three wheelchairs. one is a tilite TR series 3. this is an ultralight wheelchair with a bucket seat (the back is lower than the front), a big cushion and a short backrest that kind of contours to the back of the person who would sit in it. the caster wheels (front wheels) are very small and the footrest is just two little metal bars. next image is a quickie GPV. this is also an ultralight wheelchair with a low back, but its caster wheels are slightly larger, the back has regular upholstery (it does not look like it was made to conform to the back of the person who sits there) and the frame is boxier -- there is no bar underneath the seat where the wheels would attach, rather each wheel is attached to the side of the chair. the next wheelchair is an invacare tracer. it is how most people imagine wheelchairs when they hear 'wheelchair'. it has no cushion and it has a high backrest with handles. it has high armrests that would be comfortable to rest your elbows on if you were just sitting. the wheels are not bicycle wheels like the previous two but are rather plastic. it has big footrests and big caster wheels.
text: the wheelchairs on the left are the ultralight, sporty kind. I have one of them (the quickie). the one on the right is a more standard one you might find in hospitals or as the public wheelchair in grocery stores or the mall.
step three: first is text to accompany the tilite. "This wheelchair has a really thick cushion - it's pressure relieving, which you need if you use your chair ufll tiem and especially if you have a spinal cord injury. This wc has the smallest caster (front) wheels. They are hte most handy for turning in small circles." next there is text to accompany the quickie gpv: "This one has the one I use -- it isn't pressure relieving, but is still useful." next is text to accompany the invacare: "this wheelchair has no cushion - you do not want to sit on it for long. This one has the biggest caster wheels - they are useful for not 'tripping' when your front wheel gets caught on an obstacle.”
step four text: like with all complex drawings, you want to break it into simple shapes first. I normally have a box underneath the seat, a rectangle for the backrest, and a trapezoidal thing for hte area from the box to the footrest. these are the most important shapes, because your character will rest on them and they will move with your character.
step four image: the lineart of each wheelchair has been put on reduced opacity, so we can see the square representing the backrest of each seat (the square is the smallest for the tilite and biggest for the invacare), the box for each seat and area underneath it, and the trapezoid for the footrests. the next step labels the images of these simplified shapes as the lineart is removed. "Note the proportions of each set of shapes is not the same - just like how you wouldn't draw all your characters with the same proportions on their faces!"
step 5: we see the same shapes to form the wheelchair, but now with blue circles drawn where the back wheels would be.
text: next shape is the wheels - two circles
step six: next we see the wheels and shapes have been reduced in opacity and the basic structure of everything about each wheelchair: footrests, caster wheels, upholstery details, axles has been drawn on in orange.
text: the next stage is everything else that's structure - front wheels, handlebars, cushions, footrests.
Step seven: we see the lineart on top of the lowered opacity sketch.
text: you can then do detailing like axles, spokes, upholstery, etc and lines
step eight: next we see three drawings of different characters. there is patience, a skinny white woman sitting in a blue invacare wheelchair. kelley, a slightly chubby black woman wearing a stripey dress sitting in a red quickie gpv wheelchair and doing a wheelie while smiling. then luke, a white man with short blond hair wearing khaki pants. he is sitting in a tilite chair.
text: once you get your wheelchair basics, you need to find out which kind your character uses. here are three characters who each use one of the example WCs. patience uses the invacare. she needs one with a better cushion, but circumstance prevents it. Notice the chair is a bit wider than her hips - it's not custom fitted. Also notice she has to turn her elbows out awkwardly to move. the high armrests prevent a smooth push. her wheelchair has big caster wheels and far-back back wheels. it is made for stability and difficult to turn,but also difficult to knock over. Her chair indicates a lack of resources or temporary injury, and is primarily a transport chair
kelley uses a wheelchair like mine - it is fairly sporty, but has a box-y frame underneath. this makes it heaver than if it didn't.she has a mediocre cushion - it protects her, but only some. her back wheels are further underneath her body than Patience's, which makes it possible to do the wheelie (demonstrated here). her wheelchair is supposed to look line one you'd use full time, but it is a little old.
luke has a spinal cord injury. he has a very thick pressure relieving cushion for medical reasons. his chair is also ultralight, with no boxyness under the frame. his chair is the newest and lightest - it indicates his wealth/resources, but also that he needs to use on full time.
step nine: just a drawing of me sitting in my wheelchair holding my hands up to show fingerless wheelchair gloves. we're looking at me from above.
text: when you're choosing what wheelchair to give your character, think of both their disability and their resources and go from there. questions to ask yourself: is it made specifically for them or is it mass-produced or a hand-me-down (if it's custom, the seat will not be too wide or narrow in comparison to their body and their feet will rest on the footplate naturally). do they want more stability (further back back wheels, big caster wheels) or maneuverability (the inverse). do they need a pressure relieving cushion? how long are they using their wheelchair per day? how long have they needed a wheelchair? Do they have health insurance? do they have access to a lot of spending money? How much can they spend on their wheelchair? are they athletic etc etc
posing steps:
step one: a sketch of two people standing up. one just shows the outline of a person's body, with legs that are ind of triangle shaped, the other shows a sketched pelvis and rib cage to go along with the bones of the legs and arm. text: step one: Most people have this sketch anatomy they put before drawing their characters for real. I kind of scribble around like on the left, but some people use skeletons on the right.
step two: there are now too sketched pictures of people in wheelchairs. one shows lightly traced human form (arms articulated, curve for a stomach, legs that are kind of triangle shaped and pointing down) sitting in a wheelchair that is just the sketch of footrests and wheels. the other sketch shows the sketch of a body with a circle for hips and an oval for a rib cage and the person doing a wheelie (lifting the front end of the wheelchair off the ground and leaning back). their wheelchair is also sketched out and defined by a circle for their wheels and 2 lines, 1 of the seat and 1 for the backrest. text: you need one of those for your wheelchair character. important: they should have both the person's main anatomy features (Usually upper body and at least hips) and the wheelchair's. for me, these are the back wheels, footrest, and seat. why simplify to just those features? Take a look at this incredibly quickly drawn wheelchair.
step three: there is a lineart drawing of a manual wheelchair with slightly cambered (angled towards the seat) wheels, a backrest, and a footrest. the frame is light and there are no handlebars. there are labels pointing to different parts of the wheelchair: Backrest, handrims, wheel, axle, seat, footrest, and caster wheels (the ones in front). text: there are a lot of parts, and not all of them are essential to your pose. trying to draw the whole thing straight out of the gate will frustrate you.'
step four text: take a character in heavy armor: if you draw her pose without taking her armor into account, her armor will clip through her body. if you draw a wheelchair using character without keeping her wheelchair in mind from the beginning, the pose won't make sense.
step four image: next we see two lineart drawings of different characters. one is a bulky woman wearing plate armor. her hand is on her hip and she is trying to scratch her back with the other hand. there is the label "shoudlerpad clips through face" and "thumb clips through chestplate." the next drawing shows a woman in a wheelchair with one foot rested on her knee and her arms rested back, such that they would be rested on the back of a regular chair, but the back of her wheelchair is not wide enough for them to actually be resting on anything. the text here reads "elbows not resting on anything" and "foot not on footplate"
step five: there are two images, one is lineart on top of a 3d modelled apartment with sketchup, the other is a colored in version of that lineart with the background also colored in and no longer a 3d modelled screencap two characters, one old woman wearing a green jacket and one younger woman wearing a white shirt and blue undershirt, are sitting on a couch. the old woman is leaning forward and the young woman is resting her arm on the couch. behind the young woman is a bookshelf.
step five text: you may say you'll just draw the chair first and then the person, but while that works for regular furniture, it doesn't work as well for most manual wcs. take this comic panel with characters on a couch for example - I 3d modeled the room and then drew the characters on the furniture. it works because you don't move furniture in most poses - you rest on it. but your wheelchair needs to move with you, especially if it's an ultralight one.
step six image: there is a flat color drawing of barbara gordon in her wheelchair. she is wearing a black sportsbra and black shorts. in the first image we see she is doing tricks in her chair, zooming through the air (as if she has just launched herself off the ground in a skater park or somethign) while her left hand is resting on a structure and her right hand is heading towards the right handrim. the next image shows her right hand planted on the ground and her chair and body above her, such that she is briefly doing a one-handed handstand, but the motion line indicates that she is moving and this will not last. her left arm is near the handrim of her left wheel.
text: take exercise Oracle - she is doing tricks. Her WC is an extension of her body. That is crucial to getting natural looking manual wheelchair users after posing.
step seven: we see a lineart drawing of paula from young justice. she is sitting in a standard manual wheelchair with high armrests (goes up to the bottom of her ribs probably) and a high backrest (goes up to just below her shoulderblades). she is setting her hand on the armrest, leaning forward, and holding her other hand out.
text: of course, there are exceptions - if you have a clunky WC, it is harder to move with your body. Take Paula from young Justice - here, i drew her resting her hand on her armrest, because she has a clunker wheelchair. her pose is already mostly static - she's sitting down - and she poses around that.
William Gibson once suggested that the days on which we almost destroyed the world with nuclear weapons should be recognized as international holidays, to raise awareness of how very precarious the situation has been at times.
If you would like to observe such a holiday, October 27th should be Vasili Arkhipov Day. During the Cuban missile crisis he was first officer on Soviet submarine B-59 off the coast of Cuba. When the destroyer USS Beale began to drop depth charges to force them to the surface, his captain decided that WW III must have started, and ordered his men to arm and fire a nuclear torpedo at a group of American ships. Due to a strange circumstance, the captain had to seek Arkhipov’s approval to fire the weapon, because while he was only second in command of the sub, he was in command of the flotilla of which the submarine was a part. Arkhipov, outnumbered three to one, steadfastly refused to give his approval.
Important context: Arkhipov had previously been involved with a nuclear incident aboard another sub, and cited the things he witnessed happening to the crew as one of the reasons he refused to give approval.
“It’s digestible” is pertinent!! Okay, for those of you who haven’t researched Crisco for writing fic about gay sex in the mid-late 60s:
The first-edition of The Joy of Gay Sex, published in 1977, declared, “Vegetable shortening may be the best lubricant, since it is not only greasy but also digestible”[4] Such a statement perhaps gives new meaning to the companies boastful declarations that “Its digestible” and “Crisco has been making life in the kitchen more delicious for years.” Similarly, in the 1978 sex manual The Advocate Guide to Gay Health, Crisco even earned an entry in the book’s index. Discussions of the shortening’s use as an anal lubricant indicate its popularity, with statements such as: “The lubricant, typically the cultic Crisco, must be copious.”[5] In fact, Crisco was so synonomus with gay sex that discos and bars around the world took on the name, such as Crisco Disco in New York City, which was one of the premiere clubs during the 1970s and early 1980s. Other clubs or bathhouses, such as Club Z in Seattle, even featured murals with Crisco. Thus, Crisco was conversely also one of many things that led to the formation of gay identities during the 20th century.
from this essay: http://www.columbia.edu/~sf2220/TT2007/web-content/Pages/drew2.html
Love this post for so many reasons but most especially because this is from all the way back in 2012 and and yet not a single blog in this thread is deactivated
Love the gay history, but i just wanna correct that the “it’s digestible” in the gay stuff was a reference to crisco’s tagline it had been using since 1911, the actual meaning of its digestible is because it’s main competition came from “enhanced” lards which were rendered pig fat mixed with non food thickeners that literally did not digest and caused people to basically just shit out pig cream, since crisco was veggie based the body digested it along with the food
This post is the opposite of net zero information. Not only did I learn several new facts about gay history but also we rounded our way back to the original question of the tag line and the mini obelisks.
Anyone know of any good books covering the Nazi occupation of Norway and/or Denmark and partisan resistance to it? In Norwegian, Swedish, Danish or English. I feel like I know far too little about that era and its politics
We're at the point of the Jinjurly Audiofic Archive restoration that we need your help! Do you have any podfics laying around? If so, we may need a copy! Details here: https://squidgestatus.dreamwidth.org/89520.html
And feel free to signalboost to other fandom communities. THANK YOU!
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