Another chapter of my "The Waynes on Twitter" work on AO3
Masterlist of Tweets
33 - Manors haunted.
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Jules of Nature
NASA
TVSTRANGERTHINGS
Cosimo Galluzzi
art blog(derogatory)
official daine visual archive
Show & Tell

Origami Around
Monterey Bay Aquarium

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he wasn't even looking at me and he found me
Fai_Ryy
tumblr dot com
Noah Kahan
let's talk about Bridgerton tea, my ask is open
RMH

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Mike Driver
Sweet Seals For You, Always
seen from Czechia

seen from Belgium

seen from Türkiye
seen from Malaysia

seen from Czechia
seen from United States
seen from United States
seen from United States
seen from South Africa

seen from Singapore

seen from United States

seen from United States
seen from Kazakhstan

seen from Malaysia
seen from Russia

seen from Malaysia

seen from United States
seen from Malaysia
seen from Czechia

seen from Belgium
@holyinterplanetaryyardstick
Another chapter of my "The Waynes on Twitter" work on AO3
Masterlist of Tweets
33 - Manors haunted.
<- Previous
Leverage meme ≡ quotes [5/5] → from Nathan Ford
My name is Nathan Ford. And I… am a thief.
#hmm thanks for reminding me that I actually rather love this character#leverage#nathan ford#he’s not a good man really#(though by some terrifying metrics he is indeed a Good Man)#but he has aligned himself with good and he will get there come hell or high water#the thing is#he is the hell and he is the high water#he is the monster that hunts monsters#the abyss consumed him long ago and that’s just. how it is. he just lives here now#because that’s the thing#the abyss consumes you and everything…doesn’t end#you keep living#you keep living even though you are nothing but howling rage in the shell of a man#but then you turn that rage and that abyss upon the monsters that made you#and you bring the abyss to them (via @aethersea)
#nate’s scarier than anyone else on that team #even though all of them could run circles around him in thief skills
#he doesn’t run circles around anyone #he just builds the track #and watches cooly while everyone else runs
There are moments when Nate goes completely cold and he is way scarier than any of them, or all the rest of them combined, like a reminder of what is sitting there under the surface - an incomparably brilliant mind with no heart to anchor it and nothing to believe in.
bethanyactually requested: the farscape aliens using english phrases
Alec Hardison
The first time Hardison thinks about it, he’s doing their regular, seasonal ID clean up.
The team burns through IDs so quickly that he has to take the time to maintain them, even when there hasn’t necessarily been an emergency. Whether it’s burning identities they’ve destroyed, or just solidifying some—a Facebook post here, an updated LinkedIn profile, some new online friends, filing their taxes—they need maintenance.
He makes IDs practically every day, tailoring them to fit cons. These are more…these are like old favorites, he thinks, to continue the clothes metaphor. Tailored already, well-worn, in the back of the closet for when they’re needed again. Taken in or let out as needed.
The adjustments usually aren’t too big, by design. These are, for the most part, boring people. Each of them has one more outlandish ID, but most passports they keep under their bed are for boring people, people who could get on a plane without causing any fuss, people who could get a loan just fine without being extraordinary. Ordinary, every day people don’t need many major life updates.
Except Parker had just torn her ACL on a job, and the hospital hadn’t told him anything while she was unconscious. Nothing. Not a damn word.
So he quietly marries Alice White and Didi Grant to Alexander Smith and Luke Waters.
And then he goes and marries Jane Smith and Michelle Frank to Derek Jones and Kurt Dowe. He even frames up some nice Honeymoon pictures for Parker and Eliot.
And then, while he’s at it, he marries Matthew Smith to David Price.
When he’s done, most of their most significant IDs are married to one or the other of their little trio. He’s doctored well over a hundred pictures—wedding shots for fancy ceremonies, and little elopements, and private, small, intimate weddings, and honeymoon shots, and dates, and everything else to make these relationships real—and he’s filed their taxes jointly. He’s legally changed some last names, filed change of address forms, and gotten official marriage licenses sent to him.
In short, he’s spent more time on this little fantasy world than he would ever care to admit.
Parker and Eliot don’t really monitor their IDs, he knows, other than keeping track of whose licenses and passports they plan on carrying at any given time. They probably don’t know what he did.
But he does. And he can tell himself all he wants that it’s just in case one of them gets hurt, but that doesn’t make it any more true.
Good thieves don’t lie to themselves, after all.
Parker
They say the words for the first time when they’re in DC together, and Parker is good enough with people now to know that they don’t understand them the same way she does.
Maybe Alec does. The way he looks in her eyes, the small smile he gives her after…She’d have to ask Sophie, to be sure, but she knows. Alec gets it.
Alec gets everything, has since the very beginning. He got pretzels and got her, even when he doesn’t really understand what’s going on inside her brain. He still gets her.
Eliot…he gets what’s going on inside her brain. They’re too alike, she knows. And it’s good, that they’re both on the team, that they do what they can do. But he doesn’t get it, because a few months ago, she wouldn’t have gotten it.
Still, the way Eliot’s eyes soften when she reminds him of their agreement, of how they’re in this together, for better or worse, the way he doesn’t send them away even when he wants to…maybe he’s getting it too.
Eliot doesn’t get it the same way she and Alec do. They’ve made their promises, said their words aready. Eliot…Eliot sleeps in their bed and kisses them sometimes and doesn’t leave, never leaves. It’s enough.
She wants more. She let them take down her walls, like Sophie said. She fell into love like jumping off a building, and she knows they’re always there to catch her. She just wishes they could all jump into this together.
Still. Alec was patient with her. She can be patient with Eliot.
Several months later, Eliot looks at the two of them with a softness in his eyes she’s never seen before and says he’s never needed anything but them, and promises to be with them until his dying day. Parker watches him back, catches his eyes. He doesn’t look away.
Parker looks away first, heart thrumming in a way it gets during a particularly good robbery. Like the diamonds are in her hand. Like she cracked the whole vault.
Forever, she wants to say. For better or worse, forever.
Eliot Spencer
Eliot’s not an idiot.
Some people might argue different, and, to be fair, it has taken him a while to figure it out.
Sophie sends them a gift for their anniversary. It’s a painting, of course, and it probably could keep the Brew pub afloat for years if they sold it on the back market. Hardison hangs it in the apartment.
Eliot…Eliot is aware he works here, both in the Pub and doing his real job. He sleeps here, too. As a matter of fact, he sleeps in their bed, and has for…well, since long before Nate and Sophie left. Pretending he was handling the Pub’s business was a good enough excuse to always be there.
He kisses them, too, in that soft way they like, Hardison always overly affectionate and Parker letting down her walls enough to demand the affection she was denied so long. With any other friends it would be strange, or wrong, but not with them. It just…is.
He loves them with his whole heart, will love them until his dying day, and that’s enough.
And then the painting comes. And then the painting comes addressed to them and their aliases, to not one, not two, but six married couples.
Eliot blinks at it a bit, but doesn’t say anything, just uses the computer Hardison set him up on to search up those names.
Pictures of them, doctored by Hardison, on honeymoons and anniversaries, romantic dinners and walks on the beach. Couples, just like Sophie said.
For better or worse, we change together.
Eliot swallows, and goes shopping.
Alec stares at the rings. “For…for Matthew and David? Or—“
Eliot’s already shaking his head. “For Alec Hardison. And Parker. And me,” he clarifies. Eliot doesn’t get nervous anymore. That was beaten out of him long ago. Somehow, he still feels it, his heart seizing, waiting for its absolution. He could have read this wrong. They’re a team, the IDs are convenient, the words mean family and team too. They could want to get married. They could love him as they always have, and he could have ruined it, because they’ll never be convinced he’s okay with that again.
He’s not convinced he’ll be okay with that again. He will be, for them, of course he will be when the alternative is being lost again, but—
Parker, he realizes, has already stolen the band from his hand, the one with the diamonds he knows she’d appreciate, and slid it on her left hand, studying it in the setting sunlight. “I like it.”
Alec takes his own band, but doesn’t put it on. “No going back now,” he warns.
Eliot slides the band on for him. “Haven’t you heard?” He says, and then has to stop a moment when Alec picks up the last band, then takes Eliot’s hand, “I’m in this for the rest of my life.”
I LOVE IT
Superman: Man of Tomorrow #12 - “Superman’s Day Off” (2020)
written by Robert Venditti art by Scott Hepburn & Ian Herring
“Doctor Who” Last of the Time Lords
Dying in your arms. Happy now? You’re not dying. Don’t be stupid. It’s only a bullet. Just regenerate. No. One little bullet. Come on. I guess you don’t know me so well. I refuse. Regenerate. Just regenerate. Please. Please! Just regenerate. Come on. And spend the rest of my life imprisoned with you?
by rights Obi-wan should have been able to talk Anakin down, when you think about it
original post: (x)
requested by @a-smiling-travesty
Uk’otoa: I’m going to kill you.
Fjord: Wait, let me ask the Wildmother.
Uk’otoa: That’s not how -
Fjord: She said no.
Honestly I really wish instead of losing all her memories post season 4 Donna had been like temporarily displaced or some other handwavey scifi bullshit so that she could’ve been a River Song or Master type character where she just shows up sometimes and The Doctor is like DONNA MY BEST FRIEND DONNA and their current companion(s) is like “Whomst??? The fuck????” while Donna is just like “ey oh what’s POPPIN”
#god this #can you imagine catherine tate #just showing up in a fucking nebula #doctor’s all like DONNA SO GOOD TO SEE YOU AGAIN! #HOW’S IT GOING #same old same old seeing the wonders of the universe through involuntary and unpredictable time-space travel #you? #oh you know seeing the wonders of the universe through voluntary but still unpredictable time-space travel #new companion’s like *what are you* #Donna: I’m a temp
THE FINE PRINT | The Outer Worlds Song
Words cannot express how much I love this song. Stupendium makes the greatest songs and visuals, like the moment (like 5 months ago) I saw this I instantly feel in love! And I can’t stop listening to this bop! Seriously go watch it.
We made a little thing, to celebrate 30 years of Good Omens, and to cheer people up. I hope you like it. Feel free to reblog...
https://www.youtube.com/watch?v=quSXoj8Kob0&feature=youtu.be
Popular with the troops.
DARTH VADER DEATH CULT DARTH VADER DEATH CULT DARTH VADER DEATH CULT DARTH VADER DEATH CULT
meanwhile the officers are like “who is this enormous spooky fucker and WHY DOES HE KEEP STRANGLING US TO DEATH.”
Imagine stormtroopers painting Vader’s helmet on ships or on armour, wherever they can get away with it.
Imagine stormtroopers praying to Vader as He-Who-Brings-Death and entreating him to pass them by; at first in jest, but who knows what’s serious any more when half your unit is dead and you only barely survived.
Imagine stormtroopers swearing “May Vader take your soul!”
Imagine stormtroopers hearing of Vader, then seeing him in person, and being held back by their fellows, from kneeling in front of him.
Seriously, I am 100% here for “stormtroopers worshipping Vader as a god of death”.
Well that would definitely also serve as some extra psychological warfare if that idea ever leaks over to the Alliance with the defectors.
Which would make Luke’s fight at Bespin like four extra levels of nerve-wracking. I mean, he doesn’t know if Vader is human. As far as he knows, he’s an eldritch death deity straight out of Tatooine nightmare folktales. Of course, then Luke has to Learn Some Things, and everything is confusing and terrible for a couple days and then like probably a week later when the “he survived a fight with a god of death” whispers start circulating he might start actually thinking about it.
Anakin Skywalker, Jedi Knight, and Darth Vader, death-dealing deity of the stormtroopers and it hits him wait, what does that make me?
That just makes it even better.
There’s got to be a weird mishmash of beliefs among the Alliance anyways; vague memories of the Jedi Force tradition overlaying it, used in expressions, but everything combines with all the traditions and beliefs from all the different worlds and cultures the Rebels hail from.
I am now imagining someone trying to comfort Luke, from what they believe he believes is a close encounter with the god of death. They tell him “no that wasn’t the god of death, the real god of death doesn’t bother to fight because everyone comes to Them in the end, that was just an incredibly dangerous maybe-human maybe-droid”.
Someone else tells him to sprinkle pure water in every corner of the room he sleeps in, and to wear his socks inside-out, so that the hounds of Death will lose the scent if they come to track him down, on their master’s bidding. He asks if he needs to be worried about a security breach; no, he’s answered, mortal security can do nothing against the hounds, not when they have his scent after a close brush with Death, so he needs to remember, water and inside-out socks.
A third person believes Vader holds a fragment of divinity in him, even if it’s a hostile force, and thus every respect must be shown to him and in mentions of him, lest the other divinities grow angered. They speak in euphemisms about Luke’s encounter with “the red-bladed power”.
Oh my gosh now I’m imagining superstitious Rogue Squadron pilots all wearing their socks inside out every time they go into battle or something. So then, one wonders, unless they figure out whose son Luke is what do the stormtroopers think of Skywalker?
Just an upstart? A rival? A Trickster who can’t run forever? Or perhaps a demigod with a story they’re certain they’ll learn one day if they’re patient enough?
Skywalker is clearly some kind of malevolent trickster. He came out of nowhere, tricked his way off the Death Star with the Princess, tricked his way back in past its defenses to destroy it, and continues to evade and enrage He Who Brings Death.
Stormtroopers carefully avoid saying Skywalker’s name, because seriously you don’t want to risk catching the attention of a malevolent trickster.
HOWEVER. If you are really truly desperate because you have kriffed up so bad and blown your mission all to hell and you are absolutely literally dead if this screw-up EVER comes to the brass’s attention. Very cautiously make a little Skywalker effigy with a bright orange come-and-get-me flightsuit, and sneak it onto a cargo shuttle headed very far away in the complete opposite direction from you. It’s a slim chance, but he just might find your trick amusing enough to go along with it and fool everyone into looking in that direction.
ooohhh I like this, I like this very much
and like many trickster characters, he can be equally likely to help or to harm. Which is why some stormtroopers would probably be less than particularly surprised if they ever saw him working in tandem with He-Who-Brings-Death. But tricksters can also come to harm when they bite off more than they can chew, which might be their explanation for Luke losing his hand at Cloud City.
Of course, should said troopers discover that the Trickster (snrrk because Mark Hamill) is the son of He-Who-Brings-Death, they might be like “ah. so much makes sense now.”
Consider: Leia gets deified.
She just mysteriously knows things, and whenever you’re around, even when she’s screaming at you, she makes you feel like you can fight anything.
She has a kind of presence like Darth Vader’s but in the opposite sense. Vader’s like a force of demonic force of nature, but Leia is more like a barely restrained mother wolf, primal, protective, and carrying a legacy of something old.
Defectors getting grilled by Leia for the first time freeze up and have to keep from shitting a brick because she might be a head shorter than you and weigh less than an Artoo unit, but when she talks, you listen, like Vader himself came down from the heaven to growl at your incompetence.
Eventually, the alliance starts treating Leia as almost as a mythic figure in it of herself. But not like Vader’s death cult.
The stormtroopers start realizing this when they first see these insignias here and there, a hastily scrawled “Leia Organa blesses us” in aurabesh on the inside of a crashed X Wing. A decorative woman with a blaster painstakingly painted onto what what used to be a Nebulon B.
But they almost never see Luke’s insignia’s anywhere in these piles of rubble. Or any other form of deity.
Soon, the stormtroopers realize that all of Leia’s insignias are on the dead. And they scoff.
“Our deity keeps us alive, and blesses our fighting skills! Why pray to something that doesn’t bring you glory?”
But the insignias keep showing up. And in fact, it looks like more of them are showing up every day. Still showing up on dead frigates and destroyed X Wings.
Until, one day, a particularly naive and superstitious stormtrooper and a particularly hardy prisoner of war were stuck in a prison block together.
“Out of curiosity, why do you paint that woman on your ship?”
The prisoner of war laughed, and laughed long.
“To get you to shoot at us, boy!”
It wasn’t until that particular prisoner of war died in a breakout saving thirty fellow rebels that the stormtrooper took his meaning, and word spread like wildfire.
The stormtrooper corps, so superstitious, and so wary, began to realize why they see her image so much.
The ones who invoked her name weren’t unlucky, they just chose to die more often than the rest.
When they’re fighting in the trenches, and they have them cornered, the rebel who pulls a grenade on himself to slow them down has “Leia Organa” stitched into the inside of his jacket.
When they’re chasing a supply convoy, the Nebulons that run headfirst into Star Destroyers to buy time for the rest have Leia’s image sprayed onto their hulls.
When the rebels are bullied in the empire’s many prisons, it’s Leia’s name that rebels whisper prayers to before standing in front of the lead guard and saying “It’s my fault, take me instead”.
And still the stormtrooper corps and the Empire scoffs.
“So, this woman is a goddess, is she? But you still die. How will that win a war?”
But…deep in the ranks of the stormtrooper corps. Among the innumerable privates who will always be forgotten, some begin scribbling “Leia Organa” on the insides of helmets, and chest pieces.
Eventually, the rebels begin to win.
And at some point, the rebels begin to realize that some of the stormtroopers have begun to scribble “Leia Organa” onto the inside of their helmets.
They’re confused, and wary. It’s not written anywhere people can see it, so it’s not like they’re defectors. The writing is usually in some easily removable ink, something that can be wiped into obscurity with the quickest of finger rubs. So it’s not any permanent political statement. And it’s very clearly Leia’s name on it. Usually with a second name right beside it.
Once they know what to look for, the rebels begin to see it scribbled more and more. Where once it was only one or two stormtroopers a battle, the farther they push against the Empire, they begin finding whole squads with “Leia Organa” scribbled in the creases and margins of their armor, always followed by a completely different name, or set of names.
It’s not until a particularly brave and naive Rebel guarding Imperial POW’s asks them directly that they get an answer.
He cautiously holds out a helmet, asking the assembled prisoners why his general’s name is scrawled on the inside. In a shaky and uncertain voice, he speaks to the confused group.
“It says ‘Leia Organa, please save’” and he lists off the number written beside it. CT-and some several digit numerical code.
In response, a hardened stormtrooper, with scars gained years before anyone in the group had been born, breaks into tears.
The rebel asks if he knew who this belonged to, and the man nodded.
He tells the rebel that he begged his brother not to do it. They were the last two clones either of them had ever seen. For all they knew, they were the last clones in the entire galaxy.
They had talked before the battle, he had talked about how they were going to bring victory to the Empire together, one last time, and how nothing else mattered to them.
But then, his brother went quiet, and just responded:
“You are the only victory I ever cared about.”
And he scribbled “Leia Organa, please save…” on the inside of his helmet, with his brother’s ID number.
The rebel tells him his brother fought bravely, and the clone thanked him through his tears while the rest of his squad consoles him.
From then on, the quiet, the superstitious, and the grieving would comb the battlefield. Checking the inside of helmets and the edges of pauldrons looking for those telltale aurabesh symbols.
And they would go to the nearest POW camp, holding cell, or brig, reading off “Leia Organa, Please Let Me Save…”
And in every camp, in every cell block, there was always at least one person.
Not always a stormtrooper. Sometimes a technician, sometimes a pilot, occasionally an officer. Some rebels would swear on their life they’d seen it happen to an Imperial Admiral.
But always, there was at least one person who cried when the names were read out.
Some were lovers, some were siblings, some were parents, some were squad mates, and some were friends. The rebels didn’t always find out who it was, they were at war after all, and the rebels were their enemy.
But…something about the tears often made people want to talk.
And it was always tears.
Because nobody in the Empire invokes Leia Organa’s name to win a campaign.
Nobody invokes Leia Organa’s name to survive a battle.
Nobody invokes Leia Organa’s name to bring glory, or victory, in any military sense.
No. In the stormtrooper corps, you invoke Leia Organa’s name for the only kind of victories that really matter.
Sending her prayers even a rebel goddess would heed.
You only invoke Leia Organa’s name when you have someone you care about more than life itself.
And you only invoke her name if you’re willing to pay the price for her protection.
And the part the rebels found most surprising, through the hundreds and hundreds of names they read out, was that more often than not, that person those invokers paid to protect only found out how much they cared, when a rebel read their own name out in front of a cell block.
Vader was a god of battle.
Luke was a god of cunning.
But Leia…
Leia was the goddess of sacrifice.
The Force Works In Mysterious Ways and if enough people believe in something, in someone
well, then it must be true, your focus determines your reality
and Leia becomes the Lady of Sacrifice, She Who Gives and Gives and Gives
Luke becomes the Skywalker, the Trickster Who Shows The Way (to freedom, to wisdom, to the nearest cantina? it varies)
and Vader/Anakin becomes the two-faced God of Death, Destruction and Rebirth, The Fire that Destroys and the Ashes that Renew
and when they wake up in the Force to find their new status, the Force quakes in their anger (mostly Leia, she’s earned her rest), their laughter (because Luke can do nothing else, because of course this is how he’s going to spend his ‘afterlife’, with his two most loved people) and their fear (because fear is Anakin’s constant companion, although now? pleasedon’tletmekriffthisuppleasedon’tletmekriffthisupomgmychildrenarehere)
oh fuck, oh god
1. The Nazis recognized Crowley. They had never personally encountered him before - “Mr. Anthony J. Crowley! Your fame precedes you.” But they knew him by reputation; enough to know his full name, and to recognize him on sight.
2. The Nazis obviously have some kind of grudging admiration/respect for Crowley, and yet also were immediately prepared to murder him as well. “The famous Mr. Crowley. Such a pity you must both die.”
3. Rather than pulling the trigger immediately, the Nazis hesitate and listen to Crowley when he starts telling them something Very Important - but then scoff, and immediately assume he is feeding them false information.
4. Crowley knew that the bombs that night were due to fall on the East End, and had sufficient warning of such to be able to pull off his ‘last-minute demonic intervention’ to get them to drop on the church instead.
5. Crowley knew about the gang of half-witted Nazi spies running around London blackmailing and murdering people.
6. Crowley knew down to the minute exactly when a Nazi spy deal involving Aziraphale was about to go down in that church.
Crowley was working with British counter-intelligence.
HOLY FUCKING SHIT
Ok, but now I want to read the fic where Crowley is hanging out with a bunch of spies in some secret bunker and they’re talking about an operation the Nazis are running and how they’ve got this bookseller duped, and Crowley is like “Ha! What an idiot.” and then the surveillance photos come out and head meets desk cos “Oh, no. That’s MY idiot.”
Crowley was working with the Boffins at the Ministry of Ungentlemanly Warfare and you will never convince me otherwise because 1) that name would have been like catnip to him if he didn’t think it up himself, and 2) who the fuck else would be sitting there in brainstorming sessions going “Put a bomb in a dead rat. Let them blow themselves up” Literally, the whole point of the SOE “revolved around sabotaging and subverting the Axis war machines through indirect methods” and half of them were usually batshit fucking insane. THAT’S HIM. THAT IS HIM IN A NUTSHELL.
I simultaneously:
believe that Crowley was involved with Actual Very Serious Wartime Intelligence Efforts, because I have a great big vulnerable spot and it is labeled, ‘Crowley and Aziraphale decide that London is their city, heavenly and infernal policy decisions be damned, and any powers that want to raze her from the maps will have them to contend with’.
wholeheartedly and unquestioningly accept this Chaotic Good Crowley headcanon.
#also like………… crowley and aziraphale during the blitz #crowley at the very least has Connections in the intelligence community #and aziraphale UNRELATEDLY finds a note shoved under the door from time to time - dates; times; places #it’s usually not more than a day’s notice but it’s enough #enough for aunty aziraphale to spread the word around soho #enough for the lost and the bright and the castaways and the defiant who still must live and love in secret #to dress Appropriately and wipe off their faces before they must seek shelter with the rest of London packed tight underground #(aziraphale cannot decide if this is grace or if it is an indignity) #(he thinks of crowley huddled in the hold of an ark with two score mesopotamian children and says nothing) #the whole earth is shaking and dust is falling from the brickwork and even as mothers try to soothe their wailing children #the lights flicker and then go out - and come back and then go out #on and off and on and off #and pressed against the wall of the tube station aziraphale sees a gleam of golden eyes on the opposite side #meeting his gaze across the huddled shapes illuminated by the flickering light #all those humans casting their eyes up in supplication to something far above them #and down in the dirt and the noise and the shaking aziraphale and crowley don’t need to say anything #as the bombs fall - they’re both concentrating as hard as ever they can #not here #not here. #not there #some have to hit; otherwise there will be questions #but not all of them #the foundations of structures remain #more live than would have otherwise #maybe that’s enough #either way - aziraphale knows it will not be long until the next note is shoved beneath his door in that familiar chicken-scratch lettering #and so all he can do is this: keep calm. and carry on.
This post gets better every time. If I find the link to the gorgeous fic with Crowley working with those British Intelligence ladies I’ll send it.
There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.
Thank you, Patrick Rothfuss for the quote and Taliesin for the absolute fury in Caduceus’ face after watching Fjord die.
I am desperate to know more about the Domestic Adventures of Yeza & Luc Brenatto and Marion Lavorre. Yeza, this nerdy, awkward alchemist whose first time far from home was when he was captured as part of a war he didn’t understand and who’s never seen the money that Marion makes in a single month, and Marion, a talented singer and highly charismatic courtesan with an anxiety disorder and a lot of love in her heart. Yeza buys groceries for them and spends hours marvelling at the ocean. Marion is glad for the happy sounds of little kid running around her home again, but doesn’t understand how she got custody of Nugget again. Luc has a feud with the barkeep and is living every five-year-old’s dream of having a crossbow. Please give me more of this, I need to know everything that these three have been getting up to.
I hope Blude gives Luc lots of rides on his shoulders. I hope Marion teaches Luc to sing! I hope Yeza includes alchemy supplies in his shopping trip and keeps tinkering.
there’s just! so much!
yeza and marion just having tea and worrying about their loved ones together and laughing about all the antics veth and jester are surely up to, sharing stories about jester’s childhood and luc’s first steps and veth’s antics.
marion giving luc piano lessons and digging out all of jester’s old toys and books from when she was his age
yeza and luc going to the beach every day and building an impressive collection of shells and sea glass to give to veth when she comes home, luc making a sort of sculpture… thing… of stones and giving it to marion, who puts it in a place of honor in her rooms
one of marion’s clients once was the head of the local alchemist’s guild, so she connects yeza to them, and of course they’re more than happy to give him any ingredients or equipment he needs, as he’s a friend of the ruby
yeza spending hours trying to train nugget and actually fairly good at it! luc spending hours trying to figure out how to ride nugget, and then to ride nugget so that he blinks with nugget because that would be so cool. (this doesn’t work, but no amount of bruising will discourage them from trying.)
yeza and marion talking about anxiety and fear and yeza gushing about veth and all of her anxieties and fears, and marion telling him how jester introduced nott as very brave (and laughing with him at the memory of jester’s next sentence: don’t let her near your rings). yeza quietly encouraging marion to push at her own anxieties.
marion has some very minor difficulties with one client and just telling yeza about it during afternoon tea, just venting and laughing a little at his entitlement. yeza and marion becoming just great friends!
luc overhearing this conversation because he was playing under the table. luc trying to shoot the client with his crossbow for being mean to marion. marion and yeza’s horror (and pride).
luc calling marion auntie marion until marion decides that grandma marion would be more appropriate, which horrifies yeza — the implication that she’s old! — and horrifies the staff — the ruby cannot be a grandmother! — but marion finds more than a little bit amusing and anyhow, it’s not like it matters.
Veth isn’t sure that she’ll ever stop flinching when strangers look at her.
Will she ever stop expecting fear or scorn in their eyes? Will she ever stop feeling like she needs to explain herself? Will she ever be able to accept a smile from a stranger, kindness from a stranger, with the knowledge that if she had green skin they most likely wouldn’t be nearly as kind?
Her people are outliers.
Her people are special, they looked at her in her green and her mask and her bandages and they fell in love with her but she doesn’t pretend that the rest of the world could do that. She doesn’t pretend that the young man working the ice cream stand would give her a wink and a free extra scoop if she had all her extra teeth and long pointed ears. She doesn’t pretend that the old woman whose handkerchief she returned when she saw it drop to the ground would have rewarded her with a piece of gold instead of a scream and a smack with her cane.
How do normal people know that they're really, truly loved?
How do they go through life believing that their people love them when they haven’t seen their husband give them tender looks even though they’re not the person he married anymore? How do they know they’re really part of a family until someone kisses their goblin head and holds their hand, claws and all, and tells them ‘Hey, no matter what, I’m on your side’ while looking directly into their wide, yellow eyes? How do they know someone would miss them when they’re gone until they’ve seen someone cry over a dead goblin girl with a stupid, made-up name?
How do they know true friendship until they’ve had Jester come in the first morning after changing back like nothing was different and braiding their hair like normal without pause?
How do they know true companionship until they’ve heard Caduceus say “Nott, I mean- I mean Veth. I suppose I mean Veth… Do you want me to say Veth? Okay, then, Veth it is,” and then transition without another misstep?
How do they know the feeling of being truly protected until they see Beau instinctually step between them and a stranger, then apologize under her breath when she realized it wasn’t necessary for them to hide anymore?
How do they know true compassion until Yasha comes to the ship with a flower she found and tells her “It reminded me of you because it is green on the outside and bright pink on the inside. Well, pink like love, not like blood, although there is that inside you also but that wasn’t… Nevermind.”
How do they know true kinship until they find Fjord asleep in a chair below deck after having spent the evening adjusting the grip of her weapons to fit her new, slightly larger hands without her having to ask?
How do they know true love until they’ve sat beside Caleb as he read and had him idly run his fingers over their wider shoulders as a quiet reminder that he was there for her?
She almost feels sorry for them all sometimes, all those people out there who never got to be Nott The Brave. Those sorry fucks don’t even know what they’re missing.