I suppose most people are more familiar with pet dogs than with falconry and therefore calling a dehumanized mech pilot a "hound" is more immediately evocative than calling it a "hawk," but you gotta admit the vibe of the handler as falconer and the pilots as their birds of prey absolutely slaps. If anyone ever does something like mechsploitation but with scifi fighter jets instead of giant robots, pleeeease call the pilots hawks
[ID: Artwork of a coyote with a chain around its neck, the chain has broken. There is text which says 'I'm a woman as much as a coyote is a dog. In the same genus. In the same family. Maybe looks the same, definitely at a distance. Too wild, too different to even pretend. End ID]
you are cordially invited to my pretentious son's french new wave-themed bar mitzvah. you may note the ironic tone of his dvar torah and the use of jump cuts in his childhood photos slideshow.
While looking for something I found an older Ryoko Kui Blog and there's some proto-dungeon meshi art there. I've seen these around before but didn't know the source!
I'm not sure if the last comic is related but it was in the same post titled ダンジョンRPG的な (Dungeon RPG-Like according to google) from 2012
nobody tells you about the stage in a friendship where you discuss your stools. i don't think i've ever been happier than when a friend confides in me about their diarrhea.
ive extended my theory to the following: when you can talk about gross shit with your friends, without feeling embarassed or them going like 'ew gross' you have achieved ultimate friendship
Cats understand "naughty". In fact I think they're the only animal who understands it. Dogs know "good" and "bad" but not Naughty. Same with theft. Cats know what theft is. They know when they are thieving and you can see it on their faces. Squirrels are thieves but they don't know that. They know "take" and "have" but they don't comprehend what it is to steal. Nor do raccoons or coyotes or any species of rodent. They may participate in theft but they are ignorant of the weight of what they do, the full meaning of it. Cats know what crime is and they do it on purpose.
I want to talk about why I think this is the one of the most important Falin panels:
So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.
In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.
At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.
And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.
Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.
If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.
We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:
So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.
Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."
So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.
However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.
Isn't that the same thing?
No, no it very much is not.
Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:
Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.
But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.
If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.
Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.
Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.
Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.
We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.
And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.
So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.
It doesn't seem like Falin has ever confronted any of it directly.
And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:
Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.
And this is something Falin embraces, too. She comes back to life, after all.
We see her choose to come back to life.
And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:
Do you want to eat more?
There is a double meaning in the Winged Lion's final words on the next page.
When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.
But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.
And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.
It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.
There was a Senshi’s Journal booklet with one of the Japanese manga volumes that showed Senshi’s POV on events up to chapter 51. An anonymous person posted raw scans and translation on a forum. So I figured I’d make a scanlation.
(I tried to translate/romanize some parts that weren’t in the translation, but I’m not exactly great at it).
There was a Senshi’s Journal booklet with one of the Japanese manga volumes that showed Senshi’s POV on events up to chapter 51. An anonymous person posted raw scans and translation on a forum. So I figured I’d make a scanlation.
(I tried to translate/romanize some parts that weren’t in the translation, but I’m not exactly great at it).
Distant Utopia - from ひきだしにテラリウム (Terrarium in a Drawer) by Ryoko Kui
now that Dungeon Meshi has an official English translation, i hope someday Kui’s other work will get translated too. this anthology was really good, and this story was one of my favorites
pixelskylines
jacobvanloon
snowghoul
yousharknotpass
germansingergirl
dededos
janainaart
titsay
