My special interest is hurting you

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@qqueenlyart
My special interest is hurting you
duuuuuude you have GOT to come out tonight we're enacting cruelty upon those who have transgressed so badly that we can justify any act against them... and you KNOW we're interpreting our delight as moral righteousness... Yeah it's fucking crazyyyyyyy get an Uber
tickatocka:
some fun sex tropes:
laughing during sex
and/or things going wrong during sex that leads to laughter
sex on a countertop/tabletop/sink because we couldn’t wait to get somewhere with cushions
kissing to stay quiet
biting to stay quiet
one person meticulously doing something entirely for the other’s benefit without expectation or need of reciprocation
“wow i did not know that was A Thing for me until right now and i’m totally fine with that but for the love of god keep doing it”
someone straddling the other while they’re “trying to read” and slowly getting them to put the book away
“you’re only allowed to sit there and watch until i tell you otherwise”
kissing anywhere but the lips
alternatively, touching anywhere but where the person desperately wants to be touched
“we couldn’t find a condom so we’re getting each other off in other ways” sex
anything involving the secretive brushing of fingertips against inner thighs in public spaces
sex with clothes half on/underwear still on
the pleasant misuse of ties
sleepy morning kisses that accidentally turn intense
the horror of being "god's favourite princess". literally one of my favourite horror themes. the god loves you and it's so scary.
it will always choose you. you cannot die. you'll always come back because it loves you so much. you are its right and left hand, its eternal weapon. it will drown you in its light. light as horror. darkness as horror. what if it thinks you are its best friend.
you are god's favourite princess and it's terrifying.
prev dont leave this in the tags
Literally the definition of imperialism and classism. Doesn’t matter how many peasants you sacrifice as long as the most powerful piece is left standing
Proximity of bishops to the rulers promotes theocratic oppression
the horse is so fuckable
I hate I when I get an idea for a novel. Like oh no here starts the slow sad slip n’ slide to dissapointment again.
You ever been 30,000 words and hundreds of research hours into a project when you realize hey wait a minute. I don’t like this. This is bad.
Ok adding to this though that even though it is extremely relatable, this is a KNOWN thing with professional writing. 10k is often referred to as "having a pot boiling" or "having a stew" - it's the point where you often see an idea coming together and it's exciting! But THEN... 30k-50k is the point where that fun has to start coming together. In theatre, it's usually week 3 of a 5 week rehearsal period where you have to stop talking about the play and really get it all up on its feet and cohesive. In art, it's committing to what are going to be the final visible layers of colour and texture, in sculpture the moment where you're truly at the point of no return with carving out the shape.
It usually feels really bad. Because this is the point it becomes real craft. It's so, so difficult to really be able to identify if it's truly not going to be anything or you're just in the hardest part of the process, and really the only way to know is to... write through it. Write it badly. Or, if you really can't, put it in a drawer and come back to it after a few months of breathing space. Remember, you can fix so much in the edit, but you can't fix nothing!
(I say, fully looking at my latest draft of my book and considering throwing it in the bin. But my editor said exactly this to me, so I'm passing it along.)
this is 100% true. I've written 6 complete novels at this point and every single time around the 40k mark I feel lost in the woods. Nothing seems to be working. I feel awful; I can't sleep. I keep going even though I'm convinced I'm going to fail. And then... It's like leaving a tunnel and getting back out in the sunshine. Stuff starts coalescing. Things that weren't working have obvious fixes. I "can write" again, except I was writing the whole time. It just felt hopeless in the moment. It's not. You just gotta get out of the woods.
Ah yes the Slough of Desponds. Professional author with 13 books, and this is normal for me as well. (Checking for tension issues usually helps!)
Lmao I literally wrote a whole blog post abt it once.
https://www.patreon.com/posts/writing-advice-1-82451675
Get more from Marie Blanchet on Patreon
WEIRDLY SPECIFIC BUT HELPFUL CHARACTER BUILDING QUESTIONS
What’s the lie your character says most often?
How loosely or strictly do they use the word ‘friend’?
How often do they show their genuine emotions to others versus just the audience knowing?
What’s a hobby they used to have that they miss?
Can they cry on command? If so, what do they think about to make it happen?
What’s their favorite [insert anything] that they’ve never recommended to anyone before?
What would you (mun) yell in the middle of a crowd to find them? What would their best friend and/or romantic partner yell?
How loose is their use of the phrase ‘I love you’?
Do they give tough love or gentle love most often? Which do they prefer to receive?
What fact do they excitedly tell everyone about at every opportunity?
If someone was impersonating them, what would friends / family ask or do to tell the difference?
What’s something that makes them laugh every single time? Be specific!
When do they fake a smile? How often?
How do they put out a candle?
What’s the most obvious difference between their behavior at home, at work, at school, with friends, and when they’re alone?
What kinds of people do they have arguments with in their head?
What do they notice first in the mirror versus what most people first notice looking at them?
Who do they love truly, 100% unconditionally (if anyone)?
What would they do if stuck in a room with the person they’ve been avoiding?
Who do they like as a person but hate their work? Vice versa, whose work do they like but don’t like the person?
What common etiquette do they disagree with? Do they still follow it?
What simple activity that most people do / can do scares your character?
What do they feel guilty for that the other person(s) doesn’t / don’t even remember?
Did they take a cookie from the cookie jar? What kind of cookie was it?
What subject / topic do they know a lot about that’s completely useless to the direct plot?
How would they respond to being fired by a good boss?
What’s the worst gift they ever received? How did they respond?
What do they tell people they want? What do they actually want?
How do they respond when someone doesn’t believe them?
When they make a mistake and feel bad, does the guilt differ when it’s personal versus when it’s professional?
When do they feel the most guilt? How do they respond to it?
If they committed one petty crime / misdemeanor, what would it be? Why?
How do they greet someone they dislike / hate?
How do they greet someone they like / love?
What is the smallest, morally questionable choice they’ve made?
Who do they keep in their life for professional gain? Is it for malicious intent?
What’s a secret they haven’t told serious romantic partners and don’t plan to tell?
What hobby are they good at in private, but bad at in front of others? Why?
Would they rather be invited to an event to feel included or be excluded from an event if they were not genuinely wanted there?
How do they respond to a loose handshake? What goes through their head?
What phrases, pronunciations, or mannerisms did they pick up from someone / somewhere else?
If invited to a TED Talk, what topic would they present on? What would the title of their presentation be?
What do they commonly misinterpret because of their own upbringing / environment / biases? How do they respond when realizing the misunderstanding?
What language would be easiest for them to learn? Why?
What’s something unimportant / frivolous that they hate passionately?
Are they a listener or a talker? If they’re a listener, what makes them talk? If they’re a talker, what makes them listen?
Who have they forgotten about that remembers them very well?
Who would they say ‘yes’ to if invited to do something they abhorred / strongly didn’t want to do?
Would they eat something they find gross to be polite?
What belief / moral / personality trait do they stand by that you (mun) personally don’t agree with?
What’s a phrase they say a lot?
Do they act on their immediate emotions, or do they wait for the facts before acting?
Who would / do they believe without question?
What’s their instinct in a fight / flight / freeze / fawn situation?
What’s something they’re expected to enjoy based on their hobbies / profession that they actually dislike / hate?
If they’re scared, who do they want comfort from? Does this answer change depending on the type of fear?
What’s a simple daily activity / motion that they mess up often?
How many hobbies have they attempted to have over their lifetime? Is there a common theme?
more girl rivalries in fiction should end in them having sex with eachother
I want to talk about Vicky and Eleanor but the caveat to that is that I actually need to write about Vicky and Eleanor and I can’t have yall know too much about the sapphic socialite rivalry because it may get published
old photo of Sacrificial lambs.
little ramble about the symbolism i added!
Finished plotting my sapphic socialite novella with 22 scenes. This isn't going to bite me in the ass is it?
the minmax is 15-35k. I am so hoping to get in at the lower end. 22k doesn't feel like it would kill me and lower would be nice. anything higher though makes me want to scream
I do really love it when women write graphic and fucked up things. I feel like so often people react to fucked up fiction with “of course a disgusting man would write this 🙄” and it often carries an unspoken (honestly sometimes spoken) message of “a woman’s PURE and DELICATE and FEMININE mind could NEVER think of something this VILE”. Thank you women in fucked up fiction 🫡
on “the blond,” “the older man,” and other crimes against third-person limited
You know that thing where a story is written in tight third person limited — we’re meant to be inside someone’s head, seeing the world through their thoughts — and then suddenly the narration says “the blond frowned” or “the shorter woman sighed” about a person the POV character knows really well?
That’s called antonomasia — using a descriptive label instead of a name. And it’s fine when we’re talking about strangers: “the cashier handed her the receipt,” “the tall guy blocked the door.” The POV character doesn’t know their names, and we just need a quick way to tell people apart.
But the moment it’s used for someone the POV character already knows, it breaks immersion. Because that’s not how our minds work. We don’t think “the older man smiled at me.” We think “Mark smiled.” Or maybe “my boss” if that relationship matters in the moment.
Third person limited means the narration sits inside someone’s perception. Their inner monologue is the story’s voice. So when you switch from “Mark smiled” to “the blond smiled,” you’ve pulled the camera away from their mind and turned it into an outside shot.
If you want to create distance or irritation, you can do it on purpose —
“The idiot from accounting emailed again.”
That’s character voice. That’s judgment. That works.
But otherwise?
As soon as your POV character knows someone’s name, use it. While we do tend to worry about repetitions, names rarely register as such to the readers.
If you need variety for rhythm, use relational or emotional identifiers that make sense in their head: her friend, his partner, their teacher, the person they loved.
Because inside someone’s thoughts, there are no “blonds” or “brunettes.”
There are only people they know.
Really good explanation of the fundamental problem with this type of writing.
(and why it's one of my huge pet peeves)
if cannibalism was legal would you try it?
yes
no
tumblr being the website of cannibalism talk and the moral discussions of it im curious what the consensus is if it was actually legal.
PLEASE elaborate in the tags on reasonings, etc.
Alright feeling the need to elaborate. The general idea is it’s freely given/consensual and no prions. So basically if there were no negative consequences.
My characters during the editing process:
[image description: a still of chidi from the good place. he’s saying, “we’ve been through some version of this 800 different times.” end id]