The poor children

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The poor children
all these polls of which Flowery voice clip and no one has ja-orange
the absolute smugness in tone. like hi this is my little sister and she's going to kick your ass
Susie use little tail and switshed away leaves on a stump before sitting down...
This appears to be a reference to a piece of fanart from 2018 by 苔玉 (Kokedama) on pixiv, titled "しっぽ使いスージィちゃん" ("Tail-user Susie-chan")
Tシャツの発表によってしっぽ無いことがわかっちゃったけどこれはただの二次創作だからなんの問題もないね2021.9.21追記chapter2ありがとう…………………
orange i love you orange but god you are hard to fight
It occurred to me I never put this on here! Enjoy my Deltarune Chapter 3 illustration :3c Still very proud of it!
based on recent events
"are we sure this is possible?" "will be when we do it" so unfathomably based
i can't believe berdly literally references this lmao
what if Susie did suspect Kris had feelings for her (some of us had and we can't even see their puppy dog eyes) and was upset/confused they wouldn't just say something if they did
and the reason she seems mournful at the end when she says this is because she's given up on the idea of them saying anything, either because she thinks she was wrong or thinks they just don't want to actually take it there
if she did suspect something by the time she asked them that question by the lake (and was disappointed by the non-answer) I think it was because of how Kris looked at her here
I've been thinking about the post-chapter 5 discourse around Susie's relationship with the dark world - where the (more or less) obvious theme prediction is that centering her life around escapism so much will be very unhealthy for her - and I have an alternative theory on this idea now.
My theory is that actually, toby fox is trying to frame this situation as a GOOD thing.
It's very easy to look at her literally living in the dark world and be afraid that it's a trap or is going to backfire, but today this situation reminded me of real-life situations that are analogous to hers: online fandoms*.
*(this theory might also work for other types of communities but stick with me)
There are so many stories of people who talk about their fandom being their lifeline, about making friends, having something giving their life meaning and happiness, improving them as people, and sometimes literally saving their life. As soon as Susie entered the dark world, she was given the chance to make friends and have something to really make her happy for once, and she has been improving as a person (and a lot of it was simply just giving her a proper chance)! Her literally living there seems like an analogy to how these people cling to their fandoms as their lifeline, pouring every spare moment they have into it, and it gets them to a BETTER place as a result, despite the fears of going too far; it seems quite often, that this simply doesn't end up being the case.
There's also further similarities between these dark worlds and online spaces. There are so many people out there in the world that we never get to see, never would get to talk to or even fathom that they exist, other than a vague feeling of the world being a big place with a lot of people in it. But when we enter an online community, those people suddenly come to life for us. We all get a name and an avatar, giving us form, and share an experience together that we enjoy, our dark worlds. Often some of those communities we close for good, but sometimes we keep some of the friends we made while still in them...our recruits? :) And then we find new fandoms and start the whole thing over again, just like Kris opening new dark worlds that hold new adventures and new friends. Toby hard-pushing the idea that the Darkners are real people and not just "objects" really makes a lot of sense in this context too. To some people, the internet is just a screen, but we know we are talking to real people, even if it looks a little different.
Susie living in the school dark world is giving her a home where she had none, friends when she struggled with making any, and a chance to be the better person a part of her already wanted to be, even when no one else in her "real" life saw her as anything worthwhile. Sure, she still has another life she has to maintain, and dark world food doesn't actually keep you full, but she has OTHER needs that ARE being met. And I'm sure many of us can relate.
Yeah, this is currently my interpretation of the subtext
and just text at this point
She's been treated as completely undesirable, scary, and dangerous. just the idea anyone could ever like her back is new to her, and Noelle had to spell it out for her in a very direct way, and even then Susie is still worried that someone like her just can't ever make a relationship work.
Did you counter strike here or do nothing?
Struck
Did nothing
this option was interesting to me despite that it didn't seem to affect (this) outcome. because by this point in the fight, you're probably fucking pissed, you're mashing quick time reactions like a pro, and you have very little time to actually think about what you're doing before you do it
Okay new poll since I'm still thinking about this. knowing that it doesn't change the outcome...
What do you think is the right thing to do?
Strike
Do not strike
because the thing is I'm not actually sure if doing nothing leaves Kris high and dry or if it's what they wanted
Flowery's dialogue right before this decision about how Kris is alone is probably supposed to make you think, "wait, they aren't alone! I'm here!" and you can heroically help them land the final blow.
except that doesn't seem to happen? You deflect Flowery with the strike and he's hurt, then Kris steps back, the smoke clears and they're fucking dead. we don't see what happened, it's like there was a timeskip, but it looks like they let (?) Flowery strike them in the end.
and the same basic thing happens if you don't strike. Kris hangs back and braces for impact (Flowery gets to wind up his fist for this one)
so what do you think, is not striking leaving Kris out to dry or is it just enabling the mercy they wanted to show anyway?
pixel stuf
tell me to grow wings... and let's fly out of this stupid town!
yeah