"just write a little every day" ok but what if i write nothing for 3 weeks and then suddenly type like i’m being hunted by god

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"just write a little every day" ok but what if i write nothing for 3 weeks and then suddenly type like i’m being hunted by god
MAY YOU NEVER LOSE YOUR HYPERFIXATION
writing is so funny because i could write nonstop for 9hrs and then hit a block where im like "how do i transition between this moment and the next?" and then i just dont touch it for 6 months
Job, a devoted worshiper of Yahweh, was tormented by Satan the Beast and his god in a torturous test of his faith.
Sometimes I’m a bit annoyed when I see a lot of biblical inspired fiction not really go into depth about angel types compared to demons, but other times I get it because have you ever researched angels? It’s all just “the strongest most specialist guy ever”
Though admittedly, I’ve gotten to a point where I do l find angels more fun to write than demons. With demons, it’s kind of easy writing characters who can be flawed without consequences.
But writing good people who want to do good, but are still flawed due to personal circumstances is just more engaging for me.
“how many drafts have you done?” define "done."
Man is it just me or are a lot of TV shows nowadays are written to have big emotional episodes in scenes with very little build up.
I also think this has lead to audiences not really having the patience for story arcs anymore and just want to get to the big emotional moment as quickly as possible. I've seen people complain about shows that don't immediately delve into someone's trauma or make a sad dramatic episode. At one point I saw someone complain that a PILOT didn't give the main character a dramatic backstory so the audience could feel attached to them.
If you want me to care about your world, and your characters, then I should understand them first. But nobody has patience for that anymore.
Also yes I will complain about this again but the fact that so many creators are afraid of having “filler” episodes is genuinely frustrating because we are losing character building moments!
At this point I think these creators just expect fans to fill in the blanks and carry the show for them.
How to turn off AI-scraping from your Word documents
Microsoft Office, like many companies in recent months, has slyly turned on an “opt-out” feature that scrapes your Word and Excel documents to train its internal AI systems. This setting is turned on by default, and you have to manually uncheck a box in order to opt out.
If you are a writer who uses MS Word to write any proprietary content (blog posts, novels, or any work you intend to protect with copyright and/or sell), you’re going to want to turn this feature off immediately.How to Turn off Word’s AI Access To Your Content
I won’t beat around the bush. Microsoft Office doesn’t make it easy to opt out of this new AI privacy agreement, as the feature is hidden through a series of popup menus in your settings:On a Windows computer, follow these steps to turn off “Connected Experiences”:
File > Options > Trust Center > Trust Center Settings > Privacy Options > Privacy Settings > Optional Connected Experiences > Uncheck box: “Turn on optional connected experiences”
“We should totally just stab Caesar!”
—
Cassius, probably
Julius Caesar (W. Shakespeare)
There's folk music, meaning "a wistful, guitar-centric style employed by one of the most famous and successful musicians on the planet," and then there's folk music, meaning "eclectic singer-songwriters with proudly leftist political views" and then there's folk music, meaning "a British woman in the 1960s has the weirdest voice you've ever heard and employs it in singing Child ballads without accompaniment," and no one has any way of differentiating which one of these they mean without extensive explanation
And then there's "anything intentionally incorporating 'traditional' and localized music/instruments into a larger and more cosmopolitan tradition"
"Along came balladmaker Woody Guthrie and a string of people following him, and all of us get called 'folksingers' if we are professionally singing for a living using an acoustic guitar.
"By this definition, a grandmother in a rocking chair singing a 400-year-old song to a baby in her lap is not a folksinger because she's not on a platform with a guitar in her hand and a microphone in front of her.
"By this definition a black man singing a 100-year-old traditional blues is not a folksinger if he's using an electric guitar to answer vocal phrases, as in so much African-American music. Likewise the call-and-response singing in tens of thousands of black churches, in the south and north, is not thought of as folk music. Nor the songs in hundreds of different languages still sung by people who have recently landed on these shores or whose ancestors lived here long before Columbus. Though their songs are ancient and anonymous. And they are folks, too.
"No, according to the pop definition, to be a 'folksinger' you have to be a (white) person on stage with an acoustic guitar singing a song in English. A song you just made up. That's a folksong.
"A silly misuse of the term 'folk music'. I use it as little as possible now."
— Pete Seeger
Just need 2 confess that i am an ape, a madman even, that uses one singular brush for every single piece no matter what.
My beloved. Everyone say we love you Mess Brush
Moon, a hole of light In the big top tent up high.
LUCIA
GTA VI
Contrary to the 10,000 posts going around about “words you should use instead of said!!!”, I see more fics that suffer from people not using “said” enough than people using “said” too much lmao
How To Make A Scene More Heartfelt
I’ve written another post about love/romantic scenes sort of similar to this one, called Kiss Scenes 101: How To Write The Perfect Kiss. If that would be useful to you, I definitely recommend you check it out.
♡ Vocabulary ♡
Use appropriate vocabulary in context of the scene. Try not to use words that would hit your reader like a truck in the middle of what is supposed to be a sappy, heartfelt scene. It will bring your reader’s moment to a screeching halt, and ruin the whole vibe.
♡ Inner Monologue ♡
Don’t gloss over what your character(s) is thinking and what is rushing through their heads in the heartfelt moments of your story. If the voice in their head is flipping out and thinking of all of the ways they could ruin their first kiss but they don’t have time to complete a thought and all of a sudden everything is happening and their thought process is interrupted by the love interest’s lips meeting theirs, illustrate that for your reader. Most of the time, the unspoken reactions to what’s going on is the best part of the actual scene.
♡ Dialogue ♡
Please, please, please don’t forget that in a heartfelt scene, it’s not just staring at each other and thinking loud enough for the reader to hear. There is actual communication going on, even if only non-verbal, and it’s important to include dialogue. This also touches on the previously mentioned vocabulary point: please keep a bit of believability in the actions of the characters. Chances are, a high school boy wouldn’t part from a kiss and seriously say “you’re the wind beneath my wings, darling”. That will make your reader laugh, and in some cases that’s a good thing, but when you’re trying to tug the heart strings, leave the cheesy, face-palm worthy moments out of it.
♡ Connections ♡
A really good thing to include in heartfelt scenes is connections to other bits of the story, like the very beginning of the story when the main character was clumsy and had a silly little crush that has turned into something so big that the character is now reflecting on in a serious turning point of their relationship. Or maybe the main character is crying over a break up and is walking around their once shared home, the memories that the reader has already read and experienced are replaying at hyper speed, making the character break down before the reader’s eyes. Connections can make the scene bitter, sweet, or both at the same time.
♡ References ♡
Kind of like making connections, references to certain details of the story can make the reader feel faux nostalgia, and can make the scene even more amazing. Maybe the love interest quotes something the main character said when they first met, or something drifts through the main character’s head that brings the reader back to a previous heartfelt scene that was meant to stick with them.
♡ Reader’s Ability To Relate To The Situation ♡
Ok, so this is the big one. One of the biggest parts of reading scenes like this is being able to read the emotion, recognize it, and feel it personally. This kind of relates to that stereotype that girls read crappy romance novels after a breakup and cry about their lost relationship (been there, honestly). Well, there’s a catharsis that comes with this, and in order to make a scene really hit the reader, you need to take advantage of the opportunity to magnify the strong emotions. To do this, make the details relatively vague or relatable to the majority of people. Regular things that a person would think or do in that situation that a person can read and use to put their self in the role of the main character. It’s important to pay close attention to the little details when it comes to making a scene relatable, because it can make or break the scene altogether.
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highly recommend reading pliny the elder if only for the footnotes. theyre like video game loading screen tips
BLAME! Art by Tsutomu Nihei