Potential new followers should know before hand that this blog is HELLA trans, pro-BLM, anti-racist, pro-vaccination, pro-jewish. Free palestine. Free Ukraine.
Let's not waste each other's time, shall we?
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Kaledo Art
Cosimo Galluzzi

Origami Around

pixel skylines

Kiana Khansmith

Andulka

Product Placement

oozey mess
trying on a metaphor
taylor price
sheepfilms
Keni
we're not kids anymore.
will byers stan first human second
🩵 avery cochrane 🩵
occasionally subtle
he wasn't even looking at me and he found me
d e v o n

★

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@crawthornsharkinson
Potential new followers should know before hand that this blog is HELLA trans, pro-BLM, anti-racist, pro-vaccination, pro-jewish. Free palestine. Free Ukraine.
Let's not waste each other's time, shall we?
Sometimes I want to release my novel for free just for the sake of getting feedback since if I ever get it published I’ll be doing a heavy rewrite on it before I begin pitching but I’m 99% sure people only read free books online if they’re fanfic of some kind. Lauren suggested repackaging it as a Looney Tunes fanfic and that wouldn’t be the HARDEST sell in the world but I still don’t know if that would actually pan out
What is actually about that you would be able to repackage it into Looney Tunes fanfic? 🫣 I'm really so curious now.
Well, you see, it would be easy to incorporate Looney Tunes into my book given that I did a normal thing and wrote a novel inspired by Looney Tunes to the point that I even marathoned old episodes for research. Other inspirations I can cite include The Dresden Files, Welcome to Night Vale, and Rude Tales of Magic.
It’s an urban fantasy comedy about three mid-20s freelancers in the supernatural troubleshooting world. They pick up what they think is going to be an easy case only to find themselves facing off with a chaos god with a penchant for Saturday morning television who curses the main character with cartoon physics. The relatively amateur paranormal gumshoes must now learn how to stop a deity before it plunges their world into never-ending mayhem, all while one of their own is being flattened by falling anvils on the daily.
It’s a short novel, about 53k words, and was written for NaNoWriMo the year our first child was born, so it was largely written under duress on my phone from a rocking chair in the night. It’s the beginning of a planned five-book series that I’ve been working on for five years now and is full of queer and disability representation.
It’s a project I’m incredibly proud of and passionate about, I just haven’t had the time and mental capacity to get back to it and do the rewrites I need to justify beginning the querying process again
It’s also tonally similar at points to how I wrote Target Retales for those of you who remember that project from a decade ago lol
Okay if I upload it for free to a site like Itch or Gumroad would you download it
Yes and probably read it too
Yes but immediately forget about it
Probably not
Okay SO I did it
The book is now available through Itch and Gumroad
Both are free so pick whichever site is more convenient for you but there are pay what you can options and Itch’s minimum payout is $5 and Gumroad’s is $100 so if you feel like buying me a coffee for the read I’d suggest Itch or I’ll almost certainly never see it
Anyway I’m doing this because I think this version of the book has reached its end and before I move forward with it I’ll be rewriting the majority of it so I feel fine sharing this BUT the core of the book will be the same, same general plot, same concepts, a lot of the same goofs and gags, so if you do take a look and have any thoughts on like if the idea of an urban fantasy meets Looney Tunes book actually works I would love to know!
Reminder that if you’re one of the generous group who downloaded my book and you wind up reading it I’d very much like to hear from you!!!
the anniversary of library paste man’s death is in four days.
One hundred and ten years ago to the day. Amazing. Incredible.
RIP😔🙏📚🍯
We all agree, right?
AI to write your novel is wrong
A bargain with a demon to write your novel is okay
Only if you specify in the contract that the demon can't use chat-GPT
I've been thinking about this - and why asking the demon is also a bad idea
Tartini was a composer and violin teacher and no one respected him, he was generally broke, and he started having weird dreams in which the devil asked him to teach him violin
despite being catholic tartini agreed - although everything told him this was a bad idea
so he taught the devil violin in his dreams and when he had taught him everything he knew the devil offered him payment, he played an original composition in his dream
Tartini woke up weeping and struggled to write it down
we have a historical version of "couldn't remember the greatest song in the world, this is just its tribute", and the song he wrote down made him "Sonata in G Minor, aka the devil's trill" it's usually played by 2 violinists because it's evil difficult,
now imagine you make a deal with the devil to write your novel, he writes it but only lets you read it in a dream and you have to transcribe it from memory the next day.... 150k of the best prose and plot you've ever seen in your life and you have to remember it
chatgpt is evil, but that's just mean
This brings a whole new element to my understanding of Devil Went Down to Georgia
Women in Shakespeare
Also like to point out that when her mother says “I was your mother much upon these years that you are now a maid,” (translation: I had you when I was your age) you have to remember her father’s words: “earth hath swallowed all my hopes but she,” (translation: all the other children died.) The whole plot point of Juliet being an only child is explained by her mother being a Margaret Beaufort type who had her first child too young and it damaged her past the point of being able to bear more children.
Margaret Beaufort died in 1509. She was a major player in the Wars of the Roses, the swirling on-again-off-again civil wars that consumed England from 1455-1487. Romeo and Juliet was written and first performed in the early 1590s. Your average English person of Shakespeare’s day would probably have had at least a vague understanding of who she was and what happened to her, because she was a key figure in recent history and was still getting passed around as a cautionary tale.
There are two great problems with what happened to Margaret (and that her parents are trying to do to Juliet). One is easy for modern people to spot (but was also a common response back in her own day). And that’s the moral implications of what was done to her. She was too young to be married, and it was horrifying that she was forced into it so young. Every one of the adults around her either acted immorally or failed to protect her. They were wrong. This is what modern people see, and it’s important to remember that people back in her day mostly agreed with it. You’re supposed to think it’s fucked up! When girls were married that young (and it didn’t happen often!) it was a formality 99% of the time. It was for dynastic or financial reasons (the girl has lots of money and/or land and/or a title that her husband wants), but the “couple” don’t consummate their marriage for years. And it’s not just that they would have separate bedrooms. They might not even live in the same country until the girl was in her late teens and physically and mentally mature enough to bear and raise kids. Hell, a lot of times they didn’t even meet until the girl was older! They had this thing called “proxy marriage” where you would have two separate ceremonies, in two separate places, with each party saying their vows separately, one in one city and the other in a different one. So, yeah, sure, the girl was technically married at 12, but she didn’t actually meet her “husband” in person until she was 17 and they didn’t start sleeping together until she was 20. That was a thing they did.
The other problem, the one that modern people don’t notice, is dynastic. See, marriage wasn’t generally because you loved someone. It was because you had the resources to support a family, and you or your family wanted to pool those resources with someone. It’s about “our family has these resources, and we want that to continue.” It’s about continuity across generations. It’s about making sure that your children and grandchildren have the best possible resources to survive and thrive, whether those resources are land or a trade or a title or money or whatever. In order for this to work, you have to have kids! The family and the family’s resources depend on the married couple having children. If the couple doesn’t have children, the marriage is a failure. And that failure affects not only the couple, but both families. This is a really big problem. And you can’t have just one kid to pass on the family name, because half of all kids die in early childhood. If you want to be safe, you need several kids, to be sure at least one will survive to adulthood (when they can marry and pass on the family name and resources.
You know what happens when a girl has her first pregnancy too young? She is very likely to either die in childbirth, or have complications that destroy her future fertility. Just like Margaret Beaufort. Just like Juliet’s mother. In other words, the marriage is a failure, not just for her, but also for her family, and her husband (who can’t divorce her, it’s not allowed except in extremely rare circumstances), and her husband’s family. So even the people who didn’t have a moral problem with adult men having sex with pubescent girls had a practical problem with girls married too young because you are very likely to destroy the entire purpose of the marriage by doing it. As Shakespeare reminds us in the play through Juliet’s mother having been married too young and only having one child.
Shakespeare is telling us “yeah, this is fucked up. but even if you’re the kind of awful person who doesn’t think girls marrying too young is morally wrong, it’s also a problem for practical and dynastic reasons, don’t forget that by doing this wrong thing you are very likely to destroy what you most want out of it.”
Interesting
It bears repeating:
don’t forget that by doing this wrong thing you are very likely to destroy what you most want out of it.”
yes, excellent discussion!
another thing i noticed, the year my local community shakespeare theater did r&j, and i made the costumes so i got to watch the show every night: part of why capulet is telling paris, take your time, get to know each other, no rush, is that he still has his nephew tybalt as his heir. as long as tybalt is in the picture, there is no pressure on juliet to go further with paris, than get acquainted. once tybalt is killed, then suddenly capulet needs an heir, he needs a husband for juliet, now, this week. (the role of capulet is best given to the actor in the company that can do over the top apoplexy, you need to believe his urgency comes at least in part by how clearly he could drop dead any moment from giving himself a stroke)
i feel like this play is often taught in middle schools as if it was somehow relevant to, or about, teen hormone storms. really it's got more to do with the social structures around family and inheritance. leaving that context out makes it confusing, why is capulet suddenly flipping from nice dad to evil dad?
art history matters.
I've been thinking about this play a lot lately. I really wanna highlight that Lord Capulet asks Paris to wait and get to know her, and to woo her, while Tybalt lives. While Tybalt is alive, Juliet has something of a reprieve, and her wellbeing as his only child matters more to Capulet. But once Tybalt has died, the gloves come off. Lord Capulet was worried about his daughter's wellbeing when he felt he had the space to care, but as soon as his dynasty is at stake, as soon as this becomes larger than Juliet's happiness, his consideration for her health and mental wellbeing get thrown away. Which also is due in part to the fact that Capulet's family is implicated in a brawl that has left several dead after the Prince's family EXPLICITLY told the Capulets and Montagues to stop fighting or face dire consequences, AND Capulet is trying to align himself with the Prince's family by marrying Juliet off to County Paris, a relative of the Prince. So to Lord Capulet, it is now less important that Juliet is happy, and more important than he reminds the Prince of his loyalty via this marriage and aligns his family with the Prince's before it's too late. And he believes this must be done, at any cost...until Juliet kills herself. And that's when he realises the devastating cost of treating his family as chess pieces. He realises his wrongdoing far too late.
Seriously Romeo and Juliet is HEAVY on the dynastic politics, and I think you can't fully understand the play without understanding how that all works, especially because the impact of dynastic marriages on women and girls is like. THE POINT of the play
Thanks @lostinthewrongfandom
we're for real gonna be telling stories about this man for centuries
yall I feel like I'm floating right now
just saw someone call trans unity an "unobtainable fantasy," getting real sick of the doomerisms yall are hooked on these days
What pisses me off the most is that y'all don't keep this doomerism to yourself, it would be one thing if you just wrote this shit in a diary, but y'all are putting that out there trying to scare young trans people into being divided. spreading the idea that trans unity is an "unobtainable fantasy" only serves to make trans people feel even more alone and desperate than before, during a time where being united will give us strength.
Trans people should be encouraged to find safety and community in one another, and not just with trans people that are "like them."
I think gatekeeping art is such a funny thing like. "Oh so this doodle I just made is art" yes next question. "So video games are art?" yes????? Bitch your essay you wrote on that book you didn't read in English class when you were 10 is art. Painting a fence is art. 2 sentence shitpost on Tumblr is art. Get on my level.
we are NOT bringing 4chan incel terminology to this site, take that "foid" out of your post and go wash your blog out with soap
the memeification of fascism is a proven method of perpetuating and instilling it in other people. Layers of irony will not protect you once you adopt racist, sexist, ableist, transphobic terminology into your lexicon. you'll be acknowledging and nursing the mindsets and connotations borne of those words.
conservatives and fascists are obviously whom i would consider to be a more pressing political enemy but on a personal level the centrists are honestly more repellent to me on just an irrational gut level. i think having zero interest in anything other than maintaining the status quo because it has not inconvenienced you too much is pathetic, but what's worth is how many of them consider this complete disinterest in how the world around them should operate to be a more Mature and Enlightened perspective than those pesky heated people on ~both sides~ who just can't get get over caring about petty squabbles like "who counts as a full person" and "who deserves food, shelter, and water". absolutely repugnant.
ITS DOECHII BITCH MISS D-O-E DON DADA BITCH YOU NOTICE ME!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
🐊🐊🐊🐊🐊
okay, for those interested, here is a full timeline of how we got to Count Binface:
1977: Star Wars is released, featuring, of course, Darth Vader
(Pictured: Darth Vader)
1984: Director Todd Durham releases his Star Wars parody movie, Hyperspace, featuring Darth Vader inspired villain Lord Buckethead.
(Pictured: Hyperspace poster featuring two Jawa-esque aliens flying through space in a shopping trolley.)
1987: Hyperspace is released on video in the UK, under the new title Gremloids.
(Pictured: Gremloids cover in the style of the original Star Wars poster, featuring Lord Buckethead.)
To promote the film, Mike Lee, the owner of the distributing company, ran for parliament as Lord Buckethead. He ran in Margaret Thatcher's constituency, Finchley, in order to get on TV. Lord Buckethead was representing the Gremloids party.
(Pictured: Lord Buckethead on TV with Margaret Thatcher.)
1992: Gremloids is re-released. Lord Buckethead rides again, this time against prime minister John Major in Huntingdon. (Here's a fun fact about Huntingdon: I was born there! :D) 87/92 Buckethead seems to have leaned pretty hard into the space supervillain thing, with campaign promises including 'demolish Birmingham to build a spaceport'.
(Pictured: Lord Buckethead on TV with John Major. Other notable candidates include Screaming Lord Sutch of the Monster Raving Loony Party.)
2017: comedian Jon Harvey, having recently watched Gremloids and learned of Lord Buckethead's candidacy for parliament, decides it's a great bit. He runs against Theresa May in Maidenhead. 2017 Buckethead seems to have a wackier and also more political approach, with campaign promises ranging from nonsense like 'nationalise Adele' to gesturing at actually sensible policies with stuff like 'lower the voting age to 16 and restrict voting after age 80'.
He also made an appearance on Last Week Tonight with John Oliver. As with his previous incarnation, he was a member of the Gremloids party.
(Pictured: Lord Buckethead dabbing on stage with Theresa May.)
2018: Director Todd Durham asserts his legal ownership of Lord Buckethead. Jon Harvey opted not to go to court over Buckethead and handed over the reins. Todd Durham extended an invitation to anyone who wanted to be the 'authorised' Lord Buckethead.
(Pictured: the new Lord Buckethead.)
2019: Lord Buckethead, now played by journalist David Hughes, stood against Boris Johnson in Uxbridge and South Ruislip. He ran for the Monster Raving Loony Party, the UK's pre-existing gag candidate party. He ran with a similarly silly manifesto as the 2017 incarnation, but with a bit less of a political edge. His promises included 'All doorways to be increased by 1 foot (30 cm) in height' and 'Nigel Farage to be sold for parts'.
(Pictured: Lord Buckethead and Count Binface square up.)
Meanwhile, Jon Harvey in his new persona Count Binface, also ran against Boris Johnson. Buckethead and Binface face off! Binface ran as an independent with a manifesto once again blending silly and semi-serious promises such as 'nationalising model railways' and 'giving £1 trillion a week to the NHS'. This was also I believe the debut of his promise to 'move the hand dryer in the men's toilet at Uxbridge's Crown and Treaty pub to a more sensible position'.
(Pictured: Count Binface presenting the offending hand dryer, inconveniently close to both the sink and the urinals.)
He has a point.
2021: Count Binface runs for the position of Mayor of London for the first time, with promises such as 'London to join the European Union'. He notably finished ahead of far right party UKIP.
2023: Count Binface runs in the Uxbridge and South Ruislip by-election following Boris Johnson's resignation. He once again gets more votes than UKIP.
May 2024: Count Binface once again runs to be Mayor of London, debuting his now iconic 'build at least one affordable house' promise. Notably, he finished ahead of far right party Britain First.
(Pictured: Count Binface with Rishi Sunak. Also pictured: Monster Raving Loony Party candidate Sir Archibald Stanton with a ventriloquist's dummy.)
July 2024: Count Binface stands in the general election, running in Richmond and Northallerton against prime minister Rishi Sunak. He debuts his promise to cap the price of 99p flakes at 99p. This is his most successful election to date with 308 votes.
(Pictured: Count Binface with Andy Burnham. Also pictured: independent candidate Robert Pownell, dressed as a fox for his own reasons.)
June 2026: Count Binface stands in the Makerfield by-election against Andy Burnham, (recently) former Mayor of Manchester running for parliament with the intention of standing in the Labour Party leadership contest.
(Pictured: Count Binface on BBC's Newsnight.)
July 2026 (this week): Count Binface announces his intention to run against Nigel Farage in the upcoming Clacton by-election. He is briefly the only other candidate in the race and by the time other candidates announce themselves the narrative of 'Nigel Farage vs Count Binface' has already bedded in. And then it was now, and then I don't know what happened.
omg i can't get a good pic but 901 is playing with her cub on krv rn and it is PRECIOUS
12 minutes of 901 playing with her cub, in case you missed it live!
& thank you twelve22 for posting this to youtube!!
oh here u go
"lock in" is probably one of the most important phrases to enter the public lexicon in the 2020s