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nvexe

my pronouns are she/her bc I'll never be him (anthony head playing on his pink ds in full costume on the set of merlin)

laterkiss

happy pride month 🏳️‍🌈

dajo42

no, mother... you should have read my supposed "school field trip" permission slip closer.... i foresaw your betrayal a mile away.... im afraid, mother, it is you who has been sold to one direction

grackleclaw

the human body is an engineering marvel. I sneeze in bright light. if I dont get enough sunlight on my skin I get tired and sad and have to drink a lot of milk to fix it. standing too much hurts, but sitting too much also hurts. if I get a virus, my body will increase its temperature in an attempt to cook it, which also cooks my brain cells. toenails exist. I have to turn the radio down to see better when I drive. there are 17 genes dictating what my hair texture is, but it completely changes when the air is too humid. yawning is contagious. there are more species of bacteria living in my body than there are species of birds in the entire world. every few months I grievously injure my neck by "sleeping on it weird." it took seven million years of human evolution to form me, and now I'm afraid of phone calls.

yviisxo

rest in peace to this diva

alnat-art

vampirewillowrosenberg

This can't be fucking real oh my god.

malinaa

what if we all explode

derring-do

This very production of Orpheus & Eurydice is now available to stream, free, for the month of June.

saturnisfilledwithbees

“Put him on his knees give him something to believe in” has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since it’s sung by Megan Thee Stallion no one takes it seriously. In this essay I will-

saturnisfilledwithbees

To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but they’re different in that Hozier’s music is typically “let me worship you” while Megan’s is usually “I’m worshipping myself,” which makes all the difference because it’s an acceptance of power rather than the giving of it. He’s the sinner, she’s the saint. However, taking their difference in genres out of it, people don’t usually seem to take Megan Thee Stallion’s music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)she’s claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that she’s a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just don’t want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborate

soursoppi

big dog aura VS small dog energy

(also a little extra of how bingbing is at home with liu gege)

pierogiy

guy who says eep

nickyandmikey

when two musicians sing into the same microphone and lean in very close to each other… like omg are you guys gonna kiss now to relieve the homoerotic tension?😳

nickyandmikey

THIS IS NOT ABOUT ONE DIRECTION I DON’T KNOW WHO THIS “HARRY” PERSON IS GO WATCH BRUCE SPRINGSTEEN AND CLARENCE CLEMONS KISS ON STAGE RIGHT NOW

irrelevantlyvalid

op is the only valid person i’ve ever met. everyone else needs to come to the light

chokolattejedi

Okay, but this is really important: Bruce Springsteen occupied this really weird place in music history. His songs were all from this pessimistic, nihilistic view of an America that had let him down:

Just like the anti-Vietnam War protest songs that we associate with the 1960s, or the early nihilism that spawned punk music in the 1970s. But he didn’t *sound* like a punk anarchist; he sounded like a country rock singer. When he released Born in the U.S.A. people completely misinterpreted (or possibly ignored) the lyrics in favor of the tone of the music.

Politicians used his music to promote their ‘Murica Yes! brand, and he had to literally explain that that was not what he was about. He’s over here asking when we’re going to have jobs and heathcare, not stanning the politicians who weren’t helping the people.

It was also kind of a big deal that he had an integrated band, because even as late as the 1980s music was still kind of segregated and MTV was straight up racist. They refused to play and promote black artists and then claimed that were no black artists in the first place. Michael Jackson’s record company had to threaten a boycott of their white artists to get MTV to play his Thriller video.

Plus, the first black/white interracial kiss on TV was in 1968 (OG Star Trek). Also it took us until the 70s to get sympathetic gay characters on screen, and the 90s to get gay characters to kiss onscreen. And all of those firsts were met with outrage.

So keep that in mind when you see Bruce Springsteen not just playing with an interracial band, but engaging in an interracial, gay kiss on stage repeatedly.

Passages from American Popular Music by Larry Starr and Christopher Waterman

executeness

I used to think that Bruce and Clarence kissing onstage was exuberance, showmanship, and telling racist homophobes to fuck off. Like, they picked up a certain kind of audience and went “Racist homophobes? Not in our house!” And started the kissing then but then I actually looked it up and

https://www.gq.com/story/this-fucked-me-up-bruce-springsteen-singing-about-clarence-clemons

It was a story where… we remade the city. We remade the city, shaping it into the kind of place where our friendship and our love for one another wouldn’t have been such an exceptional thing. - Bruce Springsteen

It wasn’t about showmanship or rejecting bigots or anything it was just. Damn right that was one of the loves of his life and damn right he was going to kiss him onstage

It gets me a little that Bruce has had a divorce, that he’s been married twice, but he loved Clarence for the rest of Clarence’s life and will presumably love him the rest of his own

Clemons said in one interview. “Bruce and I looked at each other and didn’t say anything, we just knew. We knew we were the missing links in each other’s lives. He was what I’d been searching for.” In another version of the story, Clemons says “He looked at me, and I looked at him, and we fell in love.”

I’m having some emotions about it!

“He was elemental in my life,“ Springsteen adds, “and losing him was like losing the rain.”

Not just! I love you pure and deep and true but! I am going to love you like that in front of the whole damn world!

We have fewer narratives about taking risks and making statements for platonic love rather than romantic and supposedly it would be easier to downplay this onstage than romance and! They refused! They fucking refused! In front of hundreds of thousands of people, over the course of years! In the spotlight, in word and deed, I love you!

God I’m not okay about it

ramshacklefey

Now I’m mad that this is not among any of the things I was ever told about this artist.

jbbartram-illu

I knew about this in general (& via all those fabulous photos), but this just adds even more beautiful context <3

eregyrn-falls

Just to add to the pile: this was the cover of Springsteen’s break-through album Born to Run, in 1975:

I mean, will you LOOK at this:

This was the pic chosen for the album cover from an extensive photoshoot, too. A few others:

There’s a lot more online if you search. They’re all pretty amazing. But the photographer is right, the one chosen for the album cover just pops.

ratsoupee

field trip cancelled

Based off hit tumblr post:

evilvillain123456789

step one: replace entire personality with open, festering wound

step two: contort absolutely all stimuli in my environment to relate to the my wound in some manner, ideally one which justifies random acts of unbridled aggression and vengeance

step three: marry a girl with generational wealth