Writer's blog

extrastellar on AO3. Icon credit goes to wickedends. Main @starcrossedsomething

[bardofavon]

not to be controversial bc I know this is like…not in line with shifting opinions on fanfic comment culture but if there’s a glaring typo in my work I will NOT be offended by pointing it out. if ao3 fucks up the formatting…I will also not be offended by having this pointed out…

‘looking forward to the next update’ and ‘I hope you update soon!’ are different vibes than a demand, and should be read in good faith because a reader is finding their way to tell you how much they love it. I will not be mad at this.

‘I don’t usually like this ship but this fic made me feel something’ is also incredibly high praise. I’m not going to get mad at this.

even ‘I love this fic but I’m curious about why you made [x] choice’ is just another way a reader is engaging in and putting thought into your work.

I just feel like a lot of authors take any comment that’s not perfectly articulated glowing praise in the exact manner they’re hoping to receive it in bad faith.

fic engagement has been dropping across the board over the last several years, and yes it’s frustrating but it isn’t as though I can’t see how it happens. comment anxiety can be a real thing. the last thing anyone wants to do is offend an author they love, and that means sometimes people default to silence.

idk where I’m going with this I guess aside from saying unless a comment is outright attacking me I’m never going to get mad at it, and I think a lot of authors should feel the same way. ESPECIALLY TYPOS PLZ GOD POINT OUT MY TYPOS.

[extrastellarly]

Last Draft Challenge

Rules: In a new post, show the last three lines you wrote or last thing you drew, and tag as many people as you feel like.

Wurde doppelt getaggt von @adac-offiziell und @nixisimlotaufmboot ihr süßmäuse 😗

Anyway, here goes nothing:

Robert denkt an dieses Boot, das er beim Auslaufen noch als Ammenschiff bezeichnet hat. An die Besatzung, die ruppigen, gewieften Jungs von der Straße, die wie Kanalratten unerbittlicher ums Überleben kämpfen als jeder sich einen grauen Wolf schimpfende Offizier.

Tagging whoever feels like it <333

[luna-azzurra]

Tips for Writing Injuries

✧ Broken ribs suck. You don’t just “walk it off.” Breathing hurts. Laughing hurts. Existing hurts. Characters with rib injuries won’t be doing heroic sprints.

✧ Concussions aren’t instant naps. Dazed vision, nausea, dizziness, maybe even personality changes, but they’re not going to collapse neatly like in the movies.

✧ Blood loss is sneaky. It’s not just about dramatic pools of blood. It’s dizziness, confusion, and the body getting cold as circulation tanks.

✧ Adrenaline lies. Someone can take a serious injury and not feel it until the fight’s over. That “I didn’t realize I was bleeding until later” trope? Very real.

✧ Twisted ankles are brutal. One bad step and suddenly running is off the table. Even walking hurts like hell. Perfect way to ground a chase scene.

✧ Burns linger. Even small burns hurt more than most people expect. Blisters, infection risk, constant pain, it’s not just a cool scar later.

✧ Dislocated shoulders = useless arm. Characters can’t keep swinging a sword or firing a gun. They’re basically fighting one-armed until it’s fixed.

✧ Shock is a thing. Pale skin, trembling, rapid heartbeat, and eventually disorientation. A character might not even realize how bad their wound is.

✧ Stitches aren’t magic. Getting sewn up is painful and recovery takes time. They’re not instantly battle-ready after a needle and thread.

✧ Scars tell stories. Some fade, some don’t. Some stay sensitive forever. Don’t forget the aftermath when the wound becomes part of the character.

[luna-azzurra]

FACIAL MICRO EXPRESSIONS FOR WRITERS <3

[mxrderscenes]

writing is so funny because i could write nonstop for 9hrs and then hit a block where im like "how do i transition between this moment and the next?" and then i just dont touch it for 6 months

[luna-azzurra]

Quick tips for writing Sleep Deprivation 

☽ Memory becomes absolute garbage. Like “why am I in the kitchen?” garbage. “What was I saying?” garbage. Their brain is running on buffering screens and regret.

☽ Fine motor skills? Ha. They’re dropping everything. Pens. Phones. Entire moral compass. They’re basically a malfunctioning claw machine.

☽ Hallucinations creep in. That jacket on the chair? Suddenly a person. That noise? Definitely doom. Everything becomes mildly haunted.

☽ Time gets weird. Five minutes feel like a year. A full hour disappears and they swear they blinked wrong.

☽ Irritation skyrockets. They get mad at chairs. At air. At gravity. At the audacity of other humans continuing to exist.

☽ Their voice sounds weird. Slow, scratchy, like they swallowed sand.

☽ They walk like a drunk baby giraffe. Walls suddenly jump closer. Floors rise unexpectedly. Coordination said: “I’m out.”

☽ Zoning out becomes a hobby. They stare at random objects like they’re trying to understand quantum mechanics.

☽ Vision blurs in and out. Like someone smeared Vaseline over their eyeballs out of spite.

☽ Their body just hurts. Not a dramatic pain, just the “why does my skeleton feel like it’s buzzing?” pain.

☽ Food cravings go feral. They’d fight someone for a stale cookie.

☽ Terrible choices. They will absolutely say “I’m fine” while making decisions that end in disaster.

☽ Random emotional implosions. Crying because their sock feels wrong? Yes.

☽ Cold hands. Cold feet. Cold heart. (Okay maybe not the last one, but it feels like it.)

[nondelphic]

"just write a little every day" ok but what if i write nothing for 3 weeks and then suddenly type like i’m being hunted by god

[extrastellarly]

An Archive of Our Own, a project of the Organization for Transformative Works

Rating: General

Fandom: Tatort Stuttgart

Relationships: Sebastian Bootz/Thorsten Lannert

Characters: Sebastian Bootz, Thorsten Lannert, Henri Bootz

Additional Tags: LGBTQ Themes, Trans Female Character, Family Dynamics, Domestic Fluff, Coming Out, POV Thorsten Lannert, Misunderstandings, Background Case

Word Count: 2.814

Summary:

Thorsten bemerkt, dass Sebastian nur noch von seiner Tochter spricht und dass der Name Henri nicht mehr fällt. Aber als er Sebastian darauf anspricht, rückt dieser nicht so ganz mit der Sprache raus.

Was hat es damit auf sich?

[starpains]

on “the blond,” “the older man,” and other crimes against third-person limited

You know that thing where a story is written in tight third person limited — we’re meant to be inside someone’s head, seeing the world through their thoughts — and then suddenly the narration says “the blond frowned” or “the shorter woman sighed” about a person the POV character knows really well?

That’s called antonomasia — using a descriptive label instead of a name. And it’s fine when we’re talking about strangers: “the cashier handed her the receipt,” “the tall guy blocked the door.” The POV character doesn’t know their names, and we just need a quick way to tell people apart.

But the moment it’s used for someone the POV character already knows, it breaks immersion. Because that’s not how our minds work. We don’t think “the older man smiled at me.” We think “Mark smiled.” Or maybe “my boss” if that relationship matters in the moment.

Third person limited means the narration sits inside someone’s perception. Their inner monologue is the story’s voice. So when you switch from “Mark smiled” to “the blond smiled,” you’ve pulled the camera away from their mind and turned it into an outside shot.

If you want to create distance or irritation, you can do it on purpose —

“The idiot from accounting emailed again.”

That’s character voice. That’s judgment. That works.

But otherwise?

As soon as your POV character knows someone’s name, use it. While we do tend to worry about repetitions, names rarely register as such to the readers.

If you need variety for rhythm, use relational or emotional identifiers that make sense in their head: her friend, his partner, their teacher, the person they loved.

Because inside someone’s thoughts, there are no “blonds” or “brunettes.”

There are only people they know.

[striving-artist]

Ohhh bless you for saying it in a clearer way than I’ve managed, OP. I called them opinionated descriptors to a friend, and it took an age to clarify myself.

[extrastellarly]

An Archive of Our Own, a project of the Organization for Transformative Works

Rating: Explicit

Fandom: Das Boot (2018)

Relationships: Karl Tennstedt/Klaus Hoffmann

Characters: Karl Tennstedt, Klaus Hoffmann

Additional Tags: Canon Divergence, Karl Tennstedt Lives, Established Relationship, Nightmares, Panic Attacks, Emotional Hurt/Comfort, Unhealthy Coping Mechanisms, Implied/Referenced Drug Addiction, Anal Sex, Rough Sex, Naked Cuddling, Hopeful Ending

Word Count: 2.967

Summary: Die Albträume sind schlimmer geworden, seitdem er das Pervitin abgesetzt hat.

[extrastellarly]

An Archive of Our Own, a project of the Organization for Transformative Works

Fandom: Das Boot (2018)

Rating: Mature

Relationships: Karl Tennstedt/Klaus Hoffmann

Characters: Karl Tennstedt, Klaus Hoffmann, Minor Characters

Additional Tags: Canon Compliant, Period-Typical Homophobia, Skinny Dipping, Accidental Voyeurism, Body Worship, Unresolved Sexual Tension, Fantasizing

Word Count: 1.524

Summary: Baden, ein tatsächlicher Sprung ins Meer und kein notdürftiges Abreiben mit einem nassen Lappen, ist ein Privileg für U-Boot Fahrer, selbst die Offiziere. Wie alles in der Kriegsmarine ist auch das streng geregelt: Kommandant, 1WO, 2WO und LI dürfen nicht gleichzeitig ins Wasser – im Falle eines Feindangriffs.

So kommt es, dass Klaus Hoffmann auf der Brücke steht und Karl Tennstedt beim Baden zusieht.

[dedalvs]

An Archive of Our Own, a project of the Organization for Transformative Works

Here's the full dialogue we translated for the 2025 Superman film.

And, yes. The translation is accurate.

[frownyalfred]

Tips for writing those gala scenes, from someone who goes to them occasionally:

Generally you unbutton and re-button a suit coat when you sit down and stand up.

You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.

When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.

A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)

Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)

The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.

Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.

Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.

[iphysalian]

Small fantasy worldbuilding elements you might want to think about:

A currency that isn’t gold-standard/having gold be as valuable as tin

A currency that runs entirely on a perishable resource, like cocoa beans

A clock that isn’t 24-hours

More or less than four seasons/seasons other than the ones we know

Fantastical weather patterns like irregular cloud formations, iridescent rain

Multiple moons/no moon

Planetary rings

A northern lights effect, but near the equator

Roads that aren’t brown or grey/black, like San Juan’s blue bricks

Jewelry beyond precious gems and metals

Marriage signifiers other than wedding bands

The husband taking the wife's name / newlyweds inventing a new surname upon marriage

No concept of virginity or bastardry

More than 2 genders/no concept of gender

Monotheism, but not creationism

Gods that don’t look like people

Domesticated pets that aren’t re-skinned dogs and cats

Some normalized supernatural element that has nothing to do with the plot

Magical communication that isn’t Fantasy Zoom

“Books” that aren’t bound or scrolls

A nonverbal means of communicating, like sign language

A race of people who are obligate carnivores/ vegetarians/ vegans/ pescatarians (not religious, biological imperative)

I’ve done about half of these myself in one WIP or another and a little detail here or there goes a long way in reminding the audience that this isn’t Kansas anymore.

[roboticnebula]

Pros of re-reading your own fic

a good time;

Has exactly the tropes you like and the characterization you want to read;

Gratification: yes you did finish a thing and yes you did do good;

just a very fun time all around.

Cons of re-reading your own fic:

Is that another TYpO

[sicksadlitbackup]

The most frustrating experience as a writer is having a clear vision in your mind of the story you want to tell but being too afraid to put pen to paper for fear of failing to do the story justice. I’m so scared that my actual execution will fail to meet my expectations that I’m paralysed to even start.

[prophetic-writer]

You cannot fail to do the story justice more than if you never write it!

I spent so many years feeling this way and now I look back on it and I'm so glad I finally broke through that mindset because even if its the worst iteration of this story that could ever be produced, it's the ONLY iteration of the story that's ever been produced.

[out-of-jams]

REVERSE TROPE WRITING PROMPTS

Too many beds

Accidentally kidnapping a mafia boss

Really nice guy who hates only you

Academic rivals except it’s two teachers who compete to have the best class

Divorce of convenience

Too much communication

True hate’s kiss (only kissing your enemy can break a curse)

Dating your enemy’s sibling

Lovers to enemies

Hate at first sight

Love triangle where the two love interests get together instead

Fake amnesia

Soulmates who are fated to kill each other

Strangers to enemies

Instead of fake dating, everyone is convinced that you aren’t actually dating

Too hot to cuddle

Love interest CEO is a himbo/bimbo who runs their company into the ground

Nursing home au