I'd rather be in outer space 🛸
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DEAR READER
izzy's playlists!
will byers stan first human second
Andulka
One Nice Bug Per Day
2025 on Tumblr: Trends That Defined the Year
let's talk about Bridgerton tea, my ask is open
tannertan36
d e v o n
taylor price
wallacepolsom
art blog(derogatory)
YOU ARE THE REASON
shark vs the universe
roma★
todays bird
AnasAbdin
$LAYYYTER
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@ceslawrites
the issue with growing up in the 2000s and 2010s was like there was this really big push toward "accepting your weirdness" overall but they meant like idk wearing mismatched socks or something not being tangibly beyond the norm in any way shape or form
ok but legitimately i think the reason why kids aren’t taking internet safety seriously is because the people who are telling us not to put our personal information out seem so out of touch. no one acknowledges the possibility of meeting very real teenaged friends online, they always say that everyone you meet is a 40 year old white man in disguise. because they aren’t acknowledging things we know are true, it becomes a lot easier to dismiss the rest of what they’re saying as well. internet safety lessons absolutely must keep up with the times and acknowledge the internet’s capacity for good if you want kids to take to heart warnings about its capacity for bad.
Some actual safety tips for teenagers:
1. Have proof they're a teenager first. More than just a picture, have a video call with them.
2. If you want to meet up with them, have your parents or a trusted adult come with you. Even if they are a proven teenager, its still good to have supervision in case any issues happen.
3. If you are talking to an adult, and they start being sexual in any way, you run the fuck away. It doesn't matter if they're 40 or 20. An adult inherently has a power dynamic that teenagers do not. And its up to the adult to act responsible about it. There's exceptions of course, if you're 16 and dating an 18 year old, that's not a problem, we're not talking about that.
4. Being in a server with adults or ran by adults is not inherently bad. Talking to adults is not inherently a problem, and will likely happen in any number of Discord servers. It is only an issue when they are acting sexual and show predatory behavior.
5. Look out for grooming behavior. It can be difficult, because at first it seems like innocuous behavior, like complimenting or giving gifts. Especially if you feel lonely and have low self esteem. And groomers actively target people like that.
If they start trying to isolate you, talk sexual with you, state they depend on you for emotional needs, blame you for their own actions, try to be secretive about the relationship- Then you need to talk to people you trust, block the perpetrator, and call the police on them.
6. If this does happen to you, remember this: It is not your fault. Even if you didn't listen to a single thing listed here, it is not your fault. It is the fault of the adults who knew better, and didn't care. It's not your fault.
To my followers: if any of you guys are underaged, please be very VERY careful on here, and don’t fall for any of the tricks the groomer would use on you, just block them and report them.
When I criticize jk Rowling do not assume I always hated Harry Potter. I knitted hogwarts house scarves. I got my first binder to dress as Draco Malfoy for Halloween. I reread the books multiple times. I read probably every pottermore article there was at the time.
I’m not here to validate your smug feelings about not liking a children’s book series 20 years ago. I’m here to discourage others from spending money on it and to give myself and others words and space to work through some feelings. I’m a trans person that made Harry Potter one of my cornerstone interests. One of my favorite things. I’m not some cis person doing cope.
Harry Potter was a big thing. Like. Big in a way that’s difficult to fully understand. It still is. If you were caught up in it during your formative years it’s normal to need to process all of the horrid things now associated with it.
Having to burn down the house you grew up in is going to be hard even if it turns out that the house was always rotten from the inside out. Even if it turns out that the foundation was made of straw. But the destruction and deconstruction must happen if one hopes to move on and move forward. That’s why I talk about it at all.
I'm also trans and this is a really good talking point.
Most of us grew up in the Harry Potter explosion. Most of us loved the series, especially since we felt like misfits.
Hell, I was chosen by Olivander at Universal to get a special wand when I was 12. To this day I love that memory.
But finding out who Rowling really is was devastating. It was like having a safe space suddenly get filled with spikes. We were essentially chased out of a community that held us for so many years. It felt like a horrible betrayal and it still does.
When trans people ask you to not support HP anymore, it's not because we see ourselves as superior. We were some of the biggest fans growing up and we ask this from a place of raw pain.
We just want you to have our backs after such a harsh betrayal. I don't know why this gets interpreted as trans people being snobs.
✨ Little Ford and the axolotl ✨
Can't afford art school?
After seeing post like this 👇
And this gem 👇
As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.
Here is the first one ART TEACHERS! There are plenty online and in places like youtube.
📺Here is my list:
Proko (Free, mostly teaches anatomy and how to draw people. But does have art talks and teaches the basics.)
Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard and teaches you everything)
Aaron Rutten (free, tips about art, talks about art programs and the best products for digital art)
BoroCG (free, teaches a verity of art mediums from 3D modeling to digital painting. As well as some tips that can be used across styles)
Jesse J. Jones (free, talks about animating)
Jesus Conde (free, teaches digital painting and has classes in Spanish)
Mohammed Agbadi (free, he gives some advice in some videos and talks about art)
Ross Draws (free, he does have other classes for a good price. Mostly teaching character designs and simple backgrounds.)
SamDoesArts (free, gives good advice and critiques)
Drawfee Show (free, they do give some good advice and great inspiration)
The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney. Mostly nature art)
Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)
Sinix Design (has some tips on drawing people)
Winged canvas (art school for free on a verity of mediums)
Bob Ross (just a good time, learn how to paint, as well as how too relax when doing art. "there are no mistakes only happy accidents", this channel also provides tips from another artist)
Scott Christian Sava (Inspiration and provides tips and advice)
Pikat (art advice and critiques)
Drawbox (a suggested cheap online art school, made of a community of artist)
Skillshare (A cheap learning site that has art classes ranging from traditional to digital. As well as Animation and tutorials on art programs. All under one price, in the USA it's around $34 a month)
Human anatomy for artist (not a video or teacher but the site is full of awesome refs to practice and get better at anatomy)
Second part BOOKS, I have collected some books that have helped me and might help others.
📚Here is my list:
The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.
"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.
"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.
"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.
"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.
"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.
"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.
"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.
"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.
Etherington Brothers, they make books and have a free blog with art tips.
📝As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. If you want to go fancy Michaels is always a good place for traditional supplies. They also get in some good sales and discounts. For digital art, I recommend not starting with a screen art drawing tablet as they are usually more expensive.
For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.
💻As for art programs here is a list of Free to pay.
Clip Studio paint ( you can choose to pay once or sub and get updates. Galaxy, Windows, macOS, iPad, iPhone, Android, or Chromebook device. )
Procreate ( pay once for $9.99 usd, IPAD & IPHONE ONLY)
Blender (for 3D modules/sculpting, animation and more. Free)
PaintTool SAI (pay but has a 31 day free trail)
Krita (Free)
mypaint (free)
FireAlpaca (free)
Aseprite ($19.99 usd but has a free trail, for pixel art Windows & macOS)
Drawpile (free and for if you want to draw with others)
IbisPaint (free, phone app ONLY)
Medibang (free, IPAD, Android and PC)
NOTE: Some of these can work on almost any computer like Clip and Sai but others will require a bit stronger computer like Blender. Please check their sites for if your computer is compatible.
So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.
I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.
Hope this was helpful and have a great day.
"also apologies for any spelling or grammar errors, I have Dyslexia and it makes my brain go XP when it comes to speech or writing"
Boosting this in case any of the programs and books suggested are useful.
All the photos on this tumblr ad the animal photo reference site I run is another resource available for artists to use!
As long as you’re not using AI to create your art, you can reference / trace / draw / recombine / make any sort of art you want, with any of the photos, for free.
There's also MORPHO, a really good book series on anatomy by Michel Lauricella, with very clear explanations and sketches!
And for pose references, there's @adorkastock who shares a ton of them for free, with different models and props, and her website is amazing <3 you can also buy pose packs from her.
This would have had me crucified on tumblr 10 years ago but maybe we are ready for this conversation now:
If you are a socially anxious person, you have to socialize. Your panic/anxiety attacks will only get worse and trigger more frequently if you constantly avoid contact with The Public. Not saying that you need to be a social butterfly- but there is a genuine problem with not being able to order your own meal at a restaurant. And it cannot be solved by always having someone else do it for you.
This is a PSA to about 3/4s of the Portland Youth populace
In the past fifty years, fantasy’s greatest sin might be its creation of a bland, invariant, faux-Medieval European backdrop. The problem isn’t that every fantasy novel is set in the same place: pick a given book, and it probably deviates somehow. The problem is that the texture of this place gets everywhere.
What’s texture, specifically? Exactly what Elliot says: material culture. Social space. The textiles people use, the jobs they perform, the crops they harvest, the seasons they expect, even the way they construct their names. Fantasy writing doesn’t usually care much about these details, because it doesn’t usually care much about the little people – laborers, full-time mothers, sharecroppers, so on. (The last two books of Earthsea represent LeGuin’s remarkable attack on this tendency in her own writing.) So the fantasy writer defaults – fills in the tough details with the easiest available solution, and moves back to the world-saving, vengeance-seeking, intrigue-knotting narrative. Availability heuristics kick in, and we get another world of feudal serfs hunting deer and eating grains, of Western name constructions and Western social assumptions. (Husband and wife is not the universal historical norm for family structure, for instance.)
Defaulting is the root of a great many evils. Defaulting happens when we don’t think too much about something we write – a character description, a gender dynamic, a textile on display, the weave of the rug. Absent much thought, automaticity, the brain’s subsconscious autopilot, invokes the easiest available prototype – in the case of a gender dynamic, dad will read the paper, and mom will cut the protagonist’s hair. Or, in the case of worldbuilding, we default to the bland fantasy backdrop we know, and thereby reinforce it. It’s not done out of malice, but it’s still done.
The only way to fight this is by thinking about the little stuff. So: I was quite wrong. You do need to worldbuild pretty hard. Worldbuild against the grain, and worldbuild to challenge. Think about the little stuff. You don’t need to position every rain shadow and align every tectonic plate before you start your short story. But you do need to build a base of historical information that disrupts and overturns your implicit assumptions about how societies ‘ordinarily’ work, what they ‘ordinarily’ eat, who they ‘ordinarily’ sleep with. Remember that your slice of life experience is deeply atypical and selective, filtered through a particular culture with particular norms. If you stick to your easy automatic tendencies, you’ll produce sexist, racist writing – because our culture still has sexist, racist tendencies, tendencies we internalize, tendencies we can now even measure and quantify in a laboratory. And you’ll produce narrow writing, writing that generalizes a particular historical moment, its flavors and tongues, to a fantasy world that should be much broader and more varied. Don’t assume that the world you see around you, its structures and systems, is inevitable.
We... need worldbuilding by Seth Dickinson
been stewing on an analytical approach to fiction which I call "is this book afraid of me?" and in order to answer this question you determine how hard the book is trying to make sure you don't come after the writer on twitter
Tags via @deadpanwalking, editor and ass-kicker extraordinaire
yeah this guy fucking gets it
oops! it seems i tripped and dropped several million free books, papers, and other resources
https://annas-archive.org
https://sci-hub.se
https://z-lib.is
https://libgen.is
https://libgen.rs
https://www.pdfdrive.com
https://library.memoryoftheworld.org
https://monoskop.org/Monoskop
https://libcom.org
https://libretexts.org
http://classics.mit.edu
https://librivox.org
https://standardebooks.org
https://www.gutenberg.org
https://core.ac.uk
Headshot
Apparently Target is rethinking being anti DEI because foot traffic in their stores has been declining for like 10 weeks straight and their stock has been dropping in unison and listen, I know a lot of this is probably because consumer spending goes down in general when the economy is unstable (tarrifs, mass federal gov layoffs etc.) but I think we should just keep running boycotts of different brands to convince them that they only make money when they're woke. I know we dunked on rainbow capitalism because it was cornball and performative but I don't even give a shit. These companies shouldn't be able to be openly pro-Trump and expect us to ignore it. They should not be allowed to bend the knee to racist, xenophobic, homophobic, transphobic, abelist, generally bigoted culture war bullshit without taking a hit to their bottom line. These billionaire dipshits wanted unfettered capitalism with a madman at the helm and they should not be allowed to enable that without feeling some of the hurt along with the rest of us. Make these corporate assholes think money is stored in the woke
So, let me guess– you just started a new book, right? And you’re stumped. You have no idea how much an AK47 goes for nowadays. I get ya, cousin. Tough world we live in. A writer’s gotta know, but them NSA hounds are after ya 24/7. I know, cousin, I know. If there was only a way to find out all of this rather edgy information without getting yourself in trouble…
You’re in luck, cousin. I have just the thing for ya.
It’s called Havocscope. It’s got information and prices for all sorts of edgy information. Ever wondered how much cocaine costs by the gram, or how much a kidney sells for, or (worst of all) how much it costs to hire an assassin?
I got your back, cousin. Just head over to Havocscope.
((PS: In case you’re wondering, Havocscope is a database full of information regarding the criminal underworld. The information you will find there has been taken from newspapers and police reports. It’s perfectly legal, no need to worry about the NSA hounds, cousin ;p))
Want more writerly content? Follow maxkirin.tumblr.com!
Assassins
“Below are selected prices that are paid to professional assassins by criminal organizations and drug cartels for a contract hit.
In Australia, the median price to hire a hit man is $13,610 (9,800 Euros), with the price going up to $83,000 (60,000 Euros) based on the task.
In Mexico, the cost for a low level assassin is $208 (150 Euros), and up to $20,832 (15,000 Euros) for a higher profile target like a police chief.
The prices paid in Argentina are between $3,749 (2,700 Euros) to $5,555 (4,000 Euros) per hit.
Government statistics in Spain state that 40 assassinations take place each year, with prices for the hit ranging between $27 (20 Euros) to $69,000 (50,000 Euros).”
So cheap! I always thought things like this would cost more than $1 million…
This is super useful to know!
and not just for writing!!
@katherine-rose
HOLY FUCK
HOW MANY HOURS HAVE I WASTED TRYING TO FIND HEROIN PRICES ON THE INTERNET WHAT A GREAT DATABASE
I needed this
Actually useful. Sometimes incognito isn’t enough.
and suddenly my life just became much easier
I’ve heard of this before but the GIFs made it better
This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.
e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.
I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.
This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.
And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.
Preserving previous' tags because firelxdykatara also makes excellent additions in them
Basic rules for analysing fiction, an incomprehensive list jotted down in a hurry:
The protagonist isn’t always right
The protagonist isn’t always good
The protagonist isn’t always written to be relatable or likeable
The narrator isn’t always right
The narrator isn’t always good
The narrator isn’t always telling the truth
The narrator isn’t always the author
The protagonist’s moral compass, the narrator’s moral compass and the author’s moral compass are three entirely different things that only occasionally overlap
Pay attention to what characters do and not just what they say
Pay special attention when what the characters do is at odds with what they say
A lot of the time the curtains are blue for a reason. If they aren’t, you should read better books
One more:
12. The antagonist isn’t always telling the truth
It's fanfiction it doesn't have to be perfect it doesn't have to be accurate this is a hobby you're doing this for fun it's okay if it isn't perfect and polished you're doing it for fun [talking to myself in the mirror]
It was a glorious rainy 68 degree day today but it's not gonna last x.x Looking at the forecast I gotta get cracking on trying to keep cool in advance. My power is still to fritzy to use the ac until so tinting is the next best option for now.
Still fighting with UE so this sudden cost is annoying but worth it to not roast indoors.
