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titsay
he wasn't even looking at me and he found me
Not today Justin
untitled
will byers stan first human second
roma★
Noah Kahan
No title available
Claire Keane
Janaina Medeiros
Lint Roller? I Barely Know Her
Show & Tell
Fai_Ryy
sheepfilms
PUT YOUR BEARD IN MY MOUTH
🩵 avery cochrane 🩵
$LAYYYTER
Discoholic 🪩
official daine visual archive
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@missashaley
Cinderella’s dress, shoes, and hairband change color with your blog!!
This looks perfect on a white background. So pretty to see her dress being silver like it is in the film.
Wow cinderella looks good in macaroni.
this is my favorite addition wow A+
my background is black
i was really excited about seeing this on my own blog and then i remembered my background is light blue :|
My blog is eyes. Eyes and Xs. This was a poor decision.
I’ve got 99 problems and 98 of them can be attributed to poor time management and self control.
#a kingdom of procrastination and it looks like I’m the queen
i’m so happy this set of pictures exists. I’M NOT ALONE!
Every day ):
Congrats, you’re human :))
No but seriously, imagine if you digestive system couldn’t expand to accomodate food? You’d be in terrible pain every time you eat and would have to consume little quantities of liquid all day long to get your nutrition.
this.
I need reminding sometimes.
no but you don’t even understand how much this needed to be done
THIS IS VERY IMPORTANT TO KNOW! You are a human who accommodates for the nutrients you need to survive! how wonderful! please don’t be scared or ashamed of that!
All these lovely ladies weigh 154lbs. We all carry weight differently, don’t live your life by an outdated chart. Find a number that looks and feels good.
TAKE A GOOD LOOK. WEIGHT COMES IN DIFFERENT SHAPES AND SIZES.
THIS ^ OH MY GOD the amount of times i’ve tried to get through to people about this!!! LEARN IT FOR CHRIST SAKE.
This is the perfect visual.
this is perfect!!!!!!!!!!!!!!!
this is so important!
This is insanely useful!
setting realistic goals for my future
And he gets his castle
Unlike Hans
i have seen everything i need to see before i die
I FOTGOT HOW TO DOLPHIN
if i was a dolphin
What is also fascinating about this film is that the villainess (Gothel) masks her villainy in the guise of love. She does not have the wealth of Cruella De Ville, nor the magic of Sleeping Beauty’s Maleficent. She is only equipped with an arsenal of emotional manipulation and self-esteem grenades, designed to keep Rapunzel afraid of the world and herself. As such, she is an amazing archetype for the devouring mother that many women must (to greater or lesser degrees) face in order to get free, and fully come into their own. [x]
uh hey mom u wanna read this cuz i don’t even think u realize this is u
It’s strange how a mixture of watching Tangled and taking Psychology classes has made me realize that this really is the kind of thing that my mother has thrown at me.
Co-Dependency at it's finest...I recently cut my hair (against my mother's approval) and it was the most freeing and greatest thing ever
This Ribbon is for Self-injury Awareness Day (March 1st) so lets get this around……… Reblog if you have EVER self harmed or know someone who has. Let’s show people they are not alone. We all fight together. Stay Strong… All of you <3
Full Dressing Room scene from Disney’s Frozen
I am SO glad this wasn't in the movie originally...it would have killed the whole vibe of them being separated. HOWEVER...I would love to see something similar in the sequel....I can totally see Anna being goofy and sharing a room with Elsa and Elsa getting irritated (but still being amused) by Anna
Socialism: You have 2 cows and you give one to your neighbor.
Communism: You have 2 cows; the Government takes both and gives you some milk.
Fascism: You have 2 cows; the Government takes both and sells you some milk.
Nazism: You have 2 cows; the Government takes both and shoots you.
Bureaucratism: You have 2 cows; the Government takes both, shoots one, milks the other and throws the milk away..
Traditional Capitalism: You have 2 cows. You sell one and buy a bull. You herd multiplies, and the economy grows. You sell them and retire on the income.
An American Corporation: You have 2 cows. You sell one, and force the other to produce the milk of four cows. Later, you hire a consultant to analyze why the cow dropped dead.
A French Corporation: You have 2 cows. You go on strike because you want three cows.
Japanese Corporation: You have 2 cows. You redesign them so they are one-tenth the size of an ordinary cow and produce twenty times the milk. You then create a clever cow cartoon image called Cowkimon and market them Worldwide.
An Italian Corporation: You have 2 cows, but you don't know where they are. You break for lunch.
A Swiss Corporation: You have 5000 cows. None of which belong to you. You charge others for storing them.
Chinese Corporation: You have 2 cows. You have 300 people milking them. You claim full employment, high bovine productivity, and arrest the newsman who reported the numbers.
An Iraqi Corporation: Everyone thinks you have lots of cows. You tell them that you have none. No one believes you and they bomb your arse. You still have no cows, but at least now you are part of a Democracy.......
Counter Culture: 'Wow, dig it, like there's these 2 cows, man, grazing in the hemp field. You gotta have some of this milk!'
Surrealism: You have two giraffes. The government requires you to take harmonica lessons.
Apathyologism: You have 2 cows. You do not care.
Fatalist: You have 2 doomed cows...
Atheism: You have 2 cows. There is no God.
A West-Country Corporation: You have 2 cows. That one on the left is kinda cute.
A Brazilian Corporation: You have 2 cows. You pay taxes for 6 cows. You have to sell one cow in order to pay the taxes. Your remaining cow gets sick and dies while waiting for availability in the public vet hospital.
Russia: You have two cows. Since they are both female, if you happen to keep them in the same stable you will pay a 5,000 rouble fine for homosexual propaganda.
PETA: You have two cows. You kill them both. You then use naked women to convince other people that killing cows is wrong.
Moffat: You have two cows. Both of them are your daughters time traveling from the past where they had a brief love affair with Da Vinci making you the rightful Queen of England. As you assume the throne, you throw them off a building.
Hussie: You have 2 cows. You ask for another one. Instead of getting just 1 cow, you get 2,485,506 cows.
Romney: You have 2 cows. You are not the president of the united states.
Once-ler: You have 1 cow. Everyone decides to make 5 different versions of that cow.
Old Spice: You have 2 cows. The cows are now diamonds. I'm on a horse.
An Irish Corporation: You have a million cows because they're everywhere
Tumblr: You have 2 cows. You ship them together and make GIF posts screaming about how much you love your cows, but they should stop existing because they are so perfect.
Also Tumblr: I give you a hamburger.
Cows: The shit you go through.
This post: Started off as a post that explained different goverments but then everything changed when the fire nation attacked
Prince Hans: The Mirror
In an episode of Star Trek: The Next Generation called “The Perfect Mate,” a woman named Kamala is taken on board the U.S.S. Enterprise. She is a supremely talented empath who, in any condition, mirrors the emotions of the person with whom she interacts.
Thus, with the brilliant Captain Picard, she is intelligent and adventurous. With the animalistic Klingon, Worf, she is primal. With the womanizing Commander Ryker, she is provocative and flirtatious. And so forth.
That is the true nature of Prince Hans, in Frozen.
This explains why there has been so much confusion about his character. Because he isn’t a character at all — in the sense that there is, as far as the story shows, no essential self to Hans.
Rather, every scene in which Hans appears shows him interacting with someone, and in those scenes, he takes on the characteristics and emotions of the people with whom he interacts. He mirrors them, as if he were an empath, reflecting their feelings back at them. And more than that, he even embodies their projections, personifying their hopes or dreads.
In Hans’s first scene in the film, Anna has just been dreaming of a perfect prince, and there he appears, as if her will had conjured him out of thin air. He seems to be just like her, a little awkward, but sociable, and wholly receptive to meeting someone — as if, like Anna, he too had been dreaming of running into someone new.
She leaves the encounter a little dreamy-eyed and love-struck, and he ends the scene with the same look on his face, reflecting hers.
Then, at the coronation ball, Anna attempts to re-forge a relationship with Elsa, which of course, Elsa cannot do (for Anna’s safety). Thereafter, Anna immediately encounters Hans again, except this time, he mirrors Anna’s desire for a much deeper instant relationship, just as Anna improbably wished instantly to bond closely with Elsa (as if the last 13 years of separation had never existed). Hans now wants exactly what she wants, an open-door relationship with someone, and he seems even to have endured the same hardships as Anna has: being ignored by siblings. He mimics her movements in the clock scene. He echoes her exact words: “Can I say something crazy?” “Can I say something crazy?” In their love song, they sing the same words right back at each other, again and again.
When Elsa unleashes her magic, a fascinating moment follows in which Elsa and Hans exchange glances with one another. Elsa looks up, concerned, and Hans too looks up, with a similarly concerned look on his face. In that one moment, he reflects her emotions precisely.
When Anna resolves to set out after Elsa, Hans’s desire is to parallel her: “I’m coming with you.” But Anna leaves him behind, in her place. In effect, he is to function as her substitute, as her mirror self in Arendelle.
As the governor of Arendelle, when the people approach Hans with kindness, he reflects their kindness in return. But when the Duke approaches him with hostility and attempts to show him who’s boss, Hans mirrors the Duke’s bravura and stares him down, asserting his own authority in turn.
Even at the ice palace, when he confronts Marshmallow, he mirrors the great snow monster in the ferocity of his combat skills. Just as Marshmallow grows ice spikes, so too does Hans grow one — his sword – and defeats Elsa’s mighty snow sentinel by reflecting the snowman’s violence.
When he encounters Elsa in her upper chamber, he echoes Elsa’s very own lifelong dread when he says to her, “Don’t be the monster they fear you are.” In effect, he is speaking for her, uttering her own emotions, as if he were empathically linked to her.
Even his very next action is a mirroring one: when one of the guards raises his crossbow to shoot, Hans, in grasping the guard’s crossbow, shoots with him. The are two suddenly on the same trigger, mirroring each other, performing the same act, shooting the weapon together as if they were twins.
When Hans next encounters Elsa in the dungeon, his tone is identical to hers. He sits beside her and speaks with sadness and worry: “Stop the winter. Please,” saying the lines just the way Elsa might utter them herself. He seems, in that moment, to be as gentle as Elsa. He reflects her emotions and her demeanor.
Next, of course, comes the library scene. And now, one might think that Hans reveals his “true” self. But that’s not the case at all. Here too he performs an act of mirroring — of Anna.
Consider Anna’s words when she returns:
HANS What happened out there?
ANNA Elsa struck me with her powers.
HANS You said she’d never hurt you.
ANNA I was wrong…She froze my heart.
That is, of course, Anna’s selectively edited and misconstrued account of what happened. In truth, Elsa struck her with her magic unwittingly and unwillingly, after having begged Anna repeatedly to leave, for Anna’s own safety. It was Anna herself who caused the situation in which she was hurt.
However, because Anna (due to her characteristic lack of perceptiveness about others and their emotions) does not recognize why the ice-palace incident transpired as it did, she misconstrues the event as if she were the one who had been wronged or betrayed by her sister.
And what does Hans do next? He mirrors this, as he mirrors all things. He wrongs her. He betrays her.
Anna’s projection of an unexpected betrayal from her sister causes Hans to mirror that unexpected betrayal right back at her. Once again, Hans even echoes Anna’s own words to him: “You’re no match for Elsa.” “No, you’re no match for Elsa.” He takes off his gloves when he does this, just as Elsa wore no gloves during the encounter at the ice palace, when Anna believes that Elsa betrayed her and hurt her.
In the next scene, with the ad-hoc Arendelle council, Hans seems grave but resolute, just as they do, seemingly prepared to do what’s necessary to save Arendelle — even something desperate, such as executing the queen. Earlier, they had projected onto him the image of a hero (“You are all Arendelle has left”), just as Anna had yearned to meet “the one” right at the beginning of the film, and Hans reflects their hero projection right back at the council members, just as he initially reflected Anna’s projection of a perfect prince, or later, her projection of a betrayal and injury by someone whom she thought loved her.
On the fjord, Hans once again mirrors Elsa. Observe how wide-eyed and nearly frantic he appears when he shouts at her, just as wide-eyed as Elsa herself appears.
And what identity does he take on in this moment? That of an executioner — which is exactly what Elsa believes that she has become, once she is told that Anna died because of her magic. Elsa believes that she has become lethal, that she is death personified, and Hans, in turn, mirrors that identity, becoming death himself, sword in hand, like the scythe of the grim reaper.
Only at the very end of the film, when he is locked in a cell, is Hans seen alone, for the very first time. At that moment, there is no one to mirror, and he sinks to the ground like a mechanism without a battery, because, like an empath who only exists in relation to someone else, he has no independent existence – or at least, none to which the audience is privy, in this film.
- - - -
No wonder Hans has attracted so many diverse interpretations, all seemingly incompatible with one another. There is no single Hans, no “true” Hans, not even in the library scene. In every moment in which he exists in Frozen, he functions as a mirror to other characters, embodying their emotions or their projections.
It is not that he is not sincere. Quite the opposite. He is entirely as sincere in every moment as are the people he reflects. He is just as genuinely committed to love in one moment as he is genuinely committed to kindness in another and to execution in another. As a fully empathic personality, he becomes whoever he is with.
"Who is this Hans?" Olaf asks. The answer is: not a person, not a character, but a mirror, perhaps even supernatural — a mirror who reflects everyone around him, their loves and fears, their vices and virtues, their lives and, very nearly, their deaths.
(My own extended review of Frozen appears [here].)
I know this is already long enough, but I wanted to point something else out:
in the original story, the main focal point, besides the queen, and love, etc, is a mirror. The mirror that tainted the Queen, the mirror that shattered when an attempt to take it to heaven was made, and a mirror’s shards who have to be gathered to put it back together so it can regain full-power again. In the movie about it (not Frozen, but Snow Queen), they explain that the mirror showed each sister of the seasons (fall, winter, summer, spring) what they most desired - could grant to them if they so desired. It was for all 4 but the Ice Queen, having been corrupted by the image it showed her, stole it (then it follows the shattering, being put back together, etc). My point is, the whole time I was watching Frozen I was thinking “where’s the mirror? If you’re going to use this story, you need to have the mirror, it’s vital." I was disappointed, when leaving the theater (despite loving the movie to bits) that the mirror hadn’t been mentioned, or seen. But the thing is…they did put it in there. I just couldn’t see it, because the mirror was disguised as a person.
Best Frozen Cover....Ever. Y'all...she is 11. Seriously...this is beautiful
I have this headcanon that as a kid Elsa would have breakdowns where she'd let her power go crazy and she'd be crying and her dad would come in and lock her up in the dungeon 'for her own good'
Aww, poor elsa~LetDaStormRageOn
I reject your reality and substitute my own (seriously, this is one of the saddest things I have ever read)
Princess! I so thought of you the other day! I was on vacation and there was the cute little chocolate shop. You walked in and the smell of chocolate was overwhelming. And they had EVERY kind of chocolate imaginable! It was amazing!!!!!
"Oh my gosh, that sounds like a shop sent from the Gods! Maybe I should get someone to open up a shop like that in Arendelle!"
you should!! It was AMAZING!!! I seriously just sat in the store and inhaled the wonderful aroma! also...how do you feel about cookies?? :)
