Horses exist in zoos, you're pretty sure. That's where they, more or less, belong. It's not like there's a stable next to the auto shop or something. Are there… wild horses? In… nature? Presumably, at some point, there must have been. Probably not, anymore.
Oh, the race tracks, though. Duh. They probably have stables. Couldn't lose twenty thousand wen a day if there weren't losing horses to bet on.
Horses don't belong at the gas station, but there's one here anyways. Its rider is wearing a leather jacket studded with old military medals; what looks like a torso-sized cogwheel, slung over her back like a shield; a broadsword, underneath the cog-shield; and a pair of holo-screen shades.
She dismounts. She slides her card through the machine. The pumps start pumping. The horse sticks out its neck, dips its snout, and begins drinking gasoline directly from the nozzle. The rider holds the spout up to the horse's mouth, at a bit of an awkward angle.
She meets your eyes, and shrugs. You know how it is.
You don't know how it is. Later, you will see her on the news, clotheslining a police officer on horseback at seventy miles per hour. You will understand even less, and also, so much more.
A selection of some of our fave Harvey Guillén fashion moments in 2025!
Harvey showcased a lot of new designers throughout the year, alongside his ongoing collaborations with Christian Siriano!
His Emmys fashion journey showed this in microcosm: he slayed in Bishme Cromartie to announce the Emmy nominations, in Siriano at the Creative Arts Emmys, in Harry Halim at the Primetime Emmys, and in Cucculelli Shaheen at the post-Emmys parties.
Harvey continued to highlight sheer textures in his looks and added a new twist with temporary tattoos on his arms for a couple of red carpets. He introduced pleated pieces by Homme Plissé Issey Miyake and explored new ways to show some skin with backless outfits by Siriano and Jonathan Marc Stein early in the year. He leaned into leather with a stunning photoshoot also in Jonathan Marc Stein, repped fat positivity with a Mameko Maeda Tenga X Artist sweater, and featured eco-friendly fashion with Romina Cardillo at the premiere of Companion. Plus, he revived one of his earliest fashion collabs, with Ashton Michael, at the 2025 Latine Honors.
Edit: Look below the cut for the events and designers for each look!
Which 2025 Harvey fashion moment is your favorite? We can't wait to see what he wears in 2026!
Events and designers, from left to right and top to bottom:
In Cucculelli Shaheen for 2025 post-Emmys parties
In Jonathan Marc Stein for 2025 Elton John AIDS Foundation Oscars Viewing party
In Christian Siriano for Siriano's 2025 NYFW show
In Romina Cardillo at the Companion film premiere
In Romina Cardillo (Nous Étudions) for the Companion film premiere
In Christian Siriano at the 2025 Critics Choice Awards
In Harry Halim at the 2025 Primetime Emmys
In Simone Rocha and Homme Plissé Issey Miyake for a photoshoot
In Ashton Michael for the 2025 GLAAD Latine Honors
In Mameko Maeda (TXA - Tenga by Artist) at the 2025 Vanities Party
In Siriano with Vitaly accessories for the 2025 NHMC Impact Awards
In Homme Plissé Issey Miyake with a Zimomo on Jimmy Kimmel Live hosted by Tiffany Haddish
In Jonathan Marc Stein for a photoshoot in NYC
In a leather corset top at the Real Women Have Curves Broadway premiere
In Blake Patterson with Vitaly and Frou York accessories at the Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip premiere
In Christian Siriano at the 2025 Creative Arts Emmys
In Alexander McQueen for Museum Store Sunday
In Dickson Lim for a photoshoot
In Bishme Cromartie for the 2025 Emmy nominations announcement
what a beautiful time of year everyone is growing veegtables for me spacifically, one problem though you need to make fences shorter im sure its a mistake but i cant reach some of them
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
I want to open this by saying I understand people who are upset that there isn't more Piltover/Zaun conflict and resolution in S2 of Arcane. However, I'm going to argue here that the reason it's not in S2 after 2.03 is because the conflict is over. Piltover won. There is no more Zaun anymore as a potential political player and, ultimately, this comes back to haunt Piltover in their hour of need.
Overall, while I am invested in the Piltover/Zaun conflict, especially in S1, I'm less focused on Caitlyn and Vi's story which is our main lens for the conflict, or rather the end of the conflict, in S2. Still, I hope to offer my more Arcane worldbuilding-focused perspective. And just to get it out of the way, here are a few things I had trouble with:
I too was puzzled that anyone from the Undercity would join Piltover in the defense of the city.
I also thought it was strange to have Jayce focus on the threat that Viktor posed with his robots while soliciting help from the undercity, instead of on Ambessa, the more clear and understandable threat that would have made a better rallying point and allowed for a final discussion about the Noxian occupation of the undercity and how Noxus turning on Piltover was just them reaping what they sowed.
I was certainly taken aback when everyone was given Enforcer uniforms for the final fight.
That said, I believe there are answers to all three of these. From there, I want to dive into what exactly happened in S2 with Piltover vs. Zaun, to my eyes. Short version: there is no more "Zaun" as a potential nation or political player by 2.03 when the Chem Barons are taken out by Cait's forces, but it really died before that with Silco, who was already in a precarious negotiating situation himself and he knew it.
Very few people from the Undercity joined Piltover's defense of the city. Maybe a half dozen. I felt that was our moment of "you reap what you sow" for Piltover. A few passionate idealists who could see the bigger picture that saving Piltover does mean saving the undercity joined, but there were no hordes of volunteers. Piltover had lost the right to them and was substantially weakened for it.
Jayce choosing to focus on Viktor as the threat makes sense for him, but it was a poor political move and probably lost him volunteers he would have otherwise gained. The robot army threat is too esoteric and fantastical. "The Noxians turned on us and plan to conquer the city," is a threat that would have been better for rallying the troops, Jayce is just too single-minded to think of it. He's a bad politician.
The Enforcer uniforms are an odd sour note, but they do make sense as protective gear. Piltover doesn't have an army. There are no uniforms to give people. All they have is Enforcer uniforms. It is an odd note symbolically, but practically speaking it shows how little time Piltover had to prepare. Piltover is a civilian city going up against a military force like Noxus. They are woefully underprepared and really only have their status as defender in urban fighting to give them a prayer of even stalling the Noxian forces. Ironically, Piltover's only hope against Noxus mirrors Zaun's only hope against Piltover if they had gone to war: the difficult nature of urban fighting against an entrenched, motivated opponent on their home turf.
Now, to get into, "What happened to the overall Piltover vs. Zaun fight?" I get why people think it's lacking in S2, and I get why people find it horrifying that there is no independent Zaun at the end, all we've got is Sevika with one seat on the Council, as far as we can tell but I would point out:
Zaun is dead at this point. It's been dead since 2.03. Arguably, it really died with Silco.
As Jinx said, she didn't just destroy her own family, she cursed an entire society when she launched that rocket into the Council Chamber.
Here's the thing, Jayce was actually right when he said Zaun wouldn't stand a chance in an outright war with Piltover.
Yes, Zaun has a lot of brawlers. They have Shimmer and the Shimmer berserkers.
But Zaun doesn't have any sort of organized fighting force beyond the guards of individual Chem Barons and their factories.
What Zaun has is the fissures. It has ugly, difficult urban fighting in dangerous spaces. But as a counter to that, we have the fact that their ventilation is controlled from Piltover. In a true all-out war, Piltover could in theory just flush out the entire undercity using the Gray. Having your infrastructure entirely dependent on an enemy oppressor is what I would call a "fatal flaw" in any defensive military strategy, particularly when what they can cut off is the air you breathe. That's easily game over right there unless Silco has a way to circumvent that.
In a guerilla war, Zaun could probably hold out for a long, grinding, ugly civil war made up of mostly guerrilla attacks, in which a great number of innocent civilians will die, even in an all-out conflict with Piltover. But it would suffer catastrophic losses and probably still lose in the end.
Now, Jayce is I think somewhat naive in his claim Zaun doesn't stand a chance. Maybe Zaun wouldn't stand a chance in the long run, but they'd make Piltover pay for every inch with blood. They'd grind Piltover down into a shadow of its former self, force them to sacrifice all of their principles. To some extent, I think Jayce gets that, he gets that he doesn't want more kids to die, but I think even he underestimates just how ugly that war would be and how long it would go and how unrecognizable his Piltover would be by then.
The moment that gives Silco pause in Jayce's assessment of how easily Zaun would be crushed isn't the fighting. Silco is pretty confident that they could make Piltover pay and he's arguably looking forward to the chance on some level.
What gives him pause is when Jayce says the Council doesn't care.
To some extent, Silco like any revolutionary against an oppressive "civilized" society (heavy, heavy emphasis on the air quotes there) is that a certain point, Piltover is so soft-hearted they will get tired of the bloodshed.
What Jayce just told Silco is that the Council is more barbaric than even Silco maybe appreciated, for all their vaunted principles. There isn't necessarily a limit to how many Zaunite children will die before Piltover decides to cease hostilities. Knowing what Silco knows of Piltover's brutality, I think that is a sobering moment for Silco. That's when he decides this really is the best time to negotiate.
(Aside, this is by the way where Vi is wrong about Silco, driven by her emotions. Silco is willing to set aside the feud to get his nation of Zaun, he can be negotiated with. He's just not willing to give up his daughter (something Vi can't possibly understand at this point).)
Here's why it's the best time for Silco to negotiate and it ties into everything else:
Without Shimmer, which has been severely hampered by the raid on the factory, Zaun doesn't have anything to counter Hextech.
Jinx's wild attacks against Piltover has helped put the pressure on them that Silco capitalizes on. But it is a paper-thin threat. She is a lone albeit devastating terrorist. She makes Zaun appear more dangerous than it is but that can't last forever. Silco has leveraged her attacks into a pressure campaign against Piltover, but a serious response from Piltover (as seen in 2.03 with the strike team corners and very nearly captures her) could reveal just how fragile that threat is.
Basically, Zaun has some champions, arguably a league of legends lol, but it doesn't have an army. It doesn't even have Enforcers of its own. It doesn't have a concerted force of any kind.
The money is running out. As "Sucker" shows us in 2.02, each Chem Baron that gets taken out means less money on the table, and we're down 2 by the beginning of S2 with Silco and Finn, who arguably both fell to internal fighting.
As the Chem Barons say in 2.02, even if they got total unity in Zaun, they're outnumbered.
However, they don't have total unity in Zaun. They can't even get the Chem Barons to agree on what to do on one topic, with Jinx.
Silco basically has to accept the deal with Jayce when he does, while Zaun appears to be at its strongest. Because if he had waited any longer, the fact that they don't have the strength or money to back it up would have become apparent.
Furthermore, once Jayce resigns from the Council, which he was planning to do anyway regardless of Jinx's attack, would mean Zaun would lose its one champion with the political capital to give them independence. The window for Zaun independence is actually extremely narrow.
With Silco's death and Jinx's attack on the Council, then the subsequent eradication of the other Chem Barons, their resources, their money, including Shimmer which was the only thing Zaun really had to match them against Hextech in that arms race, there really isn't a Zaun anymore.
There's no one to negotiate with. No one to hand power to. No force that can govern itself. Zaun is completely fractured with the eradication of the Chem Barons. By taking them out, Cait removed the need for Piltover to negotiate with Zaun. And the reason Piltover chose not to was because of Jinx's rocket and then the attack on the memorial, which was orchestrated by Ambessa.
This is all according to Ambessa's design, by the way. She divides Piltover/Zaun against themselves by capitalizing on Jinx's attack. She leaves both severely weakened to make it easier for her to take over, and Piltover walks right into the trap. They would have fallen to Noxus if not for Mel's love of the city, even if you remove Viktor and Jayce's plotline entirely.
TL;DR Zaun is gone, guys. It's a distant dream. Sevika is the only person with an interest in making it happen anymore and she can't even get the Jinxers to listen to her. All the factions are easily arrested at the rally. Piltover has no reason to negotiate with any of these people. As the lone torchbearer for that cause, it makes sense for Sevika to be on the Council but beyond her, there is literally no one else to give a voice to (since Ekko doesn't appear to have an interest).
At least, until the Noxians turn on them, and then there's an interest in Piltover and the undercity joining forces, but as I referenced at the beginning of this, Piltover has now lost the right to the undercity's help AND lacks the undercity's resources too. Now Noxus has Shimmer instead of Piltover or Zaun, in addition to their sophisticated and expertly trained military force. As Jayce said, they were meant to lose this fight. Arguably, they never had a chance of winning if not for Mel claiming the loyalty of the Noxians in the wake of her mother's death and everything Jayce did to stop Viktor and the Hexcore.
This is an excellent Watsonian explanation of the end of the class war.
From a Doylist perspective, I think there are 2 important points:
The show was always written to highlight the relationships between characters in the game League of Legends.
The story of the oppressed lower class rising up against their rich oppressors is old and done, and the story of Arcane is not.
To point 1, the creators always set out to make a show about the characters of LoL, not about its locations. And they absolutely did! The relationships between and among these people are what makes the show compelling. It's why there are thousands and thousands of fics for a whole slew of ships with fun names.
To point 2, I think it's so incredibly valuable that they didn't simply write Les Mis, But With Magic. Sure, you want to see the oppressed underdog beat the rich, powerful overlords. Feel free to watch Les Mis, or The Hunger Games, or Mad Max. That story can be great when done properly but it has definitely, exhaustively been done.
A much, much less common story is what we got: a messy, chaotic fight that culminated in a victory not through physical or mental or even magical prowess, but through enduring, unwavering love. An entire world's destruction and salvation built around the fact that two people couldn't accept being apart from each other. Wins for a whole bunch of underdogs, and a message that says, "It's never too late to try to do better."
I know a lot of people were disappointed by S2, and I understand those feelings (you have no idea). But personally, I loved it. I think it's very clear that the show was headed toward the finale it gave us from the very beginning, but it's also so original it was never predictable.
It's not perfect, no, but it's interesting, and that, to me, is so much more valuable.
I'm gonna split the difference between your Watsonian and Doylist takes and say a little about each.
As someone who is ALWAYS down for a story about the oppressed rising up...I personally would have been disappointed if what seems like generations of inequality had been magically (ha) solved in 18 episodes. I don't think there's a way to do that without it feeling cheap and fake--even if any of the show's other plotlines were sacrificed to give the class struggle story elements more screentime. I also think that expecting that from a show called ARCANE is setting yourself up for disappointment. Magic was always going to be the main plotline. The inequality between the two cities is a backdrop for stories focused on the characters and their relationships, as @thetardigrape says. And given that (in my understanding) that inequality still exists in the world of the game, it seems unrealistic to expect it to be resolved in the show.
Sevika taking her one (1) token Council seat for the Undercity under the stink-eyed gaze of all the old money Pilties was a great moment, actually. That's fucking real, man. It's gonna suck so so much for her both politically and personally and I tend to think it will be nothing but ineffective and frustrating as a strategy for change, but that door toward more equality between the two cities has been shoved open a tiny bit and someone's gotta stick their foot in the gap. Within the world of the show, a tiny, imperfect and resentfully acknowledged crack in the status quo honestly feels way more real to me--and consistent with the tone of fragile hope that most of the storylines end on--than a more decisive political victory would.
And within the world of the show...I mean. Class struggle is never over. As long as there is inequality there will be new rounds of social upheaval, and there are many forms of struggle in between fighting the police and becoming a politician.
I do think that Silco's (and young Vander's) framing of the conflict in nationalist/separatist terms seems to be a very small minority position in their time, and that specific political project dies (for now) with Silco. I have a lot (like a LOT) more to say about this but it does not seem like most residents of the Undercity think of themselves as having a shared national identity. Maybe there is some vague sense of a shared class identity but there is certainly no sense of unified class power. (Again...a lot more to say about this that really deserves its own post.) In general, people's group loyalties seem to be to (1) their families (both bio and found) and informal networks of mutual support for basic survival, (2) gangs and networks of criminal enterprise, which can overlap with (1), and maybe in certain limited senses (miners, probably) to their fellow workers.
This doesn't mean that trying to cohere a national identity for Zaun is an objectively incorrect political strategy (my answer on that is a big fat "it depends!") just that it's not popular. The Undercity is not united at all during the timeline of the show. We're seeing it in a moment of division and defeat and I have a whole theory about exactly why but that's really getting into the other post I just need to sit down and write now.
I save scummed through every variation of this guy’s dialogue tree because I really, really wanted him to perform unethical surgery on me. like I’m still so angry about this. WHY have the gross knife hand doctor if he can’t pull out your appendix and laugh about it??? what is the POINT
Imagine saying this to the Robin Hobb who published her first book while financially struggling as a waitress and post lady with 4 children to take care of alone because her husband was an offshore fisherman in Alaska
Let our (s)words decide @letourswordsdecide - Tumblr Blog | Tumgag
