Posting this iconic piece of media that I just NEVER found online isolated except in an archived reddit thread
Game of Thrones Daily
RMH
Three Goblin Art
occasionally subtle

if i look back, i am lost

ellievsbear

blake kathryn
Keni
Sweet Seals For You, Always
Show & Tell
TVSTRANGERTHINGS
Stranger Things

tannertan36
almost home

PR's Tumblrdome
NASA
Cosimo Galluzzi
Monterey Bay Aquarium
AnasAbdin
we're not kids anymore.
seen from Germany
seen from United States
seen from United States

seen from Chile
seen from United States

seen from United States
seen from United States
seen from United States

seen from Türkiye

seen from Argentina

seen from United States

seen from United States
seen from Uzbekistan

seen from United States

seen from South Korea
seen from Belarus

seen from France

seen from United States

seen from United States
seen from Germany
@antotheskeleton
Posting this iconic piece of media that I just NEVER found online isolated except in an archived reddit thread
character misses their shot and the villain goes "ha! you missed." and the main character goes "did i?" and then shoots the villain again while they're frantically looking around the room for what the hero could possibly have aiming for instead
i hate the notes on this so much so many people are saying shit like "and then the hero shoots the villain while they're looking around!! XD" THAT'S WHAT THE POST ALREADY SAID. THAT'S THE ENTIRE JOKE.
There's a Pukicho post like this I need to find it
Edit: found it
maybe... they DIDN'T miss part of the post...! (starts frantically looking around)
(i shoot you while youre looking around)
and then while i'm frantically looking around you shoot me for real this time XD
Omg you missed part of the post
did i? 😏
(frantically looks around)
(i raise my gun to shoot you while you're distracted but the bullet i already fired ricochets all around the room and hits me in the back of the head, killing me instantly)
"Coca-Cola made an AI ad!"
"McDonald's releases AI Christmas commercial!!"
Don't care didn't ask plus here's a beautifully animated ad for a French supermarket that was made by actual artists
I SAW THE CHARACTER DESIGNER WORK ON ARTSTATION AND THUS THE SHORT TO MY ARTISTS FRIENDS AND THEY WERE LIKE YEAH WE KNOW EVERYBODY WANTS TO FUCK THE INTERMARCHÉ WOLF ???? WHAT !!!!
beautiful art direction tho and the anims amazing yay ❤️
Love this commercial
affirmations for writers: i know how to write. i have seen sentences before, and i know how to make one. i can identify up to several words and their meanings. i am not afraid of semicolons.
Preach!!
THEM 🫶
i love them
So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.
I'm going to try it.
I love the lawyer metaphor, because whenever I see “John knew that...” in prose writing I immediately think “how? How does he know it?” Interrogate your witnesses. Cross-examine them. Make them explain their reasoning. It pays dividends.
All of this, but also feels/felt. My editor has forbidden me from using those and it’s forced me to stretch my skills.
[Link to the article for screen-readers]
[ID: The full text of an article. It reads:
"Writing Advice": by Charles Palahniuk- In six seconds, you’ll hate me.
But in six months, you’ll be a better writer.
From this point forward – at least for the next half year – you may not use “thought” verbs. These include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love to use.
The list should also include: Loves and Hates.
And it should include: Is and Has, but we’ll get to those, later.
Until some time around Christmas, you can’t write: Kenny wondered if Monica didn’t like him going out at night…”
Thinking is abstract. Knowing and believing are intangible. Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing. And loving and hating.
Instead, you’ll have to Un-pack that to something like: “The mornings after Kenny had stayed out, beyond the last bus, until he’d had to bum a ride or pay for a cab and got home to find Monica faking sleep, faking because she never slept that quiet, those mornings, she’d only put her own cup of coffee in the microwave. Never his.”
Instead of characters knowing anything, you must now present the details that allow the reader to know them. Instead of a character wanting something, you must now describe the thing so that the reader wants it.
Instead of saying: “Adam knew Gwen liked him.”
You’ll have to say: “Between classes, Gwen was always leaned on his locker when he’d go to open it. She’d roll her eyes and shove off with one foot, leaving a black-heel mark on the painted metal, but she also left the smell of her perfume. The combination lock would still be warm from her ass. And the next break, Gwen would be leaned there, again.”
In short, no more short-cuts. Only specific sensory detail: action, smell, taste, sound, and feeling.
Typically, writers use these “thought” verbs at the beginning of a paragraph (In this form, you can call them “Thesis Statements” and I’ll rail against those, later) In a way, they state the intention of the paragraph. And what follows, illustrates them.
For example:
“Brenda knew she’d never make the deadline. Traffic was backed up from the bridge, past the first eight or nine exits. Her cell phone battery was dead. At home, the dogs would need to go out, or there would be a mess to clean up. Plus, she’d promised to water the plants for her neighbor…”
Do you see how the opening “thesis statement” steals the thunder of what follows? Don’t do it.
If nothing else, cut the opening sentence and place it after all the others. Better yet, transplant it and change it to: Brenda would never make the deadline.
Thinking is abstract. Knowing and believing are intangible. Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing. And loving and hating.
Don’t tell your reader: “Lisa hated Tom.”
Instead, make your case like a lawyer in court, detail by detail. Present each piece of evidence. For example:
“During role call, in the breath after the teacher said Tom’s name, in that moment before he could answer, right then, Lisa would whisper-shout: ‘Butt Wipe,” just as Tom was saying, ‘Here’.”
One of the most-common mistakes that beginning writers make is leaving their characters alone. Writing, you may be alone. Reading, your audience may be alone. But your character should spend very, very little time alone. Because a solitary character starts thinking or worrying or wondering.
For example: Waiting for the bus, Mark started to worry about how long the trip would take..”
A better break-down might be: “The schedule said the bus would come by at noon, but Mark’s watch said it was already 11:57. You could see all the way down the road, as far as the Mall, and not see a bus. No doubt, the driver was parked at the turn-around, the far end of the line, taking a nap. The driver was kicked back, asleep, and Mark was going to be late. Or worse, the driver was drinking, and he’d pull up drunk and charge Mark seventy-five cents for death in a fiery traffic accident…”
A character alone must lapse into fantasy or memory, but even then you can’t use “thought” verbs or any of their abstract relatives.
Oh, and you can just forget about using the verbs forget and remember.
No more transitions such as: “Wanda remember how Nelson used to brush her hair.”
Instead: “Back in their sophomore year, Nelson used to brush her hair with smooth, long strokes of his hand.”
Again, Un-pack. Don’t take short-cuts.
Better yet, get your character with another character, fast. Get them together and get the action started. Let their actions and words show their thoughts. You -- stay out of their heads.
And while you’re avoiding “thought” verbs, be very wary about using the bland verbs “is” and “have.”
One of the most-common mistakes that beginning writers make is leaving their characters alone.
For example:
“Ann’s eyes are blue.”
“Ann has blue eyes.”
Versus:
“Ann coughed and waved one hand past her face, clearing the cigarette smoke from her eyes, blue eyes, before she smiled…”
Instead of bland “is” and “has” statements, try burying your details of what a character has or is, in actions or gestures. At its most basic, this is showing your story instead of telling it.
And forever after, once you’ve learned to Un-pack your characters, you’ll hate the lazy writer who settles for: “Jim sat beside the telephone, wondering why Amanda didn’t call.”
Please. For now, hate me all you want, but don’t use “thought” verbs. After Christmas, go crazy, but I’d bet money you won’t. End ID]
Would anyone be interested if I put together a post on how to write a scientist/engineer/techy/smart-guy type character? What would y'all want to know?
Credentials: I currently work full time as a research chemist and have a degree in chemical engineering, plus in college I did part time work for a local IT company (though my coding skills are kind of shitty), I was on the aerospace team and helped my best friend build a life sized trebuchet big enough that I could fit in the bucket. So. I have a bit of exposure to mechanical engineering, computer science, the trades, and material science too.
The post would be more about "how does a person with a STEM background approach unique situations?"
"what ideosycrocies do scientists have if they work in a lab setting? If they work in a mech shop?"
"What are common mistakes I see in scientific type characters in media"
General stuff like that, but I'm happy to answer any specific Q&A people want to share
Hey! Anyone who was interested in this post (I'll dig through the responses and make a taglist in a minute), I just dropped the first part on my blog!
I've been working so hard on this 5-part series for over two months now and it's turned into an almost 15,000 word long deep dive essay full of citations and examples looking at every possible angle on this character archetype. I hope you'll enjoy reading along!
The idea guy. The techie. The mad scientist. Fiction loves nerds. They’re great for filling the glass-cannon role in the party composition (
Taglist of people who expressed interest in the original post, when I first pitched this idea I didn't expect it to be a 5 part mega series so I won't keep tagging you for every following part. Just check back on Fridays if you're interested in following along!
@the-inkwell-variable @larissa-the-scribe @a-candle-maker @lesleymoonwriter @faytelumos @on-noon @ashen-crest @writeblrfantasy @theroseempress
Thank you!!
The notes are broken. This is what tumblr is all about apparently.
THE NOTES ARE BROKEN! This has been reblogged so many times, Tumblr just shrugged and said “infinity”
For sure
Transportation
Okay but I love pictures of animals carrying their babies in slightly precarious looking ways, and the baby looks mildly concerned or displeased
Awww!
Current mood
mood. and alternatively:
I raise you:
Mood
If I ever don’t reblog this, you can assume I’m dead. It’s just pure, sound-design gold.
The cuts, the slow ramp-ups, how it matches his dance moves.
MWAH.
💃🕺💃🕺
it doesn’t have to be good it just has to be done
which one of u was going to tell me that tea tastes different if u put it in hot water?
y- you were putting it in cold water?????
Radish. Answer the question radish.
yeah??? i thought for like. 5 years that ppl just put it in hot water 2 speed up the tea-ification process didn’t realize there was an actual reason
You dont have the patience to microwave water for 3 minutes???
[ID: Tags reading “u think i have the patience to boil water wtf ?????” /End ID]
why are you. putting it in the microwave to boil it
Do you think I have the patience to boil water on the stove
Its takes less than a minute
Bestie is ur stovetop powered by the fucking sun
How long does it take you to boil a cup of water on the stove
Like seven minutes
Just stick the mug on top of the stove on medium heat n it boils in like two minutes… less than that is u use a saucepan…
Crying you’re putting the whole mug on the stove ???? On medium heat???? Ur stove is enchanted
Every single person in this post is a fucking lunatic
Yet another post that reads like four shakespeare characters who come out in the middle of the play to talk about something completely unrelated for comic relief
(Enter RADISHN’T, MOTHMAN MISATO, BOIMG FROG and CATS'N RAINCOATS, stage left. They are having a HEATED DISCUSSION.)
RADISHN’T: Prithee, which one of you had planned to tell
Of diff'rent flavours gained by simple act
Of brewing tea with water hot, not cold?
MOTHMAN: Egad! you poured the water cold? Wherefore?!
FROG: An answer from you, Radish, I must beg.
RADISHN’T: Indeed I did, dear friends - why does this shock?
Without the guide of others I assumed
That heat was merely added for the sake
Of expediting this solution’s brewing!
Half a decade I have spent, or more,
Not questioning this worldview I had made.
In fact, I am myself a bit surprised
That you might think that I, your dearest friend,
Might have a patience of sufficient stock
To wait until a pot of water boils.
FROG: Three minutes overtaxes patience so?
The microwave will beep when it is done!
CATS'N: My friend, this answer vexes me the more!
Can it be true that thou dost boil by nuke?!
FROG: Are you in turn, my friend, so shocked to know
That I have not the patience, like our Root,
To boil upon the stove our favour’d drink?
CATS'N: It takes less than a minute!
FROG: On what plate?
Perhaps your dinner cooks atop the sun?
CATS'N: How long can take your stove to fill the task
Of boiling but a single cup alone?
FROG: In minutes?
CATS'N: Yes!
FROG: I counted seven, once.
CATS'N: Perhaps you ought to have your timepiece checked!
If on a middle heat you place the cup
You soon will have the scalding drink you crave.
Two minutes, in a mug upon the plate
Or even less, if you should have a pot.
FROG: You cause me tears - is this how thou dost live?
You place upon the iron stove a mug?
A mug, ceramic, filled with water cold?
How do these flames, though medium in height,
Not shatter like a glass this fragile thing?
Surely, then, your kitchen is bewitched
With magicks far beyond the mortal ken!
(The FOUR realise they have wandered into the THRONE ROOM. The ROYAL COURT watches with fascination.)
KING: Ev'ry single person in this group must be a fucking lunatic, it seems.
I’m sorry but the THOUGHT that has been put into this, I actually CAN’T—
The fact that nearly every line is so metrically considered- near perfect iambic pentameter witb the occasional trochee for emphasis, but usually retaining a strong sense of rhythm nonetheless. And then the king comes in at the end, so wound in his disbelief that his response is reduced to prose.
And the even better thing about this is how easy it would have been to structure the king’s line into iambic pentameter: it is effectively already said as such because of the way wizardlyghost has phrased it, yet they haven’t!! They did not break the line, rendering what, by all typically of both Shakespearean canon and other periods context should be the character with the most command and authority in the whole play. If there was ever a more effective way to convey a genuine “what the fuck??”, I know of it not.
But it gets better!! Shakespeare regularly uses meter in order to represent class divide; the nobility usually speak in iambic pentameter, save for a few particularly chosen moments (e.g. Lady Macbeth’s descent into madness, Othello’s realisation of Desdemona’s “betrayal”) or just lines where Shakespeare needs to suggest high emotion or when a character is lost in thought. Supernatural characters like the fairies in A Midsummer Night’s Dream and the Witches in Macbeth usually speak in trochaic tetrameter, an inversion of iambic pentameter. Lower class characters, particularly those used for comic relief (usually under the influence of alcohol), speak with no structure at all: their language is plain prose. Therefore, if this is a conversation between these types of characters, as the prompt from silvergirachi suggests, why the hell are the characters speaking so eloquently???
Now, this is Tumblr. It is subsequently logical to assume that this may have merely been a humorous recreation (and a very good one at that) of the Shakespearean style in a way that is widely recognisable to an audience that may or may not have read a great deal of Shakespeare, which is understandable. However, logic is boring so I’m going to probe further into this to the point where future historians will look to this as an example of overanalysing.
The inherent eloquence of the characters here suggests an unusual subversion of the roles typically assumed in Shakespearean comedy. This could be interpreted along two major avenues: firstly, that the rhetoric displayed by the speakers is fundamentally representative of how truth can be expected even from the most seemingly pointless or ludicrous discussions. Furthermore, it could suggest that it matters not how well constructed your speeches are: if you talk bullshit, it’s going to sound that way despite your attempts to hide it.
This is similar but not identical to the second avenue of interpretation: there is the implication that the noblemen in the play are in fact the comic relief characters, therefore implying that the “common people” of the play are the ones whose influence, though not expressed in such a highly spoken manner, makes a lot more sense than whatever the hell this is. If this was a real Shakespeare play, I would call it a subtle exploration into the innate corruption of the rich and powerful. Well done, op.
Now, I doubt any of this is actually grounded analysis in any way, shape or form, but if someone else can take this to the extremes of writing a Shakespearean scene, why can I not analyse it as such? And where else to do so than Tumblr?
im in tears i didnt think anyone would put this much analysis into this‚ thank you so much
i also like that everyone else gets a version of their handle and then tumblr user pidoop is promoted to king
I love this place more and more all the time.
The original????
10 or 11 little ducks have been spotted crossing the dash board
Writing Tips
Punctuating Dialogue
✧
➸ “This is a sentence.”
➸ “This is a sentence with a dialogue tag at the end,” she said.
➸ “This,” he said, “is a sentence split by a dialogue tag.”
➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”
➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”
➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”
➸ “Use a comma when a dialogue tag follows a quote,” he said.
“Unless there is a question mark?” she asked.
“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”
➸ “Periods and commas should be inside closing quotations.”
➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”
However, if it’s not dialogue exclamation points can also be “outside”!
➸ “Does this apply to question marks too?” he asked.
If it’s not dialogue, can question marks be “outside”? (Yes, they can.)
➸ “This applies to dashes too. Inside quotations dashes typically express—“
“Interruption” — but there are situations dashes may be outside.
➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.
➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”
➸ “Use paragraph breaks to indicate a new speaker,” he said.
“The readers will know it’s someone else speaking.”
➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.
“This shows it’s the same character continuing to speak.”
omg this is so helpful
!!!!!!!
Gotta reblog that!!
I need it fr 😭
I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!
(save the images to zoom in on the pics)
Oh, that’s very helpful indeed!
Heck yeah!!!