Natasha and Bucky <3
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Natasha and Bucky <3
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batman not being in birds of prey is so funny to me bc its like once he hears about harley’s situation, he fucks off to a different country for a “vacation”, and gets the occasional update from alfred that’s like “well sir, she blew up the ace chemicals.” and bruce is like:
and then he goes back to doing weird justice league grade bullshit detective work.
Alfred: she got a hyenaÂ
Bruce: oh shit
Alfred: she named it after you
Bruce: Aww
this has been the only good addition to this post
idk if anyone will find this useful, but this is how i go about planning my stories. i mostly write fantasy, so that’s what this is most applicable to. but it could work with other genres too.
so there’s three major components to a story: the characters, the plot, and the world. creating them individually is the easy part, but they all connect and affect each other in different ways. (like you can’t have a character who loves peaches and eats them every day if they live a peasant in a region that doesn’t grow peaches, for example.)
so i created a cheat sheet to help connect all three components together.
1) the world creates the characters.
this is related to the peach example above. the characters should be a direct result of the environment they grew up in and the environment they currently live in.
2) the characters are limited by the world.
also related to the peaches. characters can’t do anything outside of what the rules of their surroundings and universe allow, such as eating peaches when they’re not available. this also applies for magic users. they can’t have unlimited magic, so keep in mind what you want out of both the characters and the world when creating magic systems.
3) the characters carry the plot.
we’ve all heard it before: “bad characters can’t carry a good plot. good characters can carry a bad plot.” but we all like a good plot anyway. try to make sure you’re not giving your characters too heavy or too light of a plot to carry.
4) the plot pushes the characters.
if nothing in the plot happens, your characters will remain static forever. if you struggle with plots, try starting with what character development you want to happen, then go from there.
5) the plot depends on the world.
you can’t overthrow the evil government if there isn’t one. think of what your world needs most and what your plot is centered around, and fit those two together.
6) the world is changed by the plot.
even if your plot is centered around something most of your world would call “insignificant”, the world will still experience some change from the plot. either the evil government will be gone, or maybe that one teacher is now way more careful about keeping an eye on the test key. either way, the world will be different from now on.
final note: usually people will be able to write one or two of the components with ease, but don’t know where to go from there. i personally can’t write plots, but thinking this way has really helped me actually make a story out of the world and characters because i looked at what i needed from what i had. i really hope this can help you too! happy writing!
tl;dr this is a cheat sheet to help anyone who struggles with writing one or two of what i consider the three major components to a story.
This is an interesting diagram and may be useful for some writers as they work on structuring their stories.
World and character were always easy for me. Plot was tougher, and I had to come up with a definition or formula that I could apply to writing. This would have made that learning process much easier!
This triangle is DMing in a nutshell.Â
Home & Home. The final comic in my series about my heritage.
You can read the other ones here.
everything about this is fucking hilarious. i’m sorry, random pompeii man, but your death was some looney tunes bullshit and the framing of this photograph isn’t helping.
men are acting like she hulk didnt exist in 1980s and stan lee himself didn't create her. men are truly a disease. gbless.
Fake Geek Boys don't know She-Hulk was Deadpool decades before Deadpool was Deadpool.
she's been breaking 4th wall since 80s
#AvengerEndgame is out today!!! When are you seeing it? #dontspoiltheendgame #thewasp #antman #cmyk #avengers #marvel https://www.instagram.com/p/Bwuj6QpA1fI/?utm_source=ig_tumblr_share&igshid=1ukd25483f9ec
¡Apagando las luces! • • • #overwatch #overwatchfanart #sombra #sombrafanart https://www.instagram.com/p/BwArbf6gH7p/?utm_source=ig_tumblr_share&igshid=qiflzurntu09
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Interview by Lena Waithe
Sheriff Barnes in Winter Soldier #4Â
Buckynat Art Parody Series no. 1: Leyendecker’s Couple Descending Staircase
Or: In which Buckynat are actually bad at undercover work because they’re conspicuously sexy and badass.Â
Oh boy this was so fun and so hard! Natasha’s outfit is inspired by the Balmain Spring 2019 Couture collection. Â
Commissioned by the wonderful and amazing @river-alice-wolf!!Â
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archives: retribution
You giveth love, a defil’d name
Sgt Fury #27, February 1966, Pencils: Dick Ayers, Inks: John Tartaglione, Colors: Stan Goldberg
honestly? keanu reeves should have been in the MCU by now
honestly keanu reeves should’ve been doctor strange
marvel wouldn’t even need to spend money on cgi because keanu reeves can just do that
So the subplot of Holes is that Kate Barlow deals with the politically-sanctioned execution of her black boyfriend—who unlawfully kissed a white woman who was in love with him!!!—by becoming a serial killer who targets racist/sexist white dudes who harassed her, were rejected, then went after her boyfriend as revenge from the depths of the “friend zone”.
Go off Louis Sachar, let em know!
Don’t forget the main plot was a damning satire of the brokenness and inherent racism of the American justice and prison systems! Louis Sachar does not fuck about
It always fuck me up that older people don’t understand how this story is as essential to most american children as Gone with the Wind or Mary Poppins was.
unironically, this is one of the best books/movies for young people that exists
Kissing Kate Did Nothing Wrong
And the technical writing of Holes is perfect. Like, it’s one of the most technically-perfect books ever written. Basically any plotting or pacing or characterization issue you’re having, read Holes and really study how Sachar did it. THE LIZARDS! THE LIZARDS.
the twisty prophecies! the lizards! the lipstick! the humor! this book doesn’t play. a true classic.
When I finished reading Holes for the first time I IMMEDIATELY turned back to the first page and started again!