shark vs the universe
AnasAbdin
trying on a metaphor
will byers stan first human second
❣ Chile in a Photography ❣
Misplaced Lens Cap
art blog(derogatory)
tumblr dot com
Not today Justin
YOU ARE THE REASON
Sade Olutola
JBB: An Artblog!
Kaledo Art
Claire Keane
Keni
izzy's playlists!
todays bird
tannertan36
$LAYYYTER
hello vonnie
seen from United States
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@rotten-kidz
saw a video that asked this question, so:
imagine a hypothetical, where every single perosn on earth is teleported to a room with two buttons. one is blue, the other is red.
if over 50% of people press the blue button, everyone survives. if over 50% press the red button, everyone who pressed the blue button dies.
which button would you press?
blue
red
please reblog for sample size!
My favorite one yet- heres the creator
Spin the wheel for your government assigned fursona*
*Not limited to mammals
Thoughts?
Hell yeah, this rules! I love it!
Not the best, but still really good!
It's okay, I guess. Could be worse.
I have no opinion one way or the other.
It's not great. I really don't care for it.
This sucks! I demand a respin!
NOOOOOOOO!!!
every time i listen to “you’re a mean one mr. grinch” i can’t help but sit there and think “what did the grinch do to hurt you?” because dude just stands there for 2 minutes and 58 seconds and drags the grinch into the dirt
he stole christmas, kayla! stop with your #notallgrinches propaganda!
you know what if someone told me i was a three-decker sauerkraut and toadstool sandwich with arsenic sauce i’d probably be bitter enough to steal christmas too
Interestingly, though The Grinch Who Stole Christmas is narrated by Boris Karloff, the big musical number is sung by the late Thurl Ravenscroft - an American voice actor better known as the voice of Tony the Tiger.
My headcanon is that the Grinch and Tony the Tiger had a bad breakup, and “You’re a Mean One, Mr. Grinch” is the resulting breakup song.
Did this really HAVE to be the first thing I see when I opened up Tumblr?
Yes.
oh god theres art
@altadude you know what must be done.
ive been avoiding reblogging this honestly but just. What the fuck. What the fuck tumblr
I apologize to all my followers for this
if i had to read this you do too
I have a hate-hate relationship with this
Good grief… I’m sorry, but I can’t not reblog this…
Tis the season bitches
DAMN IT WHY WOULD YOU BRING THIS BACK YOU HEATHEN
Why is this on my dash?
…..I’m.. Bothered? by the fact that I’m not bothered by this.
You’re not bothered?? I’m not only not bothered, I’m freaking invested. I’m having actual empathetic sadness for The Grinch. I want them to go into couple’s counseling. I want the “ten years later” when Tony visits Whoville on business and meets the reformed Grinch whose heart has grown 3 times its usual size. I want them to reminisce over a shared dinner of roast beast and wine, then spend a drunken night together, then realize that maybe things are different and people really do change. I want a 3-act story where there’s a long dark night of soul searching and the realization that maybe we’ve all got a little bit of bad banana with greasy black peel inside us, but that doesn’t mean we can’t make a damned fine banana bread if someone will give us a chance.
“maybe we’ve all got a little bit of bad banana with greasy black peel inside us, but that doesn’t mean we can’t make a damned fine banana bread if someone will give us a chance” is an incredibly profound quote and I did NOT expect to get it from a Grinch x Tony the Tiger post
every fucking year i have to see this on my dash please just let me fucking r e s t
It’s that time again.
“maybe we’ve all got a little bit of bad banana with greasy black peel inside us, but that doesn’t mean we can’t make a damned fine banana bread if someone will give us a chance”
Still my favorite quote from this hellsite
Nearly 10 years of this.
Happy 10 Year Anniversary to Tony the Tiger and the Grinch’s divorce?
hello i'm a girl whos constantly tired and in pain and emotionally unstable and doesnt sleep or eat and has a lot of weird feelings and would drop dead at any moment #cute
kissing cats on their little noggins reblog if u agree
The 2025 Gender Census is now open!
[ Link to survey ]
The 12th annual international gender census, collecting information about the language we use to refer to ourselves and each other, is now open until 30th August 2025.
It’s short and easy, for most participants it takes 5 minutes or less.
After the survey is closed I’ll process the results and publish a spreadsheet of the data and a report summarising the main findings. Then anyone can use them for academic or business purposes, self-advocacy, tracking the popularity of language over time, and just feeling like we’re part of a huge and diverse community.
If you think you might have friends and followers who’d be interested, please do reblog this blog post, and share the survey URL by email or at AFK social groups or on other social networks. Every share is extremely helpful!
Survey URL: https://survey.gendercensus.com
The survey is open to anyone anywhere who speaks English and feels that the gender binary doesn’t fully describe their experience of themselves and their gender(s) or lack thereof.
If you can't wait for survey numbers, you can click here for a public spreadsheet of non-secret info with graphs as it comes in, updated manually a few times per day.
Thank you so much!
[ Link to survey ]
It's been about 7 hours and there are now over 4,000 responses! Reblogging with that nice update, and to catch people in a different timezone, and also to show off the traditional public participation spreadsheet of non-secret data, which I plan to update a few times per day.
And now it is midnight and I should go to sleep. :D
Tomorrow I will hopefully be able to send the press release out to a few niche LGBTQ+ publications. This is my latest step in the ongoing mission to bring in as many different kinds of people as possible.
Edit: During its busiest hour so far, the survey was getting about 16 responses per minute - one every 3.8 seconds. Whaaaaaaaaaat
Puella Magi Madoka Magica The Movie: Walpurgisnacht Rising (Walpurgis no Kaiten) 3rd Trailer
THE MOVIE AIRS IN THEATHERS ON FEBRUARY 2026!
New 'Madoka Magica' Anime Film Trailer and Key Visual Reveal 2026 Release Date
On Tuesday, the official website for the upcoming anime film Puella Magi Madoka Magica The Movie -Walpurgisnacht Rising- (Gekijouban Mahou Shoujo Madoka Magica: Walpurgis no Kaiten) released a new trailer and key visual. The website, trailer, and visual revealed the release date for the anime as February 2026.
Puella Magi Madoka Magica -Walpurgisnacht Rising- is the sequel to the 2013 film Rebellion and the continuation of the main Madoka Magica franchise story that began in the groundbreaking 2011 television anime series.
We want the Government to repeal the Online Safety act.
I hate having to post political posts like this nut he we are again. Anybody from the UK wanna sign this. Folks from outside the UK maybe share it?
PLEASE sign this if you're in the UK
And in the meantime, many have recommended getting a VPN, too.
Non-UK folk, help this get more reach if you can!
“This particular project is about my father, but it’s also about so many other people’s fathers. There are so many people who were involved in the Panthers,” she says. “So many people have a file like this on them, many of whom are still in prison, or many of whom might not have a child who happens to be an artist and can use their family as a way to talk about the greater black community and American history.”
source
That whole exhibit is fucking amazing. It should be seen by everyone.
#BlackArt #BlackPanther
you can only have one
dishwasher
In unit laundry
That’s It.
I’m tired of seeing everyone repeat the same four points: “1) Nani gives Lilo to the state! 2) Hawaii has a better marine biology program than San Fransisco! 3) Jumba doesn’t get redeemed! 4) Pleakley’s not wearing a dress!”
Those are not the only things that were bad about this remake. You could easily tell it was going to be all that and more beforehand, but most people’s reaction to the trailer was “it’s surprisingly good!” and now they’re acting all surprised. If you didn’t see this coming, enough to purchase a ticket, you’re part of the problem and you don’t get the original movie any more than the people who made this remake did.
So I’m done being quiet, this is the Lilo & Stitch 2025 Takedown Post.
And as usual the only good thing about an attempted-remake is that it gives people a reason to think about what made the original so good.
Let’s go in order. But just scroll down to the Heading you Care About if you don’t want to read all this.
1. Cobra Bubbles
In this movie, Cobra Bubbles is a secret agent hunting for aliens and they have a new character take his place as the state social worker.
The Problem They Were Trying to Solve With this Change: “We shouldn’t have a black man or a government worker feel like an insensitive antagonist to Lilo’s family.”
That’s a stupid surface-level one-dimensional misread of the character from the original…and it wouldn’t have been hard, at all, for a child to explain to the 2025 filmmakers that Cobra is not an insensitive antagonist in the original.
Cobra Bubbles is not insensitive and he is not in any way portrayed as a bad guy in the original. Nani sees him that way, Nani sees him as antagonistic, because he’s the representation of Lilo being taken away.
But Nani is wrong about him and learns that she is wrong about him by the end of the movie.
Can we please make a list?
Cobra’s first interaction with the caretaker of the child he was being sent to protect was that she ran out into the road, yelled at a complete stranger, and dented his car.
Then he found her locked out of the home and threatening the child inside with a hammer in her hand.
Then he found out the stove was on while she was out, and she’d left a 7 year-old alone.
The 7 year-old made comments about being disciplined with bricks and a pillow case.
The 7 year-old looks like she might be more than a little emotionally unbalanced because she’s figuring out how to put voodoo spells on her friends to punish them.
He still gave that pair of sisters three days to straighten the ship. When in actuality, in 2002, under HRS §587-73, (don’t play with me) the social worker would’ve been well within his rights to remove the child from the home right then. But instead he gives her three days to fix it. THEN
The 18 year-old loses her job.
The family gets a “dog” who he is implied to know is an alien, right off the bat.
The alien is violent and wreaks havoc across town.
The 7 year-old almost drowns while they surf instead of find a job.
He lets the child and caretaker have one more night together to say goodbye, but when he’s on the way to get her he gets a call that she’s being attacked by aliens, hears a chainsaw, and finds the house on fire.
Do you understand what I’m saying.
Cobra Bubbles had NO BUSINESS being as BIG A SOFTIE AS HE WAS for all of the original movie. He was not only well within his legal rights to take Lilo away from Nani immediately, but he was actually required by law, it was his DUTY, to remove her immediately. But he didn’t do that. Why?
Now listen to me very carefully.
Lilo and Stitch is a movie about how “Family chooses to love and commit to one another selflessly, no matter what the other person can do for them or how hard they make it.” The fancy way they say it is just “Ohana means family: family means nobody gets left behind or forgotten.”
Did you catch that? “No matter how hard they make it.”
Cobra Bubbles was a CIA agent before this. A CIA agent who saved the planet, by doing what? Convincing an alien race to leave them alone. Oh, he didn’t fight them off? No. How? He “convinced” them? He talked it out? Sounds like a pretty compassionate guy, for all his tough exterior. How did he do that?
He could’ve picked any animal that’s actually endangered. The filmmakers chose to make him the guy who convinced aliens to value mosquitos.
MOSQUITOS. Creatures that give nothing, only take. Ugly little bloodsucking monsters. That’s the creature he convinced them to care about enough to save the planet.
NOW do you have any trouble understanding why this is the specific social worker who would give an alien-infested dumpster fire of a dangerous home a chance when two sisters are about to be torn apart?
Do you see that Cobra is just another example of the grace that the movie is always talking about? The love that transforms someone from bad to good simply because it refuses to give up even when it gets nothing out of it? I’m repeating myself because I want you to see why he was a well-done character who NEEDED NO CHANGE.
Cobra Bubbles’ character is not an insensitive monster who doesn’t care who his actions hurt as long as he gets the job done. But you know who that does sound like?
2. Gantu
Gantu is not in the remake at all.
The Problem They Were Trying to Solve With This Change: “It’s going to cost us upwards of 1.5 millions of dollars to design, sculpt, rig, animate, and render a character this big in addition to finding a suitable voice actor to play the part.”
This is a really dumb choice for several reasons. A. Without Gantu, there is no “stakes-raiser” to Lilo and Nani’s story. The movie has no climax without him. For the first and second acts of the movie, it’s about a grieving pair of girls trying to prove themselves to a social worker while the story-equivalent of Beethoven the Destructive St. Bernard wacky Jumba & Pleakley antics get in their way. But when a 40-foot tall alien stomps into their lives and abducts Lilo & Stitch in a spaceship that careens around the island during an explosive sky-chase scene, now you have a high-octane, somebody-could-die climax.
B. Without Gantu, Stitch looks weaker. The climax gave Stitch a reason to come out of the wackadoo puppy he’s been posing as and suddenly remind everybody that he’s a lethal weapon who can survive thousand-foot drops, lava, and astronomic explosions—and a giant alien’s Thanos-dwarfing fist. Take him out and who do we have as a match for Stitch to go up against, even for a moment, and prove how much he’s changed to be willing to risk his freedom and fight?
C. Without Gantu you have no villain to reflect that STITCH is no longer a villain. (So they substituted Jumba.)
But the reason this character is really worth millions is, again, the theme.
I told you Cobra Bubbles was a character who did not put “duty” or even “convenience” or “position” over the real lives of Lilo and Nani. He saw that there was love there, and in his own way, he gave it a chance. And even when he chose to take Lilo away, he did it carefully; he gave them time to say goodbye.
GANTU IS THE OPPOSITE OF COBRA BUBBLES.
Gantu is the insensitive, uncaring, unyielding Captain whose commitment to duty turns into rage and cruelty. Not Cobra.
Nani thinks Cobra is walking in a threatening to tear apart their family in a display of government judgement. But that’s what Gantu literally does.
His first reaction to Stitch is to call for his destruction. Without even waiting to see if “it can be reasoned with” like the Grand Councilwoman suggests. He’s merciless. He mocks Stitch when Stitch is captive. And he knows that he caught Lilo, a human, along with him. He doesn’t care. He even suggests that Stitch eat her as a snack.
There are only two other characters who laugh at others’ misfortune in the movie. One is Stitch, the original villain. Then love changes him. The other is Jumba, who made Stitch. Then love changes him. But Gantu never gets changed. He’s only concerned with his job, and with personally annihilating the flaws he sees in Stitch.
Gantu is unyielding, ungracious, and cruel. And he’s big and powerful enough to be a test for Stitch to prove he’s changed. For the benefits he brings to the story, he’s worth 1.5 million and more. But they cut him anyway.
3. Jumba
In the new movie, Jumba is a villain through-and-through with designs on overthrowing the Galactic Council using Stitch, and instead of being redeemed, he’s sentenced to prison.
The Problem They Were Trying to Solve With This Change: “We can’t spend money on our real villain so we’ll just keep Jumba evil.”
The reason this is dumb is obvious. They created their own problem, and the ‘fix’ makes the movie weaker, not stronger. But here’s how.
In the original, Jumba is introduced as trying to self-protect. He’s on trial, and he lies. But when Stitch is revealed, he’s genuinely passionate about the thing he’s created. And he cares about image. He prefers to be called “evil genius,” and he hates the headlines labelling him “idiot scientist.”
You have to remember he’s part of “Galaxy Defense Industries.” They had him making weapons of destruction anyway. He just got too into it with his genetic Experiments, went a little insane.
I’m not downplaying the fact that Jumba is evil at the start of the movie. He is. It is evil to be outcasted from society and then respond to that with, “well, if they’re going to treat me like an idiot, I’LL SHOW THEM, I won’t care about anything except my passion for mad science!” That’s evil.
But it also explains a lot.
I said it in another post. Jumba’s whole utility as a character is that he knows who and what Stitch really is, better than anyone. He made him to be a monster who can’t belong and wreaks havoc on everybody else’s ‘place of belonging.’ Jumba is the audience’s insider’s perspective on what is going on in Stitch’s head, at first.
But when he’s redeemed, it happens fast. And why? Because that’s how plain and simple Stitch is, as a character. Jumba knows Stitch is a disgusting little monster with nothing inherently loveable about him, and no “greater purpose.” So when his disgusting monster is loved by someone? When his disgusting monster is willing to ask him, Jumba, for help? Something totally outside his programming, totally not what Jumba thought he’d ever be capable of?
That proves to Jumba, in an instant, that there’s love out there that transforms. And creates a place of belonging.
There were already germs of that, a desire to belong, a compassion, in Jumba after he reached earth.
He doesn’t try to get Nani fired, he offers an explanation for Pleakley’s swollen head.
He claims he won’t hit Lilo (why would he care about collateral damage?)
He sounds sorry for Nani when she’s upset about losing Lilo, and tries to keep Stitch from bothering her.
My point is, Jumba’s redemption isn’t important because it’s cute or because we need to set up the big happy found-family trope everybody loves.
Jumba’s redemption is important because it is just one more PROOF that what’s happened to Stitch is so incredible. The love Jumba finds transforming his monster is enough to transform Jumba, too.
But sure, fine, whatever, make him a soulless one-dimensional talking head. Whatever.
4. Stitch’s Design
In this movie, Stitch is cuter than he is ugly, and he’s half Lilo’s size.
The Problem They Were Trying to Solve With This Change: “Ugly-cute doesn’t come across as well in ‘live action’ animation. And all the Wal-Mart moms remember Stitch as ‘cute.’ Plus we’ll save about 15% in rendering the animation.”
This is crippling to the characterization of Stitch.
Stitch is supposed to be an echo of who Lilo could become now that she’s lost her parents and may be losing Nani. This scene:
Where Jumba points out that Stitch has nothing, and destruction is his only purpose, is the evidence for that. But Chris Sanders, who made this whole story, also point-blank said it. Stitch is a future Lilo, if she loses her family.
So that’s reason number 1 that he should be her same height. But also, practically, no iconic pair of best friends, yin and yang, have visuals where one is smaller than the other. Especially not if one of them is supposed to be disguised as a pet.
The point is, Stitch is not LILO’s pet. He is her best friend, her other half. But between the muzzle-muscles they worked into his upper lip and the darkened dog nose and the butt-scooting across the floor, the remake is trying to make him more pet-like in relation to Lilo.
That’s not what he is.
I said this in another post. But Stitch is supposed to throw food to the back of his head like a gator—his lips are not designed for forming words. His gums and teeth are supposed to look like a shark’s. His nose is supposed to be too big, stamped into his face. His ears are supposed to be like bat ears, not bunny ears. He hunches forward, instead of bending at the waist like a toddler. His eyes can narrow to lizard slits.
He has to look like he can believably be a disgusting monster. Yes, he can also be cute. But he has to first look like a monster. Because that’s what he really is, in the story. If he isn’t, then LILO’s love for him doesn’t look as powerful.
It is easy to love a cat even if it scratches you, because it’s cute. It’s harder to love a life-sized spider that keeps knocking you down and eating your prized possessions and laughing when you get hurt. Stitch is supposed to be closer to the second one, so that Lilo’s love shines brighter.
But also, practically:
She can’t look him in the eye for emotional shots when he’s that short. He’ll always have to awkwardly be standing on a box or a chair or a bed.
How is he going to scoop her up, hero-style, and leap off of an exploding spaceship with her in his arms, when he’s half her size? He could do it: it’ll look stupid, though. So they just don’t have that part in the movie.
She can pick him up. That alone is demeaning and again, the visuals are silly. Not what we’re going for.
5. Lilo’s Personality
In this movie, Lilo doesn’t like weird stuff, and she screams when she first meets Stitch. There’s no problem that this solves. It’s just laziness and a lack of care about the characters.
I would like to remind you that the original Lilo:
Made her own doll that looks like a shrunken head and pretended a bug laid eggs in her ears.
Makes up stories about a fish that controls the weather and actively deep-sea dives to bring it peanut butter sandwiches.
Has a knee-jerk reaction of using practical voodoo spells on friends who wrong her.
Listens exclusively to Elvis Presley.
Fills baby bottles with coffee.
Believes Nani’s manager is a vampire.
Has fishing nets and seashells in her room for decoration.
takes safari pictures of overweight bleached tourists.
meets a social worker and her first impulse is to ask if he’s killed someone.
Nails the door shut when she’s mad at her big sister.
She’s not friends with pound dogs in that original movie; when they first get there she acts like she’s never been in the kennel before, and originally wants a pet lobster.
I know that we all love that little girl they got to play Lilo, but if you were really being objective, you’d acknowledge that she’s a little girl. She’s not Lilo. She’s a cute little girl.
They did not write Lilo into the 2025 movie. They wrote any old little girl.
You should have known, from the moment she first sees Stitch and her reaction is to scream in the trailer, that THAT IS NOT LILO.
Lilo had a very specific set of characterizations. She was a character with a personality that exploded out of the screen. Every other character in the movie meets Stitch and reacts with disgust.
But not. LILO. She’s the only one to react to him like THIS:
She is literally not like anyone else. She’s doesn’t care that he’s ugly. Or weird. Or blue. Or even bat an eye when he can talk with all those shark teeth.
From Moment One, Lilo chooses Stitch. She chooses to love him. Regardless of what he can do for her. Regardless of how many times he pushes her over or rips up her house or makes her relationship with Nani harder. That is the number one thing about Lilo.
She is desperate for people to stay, but she chooses to love Stitch even though he’s a monster. And she tries to make him better. And her love succeeds in transforming him when nothing else could.
Lilo’s personality traits all mean something in the story. (I.e. she likes Elvis because she’s clinging to the past, she snaps pictures of tourists like they’re safari animals because they’re inherently people who LEAVE and she has issues with LEAVING, etc.) But the thing I think that was so obvious that the moviemakers missed for 2025 is she has to be weird. If she’s not weird, there’s no reason for her not to have friends. And if she has friends, what does she need Stitch for?
But also, Lilo’s personality in the new movie is just boring. Cute. But boring. Cute’s not that great of an accomplishment; any 7 year-old is cute.
6. Nani
I don’t think you guys need to know this. It’s not just that Nani leaves. It’s that “take care of yourself” is the exact opposite of the selfless message of the movie.
In the beginning, Lilo literally argues with Nani after being told she’s “such a pain,” and goes, “why don’t you SELL ME and buy a RABBIT INSTEAD?”
And then breaks down and cries at the thought of Nani wishing she had a rabbit instead of Lilo, later.
Because Lilo is afraid of people leaving. But Nani won’t leave her. Nani loses her job, her own life, because of Lilo. But she’s desperate to keep Lilo anyway, because she loves her. Don’t you understand? The message of the movie was about self-sacrificial love. A love that doesn't care what I get out of the relationship.
Nani starts it. But you know what, David loves her like that, too. And then Lilo transfers it to Stitch, who shows it off to Jumba. It’s a chain reaction, but Nani is spearheading it.
You realize that when their parents died, Nani already would’ve been in high school? With a whole life of her own? Her own friends, her own potential boyfriend, a job she went to, surf competitions (the trophies are in her room.) Lilo would’ve been well aware that that was the status-quo: Nani has her own life. And even a seven year-old can see that that life is being put on hold, but maybe the big sister wants to go back to it, at every turn.
The fact that Nani never does that, never expresses a desire for that, only ever expresses a desire to keep Lilo with her, is huge. It’s the core of the movie.
I don’t think that needs any more explaining.
We could talk more. Like about how Lilo needs to see that Stitch is an alien, because that’s the ultimate test: he’s one of the monsters who destroyed her house, he’s been lying to her and using her as a human shield, he’s a criminal—but she still winds up giving everything up to protect him.
Anyway. My neck hurts and I don’t want to type anymore. But we could talk about the music, the social worker, the grand councilwoman—it just doesn’t matter.
Ya’ll had more than enough details in the trailer to be able to not go see this movie because it was obviously going to ruin everything. But instead you chose to make this twisted corpse “the highest-grossing movie of any Memorial Day.” You bought tickets because they ruined a perfect movie and slapped together an uglier package for you.
Whatever. It was my favorite movie today, it’ll be your Treasure Planet or Tangled tomorrow. Keep riiiight on giving them your money, and keep letting influencers regurgitate the same four obvious facts to you over and over, because they paid Disney to make a talking-point for their content benefit. Whatever.
THIS. FUCKING THIS EXACTLY.
Fuuuck Disney
Happy pride month to the tiny cowboy and tiny Trojan man from Night at the Museum
Btw much as I love to make fun of twitter and reddit's business decisions, I have 0% trust in tumblr's management to not go a similar route so this is your gentle reminder that you should regularly go to your blog settings to export your blog. That's a fancy way of saying you can download a backup of your blog so if everything goes down you'll still have a backup of your posts & convos.
It's gonna come as a surprise to most of you, but if you don't want to do that for whatever reason you're allowed to not reblog this post. I'm not holding a gun to your head here I'm just trying to spread the word for people who do want a backup of their stuff.
Also, made this guide for backup Tumblr blogs (ft. export blog method, and python 3 script method):
Tumblr Backup (Python 3 Script) Index Summary What this does: Things used in this method: How to set up: Setting up Python If you messed it
“YES! the bible belt is going to be suffering even more under republican policies! this is what they voted for!” are you a fucking sadist or do you genuinely believe the south is a monolith who entirely voted for trump you piece of human garbage
NOBODY deserves to die from a preventable disease or to die from a miscarriage or to starve to death, no matter if they voted republican or not (don’t forget a lot of times families force their kids to vote a certain way, same for abusive partners. this is a illegal but its not illegal if nobody enforces it). human life is precious and laughing at folk suffering due to the fucking rigged election that trump admitted to thirty times now is fucking cruel, go to hell and do not collect 200 dollars
i am not only talking about queer people here by the way i am also referring to the black population the south has the highest concentration of in the united states
WHAT DID I LITERALLY JUST SAY
*me, drunkenly pressing my face against my 17 year old cats face*: I love you. Do you know that? I hope that somewhere in your brain you can understand that I love you. You have been with me for so long. We have grown up together. I was only eight years old when you came into my life as a kitten. We were both babies. Please understand that I love you more than I can ever say. You are my companion through everything. When you die I will sob and scream and beg for you back, even for a moment. When you rest your paw against my hands there's a connection that passes through time. Humans and animals, bonded since before history began. I love you.
No, you cannot eat my sandwich.
He's still with us! Here he is chilling in a sunbeam this morning 😊
oh my god thank you for letting me know about him! this genuinely made me happy. I hope he enjoys his sunbeam nap and many more
