Find Stupid Stuff Here!

This is just a place where I adore my beloved shows, games etc.

[thejorie-deactivated20160327]

My three girlfriends. And yes, they smoke weed.

[airoehead]

that’s really great man

[e-the-village-cryptid]

seeing this post without the monologue is like seeing a single detached human arm lying on the sidewalk

[softichill]

I think abt this tiktok all the time

[thesadcyborg9million]

Diversity hire bryson ur absolutely slaying

[paper-mario-wiki]

in case you're wondering what the greatest AMV of all time is, it's this one from 2008.

[paper-mario-wiki]

[en-tailsgaythings]

y'all need to watch this this pride month

[rustybottlecap]

[comicgeekscomicgeek]

There is… a lot going on here.

[punkitt-is-here]

watching an old disney movie

inspired by the comments in this video making me aware of the siamese cat scene in aristocats

[chongoblog]

You might think your anime opening is cool, but is it “seamlessly put a ‘previously on…’ segment in the MIDDLE of the opening and have it kick ass every time” cool?

[chongoblog]

bet your ass he is

[netnel]

[mudwerks]

Bringing you more Bad Books and Immodest Pictures, your Impure Thoughts Stockpile was getting low.

[radetzkymarch]

[wolvesintheflowers-deactivated2]

I laughed to hard at this fucking thing.

[nattousan]

[talldren]

[thebristolboard]

“The Militarization of the Police Department – Deadly Farce,” an original painting by Richard Williams from “The 20 Dumbest People, Events, and Things of 2014″ in Mad magazine #531, published by DC Comics, February 2015.

[spaceraptor]

Here’s the original, for comparison. And here’s a bit more about the artist and why he created the piece above for MAD Magazine.

[pennamerequired]

Richard Williams on Norman Rockwell:

“For most people, he was the painter of ‘America,’” he added. “But even he said his vision was what he wanted ‘America’ to be. It was a mythical ‘America,’ a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasn’t really true… you just wished it was. My parody of Rockwell’s painting simply says, ‘That myth is dead.’”

[1-420-666-6969]

I think it’s relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldn’t allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.

A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.

But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here

Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.

Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:

But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:

We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.

[specialagentartemis]

Regarding Norman Rockwell, I also want to shout out “New Kids in the Neighborhood (Moving Day)” in 1967:

Also for LOOK magazine, but leaning on his themes of youth and suburban life. Expressing both hope for the curiosity and open-mindedness of children, and the bitter recognition of the suspicion of adults towards racial integration (see the face peeking out of the window in background). It’s notable that this is what he wanted America to be, too. He hoped for a better future.

I think that MAD Magazine artwork is really good and really poignant, and it’s also interesting to put it in conversation with Norman Rockwell’s own political evolution in his art as well.

[theprofessional-amateur]

Link to original post with all the links

Some very helpful tools, ideas, and ways keep going or get involved

I will add the resource Big Beautiful Boycott as a way of checking businesses to avoid that is not an app

The Big Beautiful Boycott stops funding to those funding fascism. Every dollar is a choice

[berniesrevolution]

This is the way.

[the-spoopy-ghost-of-raejin99]

[rosbourg]

Go home Easterman, you're drunk

[dependell]

I am always thinking about every line of dialogue in the first 50 seconds of Garth Marenghi's Darkplace.

[shining-supernova]

HELLO?

[biggerchallenge]

Darkplace is a key example of how in order to truly master making art that is "deliberately bad" you need to have a thorough understanding of what the medium considers the rules for "good form" so that you can than break every single rule.

[pencilium]

[puppygirllaika]

this show is the prime example of "on a true or false test, 100% and 0% both require you to know all the answers"

[the-last-teabender]

For what it’s worth, Garth Marenghi’s books are to bad writing what the show is to bad TV. Please read them.

[tahthetrickster]

unbelievable that its 4/20 and absolutely nobody has put the objectively best rage comic on my dash yet. i have to do everything around here

[fatgrowlithe]

runner up

[prokopetz]

"Isn't it weird that [thing humans commonly eat] is poisonous to literally every domesticated animal" I mean, there's a pretty good chance that [thing humans commonly eat] is at least mildly poisonous to humans, too. One of our quirks as a species is that we think our food is bland if it doesn't have enough poison in it.

[xeansicemane]

Humans have a really weird mix of mundane superpowers.

We're not fast and don't have a lot of natural weaponry but we're bizarrely tolerant to a broad range of toxins to the point that one toxin is considered a morning necessity for some to perform at work. Gotta love us.

[vexwerewolf]

[missmacfire]

[spaceshipsandpurpledrank]

Bro was THIS close to calling air bud a slur

[tastylemonbread]

[timcurrysbooty]

[carlottagiudicellivevo]

[takiki16]

NO FEAR.  The actors who played Long John Silver and Captain Flint in Black Sails FULLY ACKOWLEDGE that the Muppet adaptation was the best

(source)

[saint-batrick]

[alder-knight]

hi i hope i get to be the one to break this news on Tumblr, because

I am reading Tim Curry’s 2025 memoir, Vagabond

and in it, he not only devotes a chapter to Muppet Treasure Island, but also references this very post

so, to recap

no, Tim Curry is absolutely NOT a Muppet; however

yes, he and Miss Piggy ABSOLUTELY fucked