I just clicked onto your blog today while queuing a post and realized that you are not John Green, but that i've reblogged multiple posts you've made and each time i think "huh, what an odd thing for John Green to have posted. Neat."
Oh my god. This is both high praise and really hysterical.
John Green and his hot tub threesome.
John Green’s queer comic hub.
John Green and the 20lb ass.
I think you were thinking of @sizzlingsandwichperfection-blog
Betrayed and backstabbed by your scheming evil advisor? Psch. Skill issue. Absolute amateur problem. Just hire two of them and reward them for snitching on each other. Just make sure that neither of them is gay or they'll just end up hate-fucking each other and fucking you over all the same.
I hate when king arthur has all these fussy little steps in the instructions and you're like "no way do these fussy little steps matter" but you try it and they do. they matter so much.
I thought you meant Camelot quests and I was like "that's fair, 'never pick a four leaf clover on the last Wednesday of the month' IS a fussy little step that shouldn't matter" but then I was like "wait isn't that also a flour company"
i love how weird kids are. they make up the most bizarre stuff when left to their own devices and it's never what an adult would naively predict a kid would do in their imaginative play
my friend's 5 year old recently got a toy veterinary medicine set - it's super cool, like one of those mini play kitchens a lot of kids have, but it's set up to pretend to be a vet (it's this thing) - it has stuffed animals and things to weigh them, give them medicine, take x-rays, write on their charts, etc.
so this kid, who is five and to my knowledge has no experience in the administrative bureaucracy of modern healthcare, puts a stuffed pig named Piggy on the exam table. she pretends to draw blood from Piggy using a fake syringe, and the blood goes into a toy test tube vial that she calls "the resulter"
i'm playing with her, right, so i'm like, awesome, what are the results of Piggy's blood test? and she says "we have to send it to the scientists." so we send the vial to the scientists (put it in her bedroom) and when we get back to the vet playset i'm like awesome what did the scientists say? and she says they have not gotten back to us yet
so she rolls her eyes, exasperated, and says we have to call the scientists. she pretends to call them. apparently, they tell her that Piggy's blood test is "at the bottom of the list" and "we have to WAIT." she frowns. we wait a bit longer and call them back. they tell us it will be a while! she says we should go ask the scientists in person so we go back to her bedroom and she inquires at this imaginary lab, at which point the scientists yell at her and tell her now they will make us wait even longer!
keep in mind she is 100% directing this play. she is making all this up. she is fully in control of this game, and she has decided that what we are going to pretend is that we are dealing with this exhausting nonsense, not actually treating Piggy.
finally the blood tests come back. they are inconclusive. the scientists do not know what is wrong with Piggy. the little girl walks back to the stuffed pig on the exam table, sighs deeply, and says in a very serious voice "we can never help you."
i'm obsessed with this kid. when given complete control over a make believe scenario, instead of becoming the heroic rescuer administering effective cures, she is instead a beleaguered vet making multiple calls to an overworked lab only to be left unable to help her patient.
I used to watch a toddler and this one time she decided that my arm stretched across a doorway was a magic portal to other lands. My arm was a boom gate type of thing that had to raise up to let her go through the portal. I was like, cool, we're gonna go on adventures in some imaginary world full of stuff she likes.
Nope, she spent an hour troubleshooting and repairing the gate, which was broken in multiple ways. We never activated it.
I’m going to level with you. I have listened to The Devil Went Down to Georgia for most of my life. We were a country music household, this was a staple of my childhood along with Johnny Cash, Garth Brooks, and that one Chipmunks country album.
I have no idea what “Fire on the mountain run boys run/The Devil's in the house of the rising sun/Chicken in the bread pan picking out dough/Granny does your dog bite no child no” means and at this point I’m too scared to ask.
this is the key part of the song, that a lot of people miss. people have this misconception that the contest between Johnny and The Devil is about who is the better fiddle player. but it isn't. its about who is the better fiddler.
in a time before things like radios and record players, every time you heard music was because there was somebody in the room with you playing an instrument. and many, many, many social events involved dancing, which requires music. so, if you're planning any kind of gathering in the american south or appalachia, you need to find a fiddler. and the fiddler's job is to play music that everybody knows and likes and can dance to.
the mistake The Devil makes in his bet with Johnny is that he misinterprets the contest as being about technical ability, so he has this big flashy song. he plays fast and impressively with a band of demons playing unfamiliar instruments in unfamiliar rhythms. he's definitely more skilled at playing than Johnny, and thinks he has it in the bag.
but Johnny wins because the contest is about being the best fiddler. the song uses these lines mentioned above as a shorthand for saying that Johnny is playing these songs. Johnny launches into a set of the most popular songs, played well, and that's what gives him his big win. A good fiddler knows all the hits, and can read the room to know what to play next. The Devil loses because he completely fails to read the room, and doesn't know the right songs.
every day it just concerns me how little compassion people have. no compassion for those living in the global south. no compassion for immigrants. no compassion for disabled ppl. no compassion for addicts. no compassion for prisoners. no compassion for children. like holy shit ...
i made a separate post about this but actually there are plenty of people cough white people who care about animals more than they ever do human people . not what i'm talking about make your own post
🍖 How to Build a Culture Without Just Inventing Spices and Necklaces
(a worldbuilding roast. with love.)
So. You’re building a fantasy world, and you’ve just invented:
→ Three types of ceremonial jewelry
→ A spice that tastes like cinnamon if it were bitter and cursed
→ A holiday where everyone wears gold and screams at dawn
Cute. But that’s not culture. That’s aesthetics.
And if your worldbuilding is all outfits, dances, and spice blends with vaguely mystical names, your story’s probably going to feel like a cosplay convention held inside a Pinterest board.
Here’s how to fix that—aka: how to build a real, functioning culture that shapes your story, not just its vibes.
─────── ✦ ───────
🔗 Culture Is Built on Power, Not Just Style
Ask yourself:
→ Who’s in charge, and why?
→ Who has land? Who doesn’t?
→ What’s considered taboo, sacred, or punishable by death?
Culture is shaped by who gets to make the rules and who gets crushed by them. That’s where things like religion, family structure, class divisions, gender roles, and social expectations actually come from.
Start there. Not at the embroidery.
─────── ✦ ───────
2.🪓 Culture Comes From Conflict
Did this society evolve peacefully? Was it colonized? Did it colonize? Was it rebuilt after a war? Is it still in one?
→ What was destroyed and mythologized?
→ What do the survivors still whisper about?
→ What do children get taught in school that’s… suspiciously sanitized?
No culture is neutral. Every tradition has a history, and that history should taste like blood, loss, or propaganda.
─────── ✦ ───────
3.🧠 Belief Systems > Customs Lists
Sure, rituals and holidays are cool. But what do people believe about:
→ Death?
→ Love?
→ Time?
→ The natural world?
→ Justice?
Example: A society that believes time is cyclical vs. one that sees time as linear will approach everything—from prison sentences to grief—completely differently.
You don’t need to invent 80 gods. You need to know what those gods mean to the people who pray to them.
─────── ✦ ───────
4.🫀 Culture Controls Behavior (Quietly)
Culture shows up in:
→ What people apologize for
→ What insults cut deepest
→ What people are embarrassed about
→ What’s praised publicly vs. what’s hidden privately
For instance:
→ A culture obsessed with stoicism won’t say “I love you.” They’ll say “Have you eaten?”
→ A culture built on legacy might prioritize ancestor veneration, archival writing, name inheritance.
This stuff? Way more immersive than giving everyone matching earrings.
─────── ✦ ───────
5. 🏠 Culture = Daily Life, Not Just Festivals
Sure, your MC might attend a funeral where people paint their faces blue. But what about:
→ Breakfast routines?
→ How people greet each other on the street?
→ Who cooks, and who eats first?
→ What’s considered “clean” or “proper”?
→ How is parenting handled? Divorce?
Culture is what happens between plot points. It should shape your character’s assumptions, language, fears, and habits—whether or not a festival is going on.
─────── ✦ ───────
6. 💬 Let Your Characters Disagree With Their Own Culture
A culture isn’t a monolith.
Even in deeply traditional societies, people:
→ Rebel
→ Question
→ Break rules
→ Misinterpret laws
→ Mock sacred things
→ Act hypocritically
→ Weaponize or resist what’s expected
Let your characters wrestle with the culture around them. That’s where realism (and tension) lives.
─────── ✦ ───────
7.🧼 Beware the “Pretty = Good” Trap
Worldbuilding gets boring fast when:
→ The protagonist’s homeland is beautiful and pure
→ The enemy’s culture is dark and “barbaric”
→ Every detail just reinforces who the reader should like
You can—and should—challenge the aesthetic hierarchy.
→ Let ugly things be beloved.
→ Let beautiful things be corrupt.
→ Let your MC romanticize their culture and then get disillusioned by it later.
─────── ✦ ───────
📍 TL;DR (but like, spicy):
→ Culture is not food and jewelry.
→ Culture is power, fear, memory, contradiction.
→ Stop inventing spices until you know who starved last winter.
→ Let your world feel lived in, not curated.
The best cultural worldbuilding doesn’t look like a list.
It feels like a system. A pressure. A presence your characters can’t escape—even if they try.
Now go. Build something real. (You can add spices later.)
—rin t.
// writing advice for worldbuilders with rage and range
// thewriteadviceforwriters
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I really recommend the Táin Bó Cúailnge to anyone looking to get into medieval literature because it's a great story, brilliant poetry (I read the Carson translation, and the way he translates the roscada sections are beautiful) and the backbone of the Ulster Cycle, but it's also just really fucking funny. It has a very slapstick yet dry sense of humor that provides just enough comic relief to make the dramatic moments of the story even more impactful. Genuinely I laugh out loud every few pages. Go read it.
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