A new collaboration has been annonced, between Pokémon and ORIGINAL STITCH! Pokémon shirts!

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@muggleliz
A new collaboration has been annonced, between Pokémon and ORIGINAL STITCH! Pokémon shirts!
Darren Crissâs career is so fucking funny because he got his start as a dumb college kid writing and starring in a Harry Potter musical parody that went viral and then he was on Glee for a while and now heâs got a Golden Globe for playing a serial killer
Team Skull are millennial representation
Broke ânâ gay
Remember in 1993 when Jurassic Park was likeâŠthe end all, be all of special effects?
not gonna lie that still looks intimately real
Iâm still somewhat convinced that someone sold their soul to create the special effects in Jurassic Park because that shit is over 20 years old and it still really, really holds up, better than the stuff in a lot of current movies, even.
Fucking witchcraft, man.Â
fucking look at this shit though
Literally see this post flying around with a few different responses added to the bottom each time so Iâll say it for this one myself:
THEY ACTUALLY BUILT A GIANT MASSIVELY DETAILED FUCKING ANIMATRONIC T-REX FOR ALL OF THIS THATâS WHY THE EFFECTS ARE SO GOOD. CAUSE IT AINâT CGI. AND IT AINâT GUY IN A COSTUME. ITâS A BIG FUCKING ROBOT DINOSAUR. AND EVERY PART IS DESIGNED TO MOVE. IT COST LIKE HALF THE BUDGET OF THE FILM.
amazing
And they had the film it in small increments, especially in the outdoor scenes, because the rain fall kept soaking into the âskinâ of the rex and would slow down and mess up its movements. So they would stop filming and have a crew out there drying off this massive, fake dinosaur, and then theyâd start filming again until it was too wet. Repeat until the end of the scene.
They used animatronics and detailed costumes for most if not all of the dinosaurs in the first movie.
The triceratops for instance, was also animatronic.
And the raptors were dudes in suits. I shit you not.
One of my favorite anecdotes Iâve read on tumblr is how the t-rex robot from Jurassic park would malfunction while it was drying out. How did it malfunction, you might wonder?
Motherfucker randomly started moving.
So apparently if you were on the jp set you would sometimes hear people screaming bloody murder even though they were all well aware that it was a giant animatronic puppet and wouldnât actually, you know, eat them.
(link to said post about malfunctioning t-rex)
Did not know this, had to reblog for awesome movie history insights.
So, I knew about the animatronics bit but I did not know the raptors were guys in suits and the malfunctioning t-rex sounds terrifying.
And i just googled malfunctioning t-rex and was not disappointed. Apparently in order to put the skin on over the steel frame a guy had to crawl inside the t-rex while it was turned on and glue the skin down. And if somebody turned the t-rex off or the power went out the guy in the t-rex stood a very real chance of getting mangled and killed by the hydraulics.
So of course, the power goes out.
And this guy is still in there gluing the skin down.
Apparently the way to survive getting sheered to death by huge sheets of metal while youâre inside a giant t-rex robot is to curl into a ball and hope for the best.
And this guy hoped for the best and got it.
Some other people on stage pried open the t-rex jaws and glue guy crawled out of its mouth and was totally okay.
This is getting better and better.
I think they only had like 6 minutes of CGI
Iâm just waiting for the T-Rex to come to life and leave its stand.
@spinosaurus-the-fisher is this the kind of content you love?
Realism comes at a cost, it seems.
i mean ok but why has nobody posted this:
Itâs a three piece raptor suit.
Old movies had the best special effects
The thing about this that gets my special effects nerd going is the fact that EVERY single dinosaur was sculpted by artists based on the current existent archeological evidence of the time.
@jurassicparkandrecreation
@shepfax
Even better than that, this movie ADVANCED our best understanding of dinosaurs at the time. Â They were blowing out a budget bigger than anything Hollywood had ever seen, and along with employing almost the last hurrah of incredible physical FX, they had a bank of those newfangled digital SFX computers. Â Nobodyâd ever really created convincing dinosaurs in a movie before. Â Itâd all been stop-motion animation, and even when the models were exquisitely crafted, you could just tell there was something OFF about them. Â Spielberg wanted THE BEST DINOSAURS EVER, and he figured on using the cutting edge of digital modeling and animation technology to build them for him.
So they got hold of some of the best paleontologists they could find and said, âWe want you guys to take this tech that your labs could pretty much never afford and use it to build us the most realistic, accurate dinosaur models the world has ever seen.â
The paleontologists knew an opportunity when it bit them in the ass.  They plugged in everything they knew about dinosaurs, all the skeletons and their best guesses about soft tissue and all that.  And when theyâd created those dinosaur models, they had the computer start moving them as they realistically would with anatomy like that.  One guy took a look at those walking t-rexes and velociraptors (really utahraptors, but whatevs, fam), and he said, âWait a minute, Iâve seen movement like that before.â
He called up film of a chicken walking.  Everyone in the room said, âHoly shit.â
Prior to 1989, the idea that birds were descended from dinosaurs existedâwe knew about archaeopteryx, we knew there was some minor connection thereâbut the idea that DINOSAURS LIVE IN THE MODERN WORLD AND THEY ARE CALLED BIRDS was not pre-eminent. Â Jurassic Park changed our scientific understanding of dinosaurs.
That paleontologistsâd be Kevin Padian. Who is awesome.
https://en.wikipedia.org/wiki/Kevin_Padian
This post just gets better and better with time
I canât read the bit about âThe three piece raptor suitâ, without envisaging a dapper looking raptor in a tailored three-piece suit.
So Iâm on AO3 and I see a lot of people who put âI do not own [insert fandom here]â before their story.
Like, I came on this site to read FAN fiction. This is a FAN fiction site. Iâm fully aware that you donât own the fandom or the characters. Thatâs why itâs called FAN FICTION.
Oh you youngins⊠How quickly they forget.
Back in the day, before fan fiction was mainstream and even encouraged by creators⊠This was your âplease donât sue me, Iâm poor and just here for a good timeâ plea.
Cause guess what? That shit used to happen.
how soon they forget ann riceâs lawyers.
What happened with her lawyers.
History became legend. Legend became mythâŠ.  And some things that should not have been forgotten were lost.
I worked with one of the women that got contacted by Riceâs lawyers. Scared the hell out of her and she never touched fandom again. The first time I saw a commission post on tumblr for fanart, I was shocked.
One of the reasons I fell out of love with her writing was her treatment of the fans⊠(that and the opening chapter of Lasher gave me such heebie-jeebies with the whole underage sex thing I felt unclean just reading it.)
I have zero problem with fanart/fic so long as the creators arenât making money off of it. It is someone elseâs intellectual property and people who create fan related works need to respect that (and a solid 98% of them do.)
The remaining 2% are either easily swayed by being gently prompted to not cash in on someone elseâs IP. Or they DGAF⊠and they are the ones who will eventually land themselves in hot water. Either way: this isnât much of an excuse to persecute your entire fanbase.
But Anne Rice went off the deep end with this stuff by actively attacking people who were expressing their love for her work and were not profiteering from it.
The Vampire Chronicles was a dangerous fandom to be in back in the day. Most of the works I read/saw were hidden away in the dark recesses of the internet and covered by disclaimers (a lot of them reading like thoroughly researched legal documents.)
And woe betide anyone who was into shipping anyone with ANYONE in that fandom. You were most at risk, it seemed, if your vision of the characters deviated from the creators âoriginal intentions.â (Hypocritical of a woman who made most of her living writing erotica.)
Imagine getting sued over a headcanonâŠ
Put simply: we all lived in fear of her team of highly paid lawyers descending from the heavens and taking us to court over a slashfic less than 500 words long.
all of this
Reblogging because I canât believe there are people out there who donât know the story behind fan fiction disclaimers.Â
Yep I used to have disclaimers on all my Buffy fic back in the day. The Buffy creators were mostly pretty chill about fandom but itâs not like it is now. You did NOT talk about fandom with anyone except other fandom people and bringing it up at cons was a massive no no because of stuff like this.
I think Supernatural (and Misha Collins specifically) was when that wall between fandom and creators started to break down. Itâs a relatively new thing.
I remember going to a Merlin panel down in London and a girl sitting next to me asked the cast about slash and I thought she was going to get kicked out!
Fandom history is important.
Oh, this brings back some not so-awesome â90s fandom memories!Â
Oh man, let me tell you about the X-Files fandom. Lawyers for FOX sued, threatened, and generally terrified the owners of fan websites on a regular basis. God help you if you wrote or created original art set in their (expansive) universe or worse - dared to write about their characters. Even people who werenât creating fanworks, just hosting Geocities pages about how much people liked the show would be sent C&D orders or actually fined. When I was first discovering the concept, the first rule of fandom was you do not talk about fandom because the consequences could be devastating.
It was such a strange and uncomfortable experience for me when fans in LOTR and Potter fandoms suddenly started shoving their work in peopleâs faces speaking publicly about fandom and wanting to engage in dialogue with the creators and actors of the Thing they were into. Fan stuff was supposed to stay online, in archives and list-serves and zines we passed around because it just wasnât cool to talk about it and it could get you in a boatload of trouble. The freedom we have to create and gather together in a shared space, or actually be acknowledged in any way by people outside the fandom was inconceivable to my fannish, teenaged self. I want fans these days to understand how amazing modern fandom really is, cherish the community, and appreciate what it took to get us here.Â
âif you found this by googling yourself, hit back now. this means you, pete wentzâ
Oh hey, even more blasts from the past.
I was one of the ones who got a love letter from Anne Riceâs lawyers. Bear in mind that up until that point her publisher had encouraged fanfic and worked with the archive keeper (one of my roommates at the time) to drum up publicity for upcoming books and so on.
I could tell such tales of how much Anne screwed over her fans back then. The tl;dr version is that she and her peeps would use fan projects as free market research and then bring in the lawyers once it was felt Anne could make money off of it herself. (Talismanic Tours being one of the most offensive examples of this.)
But where fanfic is concerned not only did we get nastygrams but one of my friends had Anneâs lawyer trying to fuck up her own privately owned business which had NOTHING TO DO WITH ANYTHING ANNE RELATED. Said friend was a small business owner with health issues who wasnât exactly rolling in money, so guess how well that went?
On top of that when yours truly tried to speak out about it I discovered that someone in Anneâs camp had been cyber stalking me to the point where they took all the tiny crumbs of personal information I had posted over the course of five years or so and used it to doxx me (before that was even a term and in early enough days of the WWW that this wasnât an easy task) and post VERY personal information about me on the main fandom message board of the time. Luckily for me the mod was my friend and she took that down post haste, but it was still oodles of fun feeling that violated and why to this day I am very strict about keeping my fandom and personal lives separate online.
Hence why those of us in the fandom at the time who still gave enough of a shit to want to keep writing fic DID keep writing fic, but shoved it so far underground and slapped it with so many disclaimers they couldâve outweighed the word count of War & Peace. It wasnât just for the purpose of protecting fic but for trying to protect our personal lives as well.
(Also would love to know who @tiger-in-the-flightdeck knew. Life paths crossing after so many yearsâŠ.)
Lucasfilm also sent cease-and-desist letters to Star Wars fanzines publishing slash.
My favourite bit I read from one included the idea that you werenât allowed to have any explicit content, of which anything queer, no matter how tame, was included, to âpreserve that innocence even Imperial crew members must be imagined to haveâ.
Yeah. The same Imperial crew members who helped build the Death Star to commit planetary genocide.
(Itâs one reason Sinjir Velus, while I still have some issues with him, feels like such a delicious âf*** youâ.)
Later on, they were apparently persuaded to âallowâ fans to write slash, provided in âremained within the nebulous bounds of good tasteâ.
(On a related note, if I wasnât quite so attached to my URL, I would 100% change it to âNebulous Boundsâ, because thatâs just downright catchy)
Anne McCaffrey had this huge long set of rules about how exactly you were allowed to play in her sandbox. Dragonriders of Pern was my first online fandom, and I was big into the Pern RP scene - and just about every fan-Weyr had a copy of these lists of rules McCaffrey wanted enforced. One of which was âno pornâ and another was basically âit canât be gayâ (and for a while âno fanfiction posted onlineâ? which??? anyway.)
She relaxed a little as time went on, but still.Â
Letâs not forget: the reason AO3 is called âArchive of our ownâ is because it was created in response to some bullshit that assholes were trying to play with fan creators. Basically (if I remember the fiasco correctly) trying to mine fandom creators for content which they could then use to generate ad profit on their shitty websites. When the series creators objected, the fans tried to pull their content, only to find that the website hoster resisted, claiming their content was all his now.
That wasnât even all that long agoâŠ
fandom history class
To this day, *talking* about writing or reading fanfiction - just acknowledging that it exists - to anyone other than people I know are in fandom as well, feels like a dangerous act. The strict separation I maintained between my real life identity, my online identity, and my fandom identity (yes, they were separate, because some of the most vicious and mocking people were fellow nerds) has broken down a bit these days, but I donât think Iâll ever be able to integrate them as freely as some younger fans do.
Everybody should know that AO3 is just one project of the Organization for Transformative Works. Their mission is much broader than just hosting a (very good) fanfic site. They do all kinds of fandom history archiving and publish an academic journal, but most importantly, they perform legal advocacy to protect the fair use rights of people who make fanfic or fanart.
The OTW Legal Committeeâs mission includes education, assistance, and advocacy.
We create and post educational materials about developments in fandom-related law on transformativeworks.org and on archiveofourown.org.
We assist individual fans when their fanworks are challenged, we answer fansâ questions about law relevant to fanworks, and we help fans find legal representation.
We partner with other advocacy organizations and coalitions in the U.S. and around the world.
We advocate for laws and policies that promote balance and protect fanworks and fandom.
And much more!
I havenât been involved in fandom stuff all that long, but I find this stuff so fascinating!
whew, i feel old, but thatâs mostly bc i was on forums way way waaaaay too young. but this? yes. all the way. people had password protected forums on the weirdest, most unconventional websites. before you could even be approved by the mods they would search your blog, your other accounts, question you, everything, all because we were broke teens and preteens trying to do something for fun and if someone got in who could doxx you or send your work over to a lawyer? that was it, you were OVER. thatâs also part of where fandom wars and the defense of fandom came from: quote unquote âenemyâ fandoms would infiltrate just to hurt you. @theglintoftherail makes a very good point: ao3 is a goddamn haven. and theyâre a great team of lawyers and people dedicated to protecting fanworks! part of the reason itâs so great is because they know thereâs no one like them out there. they also go to the ends of the damned earth to protect you and to be inclusive, which is why thereâs shit like tentacle porn and underage and dubcon. because theyâre dedicated to protecting readers and creators to the death. they donât advocate for it and they have the extensive rating and tagging system because of that (legit the best tagging system iâve ever seen) but they donât know if youâre dealing with trauma or if you need to get something out. do not forget your fandom, kids. jesus
Who else knew nothing about this? A show of hands
Iâm just the right age to remember the disclaimers and to have HEARD about the Anne Rice, Anne McCaffrey, and X-Files fiascos, but I was never in any of those fandoms and I was more or less on the tail end of that. I canât imagine having to be scared to tell people I write fanfic. So glad weâve come so far.
And this is exactly why I will never touch anything Anne Rice. Her treatment of fans is appalling. When someone says âoh, you like vampires? You must love/read Anne Rice!â Me: âlemme tell you the reasons why I refuse!â (Wasnât there a time when she made a crazy post on a book of hers on Amazon because it wasnât given the bestest reviews ever? Or was that just a troll? I just remember it being delusionally delicious and a total riot to read.)
mutuals, THESE are different types of fancy rats.im NOT gonna say it again
Attention Everyone !
Listen to the kitty, please donât scroll Iâll make it quick.
Okay so I really donât want to annoy you guys and I normally donât do that but Iâm having an issue here. Iâve been on Tumblr for a few years now, and the platform was almost perfect to post my art: I got publicity, and people were eager to enjoy my work, butâŠthereâs decline lately, because people have stopped reblogging.
I think it came to every artistâs attention, and thereâs a significant impact. I am struggling to make my Patreon work, and struggling on Tumblr too because it seems like no one is interested in anything (except memes, but I canât blame you, my sense of humor is broken too.). Anyway, be it paranoia or bad luck, but when I put links on my art, they get less notes. Obviously I do make fanart and comics because I enjoy it enormously, but also because I like to contribute to fandoms and make people happy; so, supporting artists is a freaking neat idea!
Unfortunately, Iâm not getting the exposure I want here and thatâs a bigggg problem. Itâs frustrating too. I am still staying here (Until this website dies, but I think that God himself cannot annihilate this place.) but! I am linking my Patreon and especially my new Twitter account (which is still under construction) but where Iâll post my public art, so click there if youâre interested ! đ đ đ
Patreon
Iâm giving you a bit of background since Iâm at it. Iâve been studying english for 5 years and after getting my degree, I said to myself âHey, english is cool but art is cooler. I should give it a tryâ Â my dear mother said ânoâ and I was like âHow about i do it anywayâ because thatâs the kind of responsible person I am.
And this is how I enrolled myself in a very expensive preparatory Art school, that Iâm fully paying. Because, yeah, my very traditional Albanian parents were not really thrilled by this decision at all (Uh.) Long story short, Iâm not asking for a Paypal transaction or a gofundme page, but juuuust a tiny bit of support, so I can get pocket money from time to time would be glorious. S u p p o r t A r t i s t s. Because they spend 4, 5 to 6 hours per drawings for your fandoms, and theyâre getting paid in p e a n u t s. I apologize in advance if I seem arrogant or too forward, but things need to be said. It is hell.
So, please reblog đ Thanks for reading ! đ
im just gonna draw a bunch of star wars/the office shit bc I have no self control tbh
my aesthetic is the direct opposite of minimalism and its called clutterbitch
hell year hell year hell year hell year hell year hell year hell year hell year hell year hell year
(from a 2015 interview)
i hope sheâs comfortable
Please donât forget the best one so far^^^
another example of Kokoâs humour by Jane Goodall:
Nothing pleases me more than to learn the fact that apes also will look at a thing and go âit meâ
#hardsame
âKitty Kommercialâ So many animals are waiting for their forever homes! Come meet them at Furkids headquartered in Atlanta, Georgia!
Furkids Animal Rescue and Shelters is Georgiaâs largest no-kill animal rescue & shelters. Adopt. Volunteer. Donate.
VISIT FURKIDS.ORG to help animals in need!
the day may come when this post crosses my dash and I do not reblog it but friends
todayÂ
is not that day
This is a good commercial Everything from the woman pretending to be a WACKY WAVING INFLATABLE ARM FLAILING TUBE MAN to âmidnight in a coffinâ to âtry this new thing called Dogâ
Its all good shit
Iâm in Atlanta and looking for a kittt asfjfkftxgzg
i dropped off my resume at this place at 1:15 and got called for an interview at 1:45 holy dang
Today I got interviewed, hired, and then given a dollar raise and a better store location because the interviewer âliked my attitudeâ
REBLOG FOR GOOD JOB GETTING KARMA COME ON GRAB A PIECE
a small collection of irondad and spiderson posts on robert downey jr.âs facebook
Thank the fucking gods this filled me with fear
I scrolled too fast to skip the post but then I saw the Good Boy
#moodÂ
a ferocious beast
i will reblog these everytime i see them because she is just such a precious little ball of predatory fury
Easily the best audio post Iâve ever made
Guys lemme tell you bout this thing
To give you perspective , I dont really feel my legs unless Iâve worked out for at least five minutes and itâs been like this for a couple years now so when the first couple seconds popped up I was like âyoo this kinda sounds good? Familiar?â Then THAT shift happened and istg I could feel all of my limbs and they all were screaming at me with the fight or flight response. Freaked me the fuck out man but good song
come listen to my song, it will tear off your fucking legs
âOh, your song slaps? Thatâs cute. This one amputates.â