Tetsuo Takahara
$LAYYYTER
ojovivo

Kaledo Art

Andulka
Aqua Utopia|海の底で記憶を紡ぐ
Peter Solarz
taylor price
tumblr dot com
will byers stan first human second
RMH
One Nice Bug Per Day
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open

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roma★
todays bird
sheepfilms
trying on a metaphor
NASA
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@constantlyreinventing
Tetsuo Takahara
DECEM-BIRD Day 28-Mute Swan
Magic forest, Jean Mallard
[ID: Beaker from the Muppets brandishing a chainsaw.]
what if data and weyoun met and weyoun saw data paint and watched curiously and then said: my people have no sense of aesthetics. sometimes i wish things were different.
and data said well as i am an android i posess no such sense as well. however i do have excellent ballance. and kept painting. and then data said many art theorists would argue that aesthetics as a concept are actually counterproductive to art, as the pursuit of art should include expressing emotions and evoking sensations in the viewer, and the traditional sense of beauty inhibits this.
and then he kept painting (some sort of surrealist disembodied head floating through a geometric maze of connected rooms) and the next thing he said his voice sounded a little different, quieter: as an android, i have no emotions to express. but before weyoun could reply he turned around and handed him a painbrush and said: perhaps you'd like to try, mr. weyoun?
and then there's a cut. cue A plot. next scene we see weyoun and data paint side by side quietly. close up on weyoun's canvas. it's a writhing dark mass of fuzzy shapes and distorted figures. inside of it you can make out thousand of little faces with their mouths twisted open in fear or screaming, eyes open, closed, some without arms or legs, clutching their injuries. dark fluid streaks down from them to the edge of the canvas, dripping to the floor, like tears or blood. in the background, a mountain of corpses. if you step away from it, the whole composition makes a sillhuete of a founder.
that is most illuminating, said data.
i have titled it "a very cool party together forever with rainbows", weyoun replied proudly
bending time and space to let them hang out
I am a regular guy. I can enter a space. I am a regular guy. I can enter a room. I am a regular guy. I can do that transaction. I am a regular guy. I know how to answer the phone. I am a regular guy. I know what sleep is. I am a regular guy. I know how to wake up. I am a regular guy. I know how to move through space. I am a regular guy. I know what it means to be me.
Leonardo Devito (Italian, 1997) - Camera d'Albergo (Hotel Room) (2024)
you are a regular guy. you can enter a space. you are a regular guy. you can enter a room. you are a regular guy. you can do that transaction. you are a regular guy. you know how to answer the phone. you are a regular guy. you know what sleep is. you are a regular guy. you know how to wake up. you are a regular guy. you know how to move through space. you are a regular guy. you know what it means to be you.
Wani Souma.
I used my friend birthday as an excuse to draw Ankh-Morphork street for their living room ♡
I found lineart while cleaning old folders:
The first leg hair I saw on a woman was my own hair on my own legs. My mum is very naturally hairless and I knew like one woman who didn’t shave her armpits. When people talk about just preferring being shaved and doing it for themselves I do wonder like, how many women with body hair have you ever actually seen? In real life or not? Because I feel like there are places you could go nearly your whole life only seeing your own, and then hardly ever even seeing your own because you’re always shaving it! And it’s just like well yeah of course having no body hair just feels right to you. You have no frame of reference for hairy women outside of like jokes and insults.
This year felt like being awake during surgery
danger approaches 🚨
[ID: An oil painting of a large pigeon shooting laser beams out of its eyes at the ground. End ID]
Sure Nice Ok heres what i think * Mimes the action of falling to my knees and curling inwards and wordlessly stabbing my self in the stomach with a dagger Over and over and over and over and over and over again*
Fred Tomaselli - Untitled (Expulsion), 2000, diptych: leaves, pills, insects, mushrooms, printed paper collage, acrylic and resin on panel, 213.3 x 305.1 cm