Take a WILD guess what my fav ship is—

oozey mess

roma★

★
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pixel skylines

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let's talk about Bridgerton tea, my ask is open
he wasn't even looking at me and he found me
d e v o n

tannertan36
wallacepolsom
Aqua Utopia|海の底で記憶を紡ぐ

Discoholic 🪩

❣ Chile in a Photography ❣
Show & Tell
Three Goblin Art
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Kiana Khansmith
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I'd rather be in outer space 🛸
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@insert-clever-penname-here
Take a WILD guess what my fav ship is—
Also applies to "AI" "artists" and "musicians."
Loving all of the posts about Eva Stratt being the trolley operator but what I think some people are missing in their trolley problem analogies for Eva Stratt's choice is that Stratt was not a bystander pulling a lever, the lever had already been pulled and the trolley was barreling towards all of humanity and Stratt's choice was to make a desperate attempt to block the trolley with her own body but no matter how desperate she was to solve it on her own she knew she couldn't, she knew she needed others, she needed people willing to help take the force. The trolley was mere inches away and she needed only one more person, that person was her right hand man, her closest companian, her best friend, and she begged him to sit at her side on those tracks and he refused, looking down at her where she sat on those track yelling at her how unfair she was being to ask him to sit down, as if she did not know the pain of sitting there since day one. Yes she had to tie him to those tracks kicking and screaming, yes it hurt, but she did not do it from the sidelines, she was standing on the tracks herself
i was watching the karaoke scene again last night and genuinely like it fucks me up
bc in no way can be read that she was always gonna send grace on the hail mary, or that she suspected or knew she was going to have to send him.
when she sings, it is absolutely to him, but it's to reassure him that she knows she's going away but that she's coming back. she's telling him to hang in there, that it's going to be hard but that she believes in him and that she will come back when the time is right and they'll meet again somewhere far away from here.
that's the captain of the ship telling her first mate "youre gonna have to run things when im gone but its okay bc i believe in you and youre gonna do fine. I'll be back soon."
she KNOWS she's a scapegoat. she's been planning for her arrest and eventual escape the whole time on the backburner.
and then the disaster happens and she has to send her second in command, her friend, to his death or they all die.
and suddenly there is no more "we'll meet again someday" bc she's never gonna see him again. even if everything goes to plan and she escapes and the beetles arrive with a solution-- she loses grace forever.
if that doesnt just fucking gut you, if youre too busy being mad at her for killing grace to appreciate the fucking tragedy that is their relationship, you are missing out on some prime angst.
Mulan AU where she does get caught by the other fresh recruits while she's bathing but Mushu helps her spin it like the lake is cursed by an evil lizard demon and will turn men into women if they stay in it for too long.
From there it's not actually difficult to get the other soldiers onboard with covering up the fact that poor Ping took one for the team and got afflicted by the vagina curse, especially since it would have been all of them if they hadn't gotten the warning ahead of time. So they agree to help him cover it up, because obviously the army's not going to understand.
Shang is... tentatively glad that the men are bonding and getting along, even if they continue to be deeply weird about it.
Ling: Hey man, what's up— you've got boobs?!?!
Mulan: Uh, what boobs? Huh? Where did these come from?
Mushu: *facepalms and thinks quickly* (speaks from the shadows) I AM THE SPIRIT OF THE LAKE! BEWARE MY CURSED WATERS FOR THEY WILL TURN MEN INTO WOMEN!
Ling, Yao, and Chien Po: Oh no! The spirit of the cursed waters!
Chi-Fu: SHE'S A WOMAN LI SHANG!
Mulan: Look-
Ling, Yao, and Chien Po: WE CAN EXPLAIN!!
[One convoluted, chaotic explanation later]
Shang: ...is this why you've all been insisting we don't camp anywhere that doesn't have a lake.
Shang: and then none of you actually swim in it.
Shang: and you all keep jumping at shadows.
Shang: wait a second Ping did this happen before or after you became insanely good at fighting?
Shang: did you get better at fighting after you became a woman.
Shang: are women better at fighting than us.
Mulan: ....uh. well. maybe? no one's ever tried to find out.
Yao: [thinking very fast] y'know Captain it's just so hard to find recruits these days.
Chien Po: Real shortage of men.
Ling: Lots of women, though.
Mulan: [catching on] Without marriage prospects.
Shang: You're right, men. The spirits must have done this in order to show us that we should be recruiting women as fighters.
Mushu [from the shadows, seeing an opportunity to do the funniest thing]: EXACTLY, LI SHANG. I HAVE TRANSFORMED PING INTO A WOMAN BECAUSE YOU HAVE TOO LONG OVERLOOKED THE TRUE WAY TO WIN THE WAR.
Mulan [seeing an opportunity to get all the stories straight]: O Great Spirit, is it reversible?
Mushu: WHY WOULD YOU WISH TO REJECT MY GIFT? I HAVE SEEN YOUR HEART, CHILD, AND HAVE ALREADY ALTERED THE MEMORIES OF EVERYONE WHO KNEW YOU BEFORE YOU LEFT FOR THE ARMY. YOU HAVE ALWAYS BEEN THEIR DAUGHTER.
Li Shang: Welp, the spirits have spoken. Ping - wait is your name still Ping if you're a woman now?
Mulan: Uh. Actually, I was thinking of renaming myself. How do you feel about Mulan?
BONUS:
Mulan [climbing out of the eleventh lake the men have arranged for her to swim in]: Yeah no, it didn't work. Still got boobs. [tries to appear dejected].
Chien Po: If it makes you feel better, they're very nice boobs.
Mulan: Thanks, Chien Po.
Still at the fucking restaurant and by restaurant I mean Yáo Li-Jie going into the coma and dying, still believing that his crew was there voluntarily. By restaurant I mean Olesya Ilyukhina believing she will get to teach her friend EVA stuff, getting put under thinking she will see Tau Ceti and be there to support the man who chose to sacrifice his life in less than three hours. By restaurant I mean Yáo thinking he will get to witness the discovery of their solution with his friends by his side. By restaurant I mean Grace waking up with two bodies next to him, terrified, light years away from home, and still deciding to give them proper funerals because he knew, instinctively, that he used to love those people and that they deserved better than rotting away on a spaceship denying them proper burial at home.
the fact that tangled has a perfect set-up for major miscommunication between rapunzel and eugene to be the final emotional climax of the movie (“why’d you leave me”) but instead sidesteps that in favor of a beautiful battle between the two of them in which they try to out-sacrifice each other because they love and understand each other that much. the fact that they each try to save the other using the best means they’ve got at their disposal, the ones they’ve used their whole lives: rapunzel bargaining with mother gothel and promising away pieces of herself- this time all of herself- in exchange for his safety, Eugene pulling one final scam and trick when he feigns tenderly touching her face so he can actually cut off all her hair and set her free. the fact that Eugene’s plan works but as a result he dies, Flynn dies. (he told us this at the beginning, “this is the story of how I died” but remember- it’s a fun story.) The fact that the swashbuckling rogue and trickster and thief Flynn DIES so that rapunzel, the girl who never got to have a life, can LIVE. The fact that after one final successful trick Flynn dies so Eugene, little lost orphan boy, can rise again in his final and only role as a good man and as rapunzel’s husband- all of these make tangled the masterpiece it is. in this essay I will
OP where’s the essaaaaay
What unites Eugene and Rapunzel, what forms the basis of their connection, is not just their lonely, isolated, unloved childhoods but the mechanisms they each used and still use to try to fill the voids in their lives. And those mechanisms boil down to- keeping busy, whatever the cost. Rapunzel’s opening song is literally a montage of her desperate attempts to fill an otherwise empty day (and empty life) and Eugene steals for the riches, sure, but mostly for the adventure, the thrill, the chase. The motion and color of it and the ways in which it is the opposite of boredom, the opposite of emptiness.
They are both resourceful and determined, used to doing the best they can with what they have, and as a result they encounter each other and decide to team up. Practicality, not romance, is what drives them together and what keeps them together for much of the movie.
Their methods of filling voids with whatever scheme they can concoct, the skills they’ve both gained from their past experiences, become the means they use to achieve their shared goal: get Rapunzel to the city to watch the floating lights and return her safely home. The scrapes and (mis)adventures they get into on their way are not just filler or fluff; they are opportunities to highlight the natural teamwork they have, the ways in which they complement and complete each other and so help each other: Rapunzel solves the run-in with the group of thugs/misfits with vulnerability and openness; together, they escape from the guards and avoid drowning.
Already this is an improvement on their previous work, their previous “business”. It has more warmth, it has more success, it has more color. But that’s not all. Alongside their adventures, they start to talk to each other. Confide in each other. Nothing huge or dramatic. When he tells her his name he follows it with the dryly delivered “someone might as well know”. And when he asks about the situation at home, his voice is gentle and kind but not full of depth of feeling just yet. But it’s real, honest connection about their pasts and so contains within it the articulation of their emptiness. It’s the realest relationship either of them have ever had. It’s far realer than anything their past endeavors have ever brought them.
When they reach the lights, Rapunzel realizes this and it comes out in her words expressing her fears and worries about the lights. Understandably, she’s scared finally seeing the lights won’t be enough. But then, and here’s the beautiful thing, she’s scared that it will be. “And what if it is,” she says, tears in her eyes and voice. “What then?” This is the moment in which Rapunzel recognizes that she really has never filled the void in her life, the place where real love and human connection should be, and that the lights won’t do it either. Chasing the lights was her noblest effort yet, a beautiful and real and a valid dream, but still not enough. because the lights are not a person and the lights can’t love her back.
Eugene’s answer to this is hopeful- there’s always another dream to chase. But he still doesn’t really have an answer for her. He doesn’t really understand.
Until they see the lights.
Until they see the lights together.
Their golden glow and beauty is enchanting, it’s everything she dreamed it would be. And then, it’s more.
And it’s more because when she turns around, right at the end of the first verse, she sees him. Holding her dream in her hands, watching her watch it, experiencing it with her.
That’s when she knows.
She hands him the satchel and he knows he knows too.
He knows that there is no new dream, no better dream, than her, than a real life of love with the person in front of him.
After the lights happens everything I said in the original post. They’re torn apart and beautifully, magically, unexpectedly Mother Gothel’s ploy to sow discord between them doesn’t work. Rapunzel sees through Mother Gothel’s lie to see the truth of everything, including his reasons for leaving, and when he shows up there is no reproach or misunderstanding to clear away. Like I said in my original post, they understand each other now.
And like I said in the post above, Rapunzel’s bargaining for his life and Eugene’s cutting off of her hair are the means they use to set the other free. And ultimately Eugene wins. He dies and his death, the first time she truly experiences loss, opens her up to a fuller understanding of and use of her magic and her healing. He is restored to her and they live (truly) happily ever after.
But my point with all of this is, the heart of the story and its own specific magic, is that their skills and habits and means- whatever the word we want to use is- garnered by each of their efforts to fill their life with meaning finally fulfilled their true purpose, finally made them happy. Because they stopped being the end goal of their lives and became the means to their true purpose- the life and love they have with each other.
you cannot convince me that, within 15 minutes of the press release from the Hail Mary Project that, while unfortunately a lab accident did kill the primary and back up science officers for the mission, Dr. Ryland Grace was kidnapped and drugged bravely volunteered to step into the role of science officer to ensure the project still met its launch date, the project's public-facing email address was not flooded with emails from Dr. Grace's former students. and more kept coming. some to accounts that should've been private. and then come messages from his former colleagues. and Stratt, ever pragmatic, prints out as many as the team can verify are legit, puts them in a box, and places that box within Grace's things. because while maybe she couldn't convince him that he was the right man for the role, the kids he tried to cite as being why he wasn't could.
but, due to the fog of the amnesia, then the urgency of the mission plus Rocky's appearance, Grace doesn't fully look through every box until they're on their way to Erid. and that's when Rocky wakes up from sleep to see Grace sobbing over a bunch of letters. students telling him how much they enjoyed his class, actually made learning fun and interesting. got them through tough days. made them feel seen and appreciated. quite a few cite his class as being the spark that got them interested in science as a career. and even those that didn't still consider him the best teacher they ever had. fellow teachers admiring his classroom management and lesson planning, and even so his kindness to every student who walked into his room.
one letter is from the principal. when Dr. Grace's involvement in the Hail Mary Project became public knowledge, there was a push from the community to rename the school after him. after discussions with the school board, there had been a secret agreement to do so, even had a new sign made. they were just waiting for him to be released from the project and return to San Fransisco to surprise him. but, with the recent news of his "noble sacrifice", they'd gone ahead and done it. attached the press release with a picture of the new sign, a bunch of his former students standing around it, beaming. a local artist has been commissioned to add a mural to the front entrance over the summer break. and a final note: "Do your work knowing that it will allow the Dr. Ryland Grace Middle School to continue to educate and inspire students for generations."
after he managed to stop leaking, Grace reads Rocky some of the letters. and its in that moment that Rocky swears that, should they find a way to keep Grace alive on Erid, he will teach there.
there's no chill way to be like, "yeah, I think generative AI is a crime against God and man."
Happy death day, Jason todd!!
Drawings of him I've done in the past 2 or 3 years
I'm sorry.???
@acarefreewind
Okey
hey guysss so unfortunately the rumors are true and im leaving the narrative. Buttt the good news is my absence will create such a gaping hole in your lives that it will become a sort of presence itself, and so in a way it will kind of be like i never left! But i am. Leaving just to be clear.
I love imagining that every eridian welcome committee comic takes place in the same universe and that grace just never said anything about it.
He doesn’t call them out on it cause that might mean that they will actually research phrases more and second guess themselves a lot. And that would mean the cards would stop. Which would be a shame.
But like this he gets a fun little puzzle every week or so where he tries to guess what the committee is trying to say this time. He can rate the cards on funniness and clarity!
I’d like to think that he explains what a lot of them sound like towards the end of his life after having received thousands of cards filled with innuendos and catcalling. The committee doesn’t emotionally recover for the rest of their lives.
you are my solution
big fan of strattland being a little too comfortable in each others' space and weirding everyone else out completely straight-faced
Consider this (based on a conversation I had with some friends a while ago): Pride and Prejudice and Zombies for people who actually like Pride and Prejudice. Look–I tried to read Pride and Prejudice and Zombies and I got about 20 pages in before I came to the conclusion that the person who wrote it did so out of the belief that the original Pride and Prejudice was stuffy and boring. There were out of character vulgar puns. And the trailer for the movie did not convince me that I had missed anything by cutting short my reading experience. So, what I’m talking about here is this premise: the world of Pride and Prejudice, but if you die, it’s highly likely, almost certain that your corpse will get up and try to eat people. But no one dies in Pride and Prejudice, you might say. In fact, few or no people die in any Jane Austen novel. This is true. But people do get sick with some regularity. Imagine the tension added to Jane getting sick after going to visit Bingley if there was the chance that she would become a zombie after she died. Becoming a zombie in an eligible bachelor’s house probably would have seriously wrecked any chances of any of the living sisters ending up with him. Imagine Mr. Collins, as a minister, having the duty upon someone’s death of severing their head with a ceremonial plate or something that would prevent the corpse from rising. Obviously important, but this only makes him more self-important and obnoxious. And dangerous. For you see, in this version, Mr. Bennett, who stays in his office all the time, whose life is the only thing allowing Mrs. Bennett and her daughters to stay in the house–Mr. Bennett is definitely a zombie. He died at home, and Mrs. Bennett decided that, no way were they dealing with this, and so…just started faking it. Jane and Elizabeth know. The younger sisters don’t. In this universe, I think we have to go with zombies that are not any faster or stronger than the humans they were, and in fact tend to get weaker as time passes because their flesh is rotting. And…hmm, okay, how about they are pretty violent upon rising, and for about a week afterward, trying to bite people and spread the infection (even though most people are carriers anyway, but getting a nasty bite from a corpse will give you other stuff that will have you die while carrying the virus). But then they calm down and basically just start sort of attempting to act like they did in life, that is, taking habitual actions with no consciousness, in a depressing and desiccated way. So Mr. Bennett is a zombie, and Mrs. Bennett’s number one goal is to get her daughters married before anyone finds that out. And this, actually, makes Elizabeth’s refusal of Mr. Collins more frustrating for Mrs. Bennett–obviously Mr. Bennett didn’t tell Elizabeth that she could refuse Mr. Collins, because Mr. Bennett is dead, but Mrs. Bennett can’t say anything or the game would be up. Another question in this version–does Mr. Darcy find out about Mr. Bennett being a zombie somehow? Does Elizabeth find out that he knows and didn’t say anything and this is something that helps repair his earlier actions? Anyway, this is the Pride and Prejudice and Zombies that I was looking for.
Okay also: in the original, when Elizabeth walks through the rain all the way to bingley’s to care for Jane while she’s sick, it’s a very dramatic expression of both Elizabeth’s love for her sister and her penchant for flamboyant rebellion, but consider, if there is a chance Jane will wake up a zombie and Elizabeth knows it, how does that change the dynamic? Elizabeth might be going to help take care of Jane, or to *take care* of Jane should things take a more morbid turn…by killing her zombie sister.
This works especially well if zombieism is communicable prior to death; if mr. Bennett is a zombie and only the elder Bennetts know, that means Jane has been pre-exposed and is almost certain to wake up as a zombie should she die in the Bingleys’ care— which the Bingleys do not know. Elizabeth has to forge through the rain to be there in case things get ugly, because she knows that the Bingleys aren’t prepared.
And I think you pretty much HAVE to make Mr. Bennett’s zombie status play a role in how and why Darcy separates Bingley from Jane—the heavy implication behind Darcy’s line about the want of propriety shown even by her father hits Elizabeth like a ton of bricks as she realizes he knows—he knows, and he thought Jane lying to Bingley about it was evidence that Jane didn’t love Bingley—but—but Darcy must not have told Bingley that part of it. Bingley couldn’t keep a secret on his life; if he knew, his sister would know, and word would already be out and they’d have been ruined by now—
And of course, not only does the fact that Darcy, who owes their family nothing, has kept and continues to keep this secret for them even after Elizabeth’s refusal deepen the gratitude she begins to feel for him after the letter of explanation, but it also liberates Elizabeth to fall in love with him. Because Elizabeth-who-wants-to-marry-for-love would never be happy marrying someone who didn’t know the family secret in advance. She had resigned herself to spinsterhood because she couldn’t be satisfied with having to hoodwink someone to have their hand, but also couldn’t put her family at risk by trusting someone who wasn’t bound to them by more than an engagement. (Maybe she was even tempted to confide in Wickham at one point, and hasn’t Darcy’s letter proven she was absolutely right not to yield to that passing thought.) But Darcy figured it out himself, and he’s kept her trust, and she could fall in love with him without guilt—if she hadn’t already turned him down.
AND THEN LYDIA HAPPENS. And Darcy realizes immediately that Mr. Bennett can’t do anything to recover her—and if Mr. Bennett doesn’t do anything about Lydia, Mr. Collins might become suspicious, or even just officously involve himself, so find out the while thing. When Darcy blames himself for not revealing Wickham’s character, it’s with a much more immediate sense of urgency. It’s not that the other sisters’ marriage prospects being ruined may impoverish them down the road—it might immediately drag them all into destitution. That’s why he rushes off to go look for Lydia himself.
"all batfam writers have bad dads and are trying to fill a hole inside themselves"
excuse you some of us have very good dads who sometimes suck at communication in ways that trigger our own deep insecurities and make us panic spiral but both sides both love and care for each other very much no of course I'm not speaking personally shut up