Drawn for a discord stream, bc none of my friends knew what the G in GGandalf stood for. You know it as “Gangsta” meanwhile they thought it was “Gucci”
During the "what if" stage, we thought about the role griffins might take. What if griffins and dragons had a mongoose/cobra relationship, and you could use griffins to even the playing field.
my earnest hope for 2025 is that everyone embraces being a little weirder and freakier and less judgmental bc we will all be better off for it like to charge reblog to cast
I'll start by saying that I have played all 3 of the previous games repeatedly, I've loved the series for 15 years, more than half my life. These games inspired me to become a writer and they've shaped a lot of my tastes and interests in shows and writing -- to say they were formative is kind of an understatement. Don't want to go on and on about how much I loved them, that's not the point here.
I didn't care for Veilguard for pretty much all of the reasons people have already discussed at length on Reddit and Tumblr. The writing is comprehensively bad, the romances are easily the worst Bioware has written by pure virtue of having the most cookie-cutter pacing and shallow characterization I've seen across their games, the lore has been shafted in every direction, and the nuanced storytelling and roleplay I came to expect from the series has been taken out back and shot in the head.
All, apparently, in the name of a "clean slate". It seems to me that, rather than familiarizing himself with the existing lore of the game he took the creative reins on, Epler clearly had a vision for Dragon Age (or perhaps a different IP entirely) in his head that he decided to transplant into the game (and possibly Trick? But they've said so little beyond defending their work that I can hardly theorize what direction they were coming from). That being a sanitized, wildly self-contradicting, morally absolute shitshow focused on distancing itself from the previous games as much as possible. Now, I know it's unrealistic to blame one person entirely, and I don't blame him entirely. Corinne was there. Trick was there.
But if it wasn't already evident from the numerous interviews Epler's given on the game as well as his participation in the Q&A's (while the actual lead writer of the game has been completely absent in not just the marketing, but in most fan-related interaction pre and post-launch outside of BSKY), this AMA seems to have confirmed, more than anything else, that Epler doesn't understand the game nor does he understand its audience. Neither does Corinne Busche, who despite being Game Director for only the last two years of development, has been answering lore questions a) like she has any fucking clue and b) like she thinks Dragon Age is a cozy-gamer IP, meant to appeal to people that want uplifting stories with uncontroversial characters, morally upright heroes, and unquestionably evil villains.
So as of today's AMA, I think I've finally had enough. We're just outright retconning the lore in Reddit AMA's now, I guess. Among other things. I'll provide a few examples, just so we're all on the same page.
This was part of Epler's response to why Solas didn't have his cult following in the game (insert "We Kind of Forgot" meme here):
Solas' experience leading the rebellion against the Evanuris turned him against the idea of being a leader. You see it in the memories - the entire experience of being in charge ate at him and, ultimately, convinced him he needed to do this on his own. And his own motivations were very different from the motivations of those who wanted to follow him - he had no real regard for their lives or their goals. So at some point between Trespasser and DATV, he severed that connection with his 'followers' and went back to being a lone wolf.
The fact that this (the not caring bit) directly contradicts the writing in the actual game is absolutely INSANE to me, moreso than the lack of Solas's spy network (which he apparently carried with him for 10 years only to conveniently drop right before the ritual? Because he clearly had them research Rook?). But in regards to the not caring -- here's a line from Solas's memory of killing Mythal in Veilguard, which. I'll get to Mythal in a minute:
Why should I not tear down the Veil, and bring back immortality to all the elven people? They deserve it!
Which is it? Does Solas care about the people he's saving (the venn diagram of people he's saving vs. the people following him is surely a circle, i.e. elves) or not? Does he even care about the spirits trapped behind the Veil anymore or is it just convenient to abandon them and have him only care about elves, now? What happened to saving The People? What happened to him not identifying as an elf in his conversations with a Dalish Inquisitor? And what the absolute fuck happened to him wanting to bring back the magical marvels (that the ancient elves did in fact achieve) that were greater than anything we see in Thedas today? Here's what Epler has to say about elven magic, now:
I do agree that the elves have had their place in the sun at this point. [...] The thing about the Evanuris is that, ultimately, they were able to take a very specific type of magic and shape it into doing what they wanted. But even their understanding of magic was only skin deep [...] Even the magic that Tevinter wields, the magic of the Southern mages, is different from what the Evanuris used. The magic of the Evanuris is powerful but it's sterile, and it's constrained. So while the Evanuris have made magic work in a way that's more predictable and understandable, it's not the only kind of magic out there, and even then, I'd say they understood it at a very surface level. People were confidently describing how the natural world worked back in the 16th century. Very few of them were right.
First of all, Tevinter has been stated in previous games to have clumsily adapted ancient elven magic for their own, but they did adapt it. To the point where even Solas is surprised that Corypheus achieved effective immortality -- by binding himself to a dragon the same way the Evanuris did. So, cool, more contradicting the lore here. "They understood it at a very surface level" you mean when all of the magic of the Fade wasn't locked behind the Veil? You mean when magic flowed freely through the world? What do you mean, Surface Fucking Level? The entire point of the Dalish elf culture is what they lost; this wasn't the ancient elves thinking the sun revolved around the earth, the Veil was their fucking Library of Alexandria burning. Oh my god. I still cannot believe he said this.
And how have the elves had their day in the sun? I'm sorry, was Arlathan not given to... the Veil Jumpers? Instead of the Dalish? What happened to all the Dalish clans in the south, who had no infrastructure when the world was apparently blighted to hell? I guess they're just gone now! They've had their day! The story of the Dalish and the Evanuris is over (also confirmed in this AMA), and it apparently ends with the final snuff of the candle that is their culture. Congratulations, Chantry, you've won! Only took two genocides and a double blight, but we're done with the Dalish now! We get your mind-numbingly superficial factions instead!
What happened to Mythal, by the way? What happened to "She was betrayed as I was betrayed, as the world was betrayed! Mythal clawed and crawled her way through the ages to me, and I will see her avenged!" What happened to the reckoning that will shake the very heavens? John's answer to this:
People grow and change over time. Mythal's essence - and in particular, the fragment of her spirit that Morrigan carries, that she got from Flemeth - is not the same Mythal who he knew millennia ago. Centuries of living in this world and being around the kinds of people Flemeth found herself around - the Hero of Ferelden, Hawke, the Inquisitor - changed her views, and made her realize her own culpability in turning Solas into the kind of person he is now.
Oh, right, okay. So she was pissed for like a thousand years, got her big speech about the impending "reckoning" out 10 years ago, and then she just chilled out because the last 3 heroes were neat people. What a fucking joke. And yes, here is the confirmation that the Evanuris story is over --
The story of the Evanuris is done - the gods are dead (or imprisoned) and Thedas is in a state of flux and uncertainty. I imagine that whatever happens next is going to be a surprise to everyone, including the people of Thedas."
So I guess Mythal's reckoning is never coming. One of the most fascinating characters in the series, shrouded in mystery for those first 3 games, PROMISING US a blaze of glory, only to fizzle out in this one. Again, and I can't emphasize this enough, for Epler's clean fucking slate. And we've not just tied up her story, but also the Veil and the Blight:
When Solas bound himself (or, depending on your ending, was forcibly bound) to the Veil, it severed the connection that the Blight had to the waking world. The reality is that the Veil has been leaking ever since the Magisters first entered the Black City, and the dreams of the Titans gave it its terrible and awesome power. Now that the Veil is fully repaired, the Blight lacks that motive force, and being so close to the epicenter of that change has stripped the Blight in Minrathous of its vitality. It's calcified now - dead - and Bellara/Neve no longer suffer its effects. If they'd been anywhere else, further from that epicenter, it would've likely been different and they still would be looking for a cure.
So the Veil is permanently fixed now because our half-dead Dread Wolf bound himself to it (a decision I still don't understand) and that somehow fixed every single hole ever poked in it. Fully repaired. No more holes, no more "Veil is thin here" because tons of people died in the same spot, nope, we're washing our hands and leaving it (and the spirits) behind us because we've wrapped up both the series-long Veil storyline and the blight storyline in a big red bow.
And Epler tells us Solas not only bound himself to the Veil but fixed it entirely in one fell swoop, no ritual required, just a little slice to the hand. Again, all in the name of a clean slate, so any future installments or media centered around Thedas can turn away from this story.
Then there's this. What we can expect from future installments, I freaking guess. The aforementioned roleplay getting taken out back and shot:
Q: "What lead you to the decision to step away from active conversations with the companions as in previous Bioware games, where you can initiate them at any moment and ask exhaustive questions?"
John: "For us, because of tech limitations, it became a choice between exhaustive investigate conversations, or letting the companions move more freely around the Lighthouse. With the kind of experience we were going for, one where seeing the team grow around you is paramount, we felt that seeing them interact in common spaces (and in each other's rooms) made more sense."
Literally confirmed that they chose companions moving freely about the cabin over ... interacting with them outside the handful of cutscenes we got. Who in their right mind would think this was a good call in a Dragon Age game? A series that quite literally prides itself on complex character interactions and storytelling? So they could... sit in different places? Are you kidding me?
They don't see an issue with the game's reception. They don't have any interest in addressing or responding to criticism. They're either happy with their choices or EA's got a gun pointed at their heads, I'm honestly not sure anymore. I used to believe the latter was true, but looking at both Epler's and Busche's responses today, I'm inclined to believe the former.
So I think that's it for the series. Not that I thought it was going to get another game after this, but on the absolute off chance it did, what would be the point? The best stories were ruined. Anything left they have to tell is going to read a lot like Veilguard -- superficial, morally absolute, flagrantly disrespectful to the lore, and delivered in a very poorly written package.
So I can't stop sharing this after realizing it myself earlier... After Rook tells Emmerich that they're a virgin, during their dinner date, and he clearly processes what is a VERY unexpected fact to him, he tells them that's okay, and you 2 can just take things slowly. :) It's sweet, right? But also... Emmrich... how fast did YOU wanna take things? Because now this man's got me convinced he was SO down bad for Rook, he wasn't gonna waste time NOT hitting it now that they're together. I'm unwell
Okay so I actually really appreciate how ambiguous they left Rook and Emmrich's sexual relationship until the coffin scene in the third act: they wrote it such that the player could headcanon that they had an intimate relationship already leading up to that scene OR it was the first time they slept together, and I think that's AMAZING.
I headcanon that my Rook (not a virgin) and Emmrich slept together for the first time the night of the dinner date, and I think that he planned the night not with the intention of seducing Rook, but with the mindset that if they were interested in moving forward with the sexual aspect of their relationship, the privacy of the Necropolis might be a bit more relaxing that the Lighthouse. It's clear that Emmrich has pulled some strings to have the gardens roped off just for the purpose of their romantic dinner, he goes above and beyond with the meal, they have a very sweet conversation about their feelings and attraction to each other, mention previous dates (or lack of), and the whole thing ends with a fade to black.
... and I'm a romantic degenerate who sighs and stares dreamily into space while twirling my hair at the thought of them making love for the first time on a bed of soft flowers in the garden, illuminated by veilfire as wisps float lazily through the air... but I digress:
Since Emmrich trusts that Rook isn't pursuing him from a place of "charming flattery" I think he takes their new relationship incredibly seriously, and part of that is acknowledging the sexual aspect of it. He strikes me very much an actions over words kind of person (hence the charming flattery remark), and given their circumstances and what they're up against, facing danger, violence and the possibility of death on a daily basis (especially daunting for him), I feel like Emmrich would be very motivated to explore that aspect of the relationship as soon as Rook was comfortable with it.
He's also older, more experienced (even if Rook isn't a virgin), and gives off the vibe that he's extremely comfortable with sex and intimacy based on the banter he has with Davrin. I think he views physical intimacy as yet another way to express his feelings for Rook and show them how much they mean to him. This man isn't sure if they're going to see tomorrow, let alone next week: he's only got so much time to make sure that Rook knows how treasured they are, so that's going to include romantic dates, deep conversations, surprising them with thoughtful gifts, and making love as often as they can get away with it. Regardless of what comes next, he doesn't want Rook to doubt for a second how much they mean to him, but he puts the choice about sex squarely in their hands and will let them ultimately be the one who makes the call as to when they're ready to explore that.
Once their relationship begins, he appears to court Rook quite ardently, with enough enthusiasm that Harding takes notice and points out that he's been mopey and distracted lately, and goes so far as to suggest that perhaps he and Rook are taking things a little fast. Even he's aware that this is moving at quite a pace, and he's clearly worried about how other people will/might perceive that given their respective ages - he probably thinks that people think he's a dirty creepy old man: a besotted fool, but I don't think he could approach Rook any other way even if he tried.
There are no half measures with this man: once he's in, he is IN. He's not fucking playing: this isn't just a casual fling that he expects to end once this evanuris business is over. It's probably why he comes off as a bit guarded and hesitant to engage with Rook's earlier flirtations: he probably puts this amount of care, vulnerability, and passionate authenticity into ALL his romantic relationships, and has probably been hurt in the past because of it.
Anyway, this has become suuuuuper unnecessarily lengthy, but I have so many feelings about this man, and I am indeed unwell too.
Thank you God and also Jesus for giving Emmrich the most rizz of any character in this game. It would have been so easy to make the goth academic fifty-year-old the butt of every 'awkward loser' joke that anyone even slightly to the wrong side of nerdy has ever heard. Instead he's a fucking beacon of game in a sea of thirty somethings with crippling social issues. Neve says 'I love you' like someone is forcing her to do it at gunpoint, Davrin does nothing but hookups because he's decided he's constantly seven seconds away from death, Harding is repressed as fuck, and don't even get me STARTED on Lucanis. My man has cried through every orgasm he's ever had.
Meanwhile Emmrich's making wisps dance for Rook and taking them on romantic cemetery dates and making tender love to them in a COFFIN. He KNOWS Rook is into him and he immediately lets them know it. He's fun and funny because he likes dead things and books a bit too much but he can also look at you from across the room and stroke a finger over his mustache and you KNOW where you'll be sitting at the end of the night. Unambiguously this man fucks. Thank you for my life Sylvia Feketekuty.
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