I feel like the first class you played in DND tells a lot about you
Reblog and put in the tags what your first class was
Stranger Things
Game of Thrones Daily
I'd rather be in outer space 🛸

Origami Around
we're not kids anymore.
untitled
trying on a metaphor

titsay

Andulka

tannertan36

❣ Chile in a Photography ❣
YOU ARE THE REASON
$LAYYYTER

gracie abrams
Keni
PUT YOUR BEARD IN MY MOUTH
🩵 avery cochrane 🩵

blake kathryn
Xuebing Du

bliss lane
seen from Pakistan

seen from United States

seen from Canada

seen from Armenia
seen from United Kingdom

seen from United States
seen from United States
seen from Singapore
seen from Germany

seen from Brazil
seen from United States

seen from Colombia
seen from Venezuela

seen from Finland
seen from United States
seen from Germany
seen from Singapore

seen from United States
seen from United States

seen from Türkiye
@morose-idealist
I feel like the first class you played in DND tells a lot about you
Reblog and put in the tags what your first class was
Astarion will not tolerate such an injustice! HISS!
(if you don't get this reference, His Majesty, the cat in last light inn, says the cleric is a liar because she promised him a bowl of milk and yet, he had no milk).
Bon appetite?
Was inspired by this screenshot
I know this fan art was created independently, but it has so perfectly captured a scene from one of my favorite fics that they're now inextricably bound in my mind.
Go check out The Accountant’s Guide to Taking Down an Evil Vampire Lord (and maybe bagging Astarion while you are at it) by Cinnamontails
The heroine is wonderful, and the way the author builds the slowly deepening attraction Astarion feels for her is sublime.
Snippet from the third chapter under the cut (but seriously go read it bc it's so damn good):
It’s really telling of Halsin’s character that, left to his own devices, he chooses to found a town following the fall of the Netherbrain. He responds to the Baldur’s Gate refugee crisis by fostering a new community where the needs of orphans, refugees, and others can be met. To me, this alone implies he isn’t “anti-civilization” or “anti-urban” or whatever, as sometimes gets bandied about. We can infer from his actions that he clearly sees the value of organized social life.
Halsin often talks about balance, and I think that’s key to his stance on both nature and society. Both should have some internal degree of balance, but should also be balanced with regards to each other. Balance isn’t static. It requires effort to maintain and the actions of agentful beings will tip the system in one direction or another. I think it’s more accurate of his thinking to say the city is in a state of disequilibrium, as evidenced by an unusually extreme incidence of visible structural violence. If you let Kagha kill Arabella, Rath will make a similar argument. In his words, killing Arabella encourages disequilibrium because it will instigate more violence between the tieflings and druids. It creates conditions for a tit-for-tat revenge cycle that has the capacity to cause great disorder for little tangible benefit.
Yes, when you’re in Baldur’s gate, Halsin gives you a blanket statement about whether civilization and nature can even coexist. I read this as a knee-jerk reaction made in an emotional moment, not a well tailored 5 paragraph philosophical essay that perfectly reflects his thinking on nature/culture dualisms.
Generally, I see Halsin as anti-cruelty, not anti-“civilization”. I don’t think he would love instances of blatant creature-to-creature cruelty regardless of the context. We can argue about whether he always lives up to this ideal, but I see him as very consistent in this way of thinking.
If Halsin were truly "anti-civilization", he would have encouraged Kagha and joined up with the Shadow Druids— that's their whole thing, they believe that 'nature' is paramount and should reign supreme and completely (conveniently) forget about the fact that the sentient peoples of Faerûn* are inextricably part of nature and cannot exist outside of it.
*Just as we here in the Real World can't exist outside of nature. We might live in cities and stay indoors and have no clue where our food comes from but we still need water and food and sunlight, there's no divorcing ourselves from the ecological cycle no matter how smart or elevated we think we are.
“Recently, my son said to me after seeing a ballet on television: ‘It’s beautiful, but I don’t like it.’ And I thought, Are many grown-ups capable of such a distinction? It’s beautiful, but I don’t like it. Usually, our grown-up thinking is more along the lines of: I don’t like it, so it’s not beautiful. What would it mean to separate those two impressions for art making and for art criticism?”
— “59. it’s beautiful, but I don’t like it” from 100 essays I don’t have time to write: on umbrellas and sword fights, parades and dogs, fire alarms, children, and theater, sarah ruhl (via likeniobe)
Too many people are incapable of making or understanding this distinction.
audiences have no idea how to be uncomfortable anymore
watch movies that make you uncomfortable read books that make you uncomfortable go to plays that make you uncomfortable watch tv that makes you uncomfortable look at paintings and sculpture and artwork that makes you uncomfortable. it is spiritually and morally and ethically and artistically really really good for you. think about why you are uncomfortable. what biases do you bring to art? what biases does the art bring to you? how do you reconcile this? how does your worldview grow and expand and change? all this and more will be answered and available to you if you just engage with art that does not coddle you and treats you like an intelligent human being that can sit through discomfort
after getting a couple of years of distance from it, the whole “is astarion’s Good Ending the ascension ending or the spawn ending” debate is so funny to me because at the end of the day what that debate boils down to is: you can choose to sacrifice 7000 (mostly innocent) people’s souls to a literal devil for eternity so that one random ass dude can walk in the sun again or you can. Not do that
People can like what they like. But I've seen some truly absurd takes and the cattiness from the toxic element (which is just a very vocal portion of a greater whole, I'm aware) is.... well. I don't have a lot of patience for a disingenuous argument, much less a poorly-supported one.
Autism Representation written by an allistic: My name is John Autism and I like the designated autistic interests
unintentionally autistic character written by the creator who hasn't really thought about whether or not theyre autistic: I wish I could be human like the way everyone else is but I know they can tell I'm not. And I know they're right
Um. That's— that's rather a bit too familiar a thought process for my comfort.
I do not like that I understand this on a deeply personal level.
An Archive of Our Own, a project of the Organization for Transformative Works
Because someone on Tumblr asked me if Neve and Astarion opened the barn doors in the Blighted Village, and I thought that was the funniest thing I'd ever heard.
Takes place after Moderation and slightly after the second scene of A Little Further.
Neve may not be too impressed with Astarion, but I think under better (less stressful) circumstances she might come to enjoy his Chaos Gremlin tendencies— because I sure do 🤣🤣🤣
Bath and Bed
Chapter extract below…
He splashed her in the face.
She gaped at him for a moment. And then she pounced.
He barely had time to laugh before she crashed into him, sending a wave of bathwater over the side. It hit the floor with an impressive splash.
She gripped his shoulders. “Retribution!”
She shoved him backwards, reaching for the spots on each side of his ribs they both knew would make him squirm helplessly.
He twisted at the last second, and they both lost what little purchase the smooth enamel offered. Limbs tangled. His knee bumped the side of the bath. Another tidal wave escaped onto the tiles.
Astarion managed to wriggle free just long enough to slap another palmful of water at her face. She gasped in outrage.
“Again?” she spluttered. “You dare?”
She lunged a second time, laughing now, and succeeded only in dragging them both sideways in a spectacularly undignified heap. A fresh wave caught him square in the face before spilling over the side.
“Ow,” he spluttered through his laughter.
She sat back quickly. “Did I –”
“Good gods woman, why are your elbows so pointy?”
She lifted an arm and examined her elbow. “They seem perfectly norm–”
Her sentence ended in a grunt, because Astarion was not one to miss an opening in battle. Before she could protest, he scooped her over one shoulder and lifted her out of the bath.
“Unhand me lawman!”
“You’ll pay for your crimes,” he intoned, marching toward their bed. “You’ve been caught disregarding good advice.”
“What? I was giving the advice!”
“And assaulting a magistrate.”
“Offering him a drink!”
“And concealing unusually pointy elbows.”
“They weren’t even concealed!”
He unceremoniously dropped her onto the bed. She let out an indignant squeak as she bounced on the mattress.
For a moment, he forgot the joke entirely, struck by the sight of her.
The first time he ever undressed her, he’d told her she was perfect. Even though so much of what he’d done back then was a performance, that had been a truth.
She looked at him now with damp curls framing her face, cheeks flushed pink and laughter lingering in the corners of her eyes. There was water beading on her skin, catching the firelight as she breathed.
She was a nymph carved from marble, brought to life. She was a vicious goddess of light and mischief. She was warmth and comfort and life.
He opened his mouth to tell her how perfect she was. To tell her about the graceful line of her body. About the way her skin glowed, and her horns curved, and her tail –
A pillow hit him in the face.
He growled.
The change in her was immediate. Her eyes widened slightly, the delicate silver rings around her pupils blowing wide. He could hear the flutter of her heart, and it called to something in him.
For a moment, they each simply watched the other.
Then she looked up at him through dark lashes. “What will my punishment be, my Lord?”
His mouth actually dropped open – and he could see the triumph in her face as she registered the surprise in his.
The shock was only momentary though, quickly replaced with something sharper. An ache of desire, low in his belly. A rush of blood, lower still. He let a hungry smile spread across his face – and felt his own flush of triumph as she shifted beneath his gaze, suddenly very aware of herself.
“I might be moved to clemency,” he drawled, voice low. “If you do as I say.”
She hesitated, then nodded.
He looked for any sign of worry in her, wondering whether she’d played these kinds of games before. Wondering how far he could safely push.
She was squirming a little, tail flexing in curls at her side. Her heart was quick, but not fearful. Those beautiful eyes were dark and wide.
He walked over to one of the bedroom chairs, and took his time dragging it back. He made a little show of finding just the right place to put it – to the side of the bed – listening to her breaths the whole time.
Then he took a seat, crossing an ankle over a knee. She watched him like a cat would watch a mouse. Or maybe like a mouse that’s spotted the cat.
He let his eyes fall, very deliberately, to her tail.
“Show me,” he said.
Her heart skipped, and her face betrayed her. Nervous. Shy. Uncertain.
He nearly crossed the room to her.
But there was something else, too. The warmth rising to her skin. The quickening of her pulse. The unmistakable scent of her arousal.
“Please,” he said, the word little more than a husk of a whisper.
She closed her eyes and lay herself down. She swallowed hard, and he watched her take a deep breath, letting the exhale out long and slow. Once again, he considered rising from the chair – but then she moved.
She raised her arms above her head, one hand clasping the opposite wrist as if restraining herself there. Another deep breath, her back arching slightly, before her tail lifted from the mattress.
It rose along the opposite side of her body, curving with the effortless grace of a swan’s neck. For a moment, it stayed there, swaying slightly. Then it dipped low, fin catching the light.
She touched the soft tip to her lips with a sigh, before licking along edge. Her fin trembled briefly, a corresponding shiver running down her body. Tilting her head back, she let the fin drift down her body, tracing her midline.
It was a light touch, he could tell. She tensed and wriggled a little beneath it, as her tail started drawing leisurely shapes over her body.
He followed its path with eyes that burned.
It circled the gentle swell of a breast. Slowly, round and round, leaving goosebumps in its wake as it drew ever closer to the peak. She arched again, just a slight rise of her body, as her fin ghosted over a nipple.
It stayed there for a moment, a gentle stroke back and forth, before moving to the other breast. He stared, completely mesmerised, as she used her tail to meticulously map herself. Her neck, the hollow of her collarbones, the rise of her breasts, the dip of her waist.
Sometimes she used the very tip, and that made her twitch. Sometimes she flattened the fin against her skin like a fan, and that made her sigh and writhe.
All the while, her hands stayed clasped above her head.
The shapes she drew meandered lower, inching closer to where she was squeezing her thighs together. A circle around a hip bone, a winding drag low over her tummy, a soft caress of the opposite hip.
She was breathing faster now, and he could smell she was slick and needy. He was painfully needy himself, actually. He took a breath and purposefully loosened his grip on the armrests.
She hesitated.
He wanted to tell her how beautiful she was. How badly he ached for her. But he held his breath, afraid any sound might bring the moment to an end.
She spread her legs.
He stifled the groan that vibrated up his chest.
She let her fin glide lower over a hip. It canted to the side, weaving to the outer thigh, before switching direction, snaking back over and bobbing along her inner thigh.
She made a small sound, her body tensing and shifting in place, as if she found it difficult to hold still.
He was finding it difficult to hold still too.
When her fin pressed against her core, she whined softly. Her tail stroked lower, before dragging back up, glistening with her need. She seemed to forget any hesitation then, lifting her knees so her tail could wind tight between her legs and under a thigh.
She tilted her hips, rocking them up and down in a sinuous sway. Between her thighs, her tail flexed with a movement he hadn’t seen before. A kind of undulating pulse that pressed and released as it slid against her – small movements that echoed the rocking of her hips.
Every part of her was a study in coordinated motion, like a dancer. Her arms, tensed above her still, seemed to anchor her in place, while her lithe body rolled in slow waves. Her lips parted, panting little breaths in time with the rhythm of her movement.
He couldn’t believe he’d never seen anything like this.
She started moaning, and her efforts to suppress the sounds turned them into little mewling noises – his favourite.
He couldn’t take it. He gripped the hard length of himself, gritting his teeth as he matched his strokes to her steady pace.
He didn’t know how long he watched her move.
It was forever.
It was no time at all.
He never wanted it to end.
But it was about to end very quickly, for him at least.
She was speeding up, and he could tell she was close to coming apart from the tension in her body, the arch of her spine, the way her breathing shallowed almost to a stop.
“Rin,” he gasped.
She opened her eyes and turned her face – flushed, beautiful – to him. Her gaze dropped down to where he touched himself, and she whined at the sight.
“Come for me, love.”
Her eyes rolled back and she cried out as her body seized and shattered.
He never took his eyes off her as he allowed himself to fall apart too.
*******
He recovered first, quietly fetching a towel for himself before padding back to the bed with another for her.
She lay where she fell, and he couldn’t help but grin at her. Dazed and limp and all twined in her own tail still.
When he knelt next to her and started unwinding her tail, she muttered protests and tried to bat him away ineffectually.
“Hush, darling,” he murmured.
He gently cleaned her before tossing the towel aside and pulling a blanket over the both of them. She curled into him, and for the second time that evening, he felt utterly content.
A tiny sniffle pulled him from his cozy thoughts.
“Are you… crying?”
“No,” she sniffed.
He cupped her face and tilted her head so he could see her eyes. Little liar.
“What’s the matter?”
“I don’t know,” she said, with a little laugh. She wiped at an eye. “I just seem to be leaking?”
He tucked a curl behind her ear. “Are you sad?”
“No,” she said.
“Maybe I’ll just hold you then and see if the leaking stops?”
“That sounds good.”
She settled against him again, and he held her close, a nose in her hair so he could breathe the scent of her.
After a little while, there was a whisper, muffled against his chest.
“I’ve never shown anyone.”
“Then this was a gift, and I am honoured. You are amazing.” He pressed a kiss to her head. “Not to mention unbelievably hot.”
Her laugh was sudden and loud, and he realised he’d been wrong before, because actually, this was utter contentment.
From: Loose Ends on AO3
Excellent job hiding the NSFW bits 🤣🤣
You have became this medieval role, how do you feel about it
you are in the medieval era and you have this role!
How do you feel?
great!! I love this
good!
It's okay
So bad. I hate this
This is similar to my real job!
Results/other
Y'know what, I'm okay with this 🔪🔪🔪
Something I really like in the PHM movie is Grace’s relationship with talking about death throughout the movie. He doesn’t avoid it entirely, but whenever Grace can talk around death instead of acknowledging it directly, he does.
During Yao and Ilyukhina’s funeral, he can’t bring himself to say that he’ll make sure they didn’t die in vain/die for nothing. When talking to Stratt, he can say that they all know they’re going to die, but struggles when saying that it must be hard for Stratt to ask “everyone to…you know”.
When Rocky asks what will happen to him after the mission is complete, Grace talks about stretching his food out and doesn’t directly acknowledge that he’s going to die until Rocky explicitly asks for confirmation that he’s going to die. And after that, he immediately defaults back to talking around it (“I know I’m not going home, I know why, and it’s okay”).
He has the easiest time explicitly talking about death when he feels less like it’s directly about him / less like an immediate issue (“and the astronauts…die in space?” “and they all know they’re going to die” “but I die in 30 years”). Even during the scene where Stratt is asking him to go on the mission, he says “you’re asking me right now to give up my life”, not “you’re asking me to die”.
The choices he makes in how he talks about death feel very intentional and meaningful, because even though ultimately he’s talking about the same thing, his avoidance and his clever ways of talking around it are SUCH a good reflection of his fears.
Especially as a complement to his avoidance of telling Rocky the truth, his line about how “there’s no harm in pretending for a little while”, and his admittance that his ex was right about him not wanting to live in the real world.
It’s just a writing and acting choice that I absolutely ADORE and it’s such a great detail in the movie to further show us Grace’s character. Especially as we see him settle more and more into his bravery, the moments where he does risk his life, and ultimately his choice to go back for Rocky, even though it means accepting his death. Amaze amaze amaze movie with amaze amaze amaze writing 🙂↕️
Will humanity ever be free of the influence of Edna Mode? Can any of us so much as consider the character design for a hero or villain without her manifesting in the room, fully aware of our sins?
You know what, another layer of difficulty is when you’re thinking about villains, and the wise words of Megamind come into your head. You don’t just want your child to be just a regular villain. But how do you make your villain a Supervillain with no cape? Where is the drama? But Edna says no capes, you must deny them the flair. It is impossible to please them both, and it’s tearing this family apart.
you. you get it.
(tags via @jeremiahsmysteriosotouch)
Counteroffer: Big dramatic cloak to protect your identity that you drop on the floor before every fight
#there are two wolves inside you #one is edna mode #the other is megamind (@remnantofahero)
I can’t believe the compromise is Obi-Wan Kenobi
“No capes!”
“Game on, then.”
Okay, but I love that Gandalf is just dropping his cloak to reveal another, slightly smaller cloak underneath it.
Paladin Janeway this. Paladin Janeway that. WRONG!! Hexblade Warlock Janeway and her patron is Starfleet ELDRITCH BLAST ELDRITCH BLAST ELDRITCH BLAST ELDRITCH BLAST ELDRITCH BLAST
“I don’t like threats, I don’t like bullies, and I don’t like YOU, Cullah.” -> Janeway casts Mass Suggestion of “fuck off Kazon”
Oh, 💯 %. Janeway might want to be a paladin, and even be "paladin-coded" at the beginning, but don't forget: this was/is her first command.
And her gods (Starfleet) are not here out in the delta quadrant.
But she WILL get her crew home. I don't even say she'll do it or die trying because this woman is too stubborn to die and she would absolutely see "die trying" as letting herself off the hook.
So she made more than one Deal with the Devil to make that happen:
Integration of the Maquis— a group designated as terrorists by the Federation— into her crew rather than letting them rot in her brig for 7 years
Implementation of Borg technology & subsequent disregard/corruption of Starfleet vessel parameters & regulations
Time-travel shenanigans (SO many shenanigans)
An occasionally loose interpretation of the Prime Directive
She is grimly, relentlessly adamant in her protectiveness. Benevolent to her crew and ready and willing to be their shield— or their sword.
She sold her soul to bring them home.
"yeah, the pomade ain't staying in too long. Eventually you sweat it off."
random ass (albeit thirsty) thoughts that run through my head playing BG3
Passionate
'It's a poem. A gift from Cazador. He composed and carved that one over the course of a night.'
Full post on Bluesky ✨
OMG omg omg
A fic I thought I'd lost has been found again! And you should read it.
Not sure what happened but my bookmark for it disappeared (I have like 20+ pages of bookmarks and I went through the entire damn list at least three times and it was GONE 😭) and I couldn't remember the author's pseudonym or the full title and I am telling you I mourned the loss of this work.
But. I've found it again:
💬 0 🔁 0 ❤️ 1 · Old Habits Die Screaming (71058 words) by luneawillowtree [AO3] · Chapters: 23/? Fandom: Baldur's Gate (Video Games) Rati
Fair warning— as you might deduce from the title— Tav failed her persuasion roll to convince Astarion that he didn't need the ritual and refused to help him ascend. Needless to say, he did not take it well.
Story takes place a few years after and things are.... tense. This is not a Soft!Astarion story, he's very much a bastard (characterization is on point, it's very well done). But I like it anyway and I HIGHLY recommend.