sometimes I watch tv and need somewhere to emote about it. sometimes I'm just in it for the shitposts. also embroidery! if you want to see every show I've ever been to: https://ticketstubs-and-pits.tumblr.com
(Yoinked this from LinkedIn, genuinely interested in seeing how responses align with demographics) (so far it’s those of us over 35 being indignant but I wanna see how those fully plays out) (it’s cultural and technological history/memory, bruh)
Which would you rather do? Both are done in front of a crowd and both are done alone
Give a 5-10 minute speech that you wrote
Sing a 3 minute song
(I don’t know if this is the best way to write this 😭 everyone I’ve talked to is so surprised that I’d rather perform a song than give a talk even though it’s way easier (to me, at least))
Which would you rather do? Both are done in front of a crowd and both are done alone
and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE
ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)
PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO
AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS
"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"
Because, my friend, my war on GREIGE will NEVER end.
Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.
Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!
In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.
WHY THE HIGHLIGHTER COLORS? you ask.
CANDLES.
Those colors reflect candlelight and natural sunlight REALLY WELL.
Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.
(STOP MAKING YOUR HISTORIC SIMS 4 BUILDS BE BLAND. STOP IT.)
If you ever hear the phrase "fascism is aesthetics as politics," that's what this post is talking about.
It's not about being tough on crime, because the absolute toughest most brutal measure you could take against "crime" as a social problem is to alleviate poverty, and increase access to education, healthcare and social mobility.
It's about performing "tough on crime" as an aesthetic by enacting violence against a prop, i.e. minorities and the impoverished, who are fetishized and objectified to represent "crime." They are brutalized as punishment for crime, but never with the purpose of alleviating the problem of crime.
This is why a lot of conservatives and other right wingers can get straight up angry when you suggest things like reform or social measures to reduce crime. They don't want crime to be reduced, they want an eternal war against "crime" because it provides an arena for the righteous to demonstrate virtue by brutalizing their enemies.
to be clear: the people organizing, funding, and directing the current fascist movement are motivated by material and ideological concerns beyond this, but for the average bandwagon chud who won't see any exploitative loot himself, the opportunity to take part in senseless cruelty that makes him feel powerful is the motivating reward
You wouldn’t think that flamingoes are extremophiles just from looking at them. It’s like somebody tried to build the vertebrate equivalent of that fungus that lives inside nuclear reactors, and ended up with a gangly pink dinosaur with a spoon for a face.
For everyone in the comments asking how flamingos are extremophiles:
Flamingos can survive in low oxygen, high altitude, high temperatures, low temperatures, high alkaline, they can and will drink boiling water and they can be completely frozen at night and still get up the next morning
Oh yeah, this leaves out what I *did* know about them–they can also survive hypersalinity. That is, water so salty it kills practically everything else–water so salty it burns your skin.
(animal death) this is a real undoctored photograph (*though the body was stood up for the shot) of a dead flamingo on the surface of lake natron, a lake so salty and so alkaline that it’s naturally carbonated like soda and would eat through your stomach lining if you drank from it.
When this photo went viral years ago, most people assumed this poor flamingo must have been killed by the lake.
It is actually the lake where 75% of its global population are hatched. This is a photo from the same lake:
Some species of flamingo actually subsist almost entirely on a diet of bacteria! In other words, there is a species of dinosaur that eats only bacteria and lives in lakes so toxic they would kill almost anything else—and it is best known to the average person as a kitschy lawn decoration.
every since i learned that there was a feminist coalition between housewives, sex workers, and "others" (lesbians and presumably other queer people perceived female) i haven't really stopped thinking about it. we do not talk about this enough
from Revolting Prostitutes: The Fight for Sex Workers' Rights by Molly Smith and Juno Mac:
In the UK, the 1970s and 1980s sex workers’ rights movement was deeply entwined with the ‘wages for housework’ campaign. Marxist feminists named the value of women’s unpaid reproductive and domestic labour and demanded a radical reorganisation of society to value women’s work. Around that time, the feminist group Wages Due Lesbians linked domestic work, sex work, and the work of heterosexuality in a solidarity statement against a 1977 vice crackdown: ‘Wherever women succeed in winning some of the wages due us, it is a strength to all of us and proof that women’s services cannot be taken for granted’.
from Playing the Whore: The Work of Sex Work by Melissa Grant:
“Hookers and Housewives.” It’s hard now to conceive of these groups of women as class allies. Hookers and housewives, to speak in impossible generalities, are too often considered rivals (by those on the Left as much as by those on the Right), occupying opposite sides of one economic circle, two classes of women who earn their living from men’s waged work. Their labor, by contrast, is considered illegitimate. Caretaking and sex should be offered freely, we’re told, with genuine affection and out of love. A housewife maintains her legitimacy by not seeking a wage, and a hooker breaks with convention by demanding one. They are both diminished and confined by the same system that would keep women dependent on men for survival. And they could free themselves from that system together.
As Margo St. James recalled in an interview (also from Carol Leigh’s archives), before she founded COYOTE in early 1973, there was WHO—Whores, Housewives, and Others. Others meant lesbians, “but it wasn’t being said out loud yet, even in liberal bohemian circles.” An early COYOTE supporter, anthropologist Jennifer James, coined the term “decriminalization” to express the movement’s goals of removing laws used to target prostitutes. The National Organization for Women (NOW), still very much in its Feminine Mystique era, adopted the decriminalization of prostitution as an official part of its platform later that year.
here’s a pdf of wages against housework by silvia federici !! rlly opened my eyes to this aspect of feminist organizing that i think rlly needs to make a comeback
regardless of how it works thematically or if its weird or whatever, it just doesn't make sense. Munk says explicitly that Old Deuteronomy is the one who makes the Jellicle Choice, 'just before dawn'. If each of the 'Cat Songs' is supposed to be that individual cat throwing their hat into the metaphorical ring, Deuteronomy would have to be there to witness the song. But Deuteronomy is only on stage for part of act two! If each cat is trying to make their case that they should be the Choice, then why are they doing it when Deut is absent?
2019 tries to explain this by saying each cat is rehearsing, but no other production wings it like that as far as I'm aware. In most productions, Deuteronomy only witnesses four Cat Songs between being absent and being kidnapped, and those are
Pekes (which is probably about an in-universe fictional character)
Gus
Skimble
Memory
And notably, Skimble doesn't even start his own song. Deuteronomy starts Skimble's song! By all definitions, the only cats who should be 'throwing their hat in the ring' are Gus and Griz. I don't know why the 'everyone competing to die' interpretation comes up so often, there's nothing about it that makes sense
ik no one wants to hear 'this infamous piece of media is about a bunch of cat people sucking and fucking while waiting for dawn to come about so the plot can continue' but i mean...
i assume that gus and grizabella are the only real contenders in the whole thing (for this interpretation). i forget the setup for the pekes + the pollicles song but it's actually about the great rumpus cat who sends them all packing (and makes an extremely brief appearance before macavity shows up again). i'm not sure how this and everyone else would fit into the "application for ascension" interpretation! maybe they're the opening acts or the cats everyone knows don't really have a chance so who cares.
Next up someone is going to claim that the Narnia series isn't kids books.
Kids books is probably not the best way to word it, you can enjoy them at every age, including your childhood, as you get older you may find new truths in them, but they're still good for any age.
I want you to understand this. I NEED you to understand this. My mother read me the hobbit as bedtime story, and I started pushing myself to read before pre-school so I could in fact read the hobbit for myself instead of having to wait for bedtime.
I didn't do so right away but jesus wept I PUSHED myself to learn to read SPECIFICALLY so I could read The Hobbit! It is, in fact, a children's story! And children only see page count as 'there is a lot of this fun story to read!'
ok but this unironically works. talk about how the working class is exploited and you can basically sell full-on marxism to your average republican if you do it right. all you have to do is avoid the words "Marx," "capitalism," "socialism," "communism," "means of production," etc - just use synonyms. say "big business" or "corporate shareholder interests" instead of "capitalists." say "a government that prioritizes the needs of the working people" instead of "socialism." it WORKS. I've DONE it. the hardest sell are usually things like social and racial equity, welfare, things like that, because people have been primed with the racist/classist idea that those things are somehow unfair - but you can get your foot in the door to getting them to buy into those too if you start with class issues. read up on your theory, make sure you REALLY understand your own ideology, because that will enable you to reword it and successfully sell it.
In my experience, you can often help sell 'welfare' stuff by appealing to self-interest with a touch of Aren't We Great.
Disability benefits: "I mean, sure, there are probably some sad sacks who are gaming the system, there always are, but hell, with the amount of taxes we pay, the government can afford a few freeloaders, right? I'd rather pay for a couple people who don't really need it than not have the system at all for if I need it, or my kids do, or whatever. I mean shit happens. What if some asshole drunk driver puts me in the hospital and it takes me a year to get back on my feet? Or Heaven forbid something permanent happens. I'll sure be glad that I can get disability then, won't I?"
UBI: "I dunno, the kind of guy who'll just sit on the couch playing Call of Duty all day if he doesn't have to work, I kinda don't want him on my job site anyway. That type is just taking up a place that you could fill with someone who'll actually get the job done, you know? You end up short-handed even though you technically have enough people because everyone else has to pick up his slack. And it'd mean that if your boss is a dick you can tell him to shove it and not worry your kids are gonna go hungry while you find a better place. We can sure as hell afford it."
Racial equity: "I've got a lot more in common with a Black guy who's just trying to get the job done than I do with some rich white asshole who thinks the sun shines out of his ass because of how much money mommy and daddy have."
I like “pentapodactyl” tremendously!!! but hate “chiro” in this context, and I don’t know why. Obviously I have no authority to be the arbiter of this but I do feel strongly!!
There’s a gorgeous rhythm to:
Cephalopharyngeal pentapodactyl monstrosity of the alarm
@elodieunderglass I'm curious how you pronounce "Cephalopharyngeal" - my instinct is to pronounce the opening as a dactyl, like in "cephalopod", i.e. "SEF-uh-lo", but the scansion of that line feels better to me if it's an amphibrach, i.e. "suh-FAL-lo"
The Cephalobrachial Pentapodactylus! Palmate monstrosity of the alarm!
The sesquipedalian's best pernoctalian psuedo-mammalian hand without arm!
This maniform, bursiform, digital deep-dweller drifts through the darkest demersal domains,
A five-footed fingerling phantasm floating full fathoms afloor from the foam-freckled main!
It hunts with its quick hyponychial cnidocytes fully envenomed and ready to kill!
If nocuous toxicants don't cause cessation its rostriform mandibles certainly will!
By ripping and rending, it ruptures its rations with razorlike radulae housed in its jaw;
Its great glabrous grub-grippers gather the gobbets to go in its ventropharyngeal maw!
The Cephalobrachial Pentapodactylus seldom comes skyward while it's still alive,
But sometimes some singular specimen surfaces, stalking the shore like a deadly high-five,
So if you should witness, in perambulation, gressorial fingertips roaming the sands,
I beg you, consider this simple hortation: observe from a distance, and do not shake hands!
"Six weeks into the term, I assigned my rhetoric and writing students a 20-page article. It was the same length I had assigned for five years and the same length I had read without complaint as an undergraduate a decade ago. Not one student finished it.
When I asked why, a student answered honestly: It was too long, and she kept losing track of what the paper was about. This was not a remedial class: These were students who had cleared the admissions process and written essays good enough to get them here. Yet a routine academic reading assignment had defeated them.
Every generation of professors has complained that their students cannot read. The lament is usually overblown, but data have caught up to anecdote, and what I am seeing in my classroom is no longer a hunch. There is a measurable, generational collapse in sustained reading and writing, and the academy is responding to it with improvisation and exhaustion rather than the structural overhaul it requires.
In February 2024, Adam Kotsko, who teaches in the Shimer Great Books School at North Central College, wrote in Slate that students who once handled 30 pages of reading per class meeting now seem “intimidated by anything over 10 pages and seem to walk away from readings of as little as 20 pages with no real understanding.” Crucially, he added that this is “not a matter of laziness on the part of the students” but of underlying skills they were never given a chance to build.
The Chronicle of Higher Education’s 2024 investigation found the same pattern across institutions as different as the Stevens Institute of Technology and Wellesley College, where the average SAT exceeds 1400. Nicholaus Gutierrez, an assistant professor at Wellesley, told The Chronicle that the baseline for what students consider a reasonable amount of work has dropped so noticeably that he has cut his readings accordingly; a 750-word essay now strikes many students as long. At Stevens, the science and technology studies associate professor Theresa MacPhail described following the mantra of “meet your students where they are” for so long that she has begun to feel “like a cruise director organizing games of shuffleboard.”
Worse, the national data tell the same story in colder language. On the 2011 National Assessment of Educational Progress (NAEP) writing assessment, which is the most recent comprehensive writing benchmark, only 24 percent of 12th graders reached the Proficient level, and just 3 percent reached Advanced; another 21 percent scored below Basic. The reading side of the ledger is worse, and getting worse fast: The 2024 NAEP results released in September 2025 show 12th-grade reading scores at the lowest level recorded since the assessment began in 1992. Thirty-two percent of 12th graders now score below NAEP Basic in reading, meaning that, in the assessment’s own language, they likely “cannot draw general conclusions based on concepts presented explicitly in a text.” And yet more than half of these same seniors reported being accepted to a four-year college. That last sentence is the whole problem in one line: We are admitting a cohort that cannot read at a college level and are pretending otherwise.
Why is this happening? One reason, of course, is smartphones.
I came into teaching as a skeptic of the anti-smartphone argument: I had a phone in my pocket throughout high school and college in the 2010s, and I read long books anyway. I now think I was wrong, because the neuroscience has caught up. In a 2017 paper, Adrian F. Ward and colleagues at the University of Texas at Austin’s McCombs School of Business showed that the mere presence of a participant’s smartphone — whether that be face down, powered off, untouched, or across the desk out of vision — measurably reduces available working memory and fluid intelligence on cognitive tests, with the largest effects on the most phone-dependent users. A 2022 study by Motoyasu Honma and colleagues at Japan’s Showa University used near-infrared spectroscopy to compare reading on a smartphone with reading the same passage on paper, and found that smartphone reading produced overactivity in the prefrontal cortex, suppressed sigh generation, and led to general lower comprehension scores; the authors argued that the sigh inhibition and prefrontal overload were causally linked to the comprehension decline.
So when a student tells me they “kept losing track” of a 20-page article, I have to acknowledge that they may be describing a measurable neurological condition. The neural pathways that support sustained attention are built by use, and they atrophy without it. Your body is a use-it-or-lose-it system, and the brain is no exception.
Another reason for the decline in student reading capability is increasing reliance on generative AI. In June 2025, Nataliya Kosmyna and colleagues at the MIT Media Lab released a preprint titled “Your Brain on ChatGPT.” They divided 54 participants into three groups writing SAT-style essays — one using ChatGPT, the second group using a search engine, the last group using nothing — and monitored brain activity with a 32-channel EEG. The ChatGPT group showed the lowest neural connectivity of the three, with up to 55 percent reduced connectivity compared with the brain-only group, and “consistently underperformed at neural, linguistic, and behavioral levels.” Eighty-three percent of LLM users could not quote a single line from essays they had written minutes earlier. When the LLM group was forced to write without AI in a follow-up session, their brain activity did not bounce back to baseline; the researchers coined the term “cognitive debt” for the lingering deficit.
This is the first neurophysiological evidence that early reliance on LLMs measurably alters the brain’s engagement with writing tasks, and it is consistent with what those of us in front of classrooms are watching happen in real time. When I assign analysis, I am not trying to extract a polished product; I am trying to put the student’s mind through resistance in order to make it stronger. Offloading the struggle to a chatbot does not “free students up for higher-order work.” It deprives them of building the strength to do any substantial cognitive work at all.
There is a final factor that is contributing to this decline in reading skills, and that is that the students arriving in my classroom today are the first cohort to have experienced Common Core-influenced reading instruction across the entirety of their K–12 schooling. Whatever the standards’ original intent, the on-the-ground implementation in many districts replaced sustained reading with the practice of pulling “evidence” from disconnected short passages, the same format used on the standardized tests that increasingly determine school funding. The education scholar Natalie Wexler, among others, has documented this pivot in detail: Students drilled on “finding the main idea” in two-paragraph excerpts never build the stamina or background knowledge that longform reading requires. The pandemic then added fuel to a fire that was already burning. NAEP scores for 13-year-olds dropped sharply in 2022 and have not recovered. A 2023 EdWeek survey found that 24 percent of secondary-school administrators described pandemic learning loss in English and language arts as “severe or very severe.”
In July 2025, the journalist Mary Harrington argued in The New York Times that “thinking is becoming a luxury good.” The ability to read deeply and reason at length is fragmenting along class lines as ultra-processed digital media replaces text in everyday life, much as ultra-processed food has replaced cooking. Her longer treatment of the subject in First Things makes the more provocative case that we are witnessing the end of print culture itself, and with it the end of the cognitive substrate on which modern liberal democracy was built.
I see this stratification in the classroom and on the page every week. My students from districts that protected sustained reading through small class sizes, strict phone policies, and faculty who refused to teach to the test all arrive with their attention relatively intact. My students from districts that surrendered to devices and standardized testing arrive cognitively winded. A democracy that requires a literate electorate is now training one fraction of that electorate out of literacy while marketing to the other a “deep work” lifestyle as a luxury good. The students who cannot read a 20-page article today are the voters who will not be able to read a bill, or the jurors who cannot follow a closing argument, tomorrow.
I do what I can in my own classroom to address the problems. I break 20-page articles into two halves and assign the first half with explicit analytical tasks. I require exploratory writing before formal drafts. I model (visibly, on the board) how to track an argument across pages or distinguish a source’s claim from my own analysis. I make structured peer review explicit, because the workshop format I used to take for granted now collapses into “this is good” and “maybe add more details” the moment I step back.
But I want to be plain about the limits of what an individual instructor can do, and all of these solutions have costs. Scaffolding a 20-page article into halves compromises the integrity of the argument I am asking students to engage, just as modeling note-taking in a credit-bearing rhetoric course is using a college slot to teach a middle-school skill. None of the syllabi I teach are designed to deliver this type of cognitive rehabilitation, and pretending otherwise has produced credential inflation. We cannot keep conferring degrees on students who cannot do what the degree is supposed to certify.
I’m afraid I don’t have answers. I do, however, have some questions that may point us in the right direction. If higher education is going to respond to the reading crisis as a structural problem rather than a private burden carried by composition instructors and adjuncts, it has to stop avoiding the following questions: If a majority of incoming students cannot read at a level the curriculum requires, are we admitting students we cannot serve, or offering a curriculum we cannot provide?
Why are first-year writing and reading-intensive general-education courses still the most adjunctified, lowest-paid, highest-load corner of the university, at the precise moment when their work has become the most important work the institution does? What is the responsible institutional response for AI usage: Is it a syllabus statement, or a sequencing principle that requires students to demonstrate the cognitive work themselves before AI assistance is permitted?
Why are most college classrooms still phone-permissive by default? K–12 districts from Florida to California are now banning phones bell to bell; higher education has somehow lagged behind the public schools. Universities benefit from a pipeline they did not build and refuse to repair. What would it mean for a university system to invest seriously in the reading instruction happening in the high schools that feed it, rather than treating remediation as something to be quietly outsourced to first-year composition instructors?
The thing I am no longer willing to do is pretend this is a temporary adjustment period, or that “students will adapt.” They will not adapt on their own. The conditions that produced this collapse are still in place: the phones, the algorithmic feeds, the test-prep excerpts, staffing models that load the reading-intensive work onto the most precarious faculty, and now the chatbots that finish students’ sentences before they’ve even begun to think of them. If we want literate citizens, we will have to rebuild the conditions for literacy deliberately, against the grain of every incentive currently pointed the other way. I know the academy has the will to do that. It also has the obligation."
— Tyler Jagt, 1 June 2026, "My Students Can’t Read"
The generational collapse in literacy is measurable, persistent, and likely to get worse.
Hii if you're an embroidery artist drop what your favorite stitch is or what your favorite project you've done is. I need more embroidery people to follow and obsess over their art!
(Yes! Even if you're a beginner! Let me hype you up!)