Paintings by Yuming Li
Fai_Ryy
$LAYYYTER
Cosmic Funnies
Lint Roller? I Barely Know Her
KIROKAZE
🪼

#extradirty
RMH
2025 on Tumblr: Trends That Defined the Year
ojovivo
Game of Thrones Daily
Show & Tell

Kiana Khansmith

gracie abrams
tumblr dot com

titsay

Discoholic 🪩

No title available

blake kathryn
No title available
seen from Türkiye
seen from Portugal

seen from Türkiye

seen from Cayman Islands

seen from United States
seen from Belarus
seen from Portugal

seen from Bangladesh

seen from Türkiye

seen from Netherlands
seen from United States
seen from United States
seen from Türkiye

seen from Malaysia

seen from Türkiye

seen from Türkiye

seen from United States
seen from Netherlands

seen from United Kingdom

seen from France
@justatadstrange1
Paintings by Yuming Li
The amazing concept art of Coraline
Artbook: Coraline: A Visual Companion
PEDRO PASCAL // On set of The Mandalorian (Season 1)
22 YEARS AGO ON DECEMBER 18, 1998 - DREAMWORKS ANIMATION RELEASED “THE PRINCE OF EGYPT”
Because DreamWorks was concerned about theological accuracy, they decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help the film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.
The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.
Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.
THE PRINCE OF EGYPT (1998)
Merry Christmas to all who celebrate!!
Enjoy a festive little enj with a kitty, it’s good for the soul
This was a present for the one and only @ourhufflepufffangirl (hope you like it 😌) for @catstrophysics server secret Santa
thank you
lmao
#Horny on… Maine?
Don’t hide this in the tags
A Blacksmith’s Dream
The most hilarious part of italians’ reaction to coronavirus/covid19 has been them stockpiling EVERY SINGLE type of pasta except the PENNE LISCE
which Italians couldn’t bring themselves to buy or eat even during a mass psychosis
The moment italians start buying penne lisce will be the moment we know our society has truly collapsed
Listen, if I'm gonna die, my last meal is NOT gonna be fucking penne lisce.
Someone explain please! I want to knowwww
Penne lische is smooth and doesn’t hold sauce the way penne rigate does
The grooves make more sauce adhere to it
wait that picture up there then ACTUALLY is of a smooth tube and not just. a bad picture? smooth penne exists? that's horrifying the ridges are the best part it's like eating a tiny accordion
And that is why it is an abomination.
Disgusting. Vile. I would die before eating that filth.
I have eaten penne lisce. Objectively the worst pasta. If you sneeze too hard in its general direction, any sauce on it will fly off. You can literally cook it in tomato sauce and it will still taste of nothing. Even if you stuff cheese inside it by hand, meticulously, individually, it will fall out. No friction on these fuckers. Bad pasta.
I love how this global situation has brought us to the absolute limits of our humanity in all ways.
penne lisce is THE worst pasta. top is probably gnocchi. penne lisce is the stuff that they try to sell you in school lunches.
in my notifications
Mary Blair concept art for Disney’s ALICE IN WONDERLAND (1951).
Vampire and werewolf dating
OP I CAN’T BELIEVE YOU DIDN’T CREDIT THIS, BECAUSE THERE IS SO MUCH MORE!
This is an ongoing series by @sarahseeandersen called “Fangs” - it’s absolutely worth following and keeping up with!
https://tapas.io/episode/1559785
Sharing the credited version!
In
no
particular
order
really cool. so its a goth and a hippie
Me and whatever goth gf I’m given
Well this is wonderful
New favorite TikTok
That's fricking hilarious
@xiumuns
ok me
what the Half of It really shows is that there’s more than one way to do a story about queer coming-of-age, while also being a brilliant reminder that sexuality will always be intersecting with other identities when you’re young teen of colour.
in the margins of this film, there is an extremely quiet but very overt storyline about the loneliness of being a second generation immigrant in a small town that doesn’t have a prominent diaspora community. In contrast to To All the Boys, for example, where we’re shown how the Covery sisters interact with their diaspora friends and other Korean diaspora families, and how having that community (and sharing that common history with someone) is an essential part of your social life and emotional wellbeing, Ellie and her father are more or less alone in a white, conservative town.
As Ellie mentions, the closest Asian grocery store is 2 hours by bike, and to be separated from all assurance of your heritage and identity is an extremely specific kind of loneliness. In this town, they will always be the Other, and Ellie is not only extremely disconnected from her peers and her classmates, but also from herself. She’s trying to grow up in the image of her father, because it’s the only connection she has to that part of her identity, and that’s kept her detached and self-isolated.
It is crushing, which is why seeing Ellie overcome that loneliness is an equally important part of her character arc. She learns to be herself, and her sexuality, but an equally big triumph is her growing out of her self-isolation. Her friendship with Paul, being accepted by her classmates, and her longing for Aster are all equal parts of her coming-of-age.
This was a specific story told by a Chinese director, with a Chinese protagonist finding her sense of self in a town that has more or less worn away her identity. if you’re white and LGBTQ+, i am going to please ask you to stop whining about how The Half of It is not ~quEeER eNoUgh~ for you, because the movie itself has already broken the mold of how many stories about how Asian diaspora are told.
sidus.animation: https://www.instagram.com/p/B0pzLEQHEvT/