I'm pretty sure you couldn't make pinned posts last time I was actually active on this sideblog.
All tags mentioned in this post will be included on the post for ease of use.
Hi! I'm Rain! My main tumblr is @liveandletrain, its a mostly untagged hellhole of cat videos and linguistic things, 99.9% reblogs.
My tags for my original posts are #Rain Rambles, and #Rain Writes Fanfiction, there will occasionally also be DC posts made on my @omegaversebookshelf sideblog, but all of that will also be reblogged here with the tag #DC Omegaverse
I'm on AO3 as CaraLee (where my DC fic, mostly written between 2014-2018, currently is all posted) and the pseud LiveAndLetRain (where my new DC fics will be posted moving forward)
You are welcome to read my old stuff, I'm still proud of most of it, though I have grown and changed and learned a lot since then and absolutely am NOT proud of ALL of it. I have several new WIPs and am planning on rewriting/updating some of my old ones, if you are interested in any of that. (Maybe, someday, the second chapter of Charity Events, Playboy Billionaires, and Other Stressful Things will be posted. Wilder things have happened!)
I frequently describe myself as "an ensemble girlie" and that has not changed since 2015, Batfamily, Justice League, Titans, Young Justice, Flash Fam, Superfam...I love them all equally. Though my knowledge base varies.
I freely admit to not being super familiar with the events of the comics from the past 5-7 years and I don't particularly care, I like what I like and I will continue to enjoy those things. (I have not yet decided if I will watch seasons 3&4 of Young Justice.)
My askbox is open for the most part, including for anons. I love to chit chat, my response times vary wildly.
I do not know any "Dink". If he is in the post I will not reblog it. (If I do it's because I'm dyslexic and didn't notice)
If you put hatred or harassment in my notes I will block you.
“This reminds me of playtime back home,” Diana’s smile is pearly and smudged with blood, and Bruce struggles not to stare.
He won’t point out that she just ripped an alien apart with her bare hands and way too little effort.
He wants to. Anyone would have words faced with gods, but he doesn’t trust his conversation skills.
“Hn.”
“Boy, you’re a chatty one,” Green Lantern is positively insufferable.
He’s whip-smart, dangerously brave, selfless and tactical when needs be, but insufferable all the same, “ Also, cool boomerang.”
Defensive, Bruce grips the gadget a little closer to his hip, “It’s a batarang.” And it was my son’s idea. Of course it’s impressive.
The brunette snorts, Diana chuckling alongside him, both entirely too bright for the gore on their clothes, “Oh yeah, that sounds so much better. But you obviously know how to handle it, I’ll tell you that much,”
inwardly, Bruce frowns. Why would he design a weapon he couldn’t use?
“Yes, your combat skills are impressive! You must do your tribe proud,”
Involuntarily, his head lowers in embarrassment. The cowl feels ten times hotter now, and he wants to snarl at Superman for tugging at the pointy ears. His smile just blinds him too much, that’s all.
Aquaman picks body matter out of his hair, beach sand blonde, sending The Flash a smirk Bruce assumes is teasing.
He can’t quite tell. They’ve known each other for 10 hours, 20 minutes, and 32 seconds, and an odd, familiar energy had settled. “At least you’re not the only nerd in class.”
The Flash is young; Bruce notes the eagerness in his footsteps, the reckless courage, the perseverance to fight for the world and against it;
More than anything, he notices pride sparking a light in his chest.
“Not a nerd!"
"Whatever, speedy,"
"This nerd saved your well-conditioned ass! But anyway, DUDE, – I mean, can we talk about the tech? Just, – I need to know how you designed that utility belt, because holy FUCK, -,”
There’s a full minute of just animated hand gestures, plentiful explanations, queries, and Bruce of course pays attention to all of it.
The Flash, – Barry, as he accidentally revealed five minutes in, too lost in excitable rambling to notice, – stops, frowns,
“Uh, dude? I mean, obviously, the whole,” he gestures to the entirety of Bruce, “Man Bat thing, that rocks, but isn’t it easier to just use your powers?”
Superman’s fingers snap, “I was wondering about that! Why didn’t you?”
But there’s an underlying hint that the man already suspects it; It makes Bruce’s teeth grind anxiously, looking around expectant, curious eyes,
“I don’t have superpowers,” the truth spills in a rush, and Bruce doesn’t take it back in time.
They share stunned looks between them, but sky-blue eyes, peppered with a ring of brown in the left one, those stay on him. He’s uncomfortable with the appreciative gleam.
like dick grayson should not be batman which is why he SHOULD be batman. bruce literally saw this mirror of himself as a kid and took him in to do what no one could do for bruce as a child. it was meant to save dick, to break the cycle but instead it only doomed dick to become him <3
So... I technically drew this 3 years ago but forgot to post it. I think I was going to clean up the end and make a nice recap, but I ran out of steam and then just left it as a wip for years. I got reminded of it because I was talking to a friend about how to draw wheelchairs today.
This covers most of what I view as the most common errors when it comes to drawing characters who use manual wheelchairs. I hope it helps you a lot.
Image description is in alt text, but there is a back up image description under the cut in case that does not work for some reason
[image description: a 4 picture long wheelchair tutorial. the background is white and the text, when it appears, is black and in calibri. each step will be labeled with "Step #" and a description of the drawing next to it, and "text" and then the text that is written to explain it to follow.
Step one text: So, you want to draw a character who uses a manual wheelchair? Awesome! I can't approve more. Drawing characters who use wheelchairs is a bit different than drawing standing characters, because of obvious posing differences. But to start, you need to know what parts of a wheelchair you will draw. So, without further ado, here are 3 wheelchairs!
Step one image: a simplified drawing of a chubby woman sitting in a quickie GPV manual wheelchair and resting her hand on the handrim of one of the wheels. this is labeled "the artist"
step two: next there is a lineart drawing of three wheelchairs. one is a tilite TR series 3. this is an ultralight wheelchair with a bucket seat (the back is lower than the front), a big cushion and a short backrest that kind of contours to the back of the person who would sit in it. the caster wheels (front wheels) are very small and the footrest is just two little metal bars. next image is a quickie GPV. this is also an ultralight wheelchair with a low back, but its caster wheels are slightly larger, the back has regular upholstery (it does not look like it was made to conform to the back of the person who sits there) and the frame is boxier -- there is no bar underneath the seat where the wheels would attach, rather each wheel is attached to the side of the chair. the next wheelchair is an invacare tracer. it is how most people imagine wheelchairs when they hear 'wheelchair'. it has no cushion and it has a high backrest with handles. it has high armrests that would be comfortable to rest your elbows on if you were just sitting. the wheels are not bicycle wheels like the previous two but are rather plastic. it has big footrests and big caster wheels.
text: the wheelchairs on the left are the ultralight, sporty kind. I have one of them (the quickie). the one on the right is a more standard one you might find in hospitals or as the public wheelchair in grocery stores or the mall.
step three: first is text to accompany the tilite. "This wheelchair has a really thick cushion - it's pressure relieving, which you need if you use your chair ufll tiem and especially if you have a spinal cord injury. This wc has the smallest caster (front) wheels. They are hte most handy for turning in small circles." next there is text to accompany the quickie gpv: "This one has the one I use -- it isn't pressure relieving, but is still useful." next is text to accompany the invacare: "this wheelchair has no cushion - you do not want to sit on it for long. This one has the biggest caster wheels - they are useful for not 'tripping' when your front wheel gets caught on an obstacle.”
step four text: like with all complex drawings, you want to break it into simple shapes first. I normally have a box underneath the seat, a rectangle for the backrest, and a trapezoidal thing for hte area from the box to the footrest. these are the most important shapes, because your character will rest on them and they will move with your character.
step four image: the lineart of each wheelchair has been put on reduced opacity, so we can see the square representing the backrest of each seat (the square is the smallest for the tilite and biggest for the invacare), the box for each seat and area underneath it, and the trapezoid for the footrests. the next step labels the images of these simplified shapes as the lineart is removed. "Note the proportions of each set of shapes is not the same - just like how you wouldn't draw all your characters with the same proportions on their faces!"
step 5: we see the same shapes to form the wheelchair, but now with blue circles drawn where the back wheels would be.
text: next shape is the wheels - two circles
step six: next we see the wheels and shapes have been reduced in opacity and the basic structure of everything about each wheelchair: footrests, caster wheels, upholstery details, axles has been drawn on in orange.
text: the next stage is everything else that's structure - front wheels, handlebars, cushions, footrests.
Step seven: we see the lineart on top of the lowered opacity sketch.
text: you can then do detailing like axles, spokes, upholstery, etc and lines
step eight: next we see three drawings of different characters. there is patience, a skinny white woman sitting in a blue invacare wheelchair. kelley, a slightly chubby black woman wearing a stripey dress sitting in a red quickie gpv wheelchair and doing a wheelie while smiling. then luke, a white man with short blond hair wearing khaki pants. he is sitting in a tilite chair.
text: once you get your wheelchair basics, you need to find out which kind your character uses. here are three characters who each use one of the example WCs. patience uses the invacare. she needs one with a better cushion, but circumstance prevents it. Notice the chair is a bit wider than her hips - it's not custom fitted. Also notice she has to turn her elbows out awkwardly to move. the high armrests prevent a smooth push. her wheelchair has big caster wheels and far-back back wheels. it is made for stability and difficult to turn,but also difficult to knock over. Her chair indicates a lack of resources or temporary injury, and is primarily a transport chair
kelley uses a wheelchair like mine - it is fairly sporty, but has a box-y frame underneath. this makes it heaver than if it didn't.she has a mediocre cushion - it protects her, but only some. her back wheels are further underneath her body than Patience's, which makes it possible to do the wheelie (demonstrated here). her wheelchair is supposed to look line one you'd use full time, but it is a little old.
luke has a spinal cord injury. he has a very thick pressure relieving cushion for medical reasons. his chair is also ultralight, with no boxyness under the frame. his chair is the newest and lightest - it indicates his wealth/resources, but also that he needs to use on full time.
step nine: just a drawing of me sitting in my wheelchair holding my hands up to show fingerless wheelchair gloves. we're looking at me from above.
text: when you're choosing what wheelchair to give your character, think of both their disability and their resources and go from there. questions to ask yourself: is it made specifically for them or is it mass-produced or a hand-me-down (if it's custom, the seat will not be too wide or narrow in comparison to their body and their feet will rest on the footplate naturally). do they want more stability (further back back wheels, big caster wheels) or maneuverability (the inverse). do they need a pressure relieving cushion? how long are they using their wheelchair per day? how long have they needed a wheelchair? Do they have health insurance? do they have access to a lot of spending money? How much can they spend on their wheelchair? are they athletic etc etc
posing steps:
step one: a sketch of two people standing up. one just shows the outline of a person's body, with legs that are ind of triangle shaped, the other shows a sketched pelvis and rib cage to go along with the bones of the legs and arm. text: step one: Most people have this sketch anatomy they put before drawing their characters for real. I kind of scribble around like on the left, but some people use skeletons on the right.
step two: there are now too sketched pictures of people in wheelchairs. one shows lightly traced human form (arms articulated, curve for a stomach, legs that are kind of triangle shaped and pointing down) sitting in a wheelchair that is just the sketch of footrests and wheels. the other sketch shows the sketch of a body with a circle for hips and an oval for a rib cage and the person doing a wheelie (lifting the front end of the wheelchair off the ground and leaning back). their wheelchair is also sketched out and defined by a circle for their wheels and 2 lines, 1 of the seat and 1 for the backrest. text: you need one of those for your wheelchair character. important: they should have both the person's main anatomy features (Usually upper body and at least hips) and the wheelchair's. for me, these are the back wheels, footrest, and seat. why simplify to just those features? Take a look at this incredibly quickly drawn wheelchair.
step three: there is a lineart drawing of a manual wheelchair with slightly cambered (angled towards the seat) wheels, a backrest, and a footrest. the frame is light and there are no handlebars. there are labels pointing to different parts of the wheelchair: Backrest, handrims, wheel, axle, seat, footrest, and caster wheels (the ones in front). text: there are a lot of parts, and not all of them are essential to your pose. trying to draw the whole thing straight out of the gate will frustrate you.'
step four text: take a character in heavy armor: if you draw her pose without taking her armor into account, her armor will clip through her body. if you draw a wheelchair using character without keeping her wheelchair in mind from the beginning, the pose won't make sense.
step four image: next we see two lineart drawings of different characters. one is a bulky woman wearing plate armor. her hand is on her hip and she is trying to scratch her back with the other hand. there is the label "shoudlerpad clips through face" and "thumb clips through chestplate." the next drawing shows a woman in a wheelchair with one foot rested on her knee and her arms rested back, such that they would be rested on the back of a regular chair, but the back of her wheelchair is not wide enough for them to actually be resting on anything. the text here reads "elbows not resting on anything" and "foot not on footplate"
step five: there are two images, one is lineart on top of a 3d modelled apartment with sketchup, the other is a colored in version of that lineart with the background also colored in and no longer a 3d modelled screencap two characters, one old woman wearing a green jacket and one younger woman wearing a white shirt and blue undershirt, are sitting on a couch. the old woman is leaning forward and the young woman is resting her arm on the couch. behind the young woman is a bookshelf.
step five text: you may say you'll just draw the chair first and then the person, but while that works for regular furniture, it doesn't work as well for most manual wcs. take this comic panel with characters on a couch for example - I 3d modeled the room and then drew the characters on the furniture. it works because you don't move furniture in most poses - you rest on it. but your wheelchair needs to move with you, especially if it's an ultralight one.
step six image: there is a flat color drawing of barbara gordon in her wheelchair. she is wearing a black sportsbra and black shorts. in the first image we see she is doing tricks in her chair, zooming through the air (as if she has just launched herself off the ground in a skater park or somethign) while her left hand is resting on a structure and her right hand is heading towards the right handrim. the next image shows her right hand planted on the ground and her chair and body above her, such that she is briefly doing a one-handed handstand, but the motion line indicates that she is moving and this will not last. her left arm is near the handrim of her left wheel.
text: take exercise Oracle - she is doing tricks. Her WC is an extension of her body. That is crucial to getting natural looking manual wheelchair users after posing.
step seven: we see a lineart drawing of paula from young justice. she is sitting in a standard manual wheelchair with high armrests (goes up to the bottom of her ribs probably) and a high backrest (goes up to just below her shoulderblades). she is setting her hand on the armrest, leaning forward, and holding her other hand out.
text: of course, there are exceptions - if you have a clunky WC, it is harder to move with your body. Take Paula from young Justice - here, i drew her resting her hand on her armrest, because she has a clunker wheelchair. her pose is already mostly static - she's sitting down - and she poses around that.
When I was a kid, maybe 14 or so (which is, you know, 20+ years ago), I belonged to a Yahoo! mailing list for an anime called Gundam Wing. It was mostly populated by other teens, of varying ages, as it was started by a teen and her friends. Eventually it migrated, when Yahoo! groups started as forums, and even branched off into non-GW related stuff in a second forum.
One of the things I remember the most clearly is the oldest person in the group. Her name was Steelsong. She was a 40-something Dom with a sub whose name we knew even though we knew nothing else. She ran her own fanfic archive because the web was still handmade HTML and navigated in webrings and I’m pretty sure Google didn’t exist or was only barely, barely launched and not well known. She was kind and patient and we loved her. She treated everyone on the group with the respect given any adult, even though most of the rest of the world was still treating us like we were children. Not teenagers even, but children. She never once condescended to any of us, never made our youth a barrier to her respect, never treated us like we were incapable of being full people or like we were less than her because we were young.
I remember that she hosted our fanfiction, as absolutely terrible as it was (and I still have some of it, I am WELL aware of how cringingly terrible it is, just absolute nonsense garbage), right there alongside of other fic that was soul-achingly beautiful. Not a separate section for her friends or for kids, just right there like we were good enough to feature alongside other authors. I never once received crit from her that I didn’t ask for, only support. Only love. I am still writing today partly because Steel was so kind about our fic, fanfic and original.
I remember that when I started doing clay sculpture, she commissioned a tiny pair of dragons from me, to support me doing artwork. She sent a check my mom cashed for me, and my mom helped me mail it when it was finished. It broke in transit, and Steel assured me that she mended it and that it was still beautiful. It was a small gold dragon curled up with a small silver dragon.
I remember that her patience knew no bounds. I remember that she was there for us, regardless of reason. When we wanted to know silly things like what to do with a single AA battery, she answered. When we had serious questions about sex, she answered. When we had questions about writing, she taught us. When one of our group members, a young gay teen in Australia, ended up in the hospital and then stopped making posts, and we all knew what had happened, she let us talk to her about it because we couldn’t go to our own parents, even though we had just lost a friend.
She was not a replacement to my parents, but she was an extra parent, in some ways. A friend, certainly, but someone that had been through more life than we had and was willing to pass on knowledge if we asked for it. Someone older that we trusted with things that were too uncomfortable to go to our parents or teachers or whatever about, because we already knew she wasn’t going to judge us or something, and that we would get an honest answer.
I don’t know why I’m remembering this so hard tonight, and I’m not sure if there’s a point to sharing this, except that I know she’s gone now. She was ill the last time we spoke, and her site went down a long time ago, and I miss her. She was a huge influence on my life, then and now. She was hope, for me, that life as an adult didn’t have to be boring, it wouldn’t have to mean giving up the things I loved and Becoming Only Responsible With No Fun. Her presence meant I had hope I could still write and play with friends even when I wasn’t ‘a kid’ anymore. And she’s gone, and I miss her, and I wanted to share her from the perspective of youth, and the perspective over twenty years later has provided me.
And I think of her, when people go off about older folks being in fandom with younger folks. I’m an older folks now, or at least middle aged folks because there are certainly folks older than me still, but I wasn’t always. I’ve been here since i was a younger folks, and I know how much Steel’s presence and support meant to me, how much she helped not just me but everyone on that group. And I think of the people saying older folks don’t belong in fandom, and that they shouldn’t interact with younger folks at all, and I just think… I can’t agree. I needed that kind of solid presence in my life back then and even at the age I am now, I need the folks older than me to stay. I want them here.
So I guess, like, if you’re here and you’re 40 or 50 or 60 or 70 or 80 or whatever, I want you here in fandom with me, still. Your presence here is a comfort. It is hope. It is a reminder that life will continue to be fun, even as I get older, myself. And if you’re younger and you have this sort of elder in your groups, I hope that they are like Steel. I hope they are kind and patient and supportive, and that knowing them gives you hope for your own future. I hope in twenty years you look back and remember them fondly.
