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My 1991 Source editorial on Dr. Dre attacking Dee Barnes
Flying is effortless, landing can be a little bit harder, Cornell Lab / DoC (northern royal albatross) (part 1)
There’s so much about this. The tumble itself is so irredeemably funny. The child stops asking for food and just stares in silence as the adult completely beefs it. The adult, absolutely ashamed, wandering off screen, refusing to make eye contact with the baby.
Perfect 10s all round.
You're right and you should say it.
@blackkatmagic
I've had a couple of people ask for a digestible version of the whole "the real problem with Dungeons & Dragons is false advertising, not anything that's present in its text" thing I keep alluding to, so here's the bullet point version of that argument:
Dungeons & Dragons is owned by Hasbro. Yes, the same Hasbro that owns Monopoly and My Little Pony.
Hasbro wants D&D to be the only tabletop RPG that anyone plays.
In order to accomplish this, Hasbro needs D&D to be a universal entry-level game.
D&D is not a universal entry-level game.
All game rules are opinionated about how the game ought to be played, and as tabletop RPGs go, D&D's rules are more opinionated than most. This is not a flaw, but it's not what Hasbro needs.
D&D is also on the high end of complexity as far as tabletop RPGs go, and it's complex in a way that strongly rewards system mastery, so it's pretty far from "entry level".
Hasbro could produce a version of D&D that's at the very least less opinionated and more entry-level than it presently is, but they don't want to, because they've determined that certain rules features which run counter to both of those goals are critical to D&D's brand identity.
They also don't want to produce multiple versions of D&D tailored for different audiences, because they want every single D&D group to be a potential purchaser of every single D&D product; they'd be effectively competing with themselves for their own customer base if the published game was actually modular in any meaningful way.
So how does Hasbro square that circle?
Simple: they lie. They insist that D&D is in fact a universal entry-level game in spite of all evidence to the contrary, and back their advertising up with sponsored thinkpieces and podcasts and such to "prove" it.
Further, they've spent decades fostering a culture of play which conceals the gap between the game they're advertising and the game they're selling by ascribing any appearance that D&D isn't a universal entry-level game to the incompetence or malice of individual GMs.
The game the rules want to produce disagrees with the game the group wants to play? Nonsense – even the rankest beginner should be able to produce any experience of play using any set of rules, and if your GM can't, they're a Bad GM.
The game is hard to learn? No, it isn't – your GM is merely gatekeeping you. This wouldn't be a problem with a Good GM.
The upshot is that the published rules are more or less irrelevant with respect to achieving the desired experience of play, because they're operating within a culture of play which dumps 100% of the work of making that desired experience of play happen on the GM.
Indeed, much of what modern D&D presents as GMing best practices are really methods of working around the fact that the rules you're using disagree with you about what kind of game you're playing.
(It's not a coincidence that D&D's entrenched culture of play also insists that it's normal for GMs to be miserably overworked and treats GM burnout as a big funny joke, then turns around and loudly wonders why there's a constant GM shortage.)
The trick is, because you're still at least notionally using the rules of D&D, the fruits of all that GM labour are perceived as the product of "playing D&D", not of the GM's hard work.
In essence, Hasbro's business model for Dungeons & Dragons is selling you your own GM's labour with a D&D sticker on it.
It's a very neat trick, if you can pull it off.
Now, at this point some readers may be asking: well, sure, but not all GMs are doormats. What about "killer" GMs who do gatekeep and railroad their players and otherwise act like complete tyrants? I hear horror stories about them all the time.
That's the second trick: these are not opposites. The GM as human Xbox and the GM as tyrant of the table both represent the GM doing all the actual work of making the game happen. The latter isn't the outcome that Hasbro wants, but it's a logical conclusion of the position they want the GM to be in.
I've seen a few folks in the notes respond "okay, but if that's true, why is D&D so much more flexible than most indie RPGs?", and the answer is that it's not. That's part of the sleight of hand I've talked about where the GM's labour is framed as part of the product. To break it down:
As noted above, all game rules are opinionated about what kind of game they wanted to produce. This isn't just a matter of setting (though setting-neutral games are often misleadingly called "universal" games), but also a matter of the basic structure of the narrative which emerges when you follow the rules.
The rules of Dungeons & Dragons are not less opinionated than those of your average indie RPG, and in fact are more opinionated than most. (Again, having strongly opinionated rules is not something that's wrong with D&D; it's merely something that's inconvenient for Hasbro's marketing goals in a way they're unwilling to address.)
In brief, D&D really, really wants your game to be a sword and sorcery dungeon crawl. If the GM is using the framework of play furnished by the rules at all, or if the players are responding to the rules' player-facing incentives even a little bit, it's going to squish your game into something dungeon-crawl-shaped.
(This should not be surprising; it's literally in the name!)
The rules of D&D being opinionated in this way tends to fly under the radar for a couple of reasons, one less problematic and one more so.
The relatively benign reason is that many popular RPG premises are not done any great violence by being squished into the shape of a sword and sorcery dungeon crawl.
A cyberpunk smash and grab caper? Basically a dungeon crawl already.
A special forces op in a modern military game? That doesn't need to be shaped like a sword and sorcery dungeon crawl, but it can be shaped like one and remain intelligible as what it's supposed to be.
Gritty logistics-driven survival horror? Not inherently dungeon crawl shaped, but the two genres are compatible – a game can be both at the same time, as video games like Fear & Hunger and Look Outside demonstrate. (Indeed, Look Outside's apartment building follows the structure of an old school D&D megadungeon nearly beat for beat!)
Thanks to D&D's pervasive cultural influence informing what people expect a tabletop RPG to be, as long as this kind of compatibility is present, many folks won't even notice their intended premise is being squished into the shape of a sword and sorcery dungeon crawl.
If your chosen premise isn't compatible in this way, or if the group notices what's happening and decides to push back against it, though? That's where the sleight of hand I alluded to above starts to come into play.
Remember: a Good GM™, even a total novice, ought to be able to use any set of rules to produce any desired experience of play, right?
So get to work!
i.e., just as much of the game's putative approachability is the product of Hasbro selling the players their GM's labour in a D&D-shaped box, much of D&D's putative flexibility is the product of the GM being sold their own labour in a D&D-shaped box.
To be clear, this is not militating against homebrew content or rules. Homebrew is perfectly cromulent, and certainly, some games are more or less structurally amenable to it (though modern D&D tends to fall on the "less" side).
The problem is that what we've got on our hands is a culture of play that wants to have its cake and eat it too: when doing extensive homebrew is treated as part of the GM's basic, entry-level responsibilities, it's easy to fall into the trap of thinking of the product of that labour as merely being a feature of the game.
Which is, of course, exactly what Hasbro's marketing ghouls want.
(I feel I should emphasise for the folks going "yeah, D&D sucks!" in the notes that at no point in either of these breakdowns have I said anything for or against D&D as a game. These problems would still exist even if D&D was the best game in the world at being the kind of game that it is!)
Imagine if sometimes some fucking Ț̷̡͂̀̎͠h̸̜̅͐̄ì̸̩̮̃̃̆n̸̗̰̟͉͐̑͋͆͜g̸̮̻͔̼̬͌ could just crash through the shimmering veil of reality with a trail of fragments from the suffocating void enveloping it, grab whoever's unlucky enough to be closest, and swoop back out like it was nothing. And this was just one of your everyday hazards to worry about. Incredible cosmic horror concept
Hey so that was a great date, yeah, but I don't think it's going to work out. Nono you didn't do anything wrong, and I have indeed had a crush on you since we started high school, it's just... well, I didn't want to bring it up at the time but we kinda got sucked into a portal fantasy midway through. We saved the kingdom over and over, relying on our knowledge of and trust in each other every time, throwing ourselves into the firing line to protect each other and using each others' conviction as a rock. We got married and lived a happy life together until the portal sucked us back mid-battle and you gave up all your memories of our journey in order to save my life right when we ended up back in the coffee shop. Yeah that was when I got a bit weird and went to the bathroom.
Anyway I thought we could push on and make the date work but I have all of these memories of secrets that this you never chose to share, decisions that this you never made, and intimacies that this you never experienced. And it's kind of screwing with the vibe yeah. Also on the date it was really, blatantly clear that you're sixteen whereas I have memories of ruling a fantasy kingdom for thirty years so like... that's a problem all on its own. Anyway this you just feels more like a daughter to me. A daughter with the woman I gave my heart and soul to over and over and received like in return, only to lose her forever on the journey home. On the plus side I can definitely help you with your math homework now.
#what the fuck#this one was actually really very short why is it still like that what
The shorter it is, the more concentrated the what the fuck can be.
I can help you with your math homework because the fantasy world's magic system was based on calculus and I was a gifted mage, stop nitpicking.
#this world's magic system is also based in calculus
Did you hear the scientists have found a way to grow colored cotton? Thoughts?
It’s not a ‘scientists have found’ and much more ‘people have been already doing that for thousands of years and it’s just gaining more attention recently’
Scientists didn’t know. It should be “Scientists just found out”
There’s actually been a load of vitriol leveled against folks who try to raise traditional colored cottons, because a lot of cotton growers don’t want the colored cottons cross-pollinating with their standard white cotton.
But anyway cotton can be grown in lovely natural shades of greens, reddish-brown ochres, and browns, all of which deepen with a good boil in water with a bit of washing soda thrown in.
The color obviously doesn’t fade or run, because it’s not dye. It’s the intrinsic color of the fiber itself.
I....I want clothes made out of those colors. They don't hurt my brain!
Aren’t they lovely?
I’m biased because I love the natural earth tones of many fibers, of course...browns, blacks, creams, copper-reds, ect...but I think they’re just gorgeous.
https://www.vreseis.com/shop
If anyone wants to know where you can get yarn or cotton like this!
Scientists did not "just find out", and this is more of the same anti intellectual bs as the post that goes around claiming archaeologists were too stupid to know that hair could be sewn for elaborate styles.
Anyway, scientists DID figure out how to grow colored cotton. They genetically engineered it to be bright fuckin pink, and they didn't "just find out" about it, they already knew which is literally what inspired them to attempt the thing they just accomplished. Begging y'all to stop pretending that scientists don't know things, don't have interests, don't grow up in farming communities or have family who taught them this. Scientists are people. Do you seriously think people who use genetic engineering to make eco-friendly pink cotton don't know anything about textiles?
Anyway. Bright pink cotton without dyes, because science is awesome
Yes. CSIRO scientist Doctor Colleen MacMillan led the team that figured this out. They used tobacco plants for testing because of the genetic similarity. Basically if the tobacco leaves produced colors when injected with a bit of the experimental genetic material, the scientists on the team already understood that the color change would affect cotton bolls as well.
They grew bright red and bright yellow in a petri dish.
And yes, Doctor MacMillan knows lots of things. Here's a list of some of her publications.
@csirogram on Instagram
Additionally folks are researching how to create flame resistant cotton and black cotton. If a variety of black cotton becomes viable, it can stop a LOT of environmental damage caused by chemical manufacturing of black dye.
THIS. Every damn botanist I know, including myself, is at the least tangentially interested in fiber arts and indigenous methods behind things like that. Scientists have hobbies and we're all goddamn nerds so a lot of those hobbies are more niche. The anti-intellectualism is insane. I swear half of y'all think scientists are all evil cackling old men devoted to holding up colonial power systems. The work done by Dr. MacMillan is crazy cool and should be celebrated
I feel so insane about ai. I've had face-to-face conversations with people who use it for therapy, who use it to calculate the safety of pill interactions, who use it for all their emails and grant applications and legal documents and academic papers and finance sheets and for every single question they have about the world, and if you tell them about the ecological costs they just laugh and say "I guess I've used a lot of water." and I've been in multiple gatherings of 10+ people where I'm THE ONLY PERSON who doesn't use chatgpt. it's turning me into a ranting raving pariah, because how don't you people see??? why don't you understand??????? this bullshit didn't exist five years ago, you absolutely do not need it, and it is destroying everything
my friend just had an art show and they were communicating with the gallerist over email. They could clearly tell that the gallerist was using AI to respond to their emails, but just rolled their eyes and moved on.
and then on the day of the show, my friend asks, "where is the camera I requested?"
gallerist: "you didn't request a camera"
my friend: "I did, and you confirmed that you would have one here."
gallerist: "that isn't true."
and then she proceeded to pull up the email thread, and my friend could see that every single email they had sent had been summarized by AI, and that the gallerist had then had AI write a response to them based on the AI summary, and that the AI had detected that they needed a camera, and confirmed on behalf of the gallerist that they would bring a camera, but because the gallerist had offloaded the work of actually reading and responding, she simply hadn't actually made any note of it herself, therefore didn't bring it, nor did she even know one was needed.
so my friend had done all of this communication about their needs and expectations to be able to make the show possible, and the person whose job it was to read that information and get it done had simply.... not read the information and not done it. because AI.
OP: "I've seen lion dancing and dragon dancing before, but this is the first time I've seen realistic lobsters fighting clams."
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
My grandma’s on and off again boyfriend that she cheated on grandpa with died today.
RIP to Nana’s side piece. Though they never married, Grandpa died in September and she brought his long term competition to Thanksgiving that year.
Grandma and Grandpa had a shotgun wedding when Grandma was 19. Grandpa went off to Vietnam which left her, a severely mentally young mother, alone. Never heard a complaint about her side piece Jeff. He seemed to make her happy and for that I salute him.
I’m an only child so I have to discuss sensitive family drama with my 38,000 followers instead.
My grandmother broke up w my grandfather through a letter and he just pretended to have never read it. They got married and had three kids.
My grandmother confessed on her death bed that:
Her and Grandpa were in a relationship with their best friends
The four of them have been in a relationship since they were teenagers
They flipped a bottle cap to see which girl the boys would marry
Their children could have either man as their biological father but their biological mother is the mum that raised them
The past two weeks has been chaos since her confession 😂
While I'm normally against Trump putting his face on things, I think Trump Passports are actually a great idea, because people have to go out of their way to get them by applying in person on one specific date. This means that anyone who presents one at an international customs point will be identifiable as a fervent Trump supporter until 2036, which can only be useful for every other country in the world.
Here are some questions I hope that different regions might ask:
In Europe: I see you supported Trump as late as 2026, after he made comments about annexing Greenland and disparaging Ukraine. Have you been sent here to help destabilize the European Union and support foreign incursion into European holdings? Prove it. Wait here for ten hours while we search all of your bags.
Central and South America: Were you personally involved in bombing fishing boats, kidnapping Venezuela's president, and running concentration camps for migrants on American soil? Are you here to identify targets, or get revenge on specific individuals who spoke up against this treatment and were deported? Prove that you aren't. Wait here for ten hours while we search all of your bags.
Canada: Are you psychologically incapable of experiencing fear or shame? Do you lack contextual awareness?
I love going viral on tumblr.com. It’s like if you stood in a field and said some of the stupidest shit a human being is capable of and then like fifty thousand crows attacked you
Don’t do this to me
my brother in christ you made the post
I’ve got a lot of Thoughts(tm) about The Odyssey at the moment, but damnit Blum I’m an archer, not a film critic, so here’s something in my lane!
My dad is Deaf and has been since before he met my mother. He had multiple different devices to monitor my sisters and I growing up- including a noise detector that would vibrate the bed or the couch and say exactly which room the loud noise was being made in. As a child I remember understanding that he could not "hear" me if we weren't looking at each other, and that I had to speak clearly in order for him to understand. He tells me as a toddler I used to ask him to get on my level, put my hands on his face, and ask him if he could understand me- and only once he verified would I say or ask anything. He used to leave me a signed note every day before school when I was in high school, giving me a different blessing and a couple bucks to buy a snack.
But also- hearing children of deaf adults (CODAs) are often more empathetic, more accepting of others' differences and challenges, more emotionally mature and able to read others' body language and visual cues, with experiences more similar to bicultural and bilingual children of the same age, because being raised Deaf while hearing is a look into two very different worlds. Not that I think anyone should need to prove their worth, but the statistics show the exact opposite of these doctors' expectations of Deaf parents. Deaf adults more often than not raise intelligent and well-structured kids that connect more readily with others, there is no additional risk of neglect more than any hearing parent.
All of the canidae! (fixed the raccoon, who was a common raccoon dog and added the red wolf :3)