lighthouse study. started in sketchbook and finished in procreate
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@mariganath
lighthouse study. started in sketchbook and finished in procreate
San Sebastian Film Festival — September 27, 2024 (source)
reblog to save a liFE
Up to now, I have been drawing random generic suit jackets.
Never again.
cc: @petermorwood
You have to admire her audacity, if nothing else.
Literally my favourite thing about Rogue One is that it makes the opening of New Hope so funny. Like, Vader has followed Leia from a planet he just blew up seconds ago and pursued her across the galaxy and then she’s just like: ‘I’m on a diplomatic mission to Alderaan’
Vader: You’re a rebel. I just had a fight with your entire rebel fleet and followed you here. Straight from the rebels. Of which you are a part
Leia: *dramatic gasp* rebel? Me??? I was just passing through. Diplomatically. Thought it was a five-space-ship pile-up or something going on there…
death star plans? on my alderaanian diplomatic mission? it’s more likely than you think
ok but this is like legitimate Canon Improvement because I’d always wondered why Vader was so wildly furious at the start of the movie like “rahhhhh bring me the passengers I WANT THEM ALIVE!!!!” and now I’m like
ohh yeah okay they literally JUST blew up Vader’s base, stole his sh!t, and took off while giving him the finger from the window
while giving him the finger from the window
IT GOT BETTER
It is the best thing ever because it establishes that he knows she’s a Rebel and she knows he knows she’s a Rebel and he knows she knows he knows she’s a Rebel and—here’s the kicker—every moment she stalls him is another moment Artoo has to get the plans off the ship and head for Kenobi, and so she’s standing there all “Rebellion? What Rebellion? Me? *kicks dead Stormtrooper underneath carpet* I don’t know about any plans, have you checked behind the sofa?” and making Darth Vader’s blood pressure rise, and, oh, the best part of it is that she’s his daughter so guess where she got that sass from, like every fucking dead blue Force Ghost Jedi who got killed at the birth of the Empire is whooping and cheering from the Blue Force Ghost Afterlife seeing Anakin Skywalker get inflicted with everything they had to deal with from him.
You just know that enough people’s dying thoughts were, “I hope you have one just like you,” for the force to go, “this bitch deserves twins.”
It got better.
Pinkful Universe
Diego Luna by Sarah Dunn, 2018
I got art block what should I do
Take a day off and see if you feel like making art the next day. Or the day after that.
Still nothing? Then sit down and make a piece of crap art.
I mean, CRAP. Make it as bad as you possibly can. Screw everything up! Don't just break the rules: jump on them from a height and mock every one as you come down and stomp them into mush. Challenge yourself to be the worst you can possibly be.
...No, not like that! Worse!!
WORSE THAN THAT!
Good!... There you go.
...And at the end of it, guess what? You'll still have made art.
It may indeed be terrible art, of no damn use to any other being on the planet. But you will nonetheless have asserted your claim to the right to create art, even when the creative process isn't working particularly well.
And just keep on doing this until the juices start flowing properly again. Because, pretty much inevitably, they will.
Disclaimer: do I use this approach? Oh God, yes! You should see my bad pages. (Or on second thought, no you shouldn't. I like the Hague a lot, but not that part of it.)
But sometimes the road to making good art (waving at @neil-gaiman) runs through the territory inhabited by making bad art... and sometimes willingly, shamelessly, hilariously bad art. The very act can be surprisingly cleansing.
Fear nothing. Make crap art, and let it set the stage for the good stuff. Then laugh at it, and keep on going.
Hope this helps!
this is so mean but sometimes i see published writing and suddenly no longer feel insecure about my own writing ability. like well okay that got published so im guessing i dont have much to worry about
I have a friend who is an editor, and gets submissions of mostly poetry and short stories.
I have had a glimpse into her slush pile, and let me tell you, the contents were unbelievable and immediately disabused me of the notion that reading through submissions is in any way glamorous. People have the nerve to submit unhinged paranoid ramblings, fetish porn, and a seemingly endless supply of poems about masturbation.
I no longer feel like my fiction is somehow an imposition on the people who read it. It may be forgettable, but at least it isn't typeset to look like sperm.
Do not be afraid to submit your work. Your competition is not only worse than you think, it's worse than you ever imagined.
Do these three things to get to the top of the slush pile:
The place has a style sheet. Use it. They say they want your MS in 16.5 point Papyrus italic with 0.8 inch margins all around, guess what you're doing before you send it off? Save As, reformat, send it. In the absence of a specific guide: Courier 12 pt (Times New Roman if you must), double spaced, align left, tab 0.5 at each new paragraph.
Check the word count. Don't submit novellas to 2500 word short story venues. BTW, you format the MS in that old style above because the question isn't literal words. Courier 12pt double spaced gives you 250 words per page for typesetting purposes. 2500 words is 10 ms pages, 5000 is 20 pages, etc.
Don't send your romance to Analog or your war story to Harlequin. If it's a cross-genre story, be sure there's enough of what the publication is focused on to interest them, but breaking through is hard if that's not something they usually do.
That's basically what every single editors' panel at every con I've ever been to has boiled down to. And invariably, someone tries to get up and argue with them, not realizing it's not a discussion.
Bonus tip: Don't be in any way cute in your cover letter. Just the facts/Luke Skywalker's message to Jabba the Hut in ROTJ.
Enclosed/attached is my story <Title> for your publication <Magazine>. It is x (rounded to the nearest 500) words. I can be reached at <email> (that you check regularly and isn't likely to dump things into spam) and <phone>.
(If submitting a hard copy: The manuscript is disposable. A SASE is enclosed for your response./A SASE is included for return of the manuscript and your response.)
Thank you for your consideration.
If submitting a novella length piece or greater, a brief and complete summary is appropriate.
In the midst of an interstellar revolt against an evil galactic Empire, vital weapon plans fall into the hands of a farm boy on the edges of the galaxy. With the help of an aging warrior from the Old Republic, and a smuggler with a dark past and his imposing alien copilot, the four set out to deliver them to the rebel forces but are instead flung into a rescue mission to save the beautiful princess who stole the plans as worlds are destroyed by the might of the Empire's weapon, the Death Star.
Captured by the Death Star on route to deliver the plans, they manage to escape the base with the princess, the old warrior sacrificing himself to make this possible. As the Death Star approaches the rebel base, they use the captured plans to stage a desperate final stand. In a fierce space battle of single-pilot ships over the surface of the moon-sized weapon, the farm boy manages to make the critical shot with an unexpected assist from the smuggler, destroying it.
Never under any circumstance put a cliffhanger into a query letter summary. There is no faster way to get the entire MS binned than doing that.
Happy writing.
PS "Top of the slush pile" means into the top 25% of manuscripts received. Three quarters of the submissions don't take the trouble to do even those three basic steps.
Now, that still means 25/100 submissions or 250/1000 submissions, but it still improves your odds and forms the basis for starting a relationship with the publisher for the next piece you send them.
PPS This is obviously about prose. Poetry certainly has its own submission rules, and I know none of them. If you're writing poetry, find out what they are.
@silverhand's reply is right on.
I love your grandpa and this is gonna do NUMBERS here
This is delightful!
My latest cartoon for @GuardianBooks.
This is what will happen when I die if I am good.
Hold Me (Till I’m Clean Again)
A Rebelcaptain fic
WC: 2500
Warnings: whump with a sweet ending, canon typical violence, lots of blood, heavy war themes, these boys are fated as fuck
Author’s Note:
Y’all have this post to blame for this. It’s been consuming me since I saw it. It was fun to explore a moment of weakness for Jyn, I don’t usually let her crack.
READ ON AO3
“Where is she?” Cassian asked no one in particular, his voice stretched thin with desperation.
His eyes were wild with concern as he scanned the hanger. Two cargo ships had just gotten back in from supply runs, and there were dozens more bodies and droids crowded around than usual.
Ti’zo, one of the returning pilots, gestured over her shoulder to the U-wing in the center of the hangar where Draven and some of the other high ranking officers were forming a wall around the crew.
Cassian thanked her with a nod and pushed through the swarm, ducking behind cases of rations and racks of new uniforms. He wove between carts stacked high with wooden crates and droids scanning shipping labels and updating the inventory database instantaneously.
The chief cause of failure and unhappiness is trading what you want most for what you want right now. ~Zig Ziglar