deleting everything. archiving @zaology-archive
also to the over 1k people that will see this, here's ur sign to unfollow. mwah <3
dirt enthusiast
Lint Roller? I Barely Know Her

Discoholic 🪩

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Claire Keane
PUT YOUR BEARD IN MY MOUTH
KIROKAZE

JBB: An Artblog!
wallacepolsom
Xuebing Du

oozey mess
todays bird

PR's Tumblrdome
Jules of Nature
styofa doing anything
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almost home
hello vonnie
Keni
he wasn't even looking at me and he found me

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@nahuhumaling
deleting everything. archiving @zaology-archive
also to the over 1k people that will see this, here's ur sign to unfollow. mwah <3
rilakkuma + korilakkuma food plushies・゚゚・。☆
chinese fashion by 丑乖chouguai
Ice-cream scoop pngs
source
enemies to lovers midpoint prompts
as the request stated, that ‘i am trying really hard to keep hating you‘ phase, or what i like to call the reluctant friend stage. feel free to use :)
“i think we’re friends now.” “God, don’t say that.”
“everything is just a competition for you… isn’t it?” “isn’t it for you, too?”
“h—” “don’t talk to me.”
“i’d pay good money for you to admit you tolerate me.” “tolerate being the operative word.”
“why can’t you open up to me?” “why do you want me to?”
they’re so used to hating each other sometimes the snide remarks just slip out LMAO
like “should i get you something too?” “you can get out of my fa— woah, hehe. sorry.”
“you’re still on that?” “still on that..??? STILL ON THAT?????? I CANT STAND YOU???!!!(!;!”
a whispered moment between them ; “i’m trying so hard to hate you.” “why?”
they’re trying hard to hate each other then something happens (plot) and they’re stuck together which makes it ten times harder
“be honest with me.” “but why? why would i do that?”
“stop.” “stop what?” “being so kind to me.”
remember… they hated each other a couple chapters back. what changed? why did it change? who did it start to change in first?
the moment where your character asks themselves; “when did this nuisance become so important to me?”
traits turned sour
honest - insensitive
persuasive - manipulative
caring - overprotective
confidence - arrogance
fearless - cocky
loyalty - an excuse
devotion - obsession
agreeable - lazy
perfectionism - insatisfaction
reserved - aloof
cautious - skeptical
self loved - selfish
available - distractible
emotional - dramatic
humble - attention-seeking
diligent - imposing
dutiful - submissive
assertive - bossy
strategic - calculated
truthful - cruel
230623 – Jaemin · Broken Melodies
200813 vlive ◇ jaemin
bonus:
👏🏾Education 👏🏾is 👏🏾a 👏🏾right,👏🏾 not👏🏾 a👏🏾 service 👏🏾
Pass along and use the shit out of them
No one should own knowledge, and the pursuit of knowledge should be guarenteed.
👏👏 NO ONE SHOULD OWN KNOWLEDGE AND THE PURSUIT OF KNOWLEDGE SHOULD BE GUARANTEED 👏👏
jenny slate / two, sleeping at last / an oresteia, euripidies (trans. anne carson) / the chaos of stars, kiersten white
closer, patrick marber
thinking about how orpheus turning to look back at eurydice isn’t a sign of mortal frailness but a sign of love
“Eurydice, dying now a second time, uttered no complaint against her husband. What was there to complain of, but that she had been loved?” ― Ovid, Metamorphoses
This is true no matter the version you’re reading.
1. Eurydice trips and Orpheus turns to help her because he loves her.
2. Orpheus cannot hear Eurydice behind him, and fearing that he’s been tricked, turns to make sure she’s there.
3. Orpheus makes it out of the Underworld, and so full of love and excitement to be with Eurydice, turns to embrace her, forgetting that they both need to be out of the Underworld.
No matter what happens in the story, Orpheus loses Eurydice because his love for her compels him to look.
Orpheus, I can forgive you, then, There’s not a soul alive who wouldn’t have looked back
The Descent, by Tyler King
Don’t forget Gluck’s opera, where Eurydice doesn’t know Orpheus is forbidden to look back, Orpheus is also forbidden to tell her, she assumes he must not love her anymore, and Orpheus finally looks back to reassure her of his love because he can’t bear her anguish.
In that version in particular, but possibly in all retellings, a part of us wants Orpheus to look back, because his failure proves his love.
What gets me is that Orpheus’s love for Eurydice is the reason why he descended after her in the first place… but its also the reason he failed. Had he loved her a little less they would have made it out. Had he loved her a little less and he never would have gone down after her at all.
stop using hospitals as horror settings
fun alternative: cruise ships. cruise ships exploit workers and can pollute as much as a million cars on a daily basis while dumping endless shit into the ocean and endangering all passengers on board because the on board air quality rivals some of the most polluted cities in the world while being a breeding ground for disease. cruise ships deserve to have negativity associated with them
also all crimes commited aboard a cruise ship is under the juristiction of whichever country they’re registered to once they’re a certain distance away from land so you have the added bonus of the crimes being very unlikely to be properly investigated (due to usually being physically so very far from the actual police whose juristiction they’re under)
terrifying!
On top of THAT cruise ships tend to have their own morgue, as people tend to die on ships all the time. Good for those spooky scenes.
plus u can just like…leave a hospital. good luck escaping a killer or a monster or a curse or w/e in the middle of the fucking ocean
As an ex cruise ship employee, let me give you some stuff to work with!
Water tight doors! You get a special training video on interacting with these correctly because they will literally cut you in half if you try and go through them while they’re closing!
Freezer vaults for food in the sub decks - you can only get into these with the correct code and they have very thick walls. Good luck if you get shut in one of these just after the last round of checks bucko
There are cameras everywhere…except in the crew cabin corridors. Also there are no windows down there because unless you’re an officer, you live below the waterline. Day and night have no meaning because everything is in the same slightly unsettling yellow light.
Don’t piss off the guys who deal with the rubbish. They have machines down there that can crush metal barrels
As well as morgues, cruise ships usually have one basic operating theatre with all the attendant horrifying equipment in it
One cigarette thrown carelessly in the wrong place WILL start a fire that will gut half the ship.
When we’re pitching side to side, the anchor swings out and then back in, striking the metal outer shell with a noise that shakes half the ship
People disappear overboard more often than you’d really want to be a thing
A lot of cruise ships now have theatres on board (usually towards the front) with all the potential for dark corners, creepy costumes and electrical calamities you could want.
And as op says, you can’t really escape a ship in the middle of the ocean. Particularly during a storm, as then you can’t even evacuate to lifeboats unless the whole ship is going down. On the upside being on board during a storm means most guests hide in their cabins and the staff walk around like drunks, which would likely throw off a skilled murderer’s plans.
Takes notes
You also have the bonus of a corporate overlord who doesn’t give a shit about anything but profits and can be reliably counted on to downplay any disaster in an attempt to avoid publicity.
WONWOO
03.01.2022 (6:06 PM KST)
○ wow ruby is crazy.
your hand touching mine. this is how galaxies collide. ― Sanober Khan
― Carolyn Forché / Katatsumori (Naomi Kawase, 1994) / John Berger / Katrien de Blauwer / Hélène Cixous / Bruno Munari / Eli Craven / Sharon Olds / Hart Crane / A Hidden Life (Terrence Malick, 2019) / Mary Ruefle / Robert Bly / Hans Bellmer / Richard Siken / Eli Craven / Cassandra Clare / Katrien de Blauwer / Louise Glück ―
happy world poetry day <3
what are your thoughts on judas? why do you love him so much?
The myth of Judas is like every story in the Bible: it depends on how you read it.
There’s the first story, the one everyone knows, in which Jesus is divine and Judas is the betrayer and he is condemned for it. But what isn’t said is that there needs to be a betrayal; that the story hinges on it; the passion can’t play without it. And so the question becomes: if it’s all destined, if it’s fate, is Judas culpable? Was he lead to the betrayal - did he ever even have a choice? The question of Judas is the question of free will. This is why Jesus loves him most, keeps him close, never hates him - he’s part of the godhead. He knows that he’s not the only one who is sacrificed for salvation. And doesn’t Judas get the worst of it - reviled for all eternity, hated by all, written down in the book as The Betrayer? He doesn’t even get a legacy. He doesn’t get worshipped; he doesn’t even get to be forgotten. For someone to rise up, to ascend, someone else has to take the fall, and that’s exactly what Judas did.
The second story is the historical one, the one that says Jesus was just a man, and that he and Judas knew exactly what the fuck they were doing. In this story Jesus is the leader and Judas is his right hand, his zealot, the one who believes that the cause, the salvation of his people, is more important than anything else, more than anything Jesus might want, more important than any human bonds, any love or dedication. They’ve read the book. They know the stories. They know that the only way to make their revolution last is for Jesus to become a martyr. They make the myth because they are just men and the story, the story will last far beyond them. The story lasts forever.
And so we come to the Gethsemane, only it’s under different lighting. There’s this idea, somehow, that Jesus is the innocent, that the betrayal is a blow - but he knows what’s coming. In every version, he always knows. And that changes things, it complicates things. It changes the two of them from good and evil, profane and divine, into what they were and what it was - two men giving up their lives in the hope that they could bring hope to all the people who came after them. The hero and the villain because they created themselves that way.
I’m partial to the second story - because it’s messier, it’s more devastating, it’s more real to me. It’s a story about loving something so hard you can’t live without it and giving it up only for something even greater, a higher cause - and becoming unable to look at yourself in the mirror afterwards. That’s the thing about Judas - he wants too much, feels too much. And what’s more human than that? He is, all at once, the purest disciple, and the hardest; the most faithful, and the least; the one who loved Jesus and the cause enough to betray them, and sacrifice his own soul in the doing. He is the best of us and the worst of us, all at once, and what that makes him above all is human, in a way Christ specifically is not, in the messy and fallible way that we all are. The church wasn’t built on a rock; it was built on a kiss.