twentysomething. @demonic_caffeination on AO3. this is a sideblog! i follow back from @json-derulo. terfs, cops, and nazis will be blocked on sight. everyone else, welcome! 💖
i have a vision and no art skills with which to execute it but imagine the jake gylenhaal ferret gif with drayton slinging around a dratini like a wet noodle
There is no drug on earth that can replicate the absolute euphoria of hitting a writing flow state at 2:00 AM. You aren’t even typing anymore. You are a vessel. You are a channel for the gods. The characters are speaking directly into your brain and you’re just the stenographer trying to keep up. You feel like you could fight a bear. You feel like you invented the alphabet
what they don’t tell you about being a writer is that returning to a long fic you haven’t touched in a while means rereading 50k words first because you don’t actually remember your own fics that well
this is meant positively by the way. sometimes you love the character so much you end up putting a piece of yourself in it to learn how it is to love yourself without realising and thats ok.
i can't do secret hidden lore or leave things up to imagination because i like showing people things too much . i'm like check it out do you like my story here's every single thing that has ever happened in it . i'm too excited for tacit implications i like to show off my characters like someone shows off their pet kitty that they put a cute hat on
ao3 comments will be like “i like this line of your fic” and my reply will be like “fantastic thank you here’s my entire thought process about how i ended up with that particular line and also an outline for another fic i have and fifteen resources i used to research 1980s politics” and nobody asked for that chill
Definitely asked for that, and also here’s the other three dozen lines from your fic that I liked and the outline for the fic they inspired me to write plus some extra character meta that at this point is only tangentially related to your fic but was definitely inspired by those 1980s politics resources and -
Fic Commenters: If you ever want to make a comment going on depth about a part of a fic that stood out to you, but think “does the author really want to read all this?” The answer is YES! YES WE DO WANT TO READ ALL THAT!!!!
Fic authors: If you ever see a comment that makes you want to explain your thought process behind your writing, and you think “does the commenter really want to read all this?” The answer is YES! YES WE DO WANT TO READ ALL THAT!!!
first you gotta do the build up and then the actual fucking and the fucking is pretty easy but you never know how long the fucking should last, and eventually you're like "okay I'm tired of this" so the characters cum, but you're not done yet because you can't just end it at "he fucking nutted everywhere" you gotta keep going, and the characters have to chat a little or cry or think about how horrible they are or something and then you kinda don't know when to end that either so now you're 2k words in and you might have put too much self hatred and not enough sucking dick. so you wrap it up, and think well it's done now.
or sometimes you have it all perfect in your mind and you knock the whole thing out in 2 to 3 hours.
I love reading fanfics where one character is tagged as jealous, but their partner is unlovable to anyone but them. Like.. calm down, sweetheart, no one wants your man. We're still trying to figure out why you want your man.
We need more women characters who are Male Protagonists. You know. Slightly haggard. She's splashing cold water on her face and gripping the edge of the sink staring in the mirror for a minute. She's coping badly with her deadwife
One of my FAVOURITE ship dynamics to write or read in fics is when two characters are basically already a couple but they just haven't realised it yet. They call each other up at like 3am, they cuddle, they sleep in the same bed, they fall asleep in each other's arms, they hold hands, they practically live together, they talk about having a ~ special connection ~, they just haven't actually kissed or done the do or talked about their feelings yet so they're still both like "but I just don't know if they like me in that way!!"
what if your doppelgänger wasn’t evil it was just a person. what if your doppelgänger wasn’t trying to replace you it was just trying to learn to be a person and you were the best model it had. what if your doppelgänger looked at you with your eyes and said with your voice that it just wanted to be loved. what then.
Peeling off the broken breastplate of a stoic knight who only fights and never speaks, just to realize there’s nothing in there. Not metaphorically—the armor is literally empty. It doesn’t appear to affect him. If the armor stays mostly in the shape of a knight, he just gets back up to keep fighting. But with the chest plate off he just sits there, equally impervious to curiosity as I reach up into the cavity where his body might’ve gone. Stubbornly, no answers are found anywhere in there.
So I forge him a new breastplate and on the inside, because I know he has plenty of room, I put a little pocket. Not big enough to hold anything functional of course. Just a little extra piece to see what he’ll do with it.
He comes back next time with some grievous injury to his nothing, presumably from the massive shredded gash across his thigh plates. He sits and waits. I fix it for him. He is still nothing in there. I decide to add a drawing on the inside, of the type of beast I imagine could rend metal into scraps with a single blow. He puts it back on. He no longer moves as if he is injured.
Over time the interior of the knight becomes decorated with whatever odds and ends I could think to attach to the inside of a guy who’s got room to carry it. What really gets me is that he never removes any of it. Never requests a change. Not even when I installed a curtain rod for a small tapestry, or a bud vase to carry roses for his beloved, or an accordion folder for letters. He didn’t say a word for any of the many, many drawings of mythical beasts that now fight forever inside of his shell.
There are plenty of other forges. I’m not entirely sure why he keeps coming back here anyway. We’re pretty popular, but he could get his armor fixed a lot quicker (and with fewer ridiculous modifications) literally anywhere else. I asked him if I could get a look at his nothing again. He flipped up his visor and nodded his head so I could take a look. It was the same as it had been, filled with drawings and trinkets and weird little fixtures I’d put in there. I asked if he was annoyed by it, or liked it, or felt anything at all, but he literally only ever says nothing, so I’m not sure why I asked.
There’s not much room left in his nothing now. When he comes back for repairs I’ve had to fix my own foolish additions. Some of these pieces are intricate and irritating to repair, but I fix them anyway. It feels wrong to take any of it away from him now, even though I’ve been rudely encroaching on his nothingness to the point where it’s barely even there. How he squeezes his nothing back into a body so full, I’ll never understand. But it’s a game to me now, finding a spot not yet filled and putting something there. A dark part of me wonders if he ever gets filled up completely, if whatever sorcery holds the nothing-knight together may break, and it will all clatter unceremoniously to the floor.
When he hands me his breastplate yet again, it is so shockingly disfigured that I wonder if being made of nothing has somehow kept him alive. No ordinary knight could sustain such injuries. So I fix it. And he waits, unmoving, in a quiet corner of the forge. It’s like he’s watching, even though I know the reading glasses I put inside his helmet were just for fun. I’m careful to put it all back exactly the way it was when he last left. There’s no room to add more this time.
He examines the breastplate, and pauses before putting it back on, like he’s looking for something. Is he worried about the fit? But it suits him just as it always did. He calmly points to a little space, about an inch, between a miniature shelf and one of many pockets. There’s nothing there. I ask him what’s wrong, and again he points. It’s the most emotion I’ve ever seen from him, and it’s barely anything at all. I take it to mean he wants something there.
I spend some time engraving a little snail in the gap. He watches, as much as nothing can watch. When I’m finished he holds the breastplate, but he doesn’t put it on right away. I ask him if something’s still wrong. He says nothing, and puts it on. I tell him I can’t add anything else. Even if he could ask, there’s no room left.
Next time he comes back, there’s nothing wrong with his armor—he lets me check to make sure. I ask him what he’s doing here. Out from one of many pockets, he retrieves a tiny rusted knife. It’s in miserable condition, barely worth saving. I tell him I could make him a nice new one, but I’ll fix it if he likes. He puts it away and reaches around to find something else, a needle and thread. Better condition, but I’m not a sewist and I tell him as much. He puts them away. He then retrieves a little twisted piece of wax paper. I open it. It’s candy. I ask if I can eat it. He says nothing. I eat it. It’s flavored with cinnamon. I’m surprised he let me take it.
He keeps bringing me candy now. His armor is the most laborious to repair out of every client my forge serves, but it’s my own fault so I can’t complain. Sometimes he keeps me company while I work. I wonder if he is trying to tell me something when he hands me mints. I wonder again at the lemon lozenges. He stares at me when I eat, as much as nothing can stare.
One day he brings me a little jar of honey. I thank him, I tell him I’ll save it for dinner. He watches me work, he puts his repaired armor back on, and he stays. My shift passes slowly, and when I finally pack up to leave it’s dark outside. He follows me out of the forge. I ask him where he’s going. He points to the jar in my hand. I ask him if he wants to watch me eat it. He says nothing, but the nothing-knight clearly wants something, so I open the lid and dunk my finger in the honey. I try not to get any on my chin. He stands there, inches away, watching me try to consume this jar of honey without a utensil. It tastes like clovers. About half the jar is left when I’ve finally had enough of pretending to be a bear, but he doesn’t move to leave.
I ask if he’s going to follow me home. He says nothing. I tell him he can if he wants to. Again, nothing. I start walking, and he follows at my side. I know he’s not going to say anything ever, so I fill the silence. I tell him I’m grateful for the sweets, I tell him about how his various components are made, I tell him I’ve never met anyone made of nothing before. I tell him it’s a rare opportunity for a smith to work so much on the inside of something. He says nothing. I tell him again how much I like the candy.
It occurs to me that maybe filling me with sugar is as close as he can get to filling someone else’s empty armor with trinkets. I’m not sure if that’s really why he does it. I tell him I don’t have room to be filled with anything on the inside, not like him. I’m not a container for much besides food. He offers me another piece of candy. Maybe he likes containing something, the way I like to feel full. Maybe it’s nothing at all.
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I didn’t edit this even a little bit. Thanks for reading!
