brother gregor's catch of the day
icyghini twinkie

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Monterey Bay Aquarium

Discoholic đȘ©
he wasn't even looking at me and he found me
will byers stan first human second

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hello vonnie
macklin celebrini has autism
official daine visual archive
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sheepfilms
Claire Keane

titsay

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tumblr dot com
Sade Olutola
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The Bowery Presents

oozey mess

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@gekho
brother gregor's catch of the day
Bro absolutely COOKED with this.
If you ever hear the phrase "fascism is aesthetics as politics," that's what this post is talking about.
It's not about being tough on crime, because the absolute toughest most brutal measure you could take against "crime" as a social problem is to alleviate poverty, and increase access to education, healthcare and social mobility.
It's about performing "tough on crime" as an aesthetic by enacting violence against a prop, i.e. minorities and the impoverished, who are fetishized and objectified to represent "crime." They are brutalized as punishment for crime, but never with the purpose of alleviating the problem of crime.
This is why a lot of conservatives and other right wingers can get straight up angry when you suggest things like reform or social measures to reduce crime. They don't want crime to be reduced, they want an eternal war against "crime" because it provides an arena for the righteous to demonstrate virtue by brutalizing their enemies.
Where's the post about how being an expert or just acutely interested in something, can skew your perception about what is common and not common knowledge.
According to a friend, most people don't know the fried egg jellyfish exists.
There. Now you do.
Love her. Need her. She is everything
studying ancient history & archaeology is awesome because you get to follow citations like a little trail of breadcrumbs đ and when you reach the end you realize everyone else has been playing the worlds worst game of telephone
I would personally love to hear about the dipylon oenochoe!
well, iâm glad you asked! [opens can of worms]
this is my best friend, the dipylon oinochoe. its a beautiful little wine jug from the late geometric period. 22cm tall. you may know it from such hits as âpaper talking about the early greek alphabet,â or âpaper talking about the early greek alphabet,â etc etc. iâve been researching him for a project lately. and i think iâm the only one who understands him now.
anyways itâs one of the oldest longer inscriptions we have from the late 8th/early 7th cent BCE. everyone and their mother wants to translate this little guy. theyâre all reading it and going âoh wow! its got a perfect hexameter at the start! âwhoever of the dancers dances most delicately!â" and then they all go "Wait What Do Those Last Signs Mean.â
there are 24 different interpretations. but thats fine. whatever. beef over the last signs seems normal enough. you see that a lot. personally i think its too broken to really tell for certain (those fractures are a bit unfortunately placed tbh) but i fear i am also just a very skeptical guy when it comes to definitive translations so my take on that should be considered with a grain of salt.
but because im researching this oinochoe, i'm reading all these articles arguing over what it Means and what the Implications Are. and you would think⊠its 2025⊠weâve kinda all agreed âpots arenât peopleâ for several decades⊠surely thereâs an analysis somewhere that focuses Solely On This Potâs Context... idk like trying not to focus solely on its inscription for once???
but no. no, this is too much to ask for apparently. everyoneâs going âwell it must've belonged to a dancer! lets talk about dance competitions and homer and the gymnasium how this is all reflected in this one jug!â someone even dropped this one line theorizing it was âpassed around at a party,â like it has just been consistently assigned as belonging to a dancer you cannot escape this idea. i tried to find any different ideas. i could not.
so iâm stuck here going âWhere Is The Contextâ because it seems to be, uh, Not Discussed Anywhere. every article is citing back towards stephanos koumanoudes (the guy who purchased it in 1880) but they are Also saying âyeah it was found in 1871! source: koumanoudes!â But Heâs Not The Guy That Excavated It, Guys, Where Is It From? nobody is giving me the answer. my favorite one is culhed, he just says âunder obscure circumstances,â which is quite possibly the least helpful way to describe this somehow nebulous provenance. but then culhed offhandedly cites someone else. just in the footnotes, as you do. and that someone is yannis galanakis, my new hero.
now yannis galanakis (2011) does not give a single flying fuck about the dipylon oinochoe. he is here for one thing and one thing only: an unpublished stirrup jar that was bought by a totally different guy. most of his article is just concerned about this stirrup jar, how it was sold with a skull (??), and Who Sold That Skull. but galanakisâ stirrup jar is, coincidentally, from this same excavation in 1871. so in his article, where heâs referencing all these people associated with private excavations northeast of the dipylon gate (around modern-day plateia eleutherias), galanakis casually drops the line âamong the finds associated with these excavations are some of the most important examples of late geometric pottery, like the dipylon oinochoe.â this is 1) more than Literally Everyone Else I Have Been Reading has been saying and 2) PROVIDING PRIMARY SOURCES FOR THIS DIG?
and these sources.... these primary sources have never been mentioned in Any Other Publications re: the dipylon oinochoe??? except MAYBE one from 2013 (couliĂ©) thats in french, apparently only available in print, and the nearest copy is a library 2hrs away from me (so i cant actually verify what she says yet). but every other article about the dipylon oinochoe is basically like âyeah, see powell 1988â -> âyeah, see koumanoudes 1880â -> âi bought this from some guy named ioannes, lolâ and its just created this Massive Echo Chamber where the provenance is "Koumanoudes" and the context is "Dancer." when... we have... two publications... written by people who were actually involved in this private excavation (which to be clear here was very much illegal at some points, but ioannes palaiologos do not care abt the government saying Stop Excavating Please). these two sources are hirschfeld (1872) and rayet (1888).
the provenance that these 1870s/80s accounts are providing isnt Actually That Detailed, but there are parts that line up pretty well (ie, swords/spears/knives being found in the graves, murex on top, several layers of successive tombs) which are Totally Absent from later articles talking about the purpose of this vessel, of its inscription, and of its owner/transcriber (which i dont think can be determined Anyways [cf Arrington 2024, this is just a Normal Take i think] but like whatever i guess Pots Are People Now, according to Powell 1988+Binek 2017+Osborne 2006). i phrased it in my paper and my presentation as âits like this oinochoe been totally disconnected from its contextâ and its to the point where its so egregious that someone will, in one article, drop a reference to galanakisâ research on the excavation of 1871 (where he cites two eyewitness accounts) and not. Not Once have they looked into it.
because if they had. and this is the fucking crazy part ok this is where i Lost My Shit For A Solid Week. there is, in hirschfeld 1872, an identical oinochoe (number 48, page 147 in this journal) with the same damn height (22.5cm; powell 1988 says the dipylon oinochoe is about 23cm) and decoration (a grazing deer) and concentric lines its a goddamn identical piece just judging from the description of it (and hirschfeld very unhelpfully did Not include this jug among his plates). deers grazing arent very common in late geometric pottery, its mostly just the dipylon workshop cranking them out AND theres only a few oinochoe attributed to dipylon workshop so This Is Quite Possibly The Same Vessel (or so i thought, we'll get to that). the one problem is that this vessel is just NOT from dipylon??? its from the old military hospital in athens??? which was built south of the acropolis in 1834??? and they found roman mosaics during that construction??? so this mentioned vessel could actually have been found in the 1830s??? and again nobody has said jack fucking shit about this connection, afaik i am the only one who has ever actually sat down with these Implications all lined up in a row, so i had to try and disprove myself on my own like it was 5d chess. i was the âI Want To Believeâ meme but if it was about the dipylon oinochoe being from somewhere near dipylon.
and i'm digging through as many sources as i possibly can find to prove there's a mysterious second jug that might be from this hospital area (which, granted, was still a funerary space during the geometric period). i went through all of hirschfeld's references to alexander conze's plates showing pottery shapes, but they just ended up also being oinochoe, which made me lose my mind even more. hirschfeld would be like "yeah this deer was in this position from conze taf VII-2" and you go "ok so whats conze taf vii-2 look like? oh my fucking god its a GRAZING ANIMAL AGAIN." at some point i ended up reading a phd dissertation from the national and kapodistrian univerisity of athens to know more about this military hospital?? and then i switched gears and went searching through coldstream 1968âs list of geometric pottery (it might be outdated now, but it was the only thorough source i could find atp) and went through Every Single Oinochoe from the dipylon workshop and almost every single one was totally different. like they just could not be this mystery oinochoe (in which case, I Would Have Some Really Bad News About The Dipylon Oinochoe).
until i found my second best friend. munich CVA 3 taf 112. who literally nobody except me gives a shit about. its taf description is 2 paragraphs long. its the exact same height as these two aforementioned oinochoe. it has the exact same deer grazing motif. fuck it, its even got an unknown provenance because it was acquired from Some Guy Named Paul in 1907 (who also has connections to people like furtwÀngler [most unfortunate last name ever], another guy who wrote about the dipylon oinochoe in 1881). so in my quest to achieve some sort of emotional resolution here i possibly found a sister vessel to the dipylon oinochoe??? and maybe even that jug's provenance. who knows. i dont wanna say anything definitive yet. also if anyone has access to paul julius arndt's personal papers and especially his financial records, hit me up, because where the fuck did he get this identical looking jug.
however. most modern scholarship about the dipylon oinochoe does not care about munich cva 3 taf 112 (and its similarities to the dipylon oinochoe), or the few references to the 1871 excavations at palatia eleutherias several blocks northeast of the dipylon gate (and what little context/descriptions they provide of funerary remains), because they do not care about the dipylon oinochoe. they care about the letters inscribed on it, and they want to debate the meanings of those letters in a self-inflicted vacuum devoid of all other evidence beyond 35 legible signs and 11 fragmentary/illegible ones.
this seems to me to be a futile endeavour, especially seeing as everyone just keeps citing each other as to where the vessel came from & who to look at for more information & cutting it all off at koumanoudes (or, slightly better, galanakis). and i cannot for the life of me fathom why they have all stopped at koumanoudes or galanakis, if they're so desperate to find this concept of a person behind the oinochoe, because they could actually gain some possible insight into that person through the few grave descriptions provided. but they're only citing others who are citing others who are going off of koumanoudes' limited description from an article's addendum in 1880. and i'd argue that this sort of circular discussion strangles any attempt to actually examine the Dipylon oinochoe in a meaningful sense.
Desperate for actual closure on this
Okay so Iâm a writer, not an archaeologist, but for my prior PhD project I spent loads of time working with fragmentology and this shit is EVERYWHERE and so annoying. Itâs also extremely bad with non-tangible fragments like texts and translations?
Because youâll get so many text fragments that are totally divorced from the tangible world! Weâve got snippets of lost books which were preserved as translations in Latin grammars or from being quoted in letters, which means we have no idea how accurate they areâare they paraphrased? Simplified? We cannot tell.
Or youâll get definitive editions of things passed around that have underlying biases. My favorite example of this is the Iliadâmost of our current text comes from an Athenian âstandardizedâ edition that was put out by Athens a thousand years after the events of the war. It emphasized Athens a bit more than necessary.
Or! Or! Some guy in the 1890s will provide a small translation of obscure text! And no one else wants to do it themselves, so for a hundred-odd years itâs the only translation usedâuntil someone looks at the original again, finally, and realizes he censored all the gay sex from it. (Though to be fair these were more often given Latin translations alongside the chaste English ones.)
Context. CONTEXT. people never fucking think about CONTEXT.
Did you know that there are 58 tortillas in space right now and that number dwindles as the hunger of four astronauts grows
got a lovehate relationship with routine and repetition. yes if you put me in a repetitive situation i will start chewing on myself like a caged animal. but also no if you interrupt my self imposed routines i will start crying. this has made me so super good at being in the workforce #trust
My favorite scenes in the LotR books are the ones where Legolas has vital information and just decides it's not important to share.
Like when Gandalf spent literal PAGES trying to figure out why the vibes were off in Moria and Legolas chimes in with just "it's a balrog :) that shit's evil :) we're so fucked :)" like what do you MEAN you knew already and just didn't tell him??
Or at the beginning of Two Towers when Aragorn thinks there's something nearby so he puts his ear to the ground to listen, and then like 10 minutes later is like "hmmm i hear horses" and Legolas is just like "mm yep. there are 105 blond bitches with spears" like you just let your friend put his face in the dirt and you can SEE them??
Legolas please gain a sense of urgency
It's because legolas hasn't spent enough time with non-elves to remember that they don't know what he knows.
gandalf is scratching his head in moria, and legolas is thinking "oh man, the wizard noticed something off *besides* the obvious balrog that we all are aware of??"
"I wonder what aragorn is listening for? must be hard to hear, what with all of the horses. How many horses are there, actually? 1... 2... 3..."
"What do your elvish eyes see?" is Aragorn saying, as politely as possible, "Because the REST OF US are at a significant disadvantage, Prince Dipshit."
you know those studies showing that cursing helps with pain tolerance or whatever. thatâs how i feel about making my weird little noises to get through my basic daily activities. sometimes you just have to go hggblaaaah for a minute so you can find the strength within yourself to get up or wash the dishes or send an email. mmmnneh. urgh. the torments are unending but you can always make some little sounds about it.
Someone mentioned this book in a post about rice cookers, and I found it Dirt Cheap on thriftbook so I had to have it. My mutuals will immediately recognize the multiple soup chapters as part of the reason. And yes, that's the Rodger Ebert you think it is.
Unsurprisingly this book has quotable genius right out of the gate.
This is a little book for people who would like to be able to prepare meals simply and quickly in a very limited amount of space - not even necessarily in a kitchen. I am thinking of you, student in your dorm room. You, solitary writer, artist, musician, potter, plumber, builder, hermit. You, with a corner of your desk or table free. You, parents on tight schedules with kids. You, who are beginning to believe you should pay more attention to breakfast. You, night watchman. You, obsessed computer programmer or weary Web-worker. You, lovers who like to cook together but don't want to put anything in the oven. You, in the witness protection program. You, nutritional wing-nut. You, in a wheelchair. And you, serving in uniform. You, person on a small budget who wants healthy food. You, shut-in. You, recovering campaign worker. You, movie critic at Sundance. You, factory worker sick of frozen meals. You, people in Werner Herzog's documentary about life at the South Pole. You, early riser skipping breakfast. You, teenager home alone. You, rabbi, pastor, priest, monk, nun, waitress, community organizer, nurse, starving actor, taxi driver, long-haul driver. Yes, even you.
Roger Ebert on his Aunt Mary: When she was in the kitchen, she was on automatic. She had two speeds: Cook and Serve. She did not know how to measure salt. "Just throw in about enough, honey," she told me. This was her poetic wisdom about how to estimate the number of potatoes sufficient for a meal:
One potato
For every member of the family.
One potato for the pot.
And one last tater, honey,
For fear of later company.
spent MONTHS looking for this stupid tumblr post bcuz i constantly want to reference it and it wouldn't come up no matter what i searched despite it being (what i thought) was a popular well-known tumblr post only to find that the original blog turned off reblogs and deactivated and that it only got 12k notes total. but im posting it anyway to preserve its legacy
Got into a discussion about emergency response at a professional retreat recently and everyone was going on and on about agility, and I was like, "Okay but what about contingency?"
And they were like "What?"
And I was like, "Agility isn't the ultimate form of preparedness. Contingency is. Agility still requires you to flounder and figure out a solution in the moment, but if you have a contingency plan, all you have to do is implement it."
And they were like "But you can't make contingency plans for every situation!"
And I was like, "Yeah, you basically can if you just identify all of your basic dependencies and contingency plan around the loss of any dependency," and then I gave a few examples.
And they all stared at me like I'm an alien.
Anyway, that's how I figured out I'm Batman-coded and also learned how Batman must feel talking to supposedly professional superheroes who never bothered to run disaster scenarios until I pointed out that it's insane that they don't already have a plan for if Superman turns evil.
Thereâs a phrase that really stuck in my head around this. It was from one of the British divers who enacted the Thai caving rescue, though I couldnât tell you which one or which interview.
As he described to the interviewer a moment of panic and how he he overcame, the interviewer said, in one of those, summarise-last-answer-given-with-appropriate-levels-of-respect-in-order-to-proceed-to-next-question phrasingâs, âWow, so you rose to the occasion -â
And the diver said, âNo, actually people always get that exactly wrong. In an unexpected and urgent situation you donât rise to the occasion. You sink to the level of your training.â
I badly want to start saying âthis is my Swarovski Shrekâ to refer to any outrageously expensive yet ridiculous object I start coveting. If anyone says âwhat the fuckâ and asks what I mean, well. Itâs their lucky day to learn about Swarovski Shrek
Guess who I saw today
WHAT THE HELL THERE'S SO MANY??
So many people who wanna argue with me about King Arthur clearly havenât read the actual medieval texts. I know this because if they actually read the source material theyâd know that when it comes to King Arthur, everything is made up and the points donât matter.
âKing Arthur couldnât have fought the Roman Empireâ
Try telling that to Geoffrey of Monmouth.
âYou canât just add in new charactersâ
Try telling that to Chrétien de Troyes. Aka the guy who invented Lancelot.
âArthurian canon isnât Frenchâ
Clearly you donât own an air fryer. Also clearly you havenât read literally anything written after the Norman invasion.
âArthur needs to be a knight in shining armorâ
If he lived at all he lived almost a thousand years before widespread adaption of plate armor.
âHe canât be in plate armor because thatâs anachronisticâ
Try telling that to Thomas Mallory.
âThe fairy stuff is leftover from Celtic myth/Celtic gods)
A lot of that stuff including the lady of the lake wasnât added until the 12th century actually. Centuries after England was christianized. It was also mostly added by the French poets.
God, I sure hope so.
lvl 1: the plural of octopus is octopuses because the plural version of a word is the word with an s at the end
lvl 2: the plural version of octopus is octopi because if a word ends with "us" the plural version replaces the "us" with "i" e.g. cactus -> cacti and fungus -> fungi
lvl 3: actually, that rule is only for latin words. octopus is a greek word and the correct plural is octopuses or octopodes
lvl 4: actually, language is descriptive not prescriptive. since enough people over time have used octopi as the plural for octopus, it's a valid plural
lvl 5: the plural of octopus is octopeese, like geese
official cephalopod post
i hate when men complain about womenâs body hair, even like the fine hair on their backs. go fuck a shark if you wanna have sex with something hairless
#shark skin is actually covered in tiny barbs #aka teeth #they are literally a swimming tooth
I suddenly have the urge to grate cheese on a great white
wouldnât that make the shark a
grate white
This post got weird
This post started with fucking hairless sharks. Weird wasnât a destination so much as a jumping off point.
Iâve never been so surprised not to encounter the word âsmoothâ in a text post
Warlimpirrnga Tjapaltjarri, Wilkinkarra (Lake Mackay), 2006Â
happy 35th anniversary to the pale blue dot !!!!!!!!