boobs is better than titties as a word because boobs is bouba while titties is kiki
read this post and this is all i can ever imagine from it
official linguistics post
Show & Tell
hello vonnie
almost home
sheepfilms
official daine visual archive
YOU ARE THE REASON

Discoholic 🪩

#extradirty
The Bowery Presents
Jules of Nature
tumblr dot com
NASA
Misplaced Lens Cap

pixel skylines

if i look back, i am lost
The Stonewall Inn

Love Begins
Noah Kahan
TVSTRANGERTHINGS
No title available

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from Morocco

seen from Malaysia
seen from United States
seen from Australia

seen from Brazil
@boardwalk-absurdist
boobs is better than titties as a word because boobs is bouba while titties is kiki
read this post and this is all i can ever imagine from it
official linguistics post
i do find the rules around clothes fascinating because of how made up it all is. we invented the idea of covering our bodies from the elements because we lack fur like other mammals and then made up all these rules around it and now people will unironically tell you "men cant wear skirts its unnatural" girl none of this is natural. we are born naked and made up the rest as we went along. hope this helps.
Reblog if you write fic and people can inbox you random-ass questions about your stories, itemized number lists be damned.
abandonware should be public domain. force companies to actively support and provide products if they don't wanna lose the rights to them
Game companies hate emulation, but none of them seem to understand that a lot of us would just buy ROMs from them directly if we could. I don't want a fifth remake of Final Fantasy IV, I want to pay five bucks for the 3MB file you already made bank with thirty years ago. Nobody who wants to play something for the purpose of retro gaming is going to consider a $40 remake as the alternative option, and we're certainly not going to let the original dissappear. They're crying about opportunity cost for a product they're not even selling.
op i know you're probably talking about like, video games, etc, but this is also critical for research science - my lab has so much abandonware, either because the company's out of business, or the company decided to not maintain it, and it's a fucking nightmare. we have two windows 95 computers that are CRITICAL for performing experiments/data analysis because the software needed is abandonware. one of the main roles for a guy in my lab is to maintain these little dinosaurs because if they go out, we lose access to ~20 years of raw data for research. part of why is that these companies also make their own file types, and make it difficult-to-impossible to convert those file types without their specific software. by habit, i convert all research files to more generic versions (txt, pdf, tif, etc) so that i minimize risk of losing my shit, but some stuff can't be converted.
for example, we have a microscope that is perfectly functional, good microscope, but its software is abandonware because the company refused to maintain it. the company is still in business, still makes essentially the exact same software, but they made all of the old tech incompatible with new software to force people to buy the new microscope tech. it would cost a quarter million dollars to replace this microscope. this perfectly good microscope.
so like, i know a lot of people look at the original post here and go "well op just wants old video games to play" (which is valid! games companies should not be able to push shit to abandonware and then close it off) but also this is critical for like. biomedical research. if y'all had any idea how much basic infrastructure built on science relies on shit that is technically abandonware, you would probably be horrified.
#there is so much abandonware just...out there being used and carefully maintained#because nothing quite replicates the functionality
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
This is an important concept, but the piece is written by AI.
There are a number of tells, but this is an excellent example to talk about em-dashes, which people often either take as permanent AI tells or run the other way and say "humans use em-dashes and that's why AI does, too! they're not tells!" Both are kind of right and both are kind of wrong.
What you'll see if you look closely at this text is that it ONLY uses em-dashes. Every time it needs to put in some kind of break or set off some text, it goes for the em-dash. There are no phrases in parentheses. There are commas, but only in places where the absolute rule is to use a comma (like in a series, for instance). There is one colon, again placed where the absolute rule is to use at (at the top of a list). Whenever there's an option, where a human writer would be actively making a choice about what punctuation to use, the AI defaults to an em-dash.
On top of that, look at the content. The AI bot people are obsessed with feminism, ironically. I suspect it's because very basic feminist narratives about women pushing back against barriers or doing something heroic are popular and gets shared widely. So, first of all, you should be on your guard when you see a "what this woman did CHANGED HISTORY!" kind of piece. (I wonder if the twitter/tumblr trend of BUCKLE UP history posts has affected the AI ...) And then you should check out the specific claims.
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
I can't find this anywhere else. The paper "The Matthew Matilda Effect in Science" doesn't talk about photos! The Wikipedia page doesn't talk about photos! This Smithsonian article doesn't talk about photos! Her piece on her career in Writing and Revising the Disciplines (2002) (good read) DOES mention photos, in that she got the Mount Holyoke archivist to send her a few from the 1880s showing women doing scientific work as a nice illustration that "epitomized" what she was already aware of.
Rossiter started with textual primary sources that documented women as named individuals contributing to scientific discoveries. The idea of her being confused by photos is a hallucination.
Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There's definitely something to be said about the framing of this bit as shocking!!! but since I'm talking about facts and sources, it's clear to me that the AI recognized the botany-Wellesley connection from the paper but could not parse that the reference was to a female botanist who taught at Wellesley. There is also nothing in the paper about Vermont geologists, so I have no idea where the AI got that; I would suspect it's another hallucination attempting to create a pattern from the first reference.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing. Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams. But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
Again, back to the mysterious photographs. But the rest of this text is an issue as well: what Rossiter describes in the paper is not a complete absence of these women in any official documentation, but that these women were amply documented and known to be working within the scientific community and yet did not receive public credit or awards. It's not a complete smothering out, but a sort of complacent back-burnering, which is too nuanced for the AI to be able to handle when told to "write a post about the Matilda effect that will get engagement on social media". She didn't prove that discoveries attributed to male authorship actually had women involved and only she knew their names: she collected many stories that people already knew of overlooked/underplayed female scientists and put them together to say, "This is a pattern and we should have a name for it." Some of her examples were even recent enough (1970s-80s) that she was able to point to a feminist backlash.
And again ironically, the AI itself engages in the Matilda Effect by presenting this whole thing as utter silence -> Rossiter gets curious -> the case is blown open. Rossiter actually refers to the work of other female historians and social scientists! In fact, she started this line of research after noticing the female biographies in American Men of Science when her housemate, Cynthia Thompson, recommended that she keep track of them.
Her research helped restore recognition to scientists who had been erased: Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick. Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize. Nettie Stevens, who discovered sex chromosomes—received little credit. Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed. And countless others whose names had nearly vanished.
Rossiter did not claim to be rediscovering these women. She refers to Franklin and Meitner as having been famously denied credit, in fact! Meitner specifically is "one of the best-known examples of the phenomenon". Stevens she uses as one in the list of examples in the paper, and Payne-Gaposchkin actually just gets a reference at the end that's doesn't even tell you the specific field of scientific study. (To be fair, there may be more about them in her other publications.) This was not about Badass Historian of Science Tells the Establishment What's What. Everybody knew about the concept of female scientists being publicly ignored as collaborators by 1993 — and women's history as a field had been around for 15-20 years. She was not working in a vacuum where nobody else thought that it was important to study these topics until she forced them to see the light.
Please, please, everyone, be on the lookout for bad feminist history written by AI. If you're not with me on the tells and hallucinations here, then at least be on the lookout for bad "feminist" history regardless of the source. If it sounds like it's sensationalizing, it probably is.
Alright I want to know something here:
the 🙃 emoji means (approximately)
silly!*
ugh!*
secret third thing you will explain in tags*
*if comfortable doing so, you may include your age range/generation in the tags for helpful demographic data
kindly reblog for bigger sample size, thanks!
i dont consider myself a 'fashion guru' by any means but one thing i will say is guys you dont need to know the specific brand an item you like is - you need to know what the item is called. very rarely does a brand matter, but knowing that pair of pants is called 'cargo' vs 'boot cut' or the names of dress styles is going to help you find clothes you like WAAAYYYY faster than brand shopping
this also goes for aesthetic or -core titles. 'y2k tank top' is going to get you resellers and fast fashion brands advertising to people looking to meet a current trend. 'thin strap crop tank top' is going to get you a diverse group of results and not upcharge you to hell and back
additionally, shop second hand when you can, second hand and thrift sites typically organize clothes by the cut and color. theyll be more affordable than a depop seller curating you a style to sell you
useful terminology for different kinds of clothing shapes :)
here are more terms! these are all from enérie. it is a really good blog that has lots of fashion terminology and it's a good mix of menswear and womenswear! they also have a book as well compiling all their diagrams. you could also look into getting a visual fashion dictionary for terms as well!
We're at the "JK Rowling is personally funding litigation to try and destroy AMNESTY INTERNATIONAL" stage of rabid UK terf brain.
Screenshot via Alejandra Caraballo @esqueer.net on bluesky
Tldr Amnesty International, global human rights organisation, published a report called 'A growing threat: the anti-rights movement in the UK'. In it is detailed, amongst others, a whole bunch of transphobic groups and organisations, including Beira's Place, JK Rowling's trans exclusionary sexual violence support service. JK Rowling threw a shit fit and got Amnesty to take the report down by threatening libel. This was obviously not enough, because you can't appease a fascist, so now she's going to bankroll a bunch of lawsuits anyway through the JK Rowling Women's Fund.*
You can read an archived version of the report here, please save it and share it.
*Not so friendly reminder there is no way to engage in the wizard books without enabling this shit.
Hollywood truly does always take the wrong lesson from its success stories
maomao is my favorite "not like other girls" style protagonist bc for one shes a girls girl through and through. to the bone. and two she's just a weird little freak. absolute lunatic. they have the whole "omg she's actually beautiful and everyone falls for her when she's all made up" trope but the punchline is that she does not fucking want to look like that. she actively puts dirt on her face every day bc she does not want to be perceived as attractive (mostly out of fear of being used for sex work though at the same time she has the utmost respect for women who do sex work like she grew up in a brothel those are her sisters). she's Sherlock level smart and solves every mystery so fast but goes "well thats none of my business. anyway back to testing poisons on myself" she has the 2nd most powerful guy in the nation head over heels in love with her and is like "man this guy is weird around me what's his deal. I guess he's fine though because he gives me rare medicines and has no dick" fucking ICON i love her. also she once slapped someone so hard they fell on the floor. 10/10
it does suck that the government defunded PBS but it's also so fucking funny that now that they don't take uncle sam's slavery dollars they're running videos like "How america's foundation was built on genocide"
no more being polite about it fuck the USA
PBS Origins my beloved! for the unfamiliar, channel link here. they've been pointing out how fucked up USA history is for a while, but not quite that overtly.
PBS Origins is the home of history shows from PBS Digital Studios. Subscribe to dive into inclusive, intersectional history content that hel
link to the specific video from the screenshot above here:
it's part of their series "A People's History of Native America," playlist link here.
Hosted by comedian and actor Tai Leclaire, A People's History of Native America is a series that explores the current social climate in Nati
and while I'm here I'll plug some other channels because PBS does solid work. also, iirc they are (...were? I'm not actually sure what applies to them now that they've been defunded) legally required to include captions and they actually do that, so you won't run into auto-generated nonsense.
I haven't checked out PBS Documentaries yet, but they have some stuff tackling similar topics. (I am adding things to my watchlist as we speak.) channel link here.
Welcome to the PBS Documentaries channel—presented by PBS Digital Studios and Independent Television Service (ITVS), dedicated to documentin
PBS Terra doesn't pull punches on climate change. channel link here.
PBS Terra is the home of science and nature shows from PBS Digital Studios. Subscribe to explore the frontiers of science and tech, our mind
PBS Eons has some super cool videos on the history of life on Earth, channel here, and Storied does awesome work on linguistics and mythology, channel here.
Join hosts Kallie Moore, Michelle Barboza-Ramirez, Gabriel Santos, and Blake de Pastino as they take you on a journey through the history of
Storied is the home for arts and humanities shows from PBS Digital Studios. Subscribe to explore art, culture, mythology and much more! The
aaand while we're talking about defunded USA public media that doesn't pull punches when critiquing our history and government, I am once again going to plug a couple NPR podcasts. Throughline does deep-dives on history, culture, laws, and so on (link here); I'm especially partial to their We the People miniseries, which covers our rights from the Amendments. Code Switch covers culture, focusing on race and minority groups, and has been doing some especially good coverage on what the Trump administration's fuckery means on a practical level (link here). (these aren't the only NPR podcasts that talk about this stuff, but they're the big ones afaik.)
Throughline is a time machine. Each episode, we travel beyond the headlines to answer the question, "How did we get here?" We use sound and
What's CODE SWITCH? It's the fearless conversations about race that you've been waiting for. Hosted by journalists of color, our podcast tac
anyway. good public media my beloved
You’re completely correct. Out of my way, able-bodied losers. Fuck you.
It's called an EZRide+ and you can learn where to find them here. They're about $1100 US as of June 2026, but you might need to buy additional parts to attach them to your chair, depending on the style of chair.
Remember to put links to products like this, they're usually hard to find and a lot of people need to know they exist.
What is "walking distance" to you? (provided that the weather is okay)
Less than 5 minutes.
Less than 15 minutes.
Less than 30 minutes.
Less than 1 hour.
Depends on... add a tag.
other/I'm not canadian and don't measure distance in time.
🪩 🎶 🦀 🦀 🦀 🎶 🪩
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
prefect crown text post (3/3)