Aqua Utopia|海の底で記憶を紡ぐ

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@anotherseverussnapelover
Snape ♡
lucius: okay, since you all live in dorms together, there’s some shit you guys need to know.
rosier: it’s good of you to open up, malfoy!
lucius: fuck off, i don’t mean me. i mean snape.
mulciber: shouldn’t he tell us himself? it’s pretty rude to expose his secrets.
lucius: these aren’t fucking secrets. they’re safety precautions.
avery: so manly that you’re concerned about him!
lucius: i’m not! this is a warning for *you*. if you don’t listen, it’s not my problem.
everyone:
malfoy: if you see him outside of his room at midnight, do 👏 not 👏 approach 👏 him and call me immediately. i don’t care if i’m sleeping, wake me up and tell me where he is, do not approach him.
avery: this is a little dramatic, malfoy.
rosier: i don’t get it, what’s the big deal?
lucius, grimacing: this little shit sleep-fights. it was bad enough when he didn’t use his quirks. i’m telling you for your own health. if you don’t want to spontaneously fucking die, do not interact.
———————one week later ———————
lucius: what did i tell you?
mulciber: don’t approach him after midnight.
lucius, turning to avery: and what did he do?
avery, sighing: approached him after midnight.
lucius, turning to rosier: and what did YOU do?
rosier, tearing up: snape smashed me through a wall and destroyed the ground floor of the dorms.
lucius: and where are you now, as a consequence of that?
rosier, disturbed: in the hospital after briefly visiting god.
Someone getting too close to Severus' face.
His first reaction being to punch them hard.
Right in the nose.
No wand.
No magic.
Just a good ol' punch in the nose.
This lives rent free in my head.
Dumbledore: Snape is the best man for the position, in control of his emotions and surroundings, he’s the perfect spy.
Snape in the background: *having a tantrum*
I love the idea that Severus isn't a natural born spy. He is gifted in Occlumency and intelligent, sure, absolutely not the worst person for the job, but he also isn't a great instinctive liar (we see it when he as a kid accidentally drops a branch on Petunia), can't help but show his emotions, can act impulsively. Albus didn't really get to choose, he just needed a person who had been willing to join the Order, and stay loyal despite danger.
It makes what Severus had managed to accomplish so much more impressive than the idea of unemotional and perfectly controlled spy!Snape💀
This is a thing I see in fandom a lot and I think it creates narrow and sometimes even problematic interpretations of a character: if a character is portrayed in a narrative throughout various periods of their life, it's not a given that a skill they lacked at one point or had but didn't hone yet just stays that way. Just because Snape didn't have a particular skill as a child, doesn't mean he didn't develop it. Knowledge is both cumulative and experiential. If there was compelling evidence from the text to show that Snape continued to be a transparent and bad liar into adulthood then drawing a parallel to his childhood self would make sense. But there isn't any, at least not as far as I know (but feel free to bring receipts if I missed something, I'd be genuinely curious to see!), and Dumbledore wouldn't have trusted him to be a spy if the job was reliant on a learning curve when it came to an ability to deceive.
Sidebar: actually I think that the fact that his immediate response to accidentally dropping a branch on Petunia is to deny it shows that he *is* an instinctive liar. He may not be a skilled one, but if we're taking the position that he knew he'd caused the branch to fall (and I think there can be an argument made that he didn't realize it, based on how little Harry realized his unintentional magic as a child, the only other examples we see of children using magic unintentionally), then the fact that Snape's first, knee-jerk response is to lie about it shows that his instinct is to do so. Which makes him an instinctive liar. Maybe not a convincing one, but an instinctive one nonetheless. And if that was his instinctive response and he wasn't very good at it, it's more likely that he worked on that skill and became a more convincing liar, rather than having lied less.
Anyway, even if Snape was a poor liar as a child, that doesn't mean that he learned nothing and hadn't grown or developed by the time he was in his early 20s. The idea that lacking a skill at one point means lacking a skill always doesn't take into account all the experiences that character went through. It's not an accomplishment or impressive that Snape became a good enough liar to meet Dumbledore's needs by the time he turned spy - it's a result of years of trauma and dysfunctional emotional coping mechanisms that allowed him to live in survival mode. That's worth appreciating of its own accord, and it's an interesting choice for the author (boo, hiss) to have made in how she wrote him, but not everything worth appreciating has to be positive or impressive. We don't see him act impulsively in the text except when there's reason to assume his trauma is being triggered - these moments are an outlier, not a normal part of his personality. If he hadn't learned to control his emotions, been impulsive, and just been "a person who had been willing to join the Order, and stay loyal despite danger" without these skills, Voldemort would have seen through him right away and we all know how that ends.
Some of our favorite quotes from Artemis ii so far:
"Copy. Moon joy."
"I have two Microsoft Outlooks, and neither one of those are working."
"Houston, if you could give me about 20 new superlatives in the mission summary for tomorrow that will help out my vocabulary a little bit, that would be great. Thank you."
“If you’ve ever seen the top of the spotlight of the top of the Luxor at night in Vegas, this looks like what it wants to be when it grows up.”
"To all of you down there on Earth... we love you, from the moon. See you on the other side."
"We just went sci fi.
"It is so great to see Earth again. To Asia, Africa, and Oceania: we are looking back at you. We hear you can look up and see the moon right now. We see you too."
"We will always choose Earth. We will always choose each other."
“It’s a bright spot on the moon, and we would like to call it Carroll.” (The name of Commander Reid Wiseman's late wife)
"Amaze amaze amaze."
"I said that we do not leave Earth, but we choose it. And that is true."
"Christina has been sleeping head down in the middle of the vehicle, kind of like a bat"
"It's really fun to be floatin' around, it just makes me feel like a little kid."
"Trust us, you look amazing, you look beautiful."
"'Homo Sapiens' is all of us, no matter where you're from or what you look like. We're all one people."
"We're going to power cycle the toilet from the ground."
"I'm proud to call myself the Space Plumber."
"We were all eagerly awaiting the chorus." (After Mission Control cut off Pink Pony Club early when waking up the crew)
"Copy heart. Copy bracelet." (In response to Wiseman giving his daughters heart hands and showing them the bracelets they made him that he was wearing)
“Welcome back. We are still here. They are in space.”
"Copy. Bubble wrap nominal."
"We have rediscovered the chocolate snacks."
“The truth is, the moon really is its own body in the universe. It's not just a poster in the sky that goes by, it is a real place."
“We will build ships. We will visit again. We will construct science outposts. We will drive rovers, we will do radio astronomy.”
"I've seen a lot of new perspectives, but my perspective has not changed because I launched with the perspective that there is enough for all." (After being asked if they had a new view on humankind.)
"On behalf of all Canadians, we wanted some reassurances of your preferences for maple syrup over Nutella on your pancakes."
"And we have a great view of the moon out window 2. Looks a little smaller than yesterday." (Reid), "Guess we'll have to go back :)" (Mission Control).
James Potter lynching a black kid just because his aristocratic friend Sirius Black was bored sounds horrible, right? Well, James Potter lynching a working class poor kid just because his aristocratic friend Sirius Black was bored is also deeply problematic. And the fact that you’re only realizing it now just shows how messed up your thinking is.
What is victim blaming? It’s when that four-eyed bastard and his lapdog humiliate and sexually assault multiple victims, including Aubrey Bertram and Snape, and marauder fans still blame the victims.
What is mental health stigma? It’s when marauder fans ignore the fact that Snape was humiliated by their own idols and still had to work for years in the very environment where that trauma happened, enduring the constant mistakes of students, yet they still blame him and exaggerate things when he shows signs of being triggered.
What is a double standard? It’s whitewashing the marauders’ bad behavior and inventing positive qualities that don’t exist in the books, while at the same time smearing Snape’s good qualities and making up negative traits about him.
And their motive? Because none of the four marauders are as good or as popular as Snape, they’re furious, they simply can’t stand that their idols are less loved than him.
転載禁止
a boy sworn to silence (ive been emptying the wip folder)
The fact that i read the HP books in french when i was young and the name for Snape was translated to Rogue and i was supposed to be surprised when he was acting as one side when really on the other. Thank you for the spoiler!
Knowing that the translation began way before the "reveal" makes it even incredible
I cannot find it but I came across a post recently, saying nicely that Snape was taught RP so he is not likely to have a northern accent.
Well it's not entirely true, and I love the idea that he has like a Scouse accent sometimes, so I'll try to temper the point here.
I'm gonna speak (or write) from experience here :
An accent can absolutely and entirely be a contextual thing. It just... Pops up, depending of the social context.
I've been taught at home and at school what's called "standard french".
But :
I grew up in "banlieue"
One side of my family is from the south of France
The other side is Carribbean
Extra info : I work in customers service (phone)
So I basically grew up hearing 3 different accents/frenchs. And working customer service taught me something : I can speak with all of them without even realising it ??!
I never noticed it before some of my former colleagues told me I was speaking with a southern accent to a customer.
And guess whaaaat ? The man was from Marseille!
Later, one of my team leader, listening to one of my calls, asked me why I took the Carribbean accent (It is racist when it's mockery). And when I listened to it, guess what ?
I was speaking with the Carribbean accent. Full out. After two minutes on the phone with a customer.
Then I started to notice patterns I never noticed before.
I was so used from birth to those accents that I just start to speak with it whenever I was around people speaking with it. Like at family gatherings, Christmas, new year... And customers on the phone. With my friends from the banlieue. When I travelled.
Idk if it's an adaptation tactic or something else but
✨It just happens ✨
But, do you know this one situation when I will never ever have an accent?
When I'm angry
I just go back to the basis. Just plain standardize french.
So yeah, I think that "Snape speaking with an accent " or "Snape not speaking with an accent" has to be nuanced : theoretically, he can speak with one but only when the conditions are met.
Thanks for coming to my ted talk.
(if you come across said post, can you send me the link please?? 🥺 it was very well written, and I really loved it)
By the way : hating an accent is a form of glottophobia. Every accent has a history.
How could we forget that a damn hippogriff chased Severus in HBP and he ran so fast that the damn creature couldn’t catch him like just tell me you grew up in a rough neighborhood without saying you grew up in a rough neighborhood, what a total chad.
Severus is amazing at Occlumency because he literally had to dissociate constantly, first from the abuse he suffered, and then from realizing he was surrounded by absolute idiots and having to listen to nonsense all day. Basically, he became one of the masters of one of the most difficult magical disciplines purely out of neurodivergence, and honestly that is so fucking relatable.
久々に…
Said Snape…
An analysis inspired by my username :)
There are about 300* times in the series that Snape’s delivery of dialogue contains additional descriptives beyond “said”, giving us insight into his tone. I thought it might be interesting to take a look at what this can tell us about Snape’s character. And if you’re a fic writer looking to have your Snape reflect canon!Snape as much as possible (or even if not, and you’re looking to make choices that will distinguish him from canon!Snape), I figured this might be a helpful resource.
[Adverbs] Snape says things…
...softly or quietly, most often, followed by coldly, coolly, or icily, and then smoothly, silkily, or sleekly.
This trend holds when we look across not just adverbs modifying “said” but all verbs of speech. Here's how those descriptors are used across the books in the series:
And here's what that looks like split up by the different eras in Snape's life:
Snape is most often described as saying things “repressively” or “dismissively” as well as “calmly”, “slowly”, or “deliberately” in his double agent days, which are adverbs that convey a certain amount of control over the conversation, information, and his own temperament. Taken together, this may reflect his increased caution and the high-stakes nature of information at this stage.
Although Snape displays little patience for those not at his level even in his teenage years (“just shove a bezoar down their throats” comes to mind), his dialogue only reflects this with adverbs such as “sharply” or “curtly” once he has established himself as an authority figure. We will see a similar pattern below with verbs and adjectives conveying impatience.
[Verbs] When Snape doesn’t simply “say” something, he…
...Most often is expressing a negative emotion: shouting, yelling, bellowing or snarling and spitting. The largest portion of Snape’s shouts occur in HBP, specifically in Flight of the Prince, as he tries to direct the Death Eaters to leave and faces Harry. But looking across these first two emotionally-charged categories, about 30% of these (perhaps not surprisingly) occur in Prisoner of Azkaban, where Snape is spends a notable chunk of the book in an extremely emotional state.
However, he's not always shouting or snarling; approximately 15% of the time when he is not simply speaking, he is whispering or hissing, which complements the 25% of the time that he is speaking softly or quietly.
Let's look at this in relation to Snape's timeline:
It's fitting that the majority of Snape’s inquiries occur after Voldemort’s return, when he returns to his double agent role, gathering intelligence.
I also think it’s interesting what we don’t see in Snape’s school days. In childhood/school there’s relatively little superciliousness—instead, we see more argumentation; Snape argues, demands, pants, splutters, and backtracks.
Snape’s brand of snippy impatience and condescension (sneered/snarled/snapped, etc) is most evident in his days as a professor (before Voldemort’s return through his years as a double agent). In his deep cover years it declines; he no longer has the time and he’s focused on the task at hand.
Let's now look at the adjectives used to describe Snape's tone. Snape says things in a tone of voice that is…
...Most often soft, low, or quiet, followed by cold or icy, and then by sneering or sardonic. I find it fitting that Snape’s tone is described as impatient in GOF and HBP, both books in which Snape spends the year on tenterhooks, waiting for the axe to fall.
When we look at how these adjectives are distributed across Snape's lifetime, we can see that Snape’s vocalizations described as “terrible” only three times, and they occur at pivotal moments: Lily’s death and his own. Additionally, Snape’s unconcerned or bored tone comes out during his double agent years, and 3 out of the 4 times it is used as an affectation.
Misc. notes: It is also notable when there are a lack of descriptors surrounding Snape’s speech altogether. There are definitely fewer in the first two books, likely given their shorter length and lower reading level. However, there are three moments in Deathly Hallows that, taken together, really stood out to me: The Dark Lord Ascending, Voldemort’s visit to Hogwarts to take the Elder Wand, and Snape’s meeting with Voldemort in the Shrieking Shack (no descriptions of speech besides "blankly", up until the moment of Snape’s murder, during which he protests and lets out a terrible scream). The lack of description of Snape's speech is a neat nonverbal way to convey to us readers the flattening effect of Occlumency.
Anyway, hope this was interesting, and I’d absolutely love to hear any additional insights you all pull out of this!
*This is by no means meant to be the definitive, exhaustive analysis of Snape’s speech. This was completed doing simple searches for dialogue with “Snape” (didn’t have the raw text to write a script or anything), so it’s entirely possible that I’ve missed several instances of Snape speaking when referred to as “he” and the dialogue in question is several lines away from his name. However, I believe those cases are relatively few, so I’m fairly confident that I have a majority of the instances in which Snape’s dialogue is described with an adverb, adjective denoting tone, or with a verb other than “said”. It’s likely the remainder would follow similar trends if they are dispersed sporadically throughout the series.
Fantastic info, presented really well. I knew it, I KNEW that "drawled" wasn't a Snape word, but I couldn't prove it.
The companion pieces about how Draco talks and how Voldemort talks are also excellent.